Quotes About Album

A really humbling experience that we've had was touring on Post-Nothing, was having people come up to us and tell that story about Post-Nothing. Especially as the tour went on, people saying, "I listened to your album when it first came out and I listened to it every day for the summer of 2009. That was my album for that summer; that was my album for this time in my life." When somebody tells you that, it's a pretty amazing feeling, and very humbling.

With my solo music, I really try to step out of the box and do stuff I don't get to do with the boys. I wanted it to be fun, rock-infused and try some new things while going back to my roots. "All American" the song is one of my favorites from the album, which is why I chose to title the album after it. To me, it's the perfect song to represent the feel of the album.

This is an album of songs that I've always loved, tunes that I heard. For the first time in 53 years of recording, I really had control over an entire album, start to finish.

It was 22 years of work in a row, right up until 1987. Twenty-two years in a row-either on tour, writing an album, or recording an album. It wasn't until 1987 that I was able to take a breath.

I like to think that I've gotten better at what I do. I spend more time and pay more attention to detail album after album. But pretty much it's stayed the same.

I wanted to reexamine the idea of the album for generations of people who are not my age, who love music or learning about music or are finding this band called R.E.M. or have just previously heard "Losing My Religion" and "Everybody Hurts" as their elevator music. I wanted to present an idea of what an album could be in the age of YouTube and the Internet.

I don't have any regrets about the album [Veedon Fleece]. But it's the same old story - an album is basically 35 or 40 minutes of what you do. It's 'part' of what you do.

I have to apologize with one of my album because I called it Unleash the Dragon but I didn't really unleash - I kind of stayed in the Dru Hill vernacular, and that's why the album was so ballad-heavy.

It turned out so well because it was the first album that I could identify with in terms of lyrics. ("Captain Fantastic") It was passionate...I could associate myself with every song...It's a unique album in our history. This was the story of us..."Curtains", the lyrics to that are so beautiful because it sums up our friendship so much, and our relationship.

I try to explain that to my kids - the experience of going to a record store, flipping through racks and finding that album cover that intrigues you - but my kids don't want to know about it. They download the one song on the album they like, and pay their 99 cents.

We have always tried to treat every album differently and even from day one I think that each Asia album has been approached with care and thought and hopefully that shines through twenty years later.

Imagine someone so infatuated by a band that they have every different pressing of every album the band made. Most of the time, the only difference in the album is the matrix number or a different 'made in' notation on the back cover or label. This is enough to make some people extremely excited. Actually, much more than excited.

I have always been heavily involved in every album I have ever made. I'm very stubborn when it comes to recording and will only record songs I love, which is why it takes me a long time to make an album.

I don't know if I want to record together again. I go off and on it... In the old days, when we needed an album, Paul and I got together and produced enough songs for it. Nowadays, there's three of us writing prolifically and trying to fit it all into one album.

When I make music, I try to make something that is super colorful and something you've never heard before, so when you hear the whole album, it's a good feeling. Musically that's what I aspire to do whenever I'm making an album.

When you put an album out, you can't do any material from the album if people are paying to see you.

All the songs that were written for that album are just all our first sophomore songs. So they're all from real life. Very sweet and very innocent. I think the theme of the album probably was just that it was our first record. ... Back when we were first making records, you didn't just make the music, you put a great deal of energy into the way it looked, and every word that was written on the whole thing.

Obviously, this is our first album [Begin], so this is our first big body of work that's out there in the world and it really represents our journey, from where we started to now and all the music we created, our range, and all the things that we definitely shared, but weren't able to show our range on a full-scale until this album.

George Carlin's album, 'Class Clown,' came out when I was in high school. I memorized a lot of that album. I'd come home from school, put it on, and listen over and over. I started memorizing it. I don't even know why. I loved it so much I memorized it.

With our last album ("No Time To Bleed"), we recorded most of it in New Jersey. And with being on the road 9 months a year, recording an album on the other side of the country- it just wasn't a good experience for us. All I wanted to do was go home and see my daughter, so for us to only be a couple hours away was huge- I could go home if I needed to.

It's a blue album, but it's not a blues album. I'm not pretending all of a sudden now I'm blues.

I like to believe a true fan of music or an artist has a genuine respect for what the artist does and has a distinct understanding of their actions. In that buying an album they are helping the artist to continue making music. It's hard because everyone wants something to be free.

I invested in the album. Look, if I never did anything again in music, it wouldn’t affect my life materially. I live a very satisfying life. Not because I’ve made a few dollars, but because I have a wife who loves me and children who wait for me to come home. And that is beautiful. I think that’s the American dream: to be at peace at home.

If you put a Van Halen album in your record collection, it will melt all the rest of your records.

