Quotes About Certain

This is a world that is much more uncertain than the past. In the past we were certain, we were certain it was us versus the Russians in the past. We were certain, and therefore we had huge nuclear arsenals aimed at each other to keep the peace. That's what we were certain of... You see, even though it's an uncertain world, we're certain of some things. We're certain that even though the "evil empire" may have passed, evil still remains.

Certain environments, certain modes of life, and certain rules of conduct are more conducive to inner and outer harmony than others. There are, in fact, certain roads that one may follow. Simplification is one of them.

Books leave gestures in the body; a certain way of moving, of turning, a certain closing of the eyes, a way of leaving, hesitations. Books leave certain sounds, a certain pacing; mostly they leave the elusive, which is all the story. They leave much more than the words.

Revolutions require work, revolutions require sacrifice, revolutions, and our own included, require a certain amount of rationing, a certain amount of calluses, a certain amount of sacrifice

I try to follow certain rules. Nothing in Élysée Palace should become habitual, because routine lends one a deceptive feeling of security. You begin not noticing certain things and lose your focus on what's important. Uncertainty and change keep you attentive. This place and, to a certain extent, my office, help me avoid developing habits.

Same thing for the bad guy. People were really after this guy Radovan Karadicz. But I came up with a combination of several people, who then became The Fox. That's who Simon Hunt and Duck are after. I did that so I could have freedom with what The Fox said and did, so that I didn't have to be stuck. Certain things I wanted to stay to the truth. Certain things I changed, and certain things are the facts.

Melody has a certain way that it projects back to you. It triggers certain nerves in your body and certain instincts that normally wouldn't be triggered by a normal voice.

During the years 1945-1965 (I am referring to Europe), there was a certain way of thinking correctly, a certain style of politicaldiscourse, a certain ethics of the intellectual. One had to be on familiar terms with Marx, not let one's dreams stray too far from Freud.... These were therequirements that made the strange occupation of writing and speaking a measure of truth about oneself and one's time acceptable.

My choice of colors does not rest on any scientific theory; it is based on observation, on feeling, on the experience of my sensibility. Inspired by certain pages of Delacroix, an artist like Signac is preoccupied with complementary colors, and the theoretical knowledge of them will lead him to use a certain tone in a certain place. But I simply try to put down colors which render my sensation.

The more you see, especially being young, the more you see the past, the more you can draw upon that and the more you can make the present and the future. It's how you process the past and at oftentimes in the picture, there are references to certain imagery from certain pictures, and certain novels.

To be good, according to the vulgar standard of goodness, is obviously quite easy. It merely requires a certain amount of sordid terror, a certain lack of imaginative thought, and a certain low passion for middle-class respectability.

I think after time goes by and you earn certain rights or you break through certain barriers, you could sometimes, maybe, take it for granted what you have now that you didn't have before. And then that would lead to a certain lack of community, in a way, caring in a way, that I saw before [in gay society].

I have kind of an intuitive feeling as a composer as to what would be appropriate for those groups and how to feature certain paths in a certain way, whether there was dialogue in a scene, or whether there was no dialogue and music was telling the story at that point.

I hate to say it because I think people are risk averse these days more than ever. Before they even pick up the phone, they know what the picture's going to be. So there's a certain comfort in that, a certain security that they can lay out the cover of the magazine and kind of know what it's going to be.

There are times when you have sharp elbows, and people are trying to muscle you out of certain meetings - because then people could leak to the press that you had a role in certain decisions. I, at twenty-six, was very impatient and didn't know how to keep my powder dry. I was running a team of seventy-five people when I had never been a boss. I was the worst boss ever.

I know a lot of bands that will make their first record and get to a certain level, and then when the second record comes out, they can start where they left off as a headlining act playing in front of a certain number of people, or they can go back out and make a lot less money and open for people. I feel like if you go out and just go right back into that headlining stuff, you're playing to the converted.

Life was all about being in a certain place, at a certain time.

I always worked as an individual artist even when Group Material asked me to join the group. There are certain things that I can do by myself that I would never be able to do with Group Material. First of all, they are a totally democratic entity and although you learn a lot from it, and it's very moving, it's very exacting, everything has to be by consensus, which is the beauty of it, but it is much more work. It's worth it 100%. But as an individual artist there are certain things that I want to bring out and express, and the collaborative practice is not conducive to that.

If you are armed with knowledge, if you are aware that certain dynamics are at play then you have options. You can play defense, you can ignore certain person and take the consequences perhaps with a game plan in mind and it goes on, you've increased your options.

But, as an actress, you don't want to run into these scenes, willy-nilly. The couple that I did do were important for the character and essential to the plot, to show what was actually going on between each character. It is great to be able to have that, and to be able to say certain things and have certain passions.

When I went back home, I was constantly being reminded, I'm an African woman, and so there are certain things I shouldn't do, certain ambitions that I should not entertain. That was a problem for me because I had never thought of myself as an African woman, never thought of myself as a woman to begin with. For me the limit was my capacity, my capability.

When people are too present, too familiar or too in our face, something happens to us psychologically. We begin to tune them out, we begin to get sick of them, we begin to know them so well and become so familiar with who they are that we loose a bit of respect for them. You pass a certain threshold with the fact that you're too present in their lives, too much in their face and once that threshold is passed you're never going to repair it they have lost a certain respect for you.

