Quotes About Read

Read, read, read, read, read, read, read, read, read, read, read, read, read...if you don't read, you will never be a filmmaker.

Read to your children Twenty minutes a day; You have the time, And so do they. Read while the laundry is in the machine; Read while the dinner cooks; Tuck a child in the crook of your arm And reach for the library books. Hide the remote, Let the computer games cool, For one day your children will be off to school; Remedial? Gifted? You have the choice; Let them hear their first tales In the sound of your voice. Read in the morning; Read over noon; Read by the light of Goodnight Moon. Turn the pages together, Sitting close as you'll fit, Till a small voice beside you says, "Hey, don't quit.

I've read fantasy my whole life. Quite literally; my mom read me The Hobbit before I could read stuff to myself. So I love fantasy; that's what I read for fun, it's what I read professionally to keep abreast of what's in the genre - it's where my heart is.

Read at least one book a month. This is self-serving, obviously. It's a proven fact that people who read buy more books than people who don't read. In truth, I wish you'd read ten books a month, or at least buy that many.

And all you can do is just read," she said. She raised her voice an screamed, "You just read and read and read!" Then she threw herself down on the table and wept.

Read not to contradict and confute; nor to believe and take for granted; nor to find talk and discourse; but to weigh and consider. Some books are to be tasted, others to be swallowed, and some few to be chewed and digested: that is, some books are to be read only in parts, others to be read, but not curiously, and some few to be read wholly, and with diligence and attention.

All modesty aside, I think I'm good at reading scripts. The way I read a script is as fast as I can, all in one sitting, and I don't read many of the stage directions. I only read enough stage directions to let me know where I am, because they're always so verbose and mostly horseshit. So I only read the dialogue, which allows me to see the movie in my mind's eye in real time.

Read widely, and without apology. Read what you want to read, not what someone tells you you should read.

Some will read only old books, as if there were no valuable truths to be discovered in modern publications: others will only read new books, as if some valuable truths are not among the old. Some will not read a book because they know the author: others . . . would also read the man.

When I forget the power of the word, I read Frederick Buechner. When I forget the deep relief of telling the truth, I read Frederick Buechner. When I forget to look for the holiness all around me, I read Frederick Buechner. When I forget why the gospel matters, I read Frederick Buechner.

The most popular typefaces are the easiest to read; their popularity has made them disappear from conscious cognition. It becomes impossible to tell if they are easy to read because they are commonly used, or if they are commonly used because they are easy to read.

I'm a slow reader, but I usually get through seventy or eighty books a year, most fiction. I don't read in order to study the craft; I read because I like to read

Honestly, the two main things that I always look for is, when I read the script for the first time, do I read it quickly? Because if I read it quick, that's an important telltale sign.

Normally, when I read a script, I read 30 pages, and then go have a cup of tea and come back. And then, I read 20 pages and go make a phone call, and then go back to it.

We're at an interesting phase of Asian and Asian-American writing, where we might succeed in having readers look at us as creative individuals who write with fury and fire about the world, and in new ways, without having them say things like "I read a really good Indian book," or "That Malaysian fellow writes very well." So I hope by identifying as Indian I can get people who don't usually read "ethnic" or "Indian" literature to read that literature and enjoy it.

I studied piano from the age of three. My grandmother taught piano. I stayed at her house during the day while my parents worked. I obviously wanted to learn to play. And so she asked if she could teach me, and my mother said don't you think she's too young. My grandmother apparently said no. So I could read music before I could read, and I really don't remember learning to read music. So for me it's like a native language. When I look at a sheet of music, it just makes sense.

The most important thing is you can't write what you wouldn't read for pleasure. It's a mistake to analyze the market thinking you can write whatever is hot. You can't say you're going to write romance when you don't even like it. You need to write what you would read if you expect anybody else to read it.

What is Gujarat? You and I are Gujarat, friends! If we read, Gujarat will read. Let us all read. Where there are 5.5 crore Gujaratis, that is my Gujarat and where each Gujarati reads, that is my Vanche Gujarat. Let us move forward with this fervour.

I have this theory that people in Hollywood don't read. They read 'Vanity Fair' and then consider themselves terribly well read. I think I can basically write about anybody without getting caught.

Read the Bible, read the Bible! Let no religious book take its place. Through all my perplexities and distresses, I seldom read any other book, and I as rarely felt the want of any other.

I don't like to read anything on the radio for the very first time, because I don't have any notion of a reaction. When I read it out loud, then I get an idea of that, and more of an idea of how to read.

I think that when you're depressed, you can't concentrate long enough and well enough to read for the most part; some people can, but by and large people - that's one of the first things that goes, is the capacity to read meaningful literature. With grief, that's not true. For a while you can't read, but then you really are amenable to solace.

I am a grenade," I said again. "I just want to stay away from people and read books and think and be with you guys because there's nothing I can do about hurting you: You're too invested, so just please let me do that, okay? "I'm going to go to my room and read for awhile, okay? I'm fine. I really am fine: I just want to go read for a while.

When I read Jerome D. Salinger's "The Catcher in the Rye" that was the first time I felt my mind blow open. I thought that book was speaking to me. I was 12 or 13 when I read that. I read everything on my mother's bookshelves.

I don't always want to read serious fiction. But when I read fiction that's not serious, I don't want to read brain candy. Entertain me, for God's sake.

