Quotes About Clubs

In the past two or three years, the number of clubs has doubled ... we've got close to 8 000 players, about 60 to 80 clubs. It's not restricted to the metros any more, it's gone rural.

I suppose our lives need to be more integrated. We have white communities and black communities and white country clubs and black country clubs. It's very important when we integrate ourselves, and it helps us to have a better understanding of the world, to people all over the world and this is the time in history that we have become very aware of how important that is, so I think it's just really-we have to know each other and work together and play together in order to write about each other.

What if more and more parents, grandparents and kids around the country band together to create outdoor adventure clubs, family nature networks, family outdoor clubs, or green gyms? What if this approach becomes the norm in every community?

I didn't mind working in the clubs, but I resented it being a club where pimps hang out. Because the music that I create is of a higher intellect than that. It not only encompasses pimps, but whores, ballplayers, executives... everybody.

The clubs usually enforce no filming of performances pretty well. I want to know that what I'm doing is in the here and now and it's mine. I absolutely want control over my performances. And it is actually scary to see someone filming you without permission. Like Big Brother is watching. All these cameras don't make up for a life that isn't well-lived! I agree that people don't live in the moment, they instead live to make a name for themselves as "people who are living exciting lives and at great events".

I don't really like to go out to clubs or anything. It's just not my style. I'd much rather go to a dive bar or a local place.

I grew up playing in clubs - that's my spiritual stomping ground.

When I got to Princeton I made a point of attending the Philosophy Club and listening to the lectures, but I didn't get involved in any discussions in those clubs. I guess after the first year, I dropped that.

I've always liked Atlanta. And not just for the strip clubs, but the shopping and the food.

I was in NYC during 9/11; it happened on a Tuesday, I was on stage Thursday. It was a small crowd, but it took about 10 days and comedy clubs were packed.

I'm living in L.A., which is hard to get around. I live way out in the suburbs, it's hard for me to get to town. You get five minutes here, then you gotta drive a half hour to the next one. New York was so much easier for standup because you could hit five clubs in a night. Just jump in a cab, pop. Boom, boom, boom. And you could walk to some of 'em, and work out stuff on the way. You can really get some more traction out there. You could work new material easier out there, I thought.

Everyone gets surprised because neither one of my parents play golf. Like I said in my speech, my aunt and uncle really love golf, and we visited them, and she gave me two clubs. Like people think when they don't know who my dad is, they think he's my coach.

I don't have any interest in going out to clubs. I love people, and I love socializing, I just don't have any interest in being drunk.

At 14, I was playing in clubs until 3 A.M. My dad was the district attorney of New Orleans and my mother was a judge, so I saw hookers and drugs but I never wanted that life.

When I was growing up, I fetishised New York City. It was the land of Lou Reed and the Velvet Underground, it was where Leonard Cohen wrote 'Chelsea Hotel', it was CBGBs and all the punk rock clubs. Artists and musicians lived there, and it was cheap and dangerous.

I've always been interested in the way males seem to need to start clubs, or cults, to keep girls out until they need them for sex. It comes from some weird immature tribal crap, I'm sure.

I love going out to clubs. Granted, I don't get hammered or do anything to embarrass myself. I'd call myself wholesome but it's not like I only drink milk.

What people don't realize is that the so-called Seattle grunge scene grew out of several close-knit gourmet supper clubs - we would only pick up guitars to pass the time while our dishes were simmering, baking, boiling, etc.

Football is based on desperation. All clubs are desperate in one form or another - desperate to succeed, desperate to survive, desperate to stay where they are, desperate that things get no worse, desperate to arrest the slide.

As with Cesc Fabregas, some players who go and play for foreign clubs improve on a cultural level. It makes them grow on many levels; intellectually, because you have to learn a new language and adapt to another culture, and on a footballing level too.

On the weekends, I would go down and play these clubs in Key West or West Palm Beach or surrounding areas of Florida and then I'd go back to school for the week.

The clubs, that's easy to cut out, because I know when the season ends I can look forward to going out.

Some memorizers arbitrarily associate each playing card with a familiar person or object, so that the king of clubs is represented by, say, Tony Danza. The grand masters associate each card with a person, an action, or an object so that every group of three cards can be converted into a sentence.

Vikings don't have faults, they have clubs.

There's an aesthetic theme, which is cities at two o'clock in the morning. Not cities packed with people going out to clubs and dancing but desolate, empty streets. It's off-putting but there's a strange comfort to it as well, that desolate urban environment.

I don't play well enough to be allowed to throw my clubs.

The wrap party for the 'Lorna Doone' TV series was pretty special. We went to about four clubs, then four people's houses, and I got home at midday the next day. I'd been wearing ridiculous green shoes all night, and the dye had smudged all over my legs.

