Quotes About Audiences

Well, the coffeehouse audiences never know what they're going to get, and all the comics are different, as opposed to when you go to a club, and they're pretty much all telling jokes with set-ups and punchlines. Coffeehouse audiences are the most forgiving: They really listen, which is the best part.

Audiences are not easily fooled, but they are easily confused.

A lot of times, when you're acting, you have to explain things to the audience, and it's boring work to do that. It's really hard to make that interesting. I like the discovery of characters. I think people are smart. Audiences are intelligent and can figure things out by just watching behaviors.

The good and wonderful thing about my whole career is that I've always felt that the audience, if I do it well, will track wherever I go, whether it's President or a lawyer or bad guy or good. All I have to do is execute the material enough where they buy into it. I've had the great luxury of the audiences accepting that.

I think human beings probably resonate with audiences more than bunnies, but who knows?

Audiences tend to dig the earlier stuff by any given musician, and the artists themselves always tend to prefer the thing that they're doing now.

Film has become a marketed commodity, and the opportunities and audiences for art cinema have grown smaller. There is a general downturn in cultural literacy, perhaps because of television.

I understand why creative people like dark, but American audiences dont like dark. They like story. They do not respond to nervous breakdowns and unhappy episodes that lead nowhere. They like their characters to be a part of the action. They like strength, not weakness, a chance to work out any dilemma.

I don't know, I think the crowds are even more responsive now because the audiences are skewing younger.

When I started reciting my own poems in public, I worried that it would seem too theatrical, but now I find recitation very natural, because it allows me to address audiences directly.

We [with Neal Dodson and Corey Moosa] spent a lot of time writing, for lack of a better word, this manifesto about what we wanted to do. We wanted to find work that was relevant socially and that didn't take audiences for granted.

As professional actors, it's our job to entertain our audiences while setting benchmarks for ourselves as well, creatively and intellectually.

There are two kinds of audiences. There's the ones who were in the theaters, and the ones who are outside and we want them to come inside the theater. And, it's not the same.

Well, because we're talking here about people who've been ordered deported and the administration has done nothing about actually making sure that they go home. This is theater, I think, for two audiences - one probably for the American public to some degree, to make it seem as though the administration is taking this renewed surge of Central Americans seriously.

The States still has the best audiences by far.

It's truly gratifying to see my films reach beyond a familiar public, to get a chance to move new audiences. It's nuts. It's extraordinary.

Different cultures have different audiences.

What happens online is you are constantly dealing with invisible audiences.

Australians just don't see that many Australian films, but it's also our responsibility as filmmakers and the responsibility of the funding bodies to remember that audiences want to be entertained, and people are entertained in lots of different ways.

Paul Ryan and his allies, who include Mike Pence, are congressional conservative Republicans, they have a very clear conservative agenda. The question will be who has to bend more to accommodate the other - Mr. Trump accommodate their ideology, or will they have to accommodate his? And if he can rally audiences behind him, we could see a very interesting intra-party war of a kind we haven't seen in a really long time.

Playing to bigger audiences at festivals got me in the mindset of writing music that I would sing to a crowd.

Audiences have kept me alive.

It [moviemaking] is about entertaining audiences with great characters and great stories, you want to make people laugh, you want to make people cry, you want to have great music that is memorable. You want a movie that, as soon as it's over, you want to watch it again, just like that. That's what it is, whether it's live-action, animation, hand drawn, computer, special effects, puppet animation, it doesn't matter. That's the goal of a filmmaker.

Those two songs condense the two albums. They also show what the audiences wanted. I was desperate to keep the band together and find something that the public would like.

Luckily for his audiences, Bennett doesn't tire of singing I Left My Heart. ... that song made me a world citizen. And when I do it, it always feels like the first time.

We try to keep it a classy show, but it certainly is blue at times. And it all depends on the audience, sometimes we've have audiences that don't really want us to go too far in that direction.

Audiences can be very judgmental.

Our audience, it has been a more difficult process for classical music audiences around the world, and I'm not completely certain why.

So anyway, I really enjoyed the European audiences.

We need new friends; some of us are cannibals who have eaten their old friends up; others must have ever-renewed audiences before whom to re-enact the ideal version of their lives.

Music is still part of my spiritual life. Sometimes I sing my prayers. When I get audiences singing, I hope I'm helping them feel connected to something beyond themselves.

I think initially, our audiences were filled with young men. You know, our initial audience was a lot of young guys who I think were trying to - who you played a bit of a big brother role for and were trying to sort out a lot of the same things right - soon as "Born To Run" hit, you know? So it was something that I worked pretty hard on.

I'm taking probably the biggest risk of my career in playing the part in Filth. If you stop taking risks, then you get bored, or you just keep playing the same part, over and over again. Eventually audiences get bored of that, as well.

Audiences arent fools - their judgement really is important. And the true heroes of films are the investors. They take the risk, after all.

I would love to be a guest on a talk show or a panel that shows women who have been on reality shows who've had success, to prove to audiences that you don't have to be a fool to become successful.

I've been in love with audiences all my life, and I've tried to please. I hope I did.

Audiences have proved time and again that they don't want a steady diet of any entertainer airing his social views - especially if he's a comedian.

I see a Latino comic as someone who can only perform for Latino audiences. I cross the board.

We did receive some questions about the film's [Aquarius] sexuality in Cannes, but they came from the press rather than audiences.

All the history of the stage is a struggle, the gasping of a beautiful child born at the point of death. The moralists, censorship and oppression, technology, and now poverty have all tried to destroy her. Only we, the actors and audiences, have kept her alive.

Theater will never, and never has, gotten audiences like film. But theater goes to work on society in a different and more subversive way.

I think audiences are a lot more intelligent than what we give them credit for and understand that an actor is playing a role and that doesn't mean he can't play different types of roles.

Audiences in mainland China know how to discuss movies.

With electronic music it's often a little more hidden - the relationship between gesture and sound - which makes it confounding for audiences. But the ingredients of electronic music are the same ingredients of nonelectronic music.

When you make something you like and audiences reject it, the experience can be painful. But I've discovered...that when you make something you aren't exactly satisfied with, and someone tells you it's great, that's even mor...e painful and frustrating.

Audiences want to see intelligent movies.

Sometimes you have to listen to other people, and see what the audiences want. That's what entertaining is about.

Audiences in London called me the girl with the black cherry eyes.