Quotes About Tradition

God is not good, or wise, or intelligent anyway that we know. So, people like Maimonides in the Jewish tradition, Eboncina in the Muslim tradition, Thomas Aquinas in the Christian tradition, insisted that we couldn't even say that God existed because our concept of existence is far too limited and they would have been horrified by the ease with which we talk about God today.

The question of art songs always came up with Gastr del Sol. I think Jim O'Rourke had it right in being clear that there's a tradition of art song - Ives being the touchstone for the two of us - and what we do doesn't belong to it. It wasn't important to advance those kinds of distinctions, but clearly he thought it was fanciful for anyone to speak of what we were doing as being in that tradition.

Every tradition grows continually more venerable, and the more remote its origins, the more this is lost sight of. The veneration paid the tradition accumulates from generation to generation, until it at last becomes holy and excites awe.

Man must not check his reason by tradition, but, contrariwise, must check tradition by reason.

I adore tradition. I cannot stand habit. Simply to repeat is nothing, also to destroy is nothing. Tradition is never interrupted, we are always evolving but never interrupted.

Those of us raised in the Christian tradition need to choose to either see God in Jesus or to continue to let the Bible define God. Our tradition says that Jesus is God. Maybe we should act as if we think he is instead of worshipping a book. Maybe we should be brave enough to admit that we are compelled to either become blinded ideologues or we need to forthrightly pick and choose what we follow in the Bible. Most Christians do that anyway, many just don’t admit it.

The individuals inside are frequently fighting that their individual voices be heard, while the walls of the place, which are the mask, and the perception, are reluctant to give over to the voices of the individuals. Those in the margins are always trying to get to the center, and those at the center, frequently in the name of tradition, are trying to keep the margins at a distance. Part of the identity of a place is the tension between those in the margins, and those in the center, and they all live behind the walls which wear the tradition.

I detest tradition for tradition's sake; the half-alive; that which is not real. I feel no hatred of individuals, but of customs, traditions; superstitions that go against life, against truth, against the reality of experience, against the spontaneous living out of the sense of wonder-of fresh experience, freshly seen and communicated.

One reason which I find particularly fascinating about Israel is this. There is no such thing as a Jewish civilization. There is a Jewish culture, a Jewish religion, but there is no such thing as a Jewish civilization. The Jews were a component basically of two civilizations. In the Western world, we talk about the Judeo-Christian tradition and you talk about the Judeo-Islamic tradition because there were large and important Jewish communities living in the lands of Islam.

The tradition I was born into was essentially nomadic, a herdsmen tradition, following animals across the earth. The bookshops are a form of ranching; instead of herding cattle, I herd books. Writing is a form of herding, too; I herd words into little paragraph-like clusters.

Scripture is our norming norm and tradition is our normed norm and that in a doctrinal controversy Scripture alone has absolute veto power while The Great Tradition (orthodox doctrine) has a vote but not a veto.

The non-geometric biomorphic forms of Arp and Miro and Moore are definitely in the ascendant. The formal tradition of Gauguin, Fauvism and Expressionism will probably dominate for some time to come the tradition of Cezanne and Cubism.

I'm no respecter of tradition and I have no time for the Manchester Uniteds and Arsenals of this world. There's nothing to admire in these clubs. They're just bullshit worlds full of bullshit people.

Through our own creative experience we came to know that the real tradition in art is not housed only in museums and art galleries and in great works of art; it is innate in us and can be galvanized into activity by the power of creative endeavour in our own day, and in our own country, by our own creative individuals in the arts.

There wasn't a big tradition of comedy at Dartmouth. More than that, there wasn't really anything artsy going on in Hanover, or even in New Hampshire. The cool thing about the school is that there's nothing for people to watch, so if you were to do a play or a sketch or an improv troupe, it was always packed. There's nowhere else for anyone to go. But there was no comedy.

In reality no food is valued solely for its nutritive power and no garment or house solely for the protection it affords against cold weather and rain.... the demand for goods is widely influenced by metaphysical, religious, and ethical considerations, by aesthetic value judgments, by customs, habits, prejudice, tradition, changing fashions, and many other things.

Tradition: sit with husband in a room lit only by tree lights and remember that our blessings outnumber the lights. Happy Christmas to all.

Religious life is not going to go away. It will take a different form. Why am I so sure it's not going to go away? Because there are people whose personalities and gifts, and interests and soul, are simply immersed in living this kind of a spiritual lifestyle. That only makes sense. If you can live an artistic lifestyle, why can't somebody live a spiritual lifestyle? We've always, in every single great tradition, had a percentage of the population that stands in the middle of us being the beacon that calls us to realize that the spiritual life is an essential part of every life.

One of the proudest things I see is, now, 25 years after I graduated, when I go to a Syracuse sporting event, there's a senior or a junior from WAER broadcasting sports just the way we did, and just the way it happened a couple generations before us. That's a great legacy for the university and a great tradition that still continues to this day, and makes those of us who were a small part of it very very proud.

Antiracism is not "my" campaign. I have been doing antiracism organizing, activism, educating and writing for 20 years, in one form or another, but it's not a personal crusade. My work is part of a larger tradition, and larger effort, involving mostly people of color, and of course some white allies as well.

It is not without trepidation that I have appropriated the codes of the Sublime and the Picturesque in my work. After all, serious photographers have spent most of this century trying to expunge such extravagances from their art. The tradition lives on, mostly in calendars and picture postcards. I was challenged to rework and revitalize that which had been so roundly denigrated.

Part of the pleasure of editing 'Vogue,' one that lies in a long tradition of this magazine, is being able to feature those who define the culture at any given moment, who stir things up, whose presence in the world shapes the way it looks and influences the way we see it.

