Quotes About Television

When you watch television, you never see people watching television. We love television because it brings us a world in which television does not exist.

The tough decisions that a president has to make in the Oval Office are in no way related to the capability of a person to do well on television. On the other hand, the capability of a person to project favorably on television enhances that person's odds of being elected so he can serve in the Oval Office. So you can't ignore the talents, one, to be very effective on television, and on the other hand, to be very effective as an operating president.

Television is the same as the telephone, and the same as the World Wide Web for that matter. People who become obsessed by the peculiarities of these communications media have simply failed to adjust to the shock of the old. People who bleat on about the 'artistic' potential of television qua television are equally deluded.

I know when I was growing up in New York, whenever I turned on the television, I never saw a face that looked like me. Whenever there was an Asian person on television, it would be a huge event, me calling to my older sister 'There's an Asian person on television!' It was unheard of back then.

I actually think the band doesn't need the television show. And I actually think the television show holds it back. No one at radio wants to play a band that's on a television show.

I don't watch daytime television, I have a job, I work and, you know, I think daytime television is really for women.

There is no doubt that directing television has helped hone my directing skills. What television teaches you is to be efficient and to think on your feet. You have to adhere to strict deadlines and budget constraints.

Television viewers, they've been around a long time. They've been watching this thing now for 50 years. I mean, they know exactly what's happening when it comes to television programming. You can't put anything over on them anymore.

Once you have some sort of reputation in the outside world, they will try to woo you. They will say, "Won't you come and be on a talk program about books? That's not political." Then they can say to the outside world, "See how free it is, she appears on television. See how free it is." So I refused to have anything of mine read or dramatized on South African television.

In Fahrenheit 451, Ray Bradbury raised cautions against mass media, especially the television, which dumb down human sensibilities and coerce everybody's thoughts into a single uniform value, allowing human to forget the fundamental action of "having one's opinion". As a result, the society deteriorates. I decided to exhibit [Edward] Kienholz's work which features television as its subject, as well as the Big Double Cross as works that represent this warning.

I certainly don't feel there's a distinction to be made between a television and a film actor. I think there's a distinction between great actors and not so great actors. But I really think if you watch a person working in television give a wonderful performance, that person is f - ing great, because there is no time.

People think I appear on television to promote my image. That's not fair. I hate filming. I turned down 'Strictly Come Dancing.' But television is a wonderful opportunity to promote scientific ideas. 'Super Doctors' is a very thoughtful piece.

I think somewhere in the '90s, it started to shift, and you started to see a lot of film and television actors doing theater, and producers using the notoriety of the film and television actors to sell tickets.

That makes entertaining television. That is the circus of American Idol . We go for the very, very best and the very, very worst. It's the boring people that we don't want to see on television.

I'm an actor and I am looking for roles where I can continue to evolve, and things that are challenging. I gravitate to the roles, not necessarily television or film. It's just the fact that, for me, the most interesting roles have been in television.

I think it always makes for great television when two characters actually take time to realize that they want to be with each other. You have to leave it to the writers to know what makes great television.

We just have to go at 100 miles an hour in all our businesses, be they television broadcasting, be they magazine publishing, be they subscription television, be they online, be they gaming. We just have to go at one hundred miles an hour.

This is the kind of upbringing we had instead of sitting in front of a damn television set all day long and never answering to anybody else unless somebody spoke up from a television set. It's an altogether different way of living today that you wonder how it really affects the family? I know how it affects the family because I have my own son who has his children and also my daughter. It's one of those things. Everybody eats in their own way and off they go. You know? It's not family oriented anymore."

When Nick At Nite is showing George Lopez, it's not doing what I'm thinking. But yes, I even write in the book about how MeTV went to Vince Gilligan and had him present an evening of his favorite television. So it can be done, but I think it can be done on a really large scale. The television of Dennis Potter, most of it hasn't been seen in this country. And that's just one example - it's a very obscure example. There's plenty of great TV out there. There's more crap - but there's great TV, too.

You can always spot a 'television personality', even when they aren't actually on television, because they carry their 'made-up' persona in front of them, like some sort of baffler, or Ready Brek force field. Their reach for notoriety predicated on that fulsome mediocrity of talent detailed above has become frozen in their faces.

If watching television doesn't hasten death, it surely manages to make death very inviting; for television so shamelessly sentimentalizes and romanticizes death that it makes the living feel they have missed something - just by staying alive.

Sometimes when you have an abundance of time and money, it's less conducive to the creative process. I like the urgency of the television schedule and the television price point. It's fluid. You figure it out on the day, and I love the challenge of problem-solving.

