Quotes About Television

Television is competitive now, and the great stories live on television right now. I'm finding that I'm enjoying television more than film, these days. That was my motivation to take a TV show.

Local television is a slightly different story. It is under much more pressure in the same way that all local businesses are, whether that's a local newspaper, local radio or local television. But I think television in the aggregate is actually in very good shape.

I don't watch daytime television, I have a job, I work and, you know, I think daytime television is really for women.

Somewhere around the turn of the century, it stopped being hip to say you never watched TV. Adults are much more likely to find something to engage them on television than they are at the local multiplex. Edges are being cut on television all the time, but at the movies only now and then.

We didn't have television until I was about eight years old, so it was either the movies or radio. A lot of radio drama. That was our television, you know. We had to use our imagination. So it was really those two things, and the comics, that I immersed myself in as a child.

Often times people complain about the lack of time in television, but I have to say, you don't have any more time to film in feature films then you do in television. It's just a question of how many scenes you'll be doing in the course of a day.

Al Bernstein has seen cable television sports grow up. In 30 Years/30 Undeniable Truths he looks at his time in the industry through a prism that is unique to him. This book gives the reader an insight into the sometimes absurd world of television sports. There is a 31st undeniable truth: Al Bernstein is a truly funny man.

In Fahrenheit 451, Ray Bradbury raised cautions against mass media, especially the television, which dumb down human sensibilities and coerce everybody's thoughts into a single uniform value, allowing human to forget the fundamental action of "having one's opinion". As a result, the society deteriorates. I decided to exhibit [Edward] Kienholz's work which features television as its subject, as well as the Big Double Cross as works that represent this warning.

There's a level of action unlike anything else on television. AMC always makes distinctive television and I think that certainly fits that requirement.

There's this message to comedians in particular, that you shouldn't write it, and a television writer should write it. And that's a prevailing conventional wisdom that I think is really wrong. That's not to say that television writers aren't great, but I think that the belief that some comedy writer's going to be able to capture your voice is naive.

I'm an actor and I am looking for roles where I can continue to evolve, and things that are challenging. I gravitate to the roles, not necessarily television or film. It's just the fact that, for me, the most interesting roles have been in television.

Democracy means free television, not good television, but free.

If you believe that your thoughts originate inside your brain, do you also believe that television shows are made inside your television set?

I don't really watch a lot of television, and I would watch mindless, mindless television.

I think American television changed world television in its reinvention of the series.

Opera on television in Europe is very important. If you think about it in the broadest sense: a lot of the dramas made in India with music are practically operas. They're not sung but they have a very big appeal. I don't know why American television people are so stupid but at the moment, they just seem to have some sort of a block. They just do what they do and they do it for a certain number of years. Then it wears out and they try something else. It's just a matter of time I think.

I hate going to L.A. and dealing with the contempt people have for television and television actors. Its unbelievable the kind of attitude people take toward what is the most exciting medium weve got right now.

I'm one of those pathetic actors who will say yes to every play reading just because I do miss the stage so much. What I really miss about the theater is that in the end, it's yours to give. In television and film, it's yours to do and someone else's to take and someone else's to give. As much as I love television - the biggest luxury of all is to know that you have a job to go to - I do miss that connection and having that power over my own performance on stage.

I'm told I either look bigger than I do on television or that I look smaller than I look on television. No one seems to think I look the same size.

Television watching should more properly be called television staring; it engages eye and ear simultaneously in a relentless and persistent way and leaves no room for daydreaming. This is what makes watching such an inferior form of leisure

I think I'm better wired for television. I love variety as far as a project. I'm easily bored and the schedule of a television show, it just keeps you going. I love theater and I think doing a sitcom in front of a live audience is the closest you can get to theater, and it's really the best mix of like standup and theater, is really a sitcom. I started as a standup and I still continue to do that as well, so I think I'm just a TV guy and happy for it. I think my movie career is kind of like my social life, I'm picky and not in demand. So it perhaps is working out.

We have currently a built-in allergy to unpleasant or disturbing information. Our mass media reflect this. But unless we get up off our fat surpluses and recognize that television in the main is being used to distract, delude, amuse, and insulate us, then television and those who finance it, those who look at it, and those who work at it, may see a totally different picture too late.

I just really like writing and making television shows. There are ego rewards in doing battle with other television programs in prime time in the main season. I suppose there are times when I might look at that and think that's the major league. But when you look at it, ultimately would I really want to gamble my livelihood and my ability to connect with my fan base or write a show that I really like writing, or in some cases direct a show that I really like directing, for the sake of winning an ego battle? It's totally not worth it. That stuff is so ephemeral.

The more opportunities people have to experience television on different platforms, the more television they consume overall. So there actually has been a benefit, but the ratings have gone down. But we've seen kind of the horizontal benefit of this. And it remains a great, great promotion engine.