There is no rigorous and effective deconstruction without the faithful memory of philosophies and literatures, without the respectful and competent reading of texts of the past, as well as singular works of our own time. Deconstruction is also a certain thinking about tradition and context. Mark Taylor evokes this with great clarity in the course of a remarkable introduction. He reconstitutes a set of premises without which no deconstruction could have seen the light of day.

For me, the stereoscopic imagery was a new game to play with. Surprisingly enough, it's also a return to tradition. I'm back with paper-looking puppets moving about in several layers of theatrical backgrounds.

Most of my formal choices are a combination of everything I learned about form - semiotics, linguistics, and the history of style experimentations tethered to literary movements (formalism, deconstruction, modernism, and postmodernism), and the basic principal of breaking every rule I ever learned from a patriarchal writing tradition that never included my body or experience, and thus has nothing to offer me in terms of representation.

At every crossroads on the path that leads to the future, tradition has placed 10,000 men to guard the past.

I grew up in a place where everybody was a storyteller, but nobody wrote. It was that kind of Celtic, storytelling tradition: everybody would have a story at the pub or at parties, even at the clubs and raves.

I come from the tradition of a big Irish family that loves to sing. I love to perform.

Sometimes tradition is a way of keeping going.

Because the blues is the basis of most American music in the 20th century. It's a 12-bar form that's played by jazz, bluegrass and country musicians. It has a rhythmic vocabulary that's been used by rock n' roll. It's related to spirituals, and even the American fiddle tradition.

Neither Jewish morality nor Jewish tradition can be used to disallow terror as a means of war.

The study of the traditions doesn't necessarily make you want to convert to another tradition, but it helps you to see your own differently and expands your outlook.

To seek in the great accumulation of the already-said the text that resembles "in advance" a later text, to ransack history in order to rediscover the play of anticipations or echoes, to go right back to the first seeds or to go forward to the last traces, to reveal in a work its fidelity to tradition or its irreducible uniqueness, to raise or lower its stock of originality, to say that the Port -Royal grammarians invented nothing, or to discover that Cuvier had more predecessors than one thought, these are harmless enough amusements for historians who refuse to grow up.

This is what rituals are for. We do spiritual ceremonies as human beings in order to create a safe resting place for our most complicated feelings of joy or trauma, so that we don't have to haul those feelings around with us forever, weighing us down. We all need such places of ritual safekeeping. And I do believe that if your culture or tradition doesn't have the specific ritual you are craving, then you are absolutely permitted to make up a ceremony of your own devising, fixing your own broken-down emotional systems with all the do-it-yourself resourcefulness of a generous plumber/poet.

And so, today, if the state can no longer appeal to the old moral principles that belong to the Christian tradition, it will be forced to create a new official faith and new moral principles which will be binding on its citizens.

When we talk about the Judeo-Christian or the Judeo-Muslim tradition, it's important to remember that we are speaking of a Jewish component of civilization, but not in itself a civilization. What is happening now in Israel is that you have a coming together of Jews from the Christian world and Jews from the Muslim world with different cultures.

The strengths landscape architecture draws from its garden design heritage include: the Vitruvian design tradition of balancing utility, firmness and beauty; use of the word 'landscape' to mean 'a good place' - as the objective of the design process; a comprehensive approach to open space planning involving city parks, greenways and nature outside towns; a planning theory about the contextualisation of development projects; the principle that development plans should be adapted to their landscape context.

Would-be novelists need to bring equal parts arrogance and ignorance to the task before them. The arrogance is almost self-explanatory. Walk into any bookstore or library, calculate how many lifetimes the average person would need to read all the fiction contained therein. To think that one has anything to contribute, to any genre or tradition, takes genuine hubris.

Holly Black is the Real Thing: a gifted writer with a solid grounding in what matters. Her stories are dark and splendid blooms rising from roots sunk deep in myth and tradition.

I put out a lot of different kinds of material, and maybe people read that as egotistical. Or maybe, since a lot of it does involve some aspect of me, they find it self-aggrandizing. But there’s a long tradition of artists using themselves. Look, I know I’m not perfect. And, who knows, maybe a part of it has to do with self-obsession. But it’s also about using this weird thing that is a public persona as raw material for creative projects.

Jorge Luis Borges was lamenting a variety of Orientalism that was used to measure the alleged authenticity of Argentine and Latin American writers in the midcentury. The Argentine literary tradition was believed by many, including many Argentines, to be concerned with a national imaginary in which the gauchos and the pampas and the tango were fundamental tropes. Borges, in part to legitimize his own Europhilia, correctly pointed out that expecting writers to engage with these romantic nationalist tropes was arbitrary and limiting, a genre that was demonstrative of its own artificiality.

It is the fashion to talk of our changing climate and bewail the hot summers and hard winters of tradition, but how seldom we pause to marvel at the remarkable constancy of the weather from year to year.

One bipartisan policy tradition is to deny Americans the use of our own resources.

There is one tradition in America I am proud to inherit. It is our first freedom and the truest expression of our Americanism: the ability to dissent without fear. It is our right to utter the words, 'I disagree.' We must feel at liberty to speak those words to our neighbors, our clergy, our educators, our news media, our lawmakers and, above all, to the one among us we elect - President.

On a small planet, where minute follows minute, day follows day, year follows year, where tradition marches on with a deafening, orderly beat -sometimes the order is disturbed by a dreamer, an artist, a scribbler - sometimes the beat is changed one person at a time.

It is a fine thing to establish one's own religion in one's heart, not to be dependent on tradition and second-hand ideals. Life will seem to you, later, not a lesser, but a greater thing.

Christianity is our foe. If animal rights is to succeed, we must destroy the Judeo-Christian religious tradition.

Classic music will always come across better on the ice because skating has such a rich history, rooted in tradition.