Quotes About Television

Television in the 1960s & 70s had just as much dross and the programmes were a lot more tediously patronising than they are now. Memory truncates occasional gems into a glittering skein of brilliance. More television, more channels means more good television and, of course, more bad. The same equation applies to publishing, film and, I expect, sumo wrestling.

Local television is a slightly different story. It is under much more pressure in the same way that all local businesses are, whether that's a local newspaper, local radio or local television. But I think television in the aggregate is actually in very good shape.

I've got a lot to say about television. There's a lot going on in television right now and I feel like a huge part of television.

I did a good bit of episodic television directing, but directing a movie is so much more complicated. And there's so much more responsibility because the medium is very much a director's medium. Television is much more of a producer's writer's medium so a lot of the time when you're directing a television show they have a color palette on set or a visual style and dynamic that's already been predetermined and you just kind of have to follow the rules.

It's amazing how many people you see on TV. I did my first television show a month ago, and the next day five million television sets were sold. The people who couldn't sell theirs threw them away.

Television viewers, they've been around a long time. They've been watching this thing now for 50 years. I mean, they know exactly what's happening when it comes to television programming. You can't put anything over on them anymore.

Television is so cool. Television is proving that we can be sophisticated and that people will watch, if it's good.

You could do much more in movies than you could on TV, and even movies were heavily censored. But in television, the areas of timorousness were fairly laid out. Race relations. Sex. Politics. There was a whole conglomeration of taboo themes. And even to date, though television has become a much freer medium, it's still far less free, far less creatively untrammeled than are the movies. They're infinitely more adult in that respect.

I think for television generally, the question that often arises is, "Does television lead, or does it follow?" You know, does it lead the conversation, or culture, or does it follow what's going on? And I think it does both.

Most of the time people are aiming so low on television. They're trying to reach that common denominator, especially on network television.

It makes sense that it's so different from film and television, because it's so in-depth. As actors, when we're in film or television, we can have transcendent moments and we get to work with really creative and incredible people, but it's such a small percentage of your time that's about your process.

I am deeply honored that my team is being recognized by H.S.H. Prince Albert II and the Festival de Television de Monte-Carlo for Disney/ABC's role in creating television that inspires and captivates audiences wherever they live.

I don't really watch a lot of television, and I would watch mindless, mindless television.

I wrote my own first book about the defense of television as an art form in 1992. It was harder to make the argument then. Now it seems absolutely a given. You can argue about when the Platinum Age Of Television begins, but I don't think that anybody can argue that it's not here.

To move from a discussion of the early relationship between theatre and television to an examination of the current situation of live performance is to confront the irony that whereas television initially sought to replicate and, implicitly, to replace live theatre, live performance itself has developed since that time toward the replication of the discourse of mediatization.

You always have to give back to the fans. I remember being a fan of television and film when I was growing up and if I would've had the opportunity to meet somebody that I watched on television, it would've made my day, it would've made my life.

I don't really follow television so much, but in the old days there was a certain way TV was, and it wasn't really like cinema. I don't know how many ways it was different or the same, but it was not quite like cinema. Now, cinema can happen on television.

It takes a pretty strong person, a rather unusual young person, to stand up to ridicule and refuse to give in to temptation. There are so many things today in modern music, on television, and in the movies that portray a life that is nowhere near the life the Lord would have us live. Consequently, we cannot afford to turn to the radio, television, or Hollywood to take our cues about what is right and what is wrong. It is scary to realize that the more we are exposed to Hollywood's version of life, the more we gradually begin to accept it.

I find with television, you have to play personality, whereas onstage, everyone talks about "the character," and what you do. It's a very different thing, because stage is much bigger, but on television, for things to come across to the public, I think you have to play a bit of your personality.

I hate going to L.A. and dealing with the contempt people have for television and television actors. Its unbelievable the kind of attitude people take toward what is the most exciting medium weve got right now.

I'm told I either look bigger than I do on television or that I look smaller than I look on television. No one seems to think I look the same size.

The first time I watched television I felt exactly as if something important had taken an elevator ride up to my head and gotten off and turned on the light in my mind. I knew that I was going to do something in television. It was in my cards. I remember feeling the warm relief of knowing where my future was.

I really enjoy doing films, but I also love television. I certainly would not be against doing some regular television work and being on a show that runs several years.

When I sit down, I find that it's much easier for me to want to consume a movie than to dip back into 20 or 40 or 60 hours of a television series. I think a great movie is really amazing. But, television does give you a larger canvas.

