Quotes About Approach

Our approach to existential risks cannot be one of trial-and-error. There is no opportunity to learn from errors. The reactive approach - see what happens, limit damages, and learn from experience - is unworkable. Rather, we must take a proactive approach. This requires foresight to anticipate new types of threats and a willingness to take decisive preventive action and to bear the costs (moral and economic) of such actions.

Zen teaches that our approach to today determines our whole approach to life.

We have the ability to approach our race like ants, or we have the ability to approach our race like crabs.

Concentration is not the approach towards God. Concentration is a mind approach. God is everywhere, so you have to relax, you have to be meditative.

Personal power, knowledge and fun come from how you approach something, not what you approach.

How you approach the problem of suffering depends on how you approach life itself. There are only two ways. Either meaning is surrounded by matter, or matter is surrounded by meaning.

Sometimes people will find things that are wrong. Sometimes they will even find an approach that you took wrong. If you think you took the right approach, then you just absorb the criticism, but you don't change your mind.

I really strongly feel that when you approach a drama, you have to approach it with energy, honesty, sincerity, and absolute commitment, or don't do it.

Every age requires a new approach to the Qur’an for the simple reason that the Quran is made for all ages. It is our duty to look for deeper meanings in the Quran in order to increase our knowledge and experience. The Quran wants your intellect to be always active and trying to approach the message of God. God himself dedicated this book to people who think.

If you approach an opera as though it were something that always went a certain way, that's what you get. I approach an opera as though I didn't know it.

The Oriental approach to violence is a much more aesthetic and poetic approach, whereas in the western world, violence is put in because you can't solve the problem. Violence is always the last solution, but unfortunately, in cinema, it's the first solution, because it's easy. And it's often too easy.

For decades, people have known the chemical-propulsion approach to space travel is really not going to get us that far. Chemical propulsion is essentially like the horse-and-cart approach to the exploration of the American West, instead of the steamboat or the railroad.

I'm just a guy that grew up in a total fun-loving environment. I try to create that everywhere I go. Basically what I'm doing is a reflection of me as an individual, me naturally. I'm not staging or putting on anything. I think my approach to the game is an all-out approach, whatever it takes to win. I've always been that way.

I approach love differently now that I know it's hard for it to work out.

Metaphor is awkward, but emotion, by its nature, leaves you no more scalable approach.

Youth are active partners in Gujarat's development! Gujarat's approach towards skill development has been flexible, broad based, inclusive and with a long-term vision.

Without my attempts in natural science, I should never have learned to know mankind such as it is. In nothing else can we so closely approach pure contemplation and thought, so closely observe the errors of the senses and of the understanding, the weak and strong points of character.

Advice in old age is foolish; for what can be more absurd than to increase our provisions for the road the nearer we approach to our journey's end.

It’s a job. It’s not a hobby. You don’t write the way you build a model airplane. You have to sit down and work, to schedule your time and stick to it. Even if it’s just for an hour or so each day, you have to get a babysitter and make the time. If you’re going to make writing succeed you have to approach it as a job.

We all experience doubts and fears as we approach new challenges. The fear diminishes with the confidence that comes from experience and faith. Sometimes you just have to go for it and see what happens. Jumping into the battle does not guarantee victory, but being afraid to try guarantees defeat

Sport for me is about inspiring kids. Here's the rules, here's the play area, sometimes you win, sometimes you lose. This is all about teaching kids how to approach life. If we're not playing sport to benefit kids, I'm not really sure why we play sport.

My approach to the races hasn't changed in my 20-year career. If I have the chance to attack and to pass, I do it, trying to get the best possible result.

The shell model, although proposed by theoreticians, really corresponds to the experimentalist's approach. It was born from a thorough study of the experimental data, plotting them in different ways, and looking for interconnections.

I approached photography the only way that I knew how to approach anything: as a job. I would get up, photograph all morning, stop and have lunch, and then, photograph all afternoon. I didn't think that I had to wait for some inspiration.

We have staring us in the face here an enormous opportunity to actually find a way forward to have peace and stability in Syria, to reconstitute it. It'll take years to do that. This will not be an easy fight even with concerted coordination with respect to ISIL. But it is far more doable with that kind of approach than otherwise.

The truth is, I'm a character guy. That's how I see myself. I always see the role as being far more interesting and important than I am... not all actors approach it that way.

I approach my life with logic. I do not act on impulse or emotion. I very seldom find that I say, 'And then I can't think what came over me, but I did this or that or the other.' I nearly always know how I will act and I nearly always act in that way. I don't catch myself out in embarrassing situations because I've acted without forethought. I calculate what I will do.

Since a good part of my life has been wasted dealing with fools just like them, it's not worry I feel but weariness as I watch the approach of one more episode in the old, tired story of men who try to beat life, the smart ones who think they know it all and die with a look of surprise on their faces: at the final moment they always see the truth - they never really understood anything, never held anything in their hands. An old story, old and boring.

