Quotes About Collection

I love to be in New York. And I think anybody who's a designer, who says they're doing an urban collection, thinks about the streets of New York. I cannot do an urban collection thinking of Bangkok. Or Mexico. To me, it's totally instant, totally connected with what attracts me these days. But this resurgence of a modern, cool way of being dressed is something that stimulates me and is totally right for me. Even now I don't like to show something that is some futuristic utopia.

I've just finished my next collection, Possible Side Effects, and I'm now working on a collection of holiday stories as well as a memoir about my relationship with my father.

I was walking every morning, and I'd take my iPod and paper and pen. As I walked, I wrote a poem, and then I'd come home - and sometimes it's legible, sometimes not - I typed the poem up. So I have a new, yet to be published, collection of poems now. It's called Walker's Alphabet, and among other things, it is about walking. My most recent collection of poems in 2010, incidentally, was titled WALKING backwards.

Usually at the end of each story we're thrown clear out of the story's world and then we're given a new world to enter. What's unique about a linked collection is that it can deliver both sets of narrative pleasures - the novel's long immersion into character-world and the story anthology's energetic (and mortal) brevity - the linked collection is unique in its ability to be both abrupt and longitudinal simultaneously.

I remember I was very taken with a book called DreamTigers by [Jorge Luis] Borges. He was at the University of Texas, Austin, and they collected some of his writings and put them in a little collection. It's called DreamTigers in English, but it doesn't exist in Spanish. It's a little sampler. But that collection in English is what struck me, because in there he has his poems, and I was a poet as well as a fiction writer.

The problem with my balloon collection is that people always think there's a party. Settle down. It's not a party. It's just balloons.

I'm inspired by different cultures around the world and love to incorporate these facets into my collection.

I didn't really have a major role in how it was described. I wanted it to be a collection of essays where each storyline could be contained.

Katie Grand often comes in from a very different angle than what I've been thinking about. And that really gives it that extra something, because designers can often get stuck in their own view of how the collection can look. I always love the way that she turns it into something else and I kind of let go at that point.

I took a wrong turn on the way to the bathroom and found myself in a beautifully proportioned room I had never seen before, containing a really rather magnificent collection of chamberpots. When I went back to investigate more closely, I discovered that the room had vanished. But I must keep an eye out for it. Possibly it is only accessible at five thirty in the morning. Or it may only appear at the quarter moon - or when the seeker has an exceptionally full bladder.

My favorite [costume in collection] is the white dress Marilyn Monroe wore in the subway breeze scene in 'The Seven Year Itch.'

The church isn't simply a collection of isolated individuals ... we need to learn again the lesson that a hand is no less a hand for being part of a larger whole, an entire body. The foot is not diminished in its freedom to be a foot by being part of a body which also contains eyes and ears. In fact, hands and feet are most free to be themselves when they coordinate properly with eyes, ears, and everything else. Cutting them off in an effort to make them truly free, truly themselves, would be truly disastrous.

I'd like to do an anthology. Maybe a collection of songs set in my world, or based on my world. I think that would be a lot of fun.

I'd probably say to my younger self, get yourself a whole collection of lawyers. Which is what I have now.

The collection of taxes which are not absolutely required, which do not beyond reasonable doubt contribute to public welfare, is only a species of legalized larceny. Under this Republic the rewards of industry belong to those who earn them.

I know I wasn't allowed to go to fashion school; I can't cut a dress like Galliano, right? But I had enough wherewithal to go to that studio on my first collection and bring Kim, [stylist] Christine Centenera, Ian Connor, Theophilus London, Virgil Abloh...they all came down to [Vetements/Balenciaga designer] Demna Gvasalia's studio that night and hung out.

At the end of the day, I want to create collections that, although I am inspired by very creative women, I want my customer to walk away with a silhouette that she doesn't even know what collection it comes from. That it just lasts in her wardrobe and makes her feel strong and confident and hopefully happy.

I do love the ceremony of putting on a record but I don't have space for a vinyl collection.

The word 'God' is for me nothing more than the expression and product of human weaknesses, and religious scripture a collection of honourable, but still primitive legends which are nevertheless pretty childish. No interpretation, no matter how subtle, can (for me) change this.

Each season I strive to design a forward-thinking and effortless collection with a very clean minimalist aesthetic.

That is the key of this collection, being yourself. Don't be into trends. Don't make fashion own you, but you decide what you are, what you want to express by the way you dress and the way to live.

In the beginning I didn't want to do a menswear collection. It felt a little forced. And then I found that it was an amazing world.

Let's talk about that for a moment, about the couple that Yves Saint Laurent and I were. Like all couples we went through "storms," as the Jacques Brel song says. But if there's one area where we never had the slightest disagreement, it was art. Never. Not once. Not about painting, not about opera, not about theater. We were always in complete communion. Of course, that's how all of the collection came into being.

In early days, I showed everything I made. There was no such thing as editing a collection. In the '80s, it got to the point where we'd have shows with a hundred looks. You'd want to order a pizza before it was over!

What you see at the Field Museum is only like, 10 percent of the collection. It's birds of paradise and passenger pigeons and in all these drawers that pull out, these specimens come out and it's spectacular. And it worked out.

I'm sure there are a few things in my CD collection that might surprise people. I like classical music, the blues, and I'm a big fan of alternative rock.

I think a book-length poem stands about as good a chance as a collection of individual poems in reaching its field of ears. This does not mean I have not found some of them too daunting to read all the way through, but it would seem there ought to be some ambition on the writer's part to create a work that would be "a read" all the way through. If not, all the pleasure belongs to the maker, and that in itself is something, an achievement.

I only do what I do. For me, it is a craft. It's got to be my own thing - otherwise, I would never be successful. I could easily go to the archives and pull 1987 or 1991 collection by Calvin Klein. But when you look in there, you realize that it was never about one piece. It was about the collections as bodies of work.

I've got a great collection of photography.

As the great philosopher George Santayana would have said, 'those who cannot remember the past . . . should simply read Jan Van Meter's Tippecanoe and Tyler Too.' Van