I've sort of realized there's a definite pattern to my output at this point: there's an album that everybody sort of loves, that's a real balance between the old and new, like The Dreamer or No Beginning No End, like a blend of jazz and hip-hop, or r&b and soul and hip-hop.

I am trying to change hip-hop music because I do feel there are places people can go with production and the structure of an album that they haven't gone yet. But, like I said, I don't have any delusions of grandeur. I just want to make music that doesn't make me bored.

Whenever I'm done with an album cycle, I still wanna write music. If I'm bored when I'm at home, which never happens, my first instinct is to go to the piano and bang something out.

I'll probably do a lot of acting first, then go to singing. but I am going to definitely sing someday. So when I do start singing, buy my album!

I think pop culture is the greatest subject matter out there - 'Other People's Lives,' as we wrote about on the last Duran Duran album. Most ideas for great songs come from real situations, something your friend said to you the night before, the girl that just left, or something traumatic in your life.

I'm just going to keep going. For me, the most important thing is that I have fun. I've reached nearly everything already with Accept and U.D.O., so the most important thing is that I have fun touring and making albums. I'm still nervous when a new album comes out. I'm still nervous when we start touring. So as long as I have this feeling, I can't say when I will stop.

This way, if I did the album myself, and I produced it myself with my own label, it was going to be done the way I wanted to do it. If people like it or don't like it, it doesn't matter; I got something that means something to me.

Jimmy Page is an excellent producer. Led Zeppelin I and II are classics. As a player he's very good in the studio, but I've never seen him play well live. He's sloppy. He plays like he's got a broken hand and he's two years old. If you put out a good album and play like a two year old, what's the purpose?

Of course I am stressed after I finish working on an album about what an audience will think, if it will be successful or not.

It's my sixth year in the game so I've been here for a while now. You can expect the best me you've ever heard. I don't have any release dates in mind right now but I'm just making music and enjoying myself in the studio and having fun. When I get to a place where I feel comfortable saying a date or all of that, people will definitely know. I have a few dream collaborations on that album that I want, but they say if you blow out your candle and make a wish you can't tell people what you ask for or it won't come true.

I love it. It's the most legitimate way to acquire and sustain an audience of people who are interested in your music. Touring allows me to play material that isn't on the album and that they wouldn't be able to hear otherwise.

I've got a song on One Direction's album called 'Tell Me A Lie'. It's a really cute song - I love it. I loved that they liked it. They sound really great on it. I already have it - I'm so VIP with my copy on my computer! It does sound really good.

When I was a kid I really didn't have my own opinions and then sort of transformed into this angel which is really Marilyn Manson and then the final stage is Antichrist Superstar which is the more nihilistic, totalitarian element in everybody's personality, that, is a real struggle on the album and in my life, between that power.

I feel like I have re-created myself on every album. I try to do that. It's like playing a game with yourself, trying to compete with yourself.

If I have a song that I feel is really one of my best songs, I like it to have a formal studio recording because I believe that something being officially released on a studio record gives it a certain authority that it doesn't quite have if it comes out on a live album or is just a part of your show, you know.

I'll put out an album, and people review it, and some people love it, and some people tear it apart. By nature of the project, I've always wanted this to be something where people react strongly to it.

I didn't want to become a personality, I wanted to be a musician, but because I didn't have an album to stand by yet it was hard for people to see that. But now, two albums in, I'm happy with things.

That one record changed everything for me. After Sgt. Pepper, it's the most influential record in the history of rock and roll. It affected Pink Floyd deeply, deeply, deeply. Philosophically, other albums may have been more important, like Lennon's first solo album. But sonically, the way the record's constructed, I think Music from Big Pink is fundamental to everything that happened after it.

I love pop music. It's not easy to write a good pop song. It may be easier to put out a fake jazz album, as Sting does from time to time.

In five years' time I'd like to be a mum. I want to settle down and have a family, definitely sooner rather than later. I'd like to have finished my second album too, maybe even my third. I'd like a sound that sticks around that other people are inspired by and that people know is me.

I think my favourite song on the album [Second Hand Rapture'] is 'Head Is Not My Home', I love the vocal melody and it's such a power hit of a track. Every time it pops on I like listening to it, I'm really drawn to it.

All my album artwork is body painting.

My favorite track from the album Independent is Hold On. Everyone at some point fights battles or has struggles, and in moments of doubt or defeat, this is the song coming from a place of never giving up. It makes me think of the angel on the shoulder voicing understanding but guiding you in the right direction to take you out of that dark place.

It's like the iPod playlist has killed the way we think of the normal album, so let's think of this as just saying you go into your record store and all those categories and all those different ways of segregating music have been thrown out the window, so the difference between myself in real life in that is that I'm the opposite.