Quotes About Metaphor

Creativity is more about taking the facts, fictions, and feelings we store away and finding new ways to connect them. What we're talking about here is metaphor. Metaphor is the lifeblood of all art, if it is not art itself. Metaphor is our vocabulary for connecting what we are experiencing now with what we have experienced before. It's not only how we express what we remember , it's how we interpret it - for ourselves and others.

They [Fairy Tales] are talking about real emotions, telling true stories, through the medium of metaphor. People used to understand metaphor better than I think we do now. But these stories are so potent, they refuse to die.

The greatest thing by far is to be a master of metaphor; it is the one thing that cannot be learned from others; and it is also a sign of genius, since a good metaphor implies an intuitive perception of the similarity of the dissimilar.

An epithet or metaphor drawn from nature ennobles art; an epithet or metaphor drawn from art degrades nature.

I always thought that's the exact metaphor, the perfect metaphor for acting. To go blind, to ignore the danger, and to totally trust.

You use metaphor to make yourself feel at home in the world. You use metaphor to extinguish the unknown. The problem is the unknown is where I want to be.

Muse of poetry, come to his aid, I thought. Could the man produce one more metaphor of husbandry? He seemed to be trying. "Green wood," I suggested, but even he sensed that there was something unfortunate about a metaphor for a king in which you dry out your royalty before you set fire to it.

If you remember only one thing I've said, remember that an idea is a feat of association, and the height of it is a good metaphor. If you have never made a good metaphor, then you don't know what it's all about.

It's a metaphor for what we're being told: "Just stay in the box, kid, don't muddy the water." Parents say it to their kids. Teachers say it. Schools do. And so people become immune to the sameness.

In a sense everything that is exists to climb. All evolution is a climbing towards a higher form. Climbing for life as it reaches towards the consciousness, towards the spirit. We have always honored the high places because we sense them to be the homes of gods. In the mountains there is the promise of... something unexplainable. A higher place of awareness, a spirit that soars. So we climb... and in climbing there is more than a metaphor; there is a means of discovery.

We're living history all the time, in the papers, in the news, you think about stuff and it goes into your brain and you think about it and it comes out somehow. You have an idea; you've heard a phrase, or you're angry, or something disturbs you, or something seems paradoxical to you, you explore that idea, much like a writer would explore maybe an idea through metaphor. Maybe artists use their vehicle to explore ideas, so I think the things that interest me are the kind of idea of continuous change and how nothing stays the same and it's always disintegrating into something more.

The recognition that no knowledge can be complete, no metaphor entire, is itself humanizing. It counteracts fanaticism. It grants even to adversaries the possibility of partial truth, and to oneself the possibility of error.

Translation is entirely mysterious. Increasingly I have felt that the art of writing is itself translating, or more like translating than it is like anything else. What is the other text, the original? I have no answer. I suppose it is the source, the deep sea where ideas swim, and one catches them in nets of words and swings them shining into the boat... where in this metaphor they die and get canned and eaten in sandwiches.

The poet…is the man of metaphor: while the philosopher is interested only in the truth of meaning, beyond even signs and names, and the sophist manipulates empty signs…the poet plays on the multiplicity of signifieds.

It turns out - this is a metaphor out of [Charles] Dickens - that the raw sewage emptied into the Anacostia comes from the Federal Triangle. I have a sewer map, and on it you can see the pipe from which congressional wastes empty into the river that then flows through the black neighborhoods of Washington, D.C. It is very expensive to do anything about the river, but somebody's working on it.

We approach nonfiction at a much different level than we approach fiction or poetry or drama: that there's almost no room for metaphor. We expect the "I" in any nonfiction text to be an autobiographical "I" when there is a history in the essay of the "I" being a persona.

In terms of viewing the world in a certain way, when you're talking about monsters and talking about the metaphor that you're trying to create, as Black Americans, you oft times stand apart and you have to look at things from the inside out or the outside in.

Our sense of justice depends on our sense of time. Justice is a phenomenon only of consciousness, because time spread out in a spatial succession is its very essence. And this is possible only in a spatial metaphor of time.

Many of my short fictions use theatre as a metaphor for situations in which characters find themselves estranged from the larger, uncontrollable world that may or may not lie beyond the proscenium arch.

Don't worry about how pretty (the story) sounds, how lilting it is, and the imagery, and the metaphor, all that. Most readers don't care. It's the people in your book that matter.

It's a wonderful metaphor, catching a wave, for how you can look at other challenges in your life.

I watched as Humphrey Bogart’s character used beans as a metaphor for the relative unimportance in the wider world of his relationship with Ingrid Bergman’s character, and chose logic and decency ahead of his selfish emotional desires. The quandary and resulting decision made for an engrossing film. But this was not what people cried about. They were in love and could not be together. I repeated this statement to myself, trying to force an emotional reaction. I couldn’t. I didn’t care. I had enough problems of my own.