I do read a lot, and I think in recent years the ratio between the amount of non-fiction and fiction has tipped quite considerably. I did read fiction as a teenager as well, mostly because I was forced to read fiction, of course, to go through high school.

I looked, for example, to certain types of literature to which I would like to refer, like The Peregrine by J. A. Baker, and I mention a book, "read this, read it, read it if you are serious of being in any type of art or into filmmaking," or films that I should quote as examples.

The Book of Books Within this ample volume lies The mystery of mysteries. Happiest they of human race To whom their God has given grace To read, to fear, to hope, to pray, To lift the latch, to force the way; But better had they ne'er been born That read to doubt or read to scorn.

What we read with inclination makes a much stronger impression. If we read without inclination, half the mind is employed in fixing the attention; so there is but one half to be employed on what we read.

All that a university or final highest school. can do for us is still but what the first school began doing--teach us to read. We learn to read in various languages, in various sciences; we learn the alphabet and letters of all manner of books. But the place where we are to get knowledge, even theoretic knowledge, is the books themselves. It depends on what we read, after all manner of professors have done their best for us. The true university of these days is a collection of books.

You should never read just for "enjoyment." Read to make yourself smarter! Less judgmental. More apt to understand your friends' insane behavior, or better yet, your own. Pick "hard books." Ones you have to concentrate on while reading. And for god's sake, don't let me ever hear you say, "I can't read fiction. I only have time for the truth." Fiction is the truth, fool! Ever hear of "literature"? That means fiction, too, stupid.

In fighting a bull you're always aware of a paradox concerning your perceptions of the bull. On the one hand it's your perceptions of the bull that give you the upper hand. You read the bull, you learn to read the bull more and more accurately, and this reading of the bull is how you deploy your intelligence against the bull's intelligence. Your accuracy in reading the bull is a weapon, maybe your most important weapon, against all the bull's weapons. On the other hand, you're human, you have the human tendency to read into the bull things which may not actually be there.

I barely read. I'm not a good reader at all. Rather than reading, I used to sit in front of the TV and watch black-and-white cowboy movies. I'm a painfully slow reader. It's really bad as an actor, because you have to read a lot of scripts. It takes me like an average of three hours to read a script, which is pretty poor.

I opposed the Fatwa against Salman Rushdie. I read the book and took a critical distance. I did not think The Satanic Verses is a blasphemous book. I did not consider the book as being a great read, but as an intellectual I read, I assess, and I respond. I make a difference between true freedom of expression to which we owe a response and provocation, which we ignore.

We tell each other stories to help each other live. That’s why I read poetry. I read poetry to stay alive. That’s why I went to poetry in the first place, that’s why I stay with it, that’s why I’ll never leave it.

I hope that you have re-read the Constitution of the United States in these past few weeks. Like the Bible, it ought to be read again and again.

As actors, it is our responsibility to read the newspapers, and then say what we read on television like it's our own opinion.

I have never written a book that I wouldn't want to read. The trouble is, I love to read horror, sf, fantasy, mysteries, hero pulps - romantic fiction, in the original, traditional meaning of that term, as opposed to mimetic fiction. But most of all, I love thrillers.

I never thought I'd be a writer. I never thought I'd be able to read a book, let alone write one. So if books like this inspire kids to write, or even read a whole book, I think it's good.

I sat on the bench by the willows and at my honey bun and read Triton. There are some awful things in the world, it’s true, but there are also some great books. When I grow up I would like to write something that someone could read sitting on a bench on a day that isn’t all that warm and they could sit reading it and totally forget where they were or what time it was so that they were more inside the book than inside their own head. I’d like to write like Delany or Heinlein or Le Guin.

I like a tranquil, even-keeled, self-controlled God. A God who doesn't fly off the handle at the least provocation. A God who lives one step above the fray. A God who has that British stiff upper lip even when disaster is looming. When I read my Bible, though, I keep running into a different God, and I'm not pleased. This God says he "hates" sin. Well, he usually yells it. Read the prophets. It's just one harangue after another, all in loud decibels. And when the shouting is over, then comes the pouting. ... When all else fails, he throws himself in front of the car.

Hassan couldn't read a first-grade textbook but he'd read me plenty. That was a little unsettling but also sort of comfortable to have someone who always knew what you needed.

Isn't it odd how much fatter a book gets when you've read it several times?" Mo had said..."As if something were left between the pages every time you read it. Feelings, thoughts, sounds, smells...and then, when you look at the book again many years later, you find yourself there, too, a slightly younger self, slightly different, as if the book had preserved you like a pressed flower...both strange and familiar.

Synthesize new ideas constantly. Never read passively. Annotate, model, think, and synthesize while you read, even when you're reading what you conceive to be introductory stuff. That way, you will always aim towards understanding things at a resolution fine enough for you to be creative.

I was read to as a small child, I read on my own as soon as I could, and I recall being more or less overwhelmed again and again - if not by what the books actually said, by what they suggested, what they helped me to imagine.

Could you just call me Pigeon?” he asked the teacher when she read his name. “Does your mother call you Pigeon?” “No.” “Then to me you are Paul.” ... “Nathan Sutter,” the teacher read. “My mother never calls me Nathan.” “Is it Nate?” “She calls me Honeylips.

If I could read a book, I'd definitely read one of yours.

I read reviews, I'm not going to lie to y'all. Like you know, I'll read 'em, but then, the next day I'm able to sort of shrug them off. But if something sort of sticks the next day, there's probably something to it. I just sort of really try to trust my gut on, on all that stuff.