Quotes About Literature

What a lost person needs is a map of the territory, with his own position marked on it so he can see where he is in relation to everything else. Literature is not only a mirror; it is also a map, a geography of the mind. Our literature is one such map, if we can learn to read it as our literature, as the product of who and where we have been. We need such a map desperately, we need to know about here, because here is where we live. For the members of a country or a culture, shared knowledge of their place, their here, is not a luxury but a necessity. Without that knowledge we will not survive.

English is, from my point of view as an Americanist, an ethnicity. And English literature should be studied in Comparative Literature. And American literature should be a discipline, certainly growing from England and France, Germany, Spain, Denmark, and the Native traditions, particularly because those helped form the American canon. Those are our backgrounds. And then we'd be doing it the way it ought to be done. And someday I hope that it will be.

My job is unbearable to me because it conflicts with my only desire and my only calling, which is literature. Since I am nothing but literature and can and want to be nothing else, my job will never take possession of me, it may, however, shatter me completely, and this is by no means a remote possibility.

I think the number of books published by Mr. Disney has nothing to do with whether or not he is bringing literature to children. That judgment has got to be based on quality rather than quantity. It's the same old problem that continually plagues American culture. I would rather have children playing their own games out of doors in the sunlight than getting the misrepresentation of literature as given by Walt Disney.

One of the things I want to do in the book is to explore how philosophy can be done in literature. I start doing that in the first chapter, by introducing the idea of "philosophy by showing". What literature/philosophy shows is how to look at some important facets of life in a new way, thus changing the frame in which subsequent philosophical argument proceeds.

I'm delighted when people respond with passion and readily intensity to my work. Literature is not as the economist would put it a positional good; in other words, there is infinite space for good literature.

I refuse to see literature as amusement, as a game. I think that you ought not to approach literature without a moral responsibility for every word you write.

In my first class at the University of Kentucky, my American Literature professor came in, and the first sentence out of his mouth was "The central theme of American Literature is an attempt to reconcile what we've done to the New World." wrote that down in my notebook, and thought, "What is he talking about?" But that's what I think about now. The New World and what we've done to it.

The director [Elfar Adalsteins] came to me through my agent and I had a read of the script [of the "Sailcloth]. I thought immediately this is someone who is writing for the cinema. Not having to go through the tedious business of taking something from literature and making that awful leap that is so difficult to make anyway, from literature to cinema. It's refreshing to be able to deal with a subject like that, to be written where the driving force is the image on screen and you don't need any words. The more that we can do that [in film], the better.

In my profession it isn’t a question of telling good literature from bad. Really good literature is seldom appreciated in its own day. The best authors die poor, the bad ones make money — it’s always been like that. What do I, an agent, get out of a literary genius who won’t be discovered for another hundred years? I’ll be dead myself then. Successful incompetents are what I need.

The world does not need more Christian literature. What it needs is more Christians writing good literature.

Above literature?' said the Queen. 'Who is above literature? You might as well say one was above humanity.

Literature is the adventure. It's the story, it's the fight, it's people falling in love, it's people with deep personality disorders who succeed anyway beyond themselves. That's what great literature is.

Let us not kid ourselves; let us remember that literature is of no use whatever, except in the very special case of somebody's wishing to become, of all things, a Professor of Literature.

There is nothing so charming as the knowledge of literature; of that branch of literature, I mean, which enables us to discover the infinity of things, the immensity of Nature, the heavens, the earth, and the seas; this is that branch which has taught us religion, moderation, magnanimity, and that has rescued the soul from obscurity; to make her see all things above and below, first and last, and between both; it is this that furnishes us wherewith to live well and happily, and guides us to pass our lives without displeasure and without offence.

If the purpose of literature is to illuminate human nature, the purpose of fantastic literature is to do that from a wider perspective. You can say different things about what it means to be human if you can contrast that to what it means to be a robot, or an alien, or an elf.

The market literature, which was particularly strong in Igboland, in Onitsha, today it is no longer strong. It is one of the victims of the civil war, that market was actually destroyed and at the end of the war a new Nigeria has struggled to come into being and I believe that what is probably going to replace the market literature might be the video, which they have taken to in a big way, creating dramas. So that may be the next thing way we will see coming out of the local basic level in our society.

New media may at first appear as mere codes of transmission for older achievement and established patterns of thought. But nobody could make the mistake of supposing that phonetic writing merely made it possible for the Greeks to set down in visual order what they had though and known before writing. In the same way printing made literature possible. It did not merely encode literature.

Scholarship cannot do without literature.... It needs literature to float it, to set it current, to authenticate it to all the race, to get it out of closets and into the brains of men who stir abroad.

Everybody has a different idea of when those good old days were, but everyone is convinced that there was a time when literature really mattered and that it doesn't now. They also tend to believe that it really matters someplace else - in very improbable places often. Russia is someone's idea of a place where literature really counts.

