Quotes About Television

Television in the 1960s & 70s had just as much dross and the programmes were a lot more tediously patronising than they are now. Memory truncates occasional gems into a glittering skein of brilliance. More television, more channels means more good television and, of course, more bad. The same equation applies to publishing, film and, I expect, sumo wrestling.

I wouldn't be interested in [nowadays] television simply because I think it goes too fast. Except if something was maybe a play on television or some great television script.

Television is not the truth! Television is a goddamned amusement park. Television is a circus, a carnival, a travelling troupe of acrobats and story-tellers, singers and dancers, jugglers, sideshow freaks, lion-tamers and football players. We're in the boredom-killing business!

One thing that is very different technically is that you don't get a lot of coverage in television. Not like you do on a film. I know we don't have time for separate set-ups, so I will design a scene where I'm hiding multiple cameras within that set-up. That way, if I don't have time to do five set-ups, I can do four cameras in one set-up. It's a different kind of approach for that. For the most part, a lot of television, in a visual sense, lacks time for the atmosphere and putting you in a place.

I don't watch daytime television, I have a job, I work and, you know, I think daytime television is really for women.

Such techniques, including meta-discursive stuff, self-reference, irony, black humor, cynicism, grotesquerie and shock, it would be safe to say that television or televisual values rule the culture. Television is successfully using a lot of those same techniques but using them for a very different agenda, which is to sort of create an ethos and please people and to sell products to consumers.

I think it's impossible for any of us not to find television, and the political process at its best on television, compelling.

Democracy means free television, not good television, but free.

I like television. I still believe that television is the most powerful form of communication on Earth - I just hate what is being done with it.

I absolutely love television, and I don't mean to be vulgar, but as I keep having to explain to people from the movie industry, I get more power and more money doing television, so why on earth would I do a film?

In modern society most of us don't want to be in touch with ourselves; we want to be in touch with other things like religion, sports, politics, a book - we want to forget ourselves. Anytime we have leisure, we want to invite something else to enter us, opening ourselves to the television and telling the television to come and colonize us.

I'd say working on television is much, much tougher than films. But television has a great connect with a live audience, which is a refreshing change for us actors.

You always have to give back to the fans. I remember being a fan of television and film when I was growing up and if I would've had the opportunity to meet somebody that I watched on television, it would've made my day, it would've made my life.

In my early thirties I was working in television as a researcher. I was really stuck for a period of five years. I got to TV when I was thirty. I hated being a music writer, and kept wondering why I couldn't be doing the exciting things that my friends were doing in television.

I think if you work in television everyday, and you must be privy to everything happening in television, then do so.

I am of the opinion that there is more high-quality television being produced than at any time in the history of television.

I think television is doing a better job than films in terms of representing people, but television is still not diverse.

Coming back into television, I was very, very wary about committing to anything that could potentially take a long time. I don't mind movies, but I was nervous of television.

When I sit down, I find that it's much easier for me to want to consume a movie than to dip back into 20 or 40 or 60 hours of a television series. I think a great movie is really amazing. But, television does give you a larger canvas.

I'd love to do another television series. I really love the writing process, and as an actor I really like how much you get to examine in television.

In France, it is television that pays for films to be made and I received all of my funding from TV: two television channels, government funding and distributor contribution (Wild Bunch). My films are low-budget, and not expensive [to make].

The thing is, that great actors are everywhere. They're everywhere. They're doing good parts on television. They're doing television commercials. They're doing local theater. There are so few opportunities.

The American house has been TV-centered for three generations. It is the focus of family life, and the life of the house correspondingly turns inward, away from whatever corresponds beyond its four walls.At the same time, the television is the families chief connection to the world. The physical envelope of the house itself no longer connects their lives to the outside in any active way; rather it seals them from it.The outside world has become an abstraction filtered through television, just as the weather is an abstraction filtered through air conditioning.

I got tired of doing battle with people thinking I was a little weird because I wasn't in a band making happy, stilted music. The only people who really seem weird to me are people who think they're normal. People who think it's possible to be normal just by doing the same things that most people do. Is there a most people? I don't know. Television makes it seem like there is, but I think that might just be television.

