Quotes About Television

I think everything keeps changing. There was a time when television was a bad thing for actors and it meant that you could only do television, and now we see everyone does television.

I did a good bit of episodic television directing, but directing a movie is so much more complicated. And there's so much more responsibility because the medium is very much a director's medium. Television is much more of a producer's writer's medium so a lot of the time when you're directing a television show they have a color palette on set or a visual style and dynamic that's already been predetermined and you just kind of have to follow the rules.

First there was a young guy sitting in front of television in a T-shirt drinking beer with his mother, then there was an older fatter person sitting in front of television in a T-shirt drinking beer with his mother.

Everybody should have a television show. Let's all get television shows!

That makes entertaining television. That is the circus of American Idol . We go for the very, very best and the very, very worst. It's the boring people that we don't want to see on television.

It makes sense that it's so different from film and television, because it's so in-depth. As actors, when we're in film or television, we can have transcendent moments and we get to work with really creative and incredible people, but it's such a small percentage of your time that's about your process.

I recently realized that Television has influenced a lot of English bands. Echo and the Bunnymen, U2, Teardrop Explodes - it's obvious what they've listened to and what they're going for. When I was sixteen I listened to Yardbirds records and thought, "God, this is great." It's gratifying to think that people listened to Television albums and felt the same.

I'm a huge fan of good, procedural-type shows on television... there are a lot of roles for women. But there aren't a lot of great network television roles for girls that will let you start a character in one place and finish up with her in a totally different one.

Ultimately, the dollars will have to come from television. Will it come from television tomorrow, I don't know.

Jeff always says, "In the cinema, everybody goes to sci-fi. Those are the biggest movies. But, in television, nobody wants to touch it with a barge pole." It's strange. I think it's because maybe there's a legacy of television shows that depicted sci-fi in a certain way that turns off a lot of viewers, so maybe there's a negative connotation.

I absolutely love television, and I don't mean to be vulgar, but as I keep having to explain to people from the movie industry, I get more power and more money doing television, so why on earth would I do a film?

It takes a pretty strong person, a rather unusual young person, to stand up to ridicule and refuse to give in to temptation. There are so many things today in modern music, on television, and in the movies that portray a life that is nowhere near the life the Lord would have us live. Consequently, we cannot afford to turn to the radio, television, or Hollywood to take our cues about what is right and what is wrong. It is scary to realize that the more we are exposed to Hollywood's version of life, the more we gradually begin to accept it.

I think it does give me different stuff and I feel like television moves a lot faster than movie sets do. It's kinda like they have to get things done within a certain timeframe. So do movies but it seems like, as far as television is concerned, it just moves a helluva lot faster.

Some television programs are made very attractive to young children by presenting short, rapidly moving sequences and ever-changing episodes.... Some experts now argue that slower- paced television fare that allows children time to think about the material is more valuable than the faster-paced programs that merely capture their attention.

Sometimes I think on television, you use maybe a tenth of what you are able to do. So it’s nice to go, Well, I’m gonna take two months and reinvest in acting and storytelling. You don’t get to do that on television.

I think I've actually benefited from Australia being a kind of combination of both British and American culture. We kind of got the best of both British and American television and books, science fiction and fantasy, and so on. So I'm familiar with a lot of, for example, American books and television that a British author of my generation might not be.

Everybody's slow right now, there's nothing happening musically, everybody's all on cable television and being manipulated by all the television right now, what's on cable telling people what to listen to and stuff.

I believe television is going to be the test of the modern world, and that in this new opportunity to see beyond the range of our vision, we shall discover a new and unbearable disturbance of the modern peace, or a saving radiance in the sky. We shall stand or fall by television - of that I am quite sure.

Most Chinese filmmakers grew up watching television; they watched films on television, not in cinemas. The scope of their vision is not big enough, they're not yet detail-oriented enough. You have to watch films in cinemas for years to understand the depth and scope of vision needed in filmmaking. Directors in China usually come from an academic background; they graduate as film directors. Whereas the directors from Hong Kong learn their trade on sets, beginning at the lowest rung.

We're enlarging in every single area of the ministry at In Touch. We're on radio and television. We're in over 110 million homes in America plus radio on satellites. We just acquired the NAMB FamilyNet television network, and with that expanding possibilities of the gospel.

Postman is a media analyst and his theory is that television doesn't influence our culture, but that it is our culture and the presidency and anything that relies on television.

As the age of television progresses the Reagans will be the rule, not the exception. To be perfect for television is all a President has to be these days.