My approach to jewelry has always been to keep it very simple, but if you want to wear something, make sure it is exquisite and lovely and will stand out.

Sweets [Edison] can say more with one note than any other Jazz player alive... an approach that stresses simplicity, glorious tone, natural potency and an unmatched affinity. He is a unique stylist in our music.

I'm trying to change the way people approach knowledge and information in general. I think that to try to own knowledge, to try to control whether people are allowed to use it, or to try to stop other people from sharing it, is sabotage.

As we approach the millennium with sort of the idea that society is going to start spiraling into chaos, I'd love to be making jokes about that. Who wants to miss out on that? If the world is going to end, I want to be there the night before, goofing off.

Each character I play I approach differently and separately. I think Marigold is a simpler character for a sweet little movie, and I'm excited to be part of it. In terms of Heroes it's been such an amazing journey on that show. I love working on it and at this point I know I'm coming to Asia and some of the other cast are going to Europe for the world tour to release the DVD.

In the visual arts, for example, the semiological approach to graphics provides a rigorous analysis of the visual means used by the artist. It defines the basic properties and laws governing the arts and suggests objective criteria for art criticism.

People with antisocial personality disorders aren't automatically bad - they simply approach the world with a more ruthless set of lenses. The lack of empathy or very weak empathy and the ability to read other people's weak spots can be a flammable combination when you get in the way of something they want. But they aren't a different species. They're a part of our spectrum.

In a lot of ways, the task at hand for any poem is to approach something that defies exactness or definition with a kind of exactness or precision.

It opposes the dogmatic application to all cases of what is adequate only for piecemeal aggregates. The question is whether an approach in piecemeal terms, through blind connections, is or is not adequate to interpret actual thought processes and the role of the past experience as well. Past experience has to be considered thoroughly, but it is ambiguous in itself; so long as it is taken in piecemeal, blind terms it is not the magic key to solve all problems.

The devil is like a rabid dog tied to a chain; beyond the length of the chain he cannot seize anyone. And you: keep at a distance. If you approach too near, you let yourself be caught. Remember that the devil has only one door by which to enter the soul: the will.

Kate Otto, like so many in her generation, is committed to being a good global citizen and doing her part to make the world a better place. Everyday Ambassador is a refreshing approach which encourages collaborative work with focus, empathy, humility and patience to better affect positive change in communities throughout the world.

What I am concerned about in this fast-moving world in a time of crises, both in foreign and domestic affairs, is not so much a program as a spirit of approach, not so much a mind as a heart. A program lives today and dies tomorrow. A mind, if it be open, may change with each new day, but the spirit and the heart are as unchanging as the tides.

No totalitarian censor can approach the implacability of the censor who controls the line of communication between the outer world and our consciousness. Nothing is allowed to reach us which might weaken our confidence and lower our morale. To most of us nothing is so invisible as an unpleasant truth.

Symbolism perhaps is a bit in your face, and I've tried my best to control that as best I can as I've grown older and thought that one could approach something with a little more subtlety.

In my teaching and consulting practice, I encourage people to learn to experiment with confidence and to see themselves as scientists in the laboratory of their lives, continually trying new ways to pursue what matters most to them and to the people who depend on them. Smart, small wins are crucial to this approach, as is devoting time and attention to reflecting on what works and what doesn't.

When you ask why did some particular question occur to a scientist or philosopher for the first time, or why did this particular approach seem natural, then your questions concern the context of discovery. When you ask whether the argument the philosopher puts forth to answer that question is sound, or whether the evidence justifies the scientific theory proposed, then you've entered the context of justification. Considerations of history, sociology, anthropology, and psychology are relevant to the context of discovery, but not to justification.

Imagine a ship that is sinking and needs all the available power to run the pumps to drain out the rising waters. The first class passengers refuse to cooperate because they feel hot and want to use the air-conditioner and other electrical appliances. The second-class passengers spend all their time trying to be upgraded to first-class status. The boat sinks and the passengers all drown. That is where the present approach to climate change is leading.

The kind of approach I take is different from much of experimental philosophy. Although the experimental philosophers and I are certainly in agreement about the relevance of empirical work to philosophy, a good deal of their work is devoted to understanding features of our folk concepts, and in this respect, at least, I see them as making the same mistake as those armchair philosophers who are interested in conceptual analysis.

Poetry is, above all, an approach to the truth of feeling. A fine poem will seize your imagination intellectually - that is, when you reach it, you will reach it intellectually too - but the way is through emotion, through what we call feeling.

In the vast majority of movies, everything is done for the audience. We are cued to laugh or cry, be frightened or relieved; Hitchcock called the movies a machine for causing emotions in the audience. Bresson (and Ozu) take a different approach. They regard, and ask us to regard along with them, and to arrive at conclusions about their characters that are our own. This is the cinema of empathy.