Consider, if you will, the morning boner. What a metaphor of hope and renewal! How can anyone give way to despair when one’s groin greets each day with such a gala spectacle of physical optimism?

It's a wonder you don't see the zebra being trotted out as a metaphor for racial harmony more often.

When I hear real faithful people - whether it's a real Christian, or a real Buddhist, or a real Muslim - I hear them use the language I use for a friend. So my metaphor for God is friend.

I don't believe, in the end, that there is any such thing as no style. Even a very neutral, plain style, one that doesn't use colloquialisms, lyrical flourishes, heavy supplies of metaphor, etc., is a style, and it becomes a writer's characteristic style just as much as a thicker, richer deployment of idiom and vocabulary.

Maybe we need more dialogue in terms of our faith, in terms of those who are believers, or even nonbelievers, about that aspect, and what that might mean if you were interpreting. You don't have to believe it; maybe you could draw a metaphor from it.

A system of metaphor (pointing to a higher power) that one takes inside oneself as the truth and through its rules one aligns ones inner and outer behavior, submitting ones ego or will to the will of a higher power.

... I still wish to contend that some metaphors enable us to see aspects of reality that the metaphor's production helps to constitute. But that is no longer surprising if one believes that the world is necessarily a world under a certain description - or a world seen from a certain perspective.

Drawing is a way of coming upon the connection between things, just like metaphor in poetry reconnects what has become separated.

Your music can be played easily and well by any half-stringed harper or fumble-fingered idiot. Not that I'm maligning your songs. It's just that they're an entirely different kettle of fish-to use a seamanly metaphor-to Domick's. Don't you judge your songs against his standard! More people have already listened to your melodies and liked them than will ever hear Domick's, much less like them.

The #‎ knuckleball can be a metaphor of what it's like to let go.

What we know for sure is that metaphor is the raw uranium of poetry, and that an urge to say that one thing is like something else is one of the earliest markers of the poetic spirit, the nascent poet.

Saving Greenland is both a metaphor and a precondition for saving civilization. If its ice sheet melts, sea levels will rise 23 feet. Hundreds of coastal cities will be abandoned. The rice growing river deltas of Asia will be under water. There will be hundreds of millions of rising-sea refuges. The word that comes to mind is chaos. If we cannot mobilize to save the Greenland ice sheet; we probably cannot save civilization as we know it.

The beauty of string theory is the metaphor kind of really comes very close to the reality. The strings of string theory are vibrating the particles, vibrating the forces of nature into existence, those vibrations are sort of like musical notes. So string theory, if it's correct, would be playing out the score of the universe.

Nothing is more symptomatic of the enervation, of the decompression of the Western imagination, than our incapacity to respond to the landings on the Moon. Not a single great poem, picture, metaphor has come of this breathtaking act, of Prometheus' rescue of Icarus or of Phaeton in flight towards the stars.

Sit back, enjoy the ride and hang out with me for a little while. ( sorry, cheesy driving metaphor!)

The world is emblematic. Parts of speech are metaphors, because the whole of nature is a metaphor of the human mind.

There's a metaphor Vincent Eades likes to use: "If you examine a butterfly according to the laws of aerodynamics, it shouldn't be able to fly. But the butterfly doesn't know that, so it flies.

Metaphor is one of a group of problem-solving medicines known as figures of speech which are normally used to treat literal thinking and other diseases.

The way that I work is that I try to work in metaphors, and you can't write a metaphor unless you know where you're going, so I always think about the future.

Beauty, therefore, for the modern and postmodern artist has become a highly dubious metaphor for a discredited belief system.

Shoes are money well spent and a good metaphor for life: everything else in life may be awful but a shoe will cheer me up, lift my body and take an outfit up five levels. Plus, shoes are easy to carry and fun to collect.

Horror writers can write about everything in the real world that a mainstream novelist can--plus the supernatural, which is the most fertile field for metaphor imaginable.

The coldest word was once a glowing new metaphor.

PRETTY LITTLE LIARS works as a metaphor for our central human experience: we have no way to objectively know about anything, no way to move forward with certainty, and yet move forward we must. We stumble through life, trying to find our own way, not knowing whom to listen to, whom to trust, whom to suspect, what to believe. But in that process we discover our most authentic selves.

Not so many years ago there was no simpler or more intelligible notion than that of going on a journey. Travel -movement through space -provided the universal metaphor for change. One of the subtle confusions -perhaps one of the secret terrors -of modern life is that we have lost this refuge. No longer do we move through space as we once did.

Metaphor is our mental root of imagination and language. Arnold Kozak offers fertile metaphors for growing your knowledge of the Buddhadharma. If you contemplate these brief stories, your emotional intelligence and mindfulness will develop effortlessly from the insights they provide.