Quotes About Television

The days of television as we knew it growing up are over. You have a bigger, wider world audience on the Internet, larger than any American television series. People don't watch television in the same context as before. Nowadays they watch their television on the Internet at their convenience. That's the whole wave, and it's now - not the future.

My fantasy for children's television is that it's not really children's television, it's everybody's television.

Television is the same as the telephone, and the same as the World Wide Web for that matter. People who become obsessed by the peculiarities of these communications media have simply failed to adjust to the shock of the old. People who bleat on about the 'artistic' potential of television qua television are equally deluded.

Television is our culture's principal mode of knowing about itself. Therefore -- and this is the critical point -- how television stages the world becomes the model for how the world is properly to be staged. It is not merely that on the television screen entertainment is the metaphor for all discourse. It is that off the screen the same metaphor prevails. (92)

There is danger in the concentration of control in the television and radio networks, especially in the large television and radio stations; danger in the concentration of ownership in the press...and danger in the increasing concentration of selection by book publishers and reviewers and by the producers of radio and television programs.

I don't watch daytime television, I have a job, I work and, you know, I think daytime television is really for women.

Everybody should have a television show. Let's all get television shows!

I became an actor, and because I had success as an actor, I became famous. I was acting for quite a while before I got famous; television made me famous. I guess that it's television that is responsible for everybody's desire to be famous.

I describe television as feminine and movies as masculine, in the sense that television wants to examine a problem from all sides and talk about it for a long time, and movies just want to hit the climax and then maybe have a smoke.

There is some stuff on television that is shocking that it's on there, and shocking that it's not being censored. We run to that with torches and pitchforks and go after it. On Flavor Of Love, when a woman took a dump on the stairs, I mean, that's like J.R. being shot on Dallas, or like maybe the last episode of M*A*S*H. It's a milestone on television that's covered with chlamydia.

Are we on the tail-end of a generation that is enamored with the novelty of these devices and will younger people coming of age be more blasé about them in a healthy way? You look back at the history of any medium and the people who were there when it was developing, whether it was the telegraph or cable television or radio, thought, This is amazing, it's going change everything, or, The human community will finally be able to recognize each other and speak and be one - I mean, some people thought the telegraph or television would usher in world peace.

Black people watch more television than anybody else, which makes it legitimate to talk about television. Its anesthetizing effect has been quite real. But that concern isn't new.

Actors always direct themselves. A good actor shows up onset ready, especially in television, and you've done your homework and you know your character. The director may have some variation on what you're thinking or they may have a different interpretation of the scene. So you come prepared to shoot and you've given yourself notes. In television, it may be the first time you're meeting this director and you've been living in this character's skin for a couple of years. It's always great to have fresh perspective and fresh insight, but no one knows your character better than you do.

Film and television are just different. Film is cool because its a complete package. You know the beginning, middle, and end. You can plan it out more, which I like. But with television you get a new script every week, so its constantly a mystery as to what youre going to be doing.

As an actor what you're always looking for is a character that is going to grow and change especially on television. I feel incredibly lucky to be working on a television show where the writing is always geared towards us growing and changing.

Jeff always says, "In the cinema, everybody goes to sci-fi. Those are the biggest movies. But, in television, nobody wants to touch it with a barge pole." It's strange. I think it's because maybe there's a legacy of television shows that depicted sci-fi in a certain way that turns off a lot of viewers, so maybe there's a negative connotation.

I wrote my own first book about the defense of television as an art form in 1992. It was harder to make the argument then. Now it seems absolutely a given. You can argue about when the Platinum Age Of Television begins, but I don't think that anybody can argue that it's not here.

It's not brain surgery. It's not nuclear physics. It's television. It's only television.

But I never, never thought of the ministry nor did - of course, television when I was growing up, there was no television. So I didn't know anything about it.

I think that people might watch reality television or what they see played out on media outlets and get ideas. We might be more anesthetized to divorce or bad behavior now because of what we see on television or on postings on TMZ. So it definitely could be filtering in to how we conduct ourselves.

When you're on the bus or subway or in your car, why busy your mind with all the garbage of advertisements? Why fill your mind with television and radio? Somehow you have to decide what your mind will receive. I don't mean you shouldn't ever go to movies or watch television, but control what enters your mind and heart. It's not just a question of pushing bad things out but also a question of holding on to something really good.

I'd say working on television is much, much tougher than films. But television has a great connect with a live audience, which is a refreshing change for us actors.

I don't really follow television so much, but in the old days there was a certain way TV was, and it wasn't really like cinema. I don't know how many ways it was different or the same, but it was not quite like cinema. Now, cinema can happen on television.

I was a fan of the television show as a kid but I wouldn't say that I've followed all the movies or anything like that. But I was a television junkie as a kid.