I'd love to do another television series. I really love the writing process, and as an actor I really like how much you get to examine in television.

In France, it is television that pays for films to be made and I received all of my funding from TV: two television channels, government funding and distributor contribution (Wild Bunch). My films are low-budget, and not expensive [to make].

J.J. Abrams wanted me to do a part in Lost and we probably had three meetings, and I finally turned it down, but it wasn't because I didn't like television or Lost, although I think I said to J.J., "I don't want to be in Hawaii and have an insurance person tell me I'm not allowed to go free dive and spear fishing." That would be the worst kind of torture in the world. But I don't hate television.

My job as a television anchor or television reporter is not to proselytize.

Now, you always know there's going to be some compromise when you're doing something for television, and especially network television.

My father did think I should get interested in television. But I had very little interest in television and it wasn't something I wanted to do. I really never thought about going to work on big feature films in Hollywood. But when we made The Householder, Columbia Pictures bought it. Who would have ever imagined?

When you're a doctor and you spend most of your life in a hospital, you honestly don't get to watch as much television as you think you might, and the power of television is enormous.

If your working television sits on top of your non-working television, you might be a redneck.

We met financial expectations for the quarter in a difficult economic environment. We also signed a two-year programming agreement with Home & Garden Television to launch two new cable television series, and launched the Martha Stewart Kids magazine These initiatives provide future revenue and earnings growth for the brand and build long-term value for shareholders.

The Bush campaign for re-election has officially begun. They're actually running television commercials. Have you seen any of the television commercials? In one of the commercials, you see George Bush for thirty seconds. In another commercial, you get to see George Bush for sixty seconds - kind of like his stint in the National Guard.

I don't like to watch golf on television because I can't stand people who whisper.

Make Earth Day Every Day.” While we might not always live up to this ideal, I try to keep this quote from Denis Hayes, founder of the Earth Day Network and president of Seattle’s Bullitt Foundation, in mind when I need a little extra motivation to be a better environmentalist: “Listen up, you couch potatoes: each recycled beer can saves enough electricity to run a television for three hours.

The charm of television entertainment is its ability to bridge the chasm between dinner and bedtime without mental distraction.

The faultless formulas of television-the ones that last-are simple.

Television has changed the American child from an irresistable force to an immovable object.

In primetime cable television today, the anchor or anchors, with an "s", have to drive the hour. The anchor has to be skilled enough to take it over. So if I find that it's getting boring or I'm not getting information I want, I'll take it over. I'll do a soliloquy, I'll ask an outrageous question, I'll wave my arms in the air, I'll lift it myself. It's like a quarterback that's back to pass and nobody's open.

In the '60s and '70s it was a great period for American films because studios were still run by individuals who worked off the seat of their pants and went along with things. At that time, they were very uncertain about what to make because of the influence of television. A lot of really terrific movies were made. But then the studios gradually became more corporate and were owned by corporations and run in that way and now they're very nervous. You see what they make - sequels, franchises and try not to take risks.

I think women are amazing and womens friendships are like a sisterhood and we should see more of it in television and film.

I was fortunate to be part of a very successful show on CBS in 1986. I switched to NBC for eight years and through these experiences have gotten terrific insight into television; it's a fascinating medium.

That is the godawful thing about television today. Performers don't have any place to hit and miss. You're either in or you're out; you don't have a chance to become good at your craft. If you make three pictures in a row and they don't go over, you're out of the business.

We wanted to prove that I am not just a provocateur, as the television said [referring to a Fox news clip shown in the film]. It's challenging, but it's not just challenging.

MSNBC has abruptly ended their relationship with Keith Olbermann, and according to his contract he's not allowed back on television for at least six months. Or as industry experts call it, The Conan.

The only way I'd want to do something in television would be if it was about how I think as a comedian. I'd need to be able to be a creator. That's what I enjoy - I enjoy coming up with comedy, so it'd be very difficult for me to be sitting in a room and have somebody come in and say, "Here's your script! Learn these lines!" That's not fun. At least not for me.

I was in Britain that year [1963] and some music publishing people in Denmark Street in London suggested me to the BBC. So I found myself in front of a British television show, which was a nice surprise.

The future of American film lies on television.

Material success is rewarding and a lot of fun, but it's not the most important thing in my life because I know when this is all over, the Master isn't going to ask me how many things I owned or how many television shows I did. I think the questions will be, What did I do to make a difference? Did I learn to live with love in my heart?