Quotes About Clubs

I know the questions will be around the money, the amount Chelsea had to spend to bring him here but that's the reality of modern football. Big teams only want big players, big players are in big clubs, big clubs want to keep their big players.

I LOVE THE COMEDY CLUBS AND THE CLOSENESS OF THE CROWD. HOWEVER THE MORE YA DO THE BIG ROOMS THEY START TO BECOME YOUR HOME AS WELL AND YOU ADJUST TO THE SURROUNDINGS. I LOVE THEM BOTH. I MISS THE CLUBS BUT THATS WHAT YA WORK FOR TO DO THE BIG ROOMS!

I started out in clubs, and I've always liked clubs. I like theaters because people are there for the show.

Even though I have fond feelings for comedy clubs, I enjoy the focus you get in a theater. Comedy clubs are a different animal. People are being served nachos and there's a blender going off in the background.

They do a heck of a job with the PGA professionals around the country and taking care of the clubs and country clubs and everything else, but when it comes to understanding the guys out here on Tour and everything else, I don't think they get it because they're not out here on a regular basis.

Everything I make is with intention. I'm not very haphazard with my artist work, although I wish I was sometimes. I'm very conscious of the conversations I'm pushing about different threads and themes around landscape and characters that exist - how it's pictured, who's pictured it, who's owned it and who's been able to inhabit certain spaces. I have other interests as well. I'm really obsessed now with going to gay male dance clubs. I find those thrilling. I'm interested in what future characters can come.

I didn't really get that good at cutting because I didn't have those three years of gestating and nurturing my skills in the bedroom. I was kind of, like, out and playing in clubs after three of four months, because I was pushy with promoters. But I would just listen to the radio - Stretch Armstrong and Red Alert - and then I would go hang out with Mayhem, who did the WNYU hip-hop show.

Write a lot. And finish what you write. Don't join writer's clubs and go sit around having coffee reading pieces of your manuscript to people. Write it. Finish it. I set those rules up years ago, and nothing's changed.

When I got to Princeton I made a point of attending the Philosophy Club and listening to the lectures, but I didn't get involved in any discussions in those clubs. I guess after the first year, I dropped that.

Stand-up is every man for himself; you learn from hanging out at these clubs and watching other guys, and then trying not to be like them.

I grew up in a place where everybody was a storyteller, but nobody wrote. It was that kind of Celtic, storytelling tradition: everybody would have a story at the pub or at parties, even at the clubs and raves.

Paris in the early morning has a cheerful, bustling aspect, a promise of delicious things to come, a positive smell of coffee and croissants, quite peculiar to itself. The people welcome a new day as if they were certain of liking it, the shopkeepers pull up their blinds serene in the expectation of good trade, the workers go happily to their work, the people who have sat up all night in night-clubs go happily to their rest, the orchestra of motor-car horns, of clanking trams, of whistling policemen tunes up for the daily symphony, and everywhere is joy.

I don't have any interest in going out to clubs. I love people, and I love socializing, I just don't have any interest in being drunk.

Comedy clubs have brick walls behind the performer. Bricks make you funny. When I'm in front of a fireplace, I'm hilarious.

English clubs are very exclusive. I played Royal Foxshire and they made me wear a suit and tie. . . in the shower.

Sober strip clubs are horrible. When you are sober you see the matrix code behind a strip club. You're paying girls to pretend to like you until you run out of money so they can walk away.

The law don't like jazz clubs. No one wants anything to do with that kind of trouble.

I love going out to clubs. Granted, I don't get hammered or do anything to embarrass myself. I'd call myself wholesome but it's not like I only drink milk.

I definitely wasn’t cool in high school. I really wasn’t. I did belong to many of the clubs and was in leadership on yearbook and did the musical theater route, so I had friends in all areas, but I certainly did not know what to wear, did not know how to do my hair, all those things.

If you're smart you're just gonna be all about the work. But as a young person, you want to going out to clubs and doing all the stuff. I'm just glad I survived it.

I think there should be bad blood between all clubs.

I've thrown or broken a few clubs in my day. In fact, I guess at one time or another I probably held distance records for every club in the bag.

As with Cesc Fabregas, some players who go and play for foreign clubs improve on a cultural level. It makes them grow on many levels; intellectually, because you have to learn a new language and adapt to another culture, and on a footballing level too.

I don't remember reading much at all during the writing of Eileen. I go through several years-long dry spells and I don't feel like reading at all. I was working part-time for a guy in Venice, California while I drafted Eileen. He wanted help in writing his memoir. The research had a lot to do with the 60s, so that must have informed my sense of the place and time in my novel, and perhaps even the memoir point-of-view. He was also from New England. It was a fun job. I learned a lot about motorcycle clubs, Charles Manson, hopping freight trains.