The American house has been TV-centered for three generations. It is the focus of family life, and the life of the house correspondingly turns inward, away from whatever corresponds beyond its four walls.At the same time, the television is the families chief connection to the world. The physical envelope of the house itself no longer connects their lives to the outside in any active way; rather it seals them from it.The outside world has become an abstraction filtered through television, just as the weather is an abstraction filtered through air conditioning.

I think that television lately has been extremely dark and, in some ways, cynical but I also think that people who are writing those shows probably feel exactly as I do - that sometimes the darkness of a story can highlight the light in a story. There's a lot of cynical stuff but I think it may be even more in movies now where you see so many movies about cynical and corrupted characters. That's the state of many movies right now but movies, television, all of culture, there's always going to be a battle between the stories that are cynical and stories that are hopeful.

It concerns me when I see a small child watching the hero shoot the villain on television. It is teaching the small child to believe that shooting people is heroic. The hero just did it and it was effective. It was acceptable and the hero was well thought of afterward. If enough of us find inner peace to affect the institution of television, the little child will see the hero transform the villain and bring him to a good life. He'll see the hero do something significant to serve fellow human beings. So little children will get the idea that if you want to be a hero you must help people.

Nowadays, to be frank, every week is a good week for freakshow television. we might start asking, Why are there so many freaks? And why do they all want to be on television?

TV can be an acronym for television or transvestite. I prefer using it to describe the the latter. The former is strange and undignified.

I don't believe terror and horror are just vicarious pleasures. I think it routes itself in your mind. It can affect your mind. Look at what's going on in the America today. The violence is just awful and I think a lot of has to do with what they are showing on the movies and television.

When you work in television you're in the writer's room all the time. You can't take 10 days or a week to go watch movies. Nobody's going to sign up for that. But it's something I had always thought if I was every asked I would definitely do it if I had the time to do it.

The hope for me going back into television - after doing what will have been two years of radio - is to bring that authenticity with me. And, to not have the visual be overpowering the content.

Soul Train' was developed as a radio show on television. It was the radio show that I always wanted and never had.

Make Earth Day Every Day.” While we might not always live up to this ideal, I try to keep this quote from Denis Hayes, founder of the Earth Day Network and president of Seattle’s Bullitt Foundation, in mind when I need a little extra motivation to be a better environmentalist: “Listen up, you couch potatoes: each recycled beer can saves enough electricity to run a television for three hours.

Only at the Golden Globes do the beautiful people of film rub shoulders with the rat-faced people in television.

Television has changed the American child from an irresistable force to an immovable object.

Billy was fascinated by the television. At its most basic level, it occupied his time and shut out the demons of isolation. This was another irony because, for so long, he had shunned the tube for a similar purpose-to prevent it from bombarding his brain with demons of banality. However, each time he turned the machine on, he began to discover a world of assorted delights, as well as gain insight into the insidious manner in which this medium was shaping the mass psyche. If nothing else, he learned there was nothing innocuous about it.

I was fortunate to be part of a very successful show on CBS in 1986. I switched to NBC for eight years and through these experiences have gotten terrific insight into television; it's a fascinating medium.

See, I don't watch reality television anymore. I watched a little bit of it for awhile, but I found it turned my soul into a black sludge, and I just did not find it healthy or good for me at all, because I would watch it and be disgusted, disgusted.

There are some incredible television shows. It seems a sort of succumbed place to be. At the moment, I'm quite happy sort of flitting from place-to-place. I wouldn't want to relocate from where I am right now in terms of where I live.

Well, I had an immense respect for Cirque du Soleil when I first say them in the '80s on a television show and just thought, you know, this group is really reinventing the circus, as you know. Because there wasn't three rings. There were no animals.

Films allow you more preparation time, keeping the higher budgets in mind. Television makes you work really fast, but maintain certain standards. Then it's up to me to seek out the best of both worlds.

People don't talk to each other. You're alone with your television set or internet. But you can't have a functioning democracy without what sociologists call "secondary organizations," places where people can get together, plan, talk and develop ideas. You don't do it alone.

You know, there are not only - all of the networks, and I mean every television news operation and print and radio and magazines, newspapers, all of them, are remiss in the diversity area. I mean, none of these organizations have reached a level of parity

I have done film, television and theatre - all at a pretty substantial level - I don't think it's possible for American actors to do that.

My first memoir, 'Home,' was about my childhood, early training and formative years in the Theater, i am so pleased that my good friends at the Hachette Book Group have encouraged me to share the next phase of my life, beginning with my arrival in Hollywood and the wonderful movies and television programs I was asked to be a part of.

I am a Black revolutionary woman, and because of this i have been charged with and accused of every alleged crime in which a woman was believed to have participated. The alleged crimes in which only men were supposedly involved, i have been accused of planning. They have plastered pictures alleged to be me in post offices, airports, hotels, police cars, subways, banks, television, and newspapers. They have offered . rewards for my capture and they have issued orders to shoot on sight and shoot to kill.

I think that there's no doubt that to work in film is a bit more of a creative journey. It's not that I don't put the same time or heart into something that's on television.