Quotes About Album

I read the reviews sometimes, but I don't let it really affect the next album because, for me, when I approach an album, it's usually coming to me pretty naturally. It's not like I set out, like, "Okay, I'm going to write an album this month." It's more like I'm just always writing songs and eventually I start to realize that a group of songs sort of fits together, and I go from there in putting together the album and themes and artwork and things like that.

What can you think when one review says "this album is brilliant, and all the songs flow into the utmost brilliant song 'The Upside-Down Cross'" then another review says "this album is brilliant, except for that horrible and pointless song 'The Upside-Down Cross'," and another review will say "Jeffrey really sounds confident and relaxed on this new album", the next reviewer says "Jeffrey sounds more depressed and awful than ever" - these totally contrasting reviews happen all the time!

Back in the day, we sampled Portishead on Nocturnal, that song "Proud" we sampled Portishead. And we used to have the [Dummy] album, 'cause Da Beatminerz put me onto the album. I had the album, every time I played it, I had this dude like, "Yo man." He thought I was so ill 'cause I listened to Portishead. "You're different, man."

Alan Menken took me to his studio and we went through his trunks of songs and put together an album of stuff that people and stuff that people don't know. I'm very proud with the way it came out. I had no idea what it would be like to do an album and that process was grueling and tedious but it was very rewarding. I would do it again if I had the chance.

Live we're a lot louder and noisier on the album. I think for the album we took a lot of time for the songwriting and we wanted to make good pop music, and I think there's plus and minuses to doing pop music and noise.

I don't have any regrets about the album [Veedon Fleece]. But it's the same old story - an album is basically 35 or 40 minutes of what you do. It's 'part' of what you do.

I just put out a hardcore double album. Next I'm gonna put out an introspective album.

For me there's insecurity when you're releasing an album because you spend all of this time working on that one thing and then once it's done, it's done. After you put it out there to the public you never know which songs are going to work or even if the album is going to work as a whole so there is a little bit of nervousness around predicting what the numbers will be and if it's going to be well-received.

This album is my life, and my life's really not that interesting. It's not "not interesting," but I'm just some dude just like everyone else. But by recording it in an album format, it becomes a product. That's the idea of Built on Glass; it's the relationship between my personal life and the music I make.

Most people don't take some things into consideration. When they hear an album, they hear the artist or they hear the lyric or they hear the melody. But they don't really think about the environment in which it was recorded, which is so important. It's that thing that determines what the album sounds like.

I wrote an album about being in love. I don't think it's possible to write an album while you're in love - why on earth would you bother? I mean, Christ. If you're in there writing songs about someone rather than just being with them and kissing their every molecule, surely the person that you're with must be asking some questions as well.

When someone is buying a sample-based album, they are investing in the concept of that album. If they really like the original source material, they can go buy it.

A brilliant 1989 album, Oh Mercy; some career retrospectives; and two albums of American folk songs, with just Bob Dylan and his guitar and harmonica. All that culminated in the Grammy-winning comeback album, Time Out of Mind (1997). Once again, just as Dylan seemed to be out of it, he was back at the top of his game.

When I make music, I try to make something that is super colorful and something you've never heard before, so when you hear the whole album, it's a good feeling. Musically that's what I aspire to do whenever I'm making an album.

All the songs that were written for that album are just all our first sophomore songs. So they're all from real life. Very sweet and very innocent. I think the theme of the album probably was just that it was our first record. ... Back when we were first making records, you didn't just make the music, you put a great deal of energy into the way it looked, and every word that was written on the whole thing.

The second album was like being on a completely different planet compared to when we were making the first album. ... Even though it was the same musicians, the same artist, the same studio, the same producer, - it felt like a completely different piece of a puzzle.

In '98, I locked myself in my house, went out of my mind and wrote 25 songs. I rarely bathed during that period of writing; I sent out for food, I didn't really venture out of my house in three or four months. It was a hell of an experience. The album is an overview of birth to now.

I find it so funny that for the first time in history, people have access to this great equalizer in the Internet, which grants everyone the same knowledge base, and we use it to read album reviews and watch kitten videos... not to put those two things in the same light!

One of those things that I find hard to dispose of is my attitude to album sequencing, the layout of the pieces.

Whenever I'm done with an album cycle, I still wanna write music. If I'm bored when I'm at home, which never happens, my first instinct is to go to the piano and bang something out.

I LOVE RIHANNA. I LOVE THAT SHE IS HERSELF WITH NO APOLOGIES. HER SENSE OF STYLE AND SELF IS UNIQUE. I LOVE HOW SHE TRANSFORMS HERSELF WITH EACH ALBUM, EACH CAMPAIGN. ALWAYS EVOLVING. A TRUE ICON.

I'm always sort of reflecting on what I do on what I've done. Usually before I make a new album, I'll listen to the previous albums just to see where I've been.