I started selling out comedy clubs before I got to town with no advertising. I was selling out theaters just on the rumor that I was going to be there.

Always throw your clubs ahead of you. That way you don't have to waste energy going back to pick them up.

A tenor player named Bud Revels there at the time. A lot of really nice associations amongst the students. Garry Dial was a returning student. He actually got me on Red Rodney's band subbing a little bit. I gigged some with Red when I was 21 in 1988. So I had a lot of nice associations that came from [ Laguardia School of Arts]. But a lot of my education was going on in the clubs. Hearing music and sitting in.

Some memorizers arbitrarily associate each playing card with a familiar person or object, so that the king of clubs is represented by, say, Tony Danza. The grand masters associate each card with a person, an action, or an object so that every group of three cards can be converted into a sentence.

I've been wearing Wrangler jeans for more than a decade now, all the way back to when I first started playing clubs in my teens in Georgia.

Of all the awards, the Stand-up Comic Audience Award is our favorite. It is a chance to honor the performers who spend much of their careers developing their craft and working in the comedy clubs all over America.

I came here knowing nobody. I worked clubs as a singer and even the doors a few times before I landed some TV roles.

For a long time, I couldn't actually deal with playing concerts, it was a totally alien concept to me, 'cos I was used to playing in clubs and dance halls.

There are lots of concerns facing English football but for me the major one is the way in which football clubs are run by owners, whether they are growing organically and sustainably and how that is being policed by the football authorities.

Everything I do comes from the clubs. If I lose that, I'm done.

I have done well out of TV, but not well enough to buy football clubs. I'm not sure it's ever a way to make money.

Sir Alex has a special place in my life. In fact, he was the main man. I was not famous, I was not a star. I arrived at Old Trafford as just another young talent. He was the one who told me to do all the right things. He gave me the opportunity to play in one of the biggest clubs in the world. So he is one of the most important people in the world for me. I worked with Sir Alex for a few years and I know he deserves ­everything that he has achieved in his career. He works so hard, he is clever, he has experience, he is a human guy.

I've always enjoyed interleague play. It gives you a chance to see different clubs, to go to different places. It gives you a good chance to see where you are, where you stand with other teams.

I remember the first time I was booked into a jazz club. I was scared to death. I'm not a jazz artist. So I got to the club and spotted this big poster saying, 'Richie Havens, folk jazz artist.' Then I'd go to a rock club and I'm billed as a 'folk rock performer' and in the blues clubs I'd be a 'folk blues entertainer.'

I don't really go out to clubs, but if I did, I'd just want to go rock out with my mates or whatever.

When I got out of high school, I thought, I'll take a year or two off and play the clubs, get this out of my system, and then go to med school.

First and foremost, we have to focus on what we're doing and not worry about what Bayern - or any other clubs - are doing.

I just started writing for my own amusement and occasionally singing in little clubs around Los Angeles. Then I wrote "The Rose," and through a series of divine things that I had no control over and had no idea were going to happen, it got in the movie, and that changed everything.

In Hollywood, we have some of the richest unemployed people in the world. They have sun tans. Some of them have chauffeurs in Rolls-Royces waiting outside. They have their golf clubs ready in the car. There is no law that says you cannot play golf while being unemployed.

People always have these debates about who their favourite rapper is. And I think it's based upon what mood that particular person is in. If someone's favourite rapper is a lyricist then they're focused on rhymes or substance. If someone's favourite rapper is a party rapper, you know, someone who makes music about the clubs... "Oh, he's my favourite rapper". No, his subject matter is your favourite.

Like the Birth Of Venus, the song [Yello "oh, Yeah"] denotes the birth of the bro. The song just reminds me of bros looking out over lowered Ray-Bans. It birthed a negative sexual revolution. I was going to a lot of bondage clubs at the time and they did play this song. The song I associate more is that horrible Enigma song with the Gregorian chant. There's something good buried in that song and I might not hate it as much if I hadn't been a sex worker.

Some of the old folk singers used to phrase things in an interesting way, and then, I got my style from seeing a lot of outdoor-type poets, who would recite their poetry. When you don't have a guitar, you recite things differently, and there used to be quite a few poets in the jazz clubs, who would recite with a different type of attitude.

I don't like going out. I hate clubs. I hate being around too many people.

That is what I always tell service clubs: If you hear of somebody who is very young and talented, pick them up and give them that little assistance to make sure that they get to the professional stage.