The repeat run of Fawlty Towers (BBC2) drew bigger audiences than ever and deservedly so. Statistical surveys reveal that only the television critic of the Spectator is incapable of seeing the joke, which is that Basil Fawlty has the wrong temperament to be a hotel proprietor, just as some other people have the wrong temperament to be television critics.

I just really like writing and making television shows. There are ego rewards in doing battle with other television programs in prime time in the main season. I suppose there are times when I might look at that and think that's the major league. But when you look at it, ultimately would I really want to gamble my livelihood and my ability to connect with my fan base or write a show that I really like writing, or in some cases direct a show that I really like directing, for the sake of winning an ego battle? It's totally not worth it. That stuff is so ephemeral.

Most Chinese filmmakers grew up watching television; they watched films on television, not in cinemas. The scope of their vision is not big enough, they're not yet detail-oriented enough. You have to watch films in cinemas for years to understand the depth and scope of vision needed in filmmaking. Directors in China usually come from an academic background; they graduate as film directors. Whereas the directors from Hong Kong learn their trade on sets, beginning at the lowest rung.

It was a very excellent day over there at HBO/Cinemax when they bought 'Powers' . I felt like I graduated television college, because they make amazing television. The person who said yes to Veep said yes to us, which made me feel very good about myself for five seconds. Which my self-loathing doesn't usually allow me to feel. Even I could not say that that wasn't a fun day.

I had never thought of doing television. But my agent wanted me to meet John Wells, who had had a lot of success producing ER and China Beach. The night before the meeting, some friends were over for dinner and Akiva Goldsman and I slipped downstairs to the basement so we could sneak a cigarette. He said, "You know what would make a good television series? That." And he was pointing at The American President poster. He said, "There doesn't have to be a romance, just focus on a senior staffer."

Postman is a media analyst and his theory is that television doesn't influence our culture, but that it is our culture and the presidency and anything that relies on television.

When you're a doctor and you spend most of your life in a hospital, you honestly don't get to watch as much television as you think you might, and the power of television is enormous.

Ratings to me are a little like the Chinese Government. I don't fully understand what makes a rating go. I don't know what makes the American television audience respond to one person and not t another. There very seldom are great differences between many television personalities.

It's funny, 90 percent of what I've done has been television, and I never really wanted to do it that much. I was really interested in film and theater. What's ironic is that when I started doing television, I did a bunch of amazing shows all in a row, starting with The Corner.

We met financial expectations for the quarter in a difficult economic environment. We also signed a two-year programming agreement with Home & Garden Television to launch two new cable television series, and launched the Martha Stewart Kids magazine These initiatives provide future revenue and earnings growth for the brand and build long-term value for shareholders.

The arrival of television established a mass-media order that dominated the last 50 years. This is a personal media revolution. The distinction between the old order and the new order is very important. Television delivered the world to our living room. In the old media, all we could do was press our noses against the glass and watch.

We were on the island of Hawaii. I think I was there three months. It was fantastic. It is not much different than films. It depends on the television show but much of television today is as good or better than most films.

There were no competitions on television. The first skating competition I ever remember seeing on television was the 1968 Olympics when Peggy Fleming won.

TV can be an acronym for television or transvestite. I prefer using it to describe the the latter. The former is strange and undignified.

Television was not intended to make human beings vacuous, but it is an emanation of their vacuity.

One of the great sadnesses of modern life, because of our disenfranchisement and disillusionment with religion, is that we don't have access to these ideas. Yoga and meditation, for me, is a way of, in this secular world, accessing very very beautiful principles that would perhaps make us happier, at a time when people feel disillusioned with the economy, concerned about the ecology, worried with politicians, and don't trust what they're being told on television.

I don't like to watch golf on television because I can't stand people who whisper.

What the British seem to like are television historians and naturalists, not public intellectuals. You can't help feeling that's because one supplies narrative and the other supplies facts, and the British are traditionally empiricists so they/we have a resistance to theory and to theoreticians playing too prominent a role in public life.

Crime dramas will never go away as long as people turn to television for, among other things, reassurance and comfort.

A bad play folds and is forgotten, but in pictures we don't bury our dead. When you think it's out of your system, your daughter sees it on television and says, My father is an idiot.

That is the godawful thing about television today. Performers don't have any place to hit and miss. You're either in or you're out; you don't have a chance to become good at your craft. If you make three pictures in a row and they don't go over, you're out of the business.

I love to perform and I love to perform characters, and sometimes when I'm doing television and film, I just feel like I'm making a living. I'm good at it, but I'm not really being artistically challenged.

We wanted to prove that I am not just a provocateur, as the television said [referring to a Fox news clip shown in the film]. It's challenging, but it's not just challenging.

HBO exists because people must have a place to say "f***" on television as many times as they can.