I have always had a certain song in my head, a certain chemistry of sounds.

Our society teaches a woman at a certain age who is unmarried to see it as a deep personal failure. While a man at a certain age who is unmarried has not quite come around to making his pick.

It's not like we have not had close games. We've just been able to win them, and as a result, the reality sometimes doesn't set in that you're weak in certain areas or you're not doing certain things well. ... When you win, sometimes it overshadows a poor performance.

You are not alone with a guy until you are a proper age. You don't go to certain levels with men until you are married or you have a certain relationship.

I have certain things that I stand for, certain things that I believe in, and if you don't like it and you tell me to go to hell, I think that's your God-given right as a fan. It's one of those deals where I'm that one guy who is outside of that realm of good guy, bad guy. I'm just me, and it elicits a response both positive and negative.

When I come to a new city is I combine: I say, well, it's like Barcelona and Edinburgh, though I can't imagine what that would be. But Toronto, the last few times I've been here, what always comes up is Chicago and West Berlin. It's a big, sprawling city beside a lake, of a certain age and a certain architectural complexity. But the high-end retail core looks more like West Germany than the Magnificent Mile. Yonge Street is like K-Damm. There's an excess of surface marble and bronze: it's Germanic and as pretentious as pretentious can be.

I don't like to do things for any other reason than it happens spontaneously or there's something that makes it happen naturally. I don't like putting down too many plans and trying to do a strategy to get a certain response or a certain effect.

Part of what makes you great as a young player can hurt you at the end of your career, in terms of you need a certain amount of ego, a certain amount of arrogance to be able to play well and to push yourself and trick yourself into thinking you're better than you really are.

You look a certain way because you want people to listen to you in a certain way.

The one thing I've said to [Donald Trump] directly, and I would advise my Republican friends in Congress and supporters around the country, is just make sure that, as we go forward certain norms, certain institutional traditions don't get eroded, because there's a reason they're in place.

Realism as a foreign policy doctrine means basically you don't care about values; you consider them a luxury, and it leads to a kind of acquiescence in spheres of influence. Now, spheres of influence sound good if you're a graduate student, or a certain kind of - an academic with a certain habit of mind. But in fact, spheres of influence don't work out very well, certainly not for the victims, and there are always victims.

The pacifist thinks that the alternative to war is peace; it is not. Sometimes the alternative is oppression. Sometimes certain God-given rights and liberties can be preserved only by resistance to that which would destroy them. And to defend certain basic God-given rights and liberties is not immoral but righteous.

I think of consciousness as a bottomless lake, whose waters seem transparent, yet into which we can clearly see but a little way.But in this water there are countless objects at different depths; and certain influences will give certain kinds of those objects an upward influence which may be intense enough and continue long enough to bring them into the upper visible layer. After the impulse ceases they commence to sink downwards.

Everyone knows how to love,because we are all born with that gift.Some people have a natural talent for it but the majority of us have to re-learn,to remember how to love,and everyone,without exception,needs o burn on the bonfire of past emotions,to relieve certain joys and griefs,certain ups and downs,until they can see the connecting thread that exists behind each new encounter;because there is a connecting thread.

The power under the Constitution will always be in the people. It is entrusted for certain defined purposes, and for a certain limited period, to representatives of their own choosing; and whenever it is executed contrary to their interest, or not agreeable to their wishes, their servants can, and undoubtedly will, be recalled.

Do not great Bodies conserve their heat the longest, their parts heating one another, and may not great dense and fix'd Bodies, when heated beyond a certain degree, emit Light so copiously, as by the Emission and Re-action of its Light, and the Reflexions and Refractions of its Rays within its Pores to grow still hotter, till it comes to a certain period of heat, such as is that of the Sun?

I'm always open, and will criticize myself, too. And I just think being that honest with everybody puts you in a different space than somebody who's just shooting venom at a certain group or a certain amount of individuals.

You can make or break an outfit by not knowing your body type - certain things work on certain people. Make sure you're dressing for your leg-length, hip/chest size, etc.

Standards are different for all things, so the standard set by man is by no means the only 'certain' standard. If you mistake what is relative for something certain, you have strayed far from the ultimate truth.

That was real disrespectful and stupid. But it ain't really catch me off guard. I mean, when you see certain things in a person's character [like J-Hood], you don't get really get caught off by guard by certain actions.

I think certain periods of history don't get dealt with because I think historians, and it's their job, but they look back and look for patterns. They look for sequences and they look for reasons, and certain periods of history don't fit with the general pattern of 1500 to the 20th century, during which there's the creation of the United States. At this time of 1814, two nations who would eventually become close allies were at war with each other, so it doesn't quite fit.

May I say, if you were suddenly put into a woman's body, wouldn't you be slightly interested in your breasts, and why people look at certain parts of you, and why certain parts move like they do?

Oh just wait. It takes a lot of time, that's all...You'll have come to a certain kind of appreciation that moves beyond all the definitions of love you've ever had. A certain richness happens only later in life. I guess its' a kind of mellowing. p 80 talking about marriage and husbands

Certain rhythms just have certain moods.

At a certain point, you must be able to slip loose. At a certain point, you found that you had been set free. You could be anyone, he thought. You could be anyone.

As far as the laws of mathematics refer to reality, they are not certain, and as far as they are certain, they do not refer to reality.