Hopefully I'll fit the television in there. Maybe it'll be like music and television and movies. I mean, who knows? But hopefully I can be successful at everything I do.

Sometimes I think on television, you use maybe a tenth of what you are able to do. So it’s nice to go, Well, I’m gonna take two months and reinvest in acting and storytelling. You don’t get to do that on television.

I think that cinema and television have nothing in common. There is a breaking point between photography and cinema on the one hand and television and virtual reality on the other hand.

Coming back into television, I was very, very wary about committing to anything that could potentially take a long time. I don't mind movies, but I was nervous of television.

I was a massive fan of 'Twin Peaks.' Massive. I don't know how any of us grew up in this age of television and weren't astounded, and saying that, I'm still shocked that that was on network television.

I think you know, to not open your mind to television is silly because there's so much good work happening on television.

Like the sorcerer of old, the television set casts its magic spell, freezing speech and action and turning the living into silent statues so long as the enchantment lasts. The primary danger of the television screen lies not so much in the behavior it produces as the behavior it prevents — the talks, the games, the family festivities and arguments.

The repeat run of Fawlty Towers (BBC2) drew bigger audiences than ever and deservedly so. Statistical surveys reveal that only the television critic of the Spectator is incapable of seeing the joke, which is that Basil Fawlty has the wrong temperament to be a hotel proprietor, just as some other people have the wrong temperament to be television critics.

J.J. Abrams wanted me to do a part in Lost and we probably had three meetings, and I finally turned it down, but it wasn't because I didn't like television or Lost, although I think I said to J.J., "I don't want to be in Hawaii and have an insurance person tell me I'm not allowed to go free dive and spear fishing." That would be the worst kind of torture in the world. But I don't hate television.

I've heard - when I first started, people were saying, "You know if it ends up being Trump against [Hillary] Clinton, it's going to be the highest-rated debate in the history of television - or, show in the history of television. And they also said something else. It'll probably be the greatest voter turnout in the history of this country. That could very well be.

The American house has been TV-centered for three generations. It is the focus of family life, and the life of the house correspondingly turns inward, away from whatever corresponds beyond its four walls.At the same time, the television is the families chief connection to the world. The physical envelope of the house itself no longer connects their lives to the outside in any active way; rather it seals them from it.The outside world has become an abstraction filtered through television, just as the weather is an abstraction filtered through air conditioning.

It concerns me when I see a small child watching the hero shoot the villain on television. It is teaching the small child to believe that shooting people is heroic. The hero just did it and it was effective. It was acceptable and the hero was well thought of afterward. If enough of us find inner peace to affect the institution of television, the little child will see the hero transform the villain and bring him to a good life. He'll see the hero do something significant to serve fellow human beings. So little children will get the idea that if you want to be a hero you must help people.

We were on the island of Hawaii. I think I was there three months. It was fantastic. It is not much different than films. It depends on the television show but much of television today is as good or better than most films.

Nowadays, to be frank, every week is a good week for freakshow television. we might start asking, Why are there so many freaks? And why do they all want to be on television?

Ed Simmons and I became stars in the emerging medium of television. We were new and fresh, just like TV at the time, so we automatically became 'THE' comedy writers for television.

I've never left music behind, but I've had success in television.

Crime dramas will never go away as long as people turn to television for, among other things, reassurance and comfort.

I'm a maniacal perfectionist. And if I weren't, I wouldn't have this company... I have proven that being a perfectionist can be profitable and admirable when creating content across the board: in television, books, newspapers, radio, videos.

In the '60s and '70s it was a great period for American films because studios were still run by individuals who worked off the seat of their pants and went along with things. At that time, they were very uncertain about what to make because of the influence of television. A lot of really terrific movies were made. But then the studios gradually became more corporate and were owned by corporations and run in that way and now they're very nervous. You see what they make - sequels, franchises and try not to take risks.

Television and radio do a wonderful job in focusing attention on the problems of our society.

In this country, you have movie actors and theatre actors and television actors

I love to perform and I love to perform characters, and sometimes when I'm doing television and film, I just feel like I'm making a living. I'm good at it, but I'm not really being artistically challenged.

The reason I live in America is because I mean literally every six or seven years I've done something in England. The last lead I had in an English film I did was 1998. So that's why I live here. It's because I get more work. I'll travel back for radio, you know what I mean. I've just got to consider myself to be living in the middle of the ocean, and that way I have a really nice career, if I'm prepared to do television, radio, theater, and film.

Well, I don't know anything about television. I'd never done it before. Initially, it was quite daunting to take on so much challenge and so much time with it. I think it is a great outlet for an actress because you really have 13 hours to bring a character to life, which is so much more than with film, and you have the luxury of time to tell a story and to really color a character.