It perhaps might be said--if any one dared--that the most worthless literature of the world has been that which has been written by the men of one nation concerning the men of another.

I remember my emotions the day we watched Nelson Mandela walk out of prison Writing & literature in South Africa during the anti-apartheid years, became a 'cultural weapon.' You had to use it to fight apartheid & some of us resisted that in the end, you recognize that you are facing a government that has no scruples about using culture & art to oppress you.

In a way, literature is true than life,' he said to himself. 'On paper, you say exactly and completely what you feel. How easy it is to break things off on paper! You hate, you shout, you kill, you commit suicide; you carry things to the very end. And that's why it's false. But it's damned satisfying. In life, you're constantly denying yourself, and others are always contradicting you. On paper, I make time stand still and I impose my convictions on the whole world; they become the only reality.

Literature deeply stands opposed to the dominant value system-the one that rewards money and power. Writers are on the other side-they make us sympathetic to ideas and feelings that are of deep importance but can’t afford airtime in a commercialized, status-consciou s, and cynical world.

I studied English literature; I took 2 independent religion classes, but I wasn't a religion major really.

My old English buddy, John Rackham, wrote and told me what made science fiction different from all other kinds of literature - science fiction is written according to the science fiction method.

Someone — Cyril Connolly? Ezra Pound? — once said that anything that can be read twice is literature; I would say that anything that bears saying twice is quotable.

Before college, I hadn't voluntarily read anything that might be called literature; I didn't think I'd understand it; I never seemed to understand my English teacher's interpretations of what we read.

There are, it is true, at present no great prizes in literature such as are offered by the learned professions, but there are quite as many small ones - competences; while, on the other hand, it is not so much of a lottery.

People wonder why the novel is the most popular form of literature; people wonder why it is read more than books of science or books of metaphysics. The reason is very simple; it is merely that the novel is more true than they are.

A book is basically just symbols arranged to form this story, this world. But on the other hand, books, novels, literature in general, is what shows us at our most human.

The Pulitzer Prize is an idea; it's a vote of confidence. Like literature, it exists purely in the mind.

Literature adds to reality, it does not simply describe it. It enriches the necessary competencies that daily life requires and provides; and in this respect, it irrigates the deserts that our lives have already become.

I think my books give people a language to have a conversation about God that's not religious. There isn't enough new literature that brings the conversation of God into a modern context. I love the Bible, but in the West we've analyzed it until it fits into a structure of control. We need more new stories. We need different ways of looking at things, and I think it's coming.

Why should literature be easy? Sometimes you can do what you want to do in a simple, direct way that is absolutely right. Sometimes you can't. Reading is not a passive act. Books are not TV. Art of all kinds is an interactive challenge. The person who makes the work and the person who comes to the work both have a job to do. I am never wilfully obscure, but I do ask for some effort.

I thought in 1965 that my job was to convince most Americans to be against the war. So I spent summers knocking on doors, handing out literature, trying to talk to people who didn't agree with me, trying to get them to see the war was wrong. And by 1968 a majority of Americans did oppose the war.

Literature may open a third eye in the middle of the reader's forehead.

Character is the aim of true education; and science, history, and literature are but means used to accomplish this desired end.

Women's books are kind of discriminated against. If a man writes a book about his family stories, people think of it as literature. If it's a woman, she's 'spilling her guts,' and it's not art.

There isn't a lot of poverty literature in the young-adult world. And I don't know why that is, but I think certainly I felt a gap.

If the detective should suffer overmuch from the artistic temperament, and his fellow lodger should dwell overlong upon the fairness of a wrist or the timber of a feminine voice, so much the better for us. Literature never produced a relationship more symbiotic nor a warmer and more timeless friendship.

The psalms, like no other literature, lift us to a position where we can commune with God, capturing a sense of the greatness of his kingdom and a sense of what living with him for eternity will be like.

Like works of literature, mathematical ideas help expand our circle of empathy, liberating us from the tyranny of a single, parochial point of view. Numbers, properly considered, make us better people.

So Bach, Beethoven, Duke Ellington, Thelonius Monk, these are all people who would sort of rearrange or take riffs from people. Same thing with rock, if you look at the Rolling Stones doing a cover of Otis Redding or you know if you look at literature James Joyce is pulling fragments of text from other people.

In order to write about the machine you have to know it, to live with it, to love it (or hate it). I think that true writing could be done on industrial subjects by people who work in industry, who are firmly linked with it. But ... and here is the opposite 'but', the technology of literary craftsmanship is itself a very fine and complex matter. Qualified specialists from industry prove themselves dilettantes in the field of literature. The needed synthesis is not yet in sight.

We shouldn't teach great books; we should teach a love of reading. Knowing the contents of a few works of literature is a trivial achievement. Being inclined to go on reading is a great achievement.

All I am is literature, and I am not able or willing to be anything else.

I worked in the mechanical factories repairing cement trucks. The Cuban government wanted me to work in the university as a teacher in literature, but I declined because I wanted a more sense of the countryside.