I've been singing since I was 8 years old and working in clubs since I was 14. I've been working full time since I was 16.

I am not a player to have regrets. I should have stayed at certain clubs longer, but I don't regret.

You're sure your new roommate won't be like the last one who wore tinfoil socks and had a tendency to occasionally urinate in the refrigerator. You're sure you'll pass Math 106 this time around. You're determined to actually join some clubs this year and not just sit around in your dorm eating spray cheese from a can and watching youtube videos about cats.

Music was not a big deal to me when I was in middle school. And then I slowly became a big jazz fan. Even more than concerts, a lot of my high school time was spent going to jazz clubs in the city.

To be honest, I think about the clubs when I write. But I should probably start thinking about stadiums, because the songs sound even better there - and bigger.

If I'm not directing it, I need to be right in the director's ear so we can be talking about this." You do something like use the wrong music, the tone's off, and everything feels off". And I was like, "I'm not going down with this one. I wrote it, but I don't like that play." Then I thought, "Well, no one's producing my stuff, letting me star in it, and direct it at these theaters, so I'll just do them in comedy clubs."

When I was in third grade I taught myself ventriloquism... What's hard is to learn to be an entertainer and make people laugh. I was a few years out of college before I felt I had enough material. Then in 1988 I moved to L.A. and started to do some shows at comedy clubs.

Blues artists now try and stay in a box. Back in the day at all the clubs you would see James Brown, Jimi Hendrix, The Isley Brothers, Little Richard and Etta James all play the same venues. It was a mix of funk, soul, blues and rock 'n' roll.

I don't know (and I guess I never will while I'm alive) just how thick my old skull is, but I do know that it is pretty thick, or it would have been cracked many years ago, for I have been struck some terrible blows on my head with iron dray-pins, pokers, clubs, stone-coal, and bowlders, which would have split any man's skull wide open unless it was pretty thick. Doctors have often told me that my skull was nearly an inch in thickness over my forehead.

I love '80s happy music. I love Cyndi Lauper and Madonna, and the idea of making music that's about people celebrating fun. I spent my late adolescence in New York and I used to go to a lot of gay clubs. The music there was always just about love and connection and celebrating life. I think, for people going through something really hard, to go to a place where you can let loose and listen to music as a distraction, that's about a better place, a better way of life - that's where all the attraction lies.

What do they do in these [private] clubs, anyway? Sit around saying things like 'Thank God I'm here. No Jews! What fun! This is living, huh? Look! No Jews! I don't know when I've had a better time. And no women! Just men! And no blacks! Just whites! White men! White men who are not Jewish! It doesn't get any better than this.' To some people, apparently, this is a perfect description of injustice. To me, this is a perfect description of a gay bar in Iceland.

In the clubs, the entertainment and the restaurant business are at war with each other. You get crowds that are not the greatest, and it becomes like a babysitting job, rather than doing what you want to do. I have a more deliberate pacing in my act, and having a half interested audience is death. They have to hear what I'm saying for it to pay off.

No one really needs to defend drinking. That's something that frustrates me as a comic: I have to play clubs where selling booze runs the business, so crowds get drunk and yell out a bunch of stupid stuff at me.

If I could make the same amount of money doing standup it would be no contest. The problem is that if you do make that kind of money doing standup, it's not in clubs, it's in big auditoriums and large venues, and I really think something is lost when you do standup for a big crowd.

In England everything is liberalised. Within certain boundaries and rules everybody can do what he likes. Maybe London's society has a different tempo, a different dynamic. London is fast, productive, creative but it is not England. If you want to transfer that to football, you could say: in the four big English clubs and maybe in the one or two behind them there is a top level. Everything that comes after that rather mirrors English society. It's honest, fair and hard, sometimes also fast, but not always so perfect.

Brooklyn is where I primarily developed. I had an opportunity to make records and perform in clubs here and there, and I started networking with the right people in the right places.

We spent all day travelling, living away from the people you love, not sleep in our own bed ... We are far from our own houses. We live in hotels, clubs. And now that I am a father it is much more difficult.

If you spent your weekends in the clubs, you could see the change in the eyes of the people. They became merciless, in a way, in their desire to be entertained.

It's the fault of the chess players themselves. I don't know what they used to be, but now they're not the most gentlemanly group. When it was a game played by the aristocrats it had more like you know dignity to it. When they used to have the clubs, like no women were allowed and everybody went in dressed in a suit, a tie, like gentlemen, you know. Now, kids come running in their sneakers. Even in the best chess club-and they got women in there. It's a social place and people are making noise, it's a madhouse.

Louis van Gaal is one of the most incredible coaches who's done a fantastic job in clubs all over Europe.

And I used to go the punk clubs such as a gay club in Poland Street that everyone would go to because it was the only place you could go to looking like that without getting beaten senseless.