When a friend puts out a new album and it's really great, it makes you want to do something that great and it makes you get yourself in gear. It's healthy competition that helps make some great music.

It was always a great challenge: how can I make a dreampop album that's still very Alcest, but not a ripoff - how to keep the core.

A digital download is not as visceral as buying a CD, removing the shrink-wrap, putting the disc in your player, and pouring through the booklet of lyrics and liner notes. The digital age has removed us from the tactile experience of what it meant to listen to an album.

It is a great pleasure to be performing with a big band. Those people took part in a group that played the music from the Kino Kultura album i.e. the soundtrack music I've been doing. It is difficult to organise them all and to have those people for a certain date since they all have their own obligations and arrangements. It is a great privilege to gather all those musicians at one place, especially these that I work with, since they perform regularly abroad, at weddings or are working somewhere else.

I feel like I have re-created myself on every album. I try to do that. It's like playing a game with yourself, trying to compete with yourself.

The best way to listen to the album is to put it on, get some Moet, lay back with your boys, and kick it.

That one record changed everything for me. After Sgt. Pepper, it's the most influential record in the history of rock and roll. It affected Pink Floyd deeply, deeply, deeply. Philosophically, other albums may have been more important, like Lennon's first solo album. But sonically, the way the record's constructed, I think Music from Big Pink is fundamental to everything that happened after it.

The album was very agressive. It kicks you right in the balls.

In five years' time I'd like to be a mum. I want to settle down and have a family, definitely sooner rather than later. I'd like to have finished my second album too, maybe even my third. I'd like a sound that sticks around that other people are inspired by and that people know is me.

When I was producing the first solo album, i just wanted to convey some messages through it. The message was 'no blood will come out even if I am pinned' However, after trying out different kinds of music activities, I started to change and wanted to convey my real emotion that I have in my everyday life. I want to express the feelings that everyone has felt at least once, in music so I think people will feel/understand my songs.

It was more about getting together with other musicians and playing live. I needed to suss out a full set [for the Last Summer tour], and I didn't want to play Fiery Furnaces material. So half of our set was new songs that we ended up recording for this album. And that made such a huge difference - going into the studio after playing a song for two years, knowing it inside-out and having sung it millions of times, and then recording it is a totally satisfying experience. You're suddenly in this controlled environment and you can make it sound exactly as you've been imagining it.

I was born an ugly duckling due to my mother's ill health. She wasn't supposed to be pregnant, there were all kinds of complications, she couldn't survive a cesarean section etc. She said, "They didn't hand me a child, they handed me a purple melon." I heard that when I had grown up and had no idea of the whole story because the family album had pictures of a covered carriage and my mother smiling so I assumed I was asleep.

The Bring the Noise buzz was so strong, so we put it out on a release called 'Attack of the Killer B's' which was a record made up of B-sides and things like that - so it wasn't out on our new album, you know what I mean? But we always felt strongly about it.

Right now, when it comes to making an album, we really want to give our fans just Linkin Park. We don't want to water it down with anything else or confuse it with anything else. Meteora is just us and that's where our focus has been. So hopefully the fans can enjoy that.

I really like my life right now. I have friends around me all the time. I’ve started painting more. I’ve been working out a lot. I’ve started to really take pride in being strong. I love the album I made. I love that I moved to New York. So in terms of being happy, I’ve never been closer to that.

I think some songs are better on vinyl. I would rather listen to it in a club! 80% of this album; put it on in a club and just rage! Play it super loud!

The people I chose to work with me on this album are there because I have a personal relationship with them.

I think you have to drop an album to truly see the effects of your following.

I was trying to learn how to deal with the freedom that I had away from home for the first time. 'Long Black Train,' the song and the album, are very special to me. It was just one of those things that I felt like God gave to me for a purpose, and I've been out here promoting that purpose.

I think fans get bored of the pre-roll. I also think they don't care about the pre-roll, they just want the album.

When I did the album for 'When Harry Met Sally,' I found myself out there in front of this big band, which I had no idea how to do, and they wiped the floor with me. It's a very specific skill, and I didn't know how to do it.

It's a shame in a way that people come and go with one album.

Rounder Records decided to call the album Move It On Over, much to my chagrin but they knew what they were doing. It took off and to this day I can't figure out why.

There are always some doubts when you do a new album though. You wonder whether you succeeded or not, especially when you waited as long as I did for this one - seven years. You're never really sure if it will be a nice record or not.

I'm the only one that put out 200 songs, and [fans] listen to all of 'em. I don't care who you talk about down south, Boosie gonna win. I'm the only one to put out a whole album, with more songs, so I don't care who said what. The fans tell the truth. I got real fans - more fans than everybody, so Boosie gonna win.

I usually have sex to my stand-up comedy album. Power move.