I've heard - when I first started, people were saying, "You know if it ends up being Trump against [Hillary] Clinton, it's going to be the highest-rated debate in the history of television - or, show in the history of television. And they also said something else. It'll probably be the greatest voter turnout in the history of this country. That could very well be.

I like working in both movies and television. Television is faster, not very much rehearsal and a lot of material is shot in a day. Big budget movies are luxurious in terms of the schedule. Independent films often shoot fast as well.

The advertising marketplace is moving rapidly into digital videos. We know that by 2018 it is estimated that it will be a $12.2 billion business. We've been seeing the agencies combine their digital video spend with television spend and put it under one spend and just calling it "video." The pool of money is becoming much bigger. The comparisons between television and digital video are being made much more often because you can account for who's watching, you can't fast-forward through the commercials. There's a much more intimate relationship with someone watching digital video.

The arrival of television established a mass-media order that dominated the last 50 years. This is a personal media revolution. The distinction between the old order and the new order is very important. Television delivered the world to our living room. In the old media, all we could do was press our noses against the glass and watch.

I hate to mention age, but I come from an era when we weren't consumed by technology and television.

When you work in television you're in the writer's room all the time. You can't take 10 days or a week to go watch movies. Nobody's going to sign up for that. But it's something I had always thought if I was every asked I would definitely do it if I had the time to do it.

I've always been a fan of advertising, I've always been a fan of television, I've loved commercials, I've loved all the jingles, I loved all the stuff

Somehow, by just continually pestering the general public by appearing on television, they accepted me and wanted more.

I've never left music behind, but I've had success in television.

You can't have Rosie on The View and Elton John packing Mom and Pop in at Caesars Palace and gay people all over television, and then have these politicians run out there with a straight face and say that gay and lesbian relationships are a threat to the family. We are winning in the culture - which is why we'll ultimately win the political war.

I think the reason the Golden Age of television is so golden is because a lot of folks are willing to let creators do their thing and live or die by their own muse. They certainly allow us to do that.

A bad play folds and is forgotten, but in pictures we don't bury our dead. When you think it's out of your system, your daughter sees it on television and says, My father is an idiot.

Remember what Hannah Arendt said when she was talking about fascism and totalitarianism. She said thoughtlessness is the essence of totalitarianism. So all of a sudden emotion becomes more important than reason. Ignorance becomes more important than justice. Injustice is looked over as simply something that happens on television. The spectacle of violence takes over everything.

We wanted to prove that I am not just a provocateur, as the television said [referring to a Fox news clip shown in the film]. It's challenging, but it's not just challenging.

The reason I live in America is because I mean literally every six or seven years I've done something in England. The last lead I had in an English film I did was 1998. So that's why I live here. It's because I get more work. I'll travel back for radio, you know what I mean. I've just got to consider myself to be living in the middle of the ocean, and that way I have a really nice career, if I'm prepared to do television, radio, theater, and film.

I think there's a lot of really good programming on television. What I've noticed, through the years of being a professional writer, is the watering down process of story. You have to market to the masses and not offend anybody.

The nuclear generator of brain sludge is television.

When I first started out on the soap, I was more theatrical, like a stage actor, a little bigger than life. As I did more and more Love Of Life, I became more natural. I learned the value of underplaying. It was a great training ground for me. There was a big difference in my style of acting from where I started with that show and where I ended, and where I ended was a good jumping-off point for doing nighttime television and movies.

Television can be a very fickle place

My mother always told me that any talent is a gift of God and I always believed it. If I quit, I would just live in front of the television and get fat and die pretty soon.

I'm bullish on writing. Movies, radio, television, and now digital media - everything was supposed to push us away from text, to video or "back" to speech. First, there's no going back. We're always stumbling forward. Second, writing is invincible. Thirty years ago, we thought we'd all be talking to our computers; instead, we're all typing on our phones.

I love to go back and write and direct another film one day, but that's on the backburner for now because I'm involved with so much television at the moment.

Theatre, film and television are all modes of storytelling, and many of us are fortunate enough to move freely among them without feeling that we've 'left' or need to 'go back' to one or the other. In fact, if the theatre is to avoid a brain drain, this kind of fluidity is increasingly necessary.

By ignoring a lot of American culture you can write more interesting stories. Unfortunately, if you were writing about America as it is, you'd be writing about a lot of people sitting in front of television sets.

We live in a big and marvelously varied world. Television ought to reflect that.

Television is a big roulette table on so many levels. That's all it is for actors.