The arrival of television established a mass-media order that dominated the last 50 years. This is a personal media revolution. The distinction between the old order and the new order is very important. Television delivered the world to our living room. In the old media, all we could do was press our noses against the glass and watch.

There were no competitions on television. The first skating competition I ever remember seeing on television was the 1968 Olympics when Peggy Fleming won.

I love making movies, I love the differentness of it, I love writing. But I've always liked television. I grew up on television.

In every area, we seem to have thrown everything away and embraced reality television. Its nauseating, programme after programme.

I really enjoy doing sitcom television. It allows me to stay in Los Angeles and spend more time with my husband and kids.

One of the great sadnesses of modern life, because of our disenfranchisement and disillusionment with religion, is that we don't have access to these ideas. Yoga and meditation, for me, is a way of, in this secular world, accessing very very beautiful principles that would perhaps make us happier, at a time when people feel disillusioned with the economy, concerned about the ecology, worried with politicians, and don't trust what they're being told on television.

Formula One gives a platform to companies like Rolex - and that's just in media space, watching television or reading newspapers, digital or physical. You see the brand in the context of the competition and bring it to the attention of everybody on a regular basis.

I'm inordinately proud of Smash, on so many levels. The complexity of producing that show, every week, is just incredible. As a television producer and as a Broadway producer, which I once was, I am in awe of what we can do on that show, every week.

Television and radio do a wonderful job in focusing attention on the problems of our society.

A bad play folds and is forgotten, but in pictures we don't bury our dead. When you think it's out of your system, your daughter sees it on television and says, My father is an idiot.

I was fortunate to be part of a very successful show on CBS in 1986. I switched to NBC for eight years and through these experiences have gotten terrific insight into television; it's a fascinating medium.

See, I don't watch reality television anymore. I watched a little bit of it for awhile, but I found it turned my soul into a black sludge, and I just did not find it healthy or good for me at all, because I would watch it and be disgusted, disgusted.

I just like short hair on women, I think it's cool. And I have wanted to cut my hair for very many years, but being on contract with a television show for six years prevents you from doing that, and then being on contract with a cosmetic endorsement campaign prevents you from doing that again. So for eight years, I've had to have long, flowing locks. And I was just so sick and tired of long, flowing locks, so I chopped them.

They killed me in The Sopranos. I went to David Chase, and I said, "Why me? I'm a detective! You can use me forever!" And he told me, "John, there's a rule in television: Somebody has to die that the audience likes."

Aaron Sorkin wrote me one of the best female roles on television, I think. He's a wonderful writer for all people. If he chooses to write, hopefully he'll write something that involves more women next time, because I would love to do it.

The films of The Caine Mutiny and Marjorie Morningstar always seemed to me mere thin skims of the story lines, and I never did see a meager Hollywood caper called Youngblood Hawke, vaguely based on my 800-page novel. So it was that I opted for television, with its much broader time limits, for The Winds of War.

Art is moral passion married to entertainment. Moral passion without entertainment is propaganda, and entertainment without moral passion is television.

We did not have a television while I was growing up, and so I read voraciously. My earliest memory of being utterly transfixed by a book was Madeleine L'Engle's 'A Wrinkle in Time.

When I'm through with the Lee Greenwood Theatre, I won't do anything else in entertainment. Maybe I'll become an ambassador for the United States maybe I'll get into television, some news anchoring or something in a major city. Certainly the visibility would interest me a little bit. But someplace that would allow me to sit still certainly.

The middle-aged woman is the ground bed of the audience that watches television and yet they are absolutely invisible.

I do not watch television. But I'm in touch with the world. If anything really important happens, someone will tell me.

I was in Britain that year [1963] and some music publishing people in Denmark Street in London suggested me to the BBC. So I found myself in front of a British television show, which was a nice surprise.

Between the marriages, I shagged my way round television studios like a mechanical digger.

Television is a big roulette table on so many levels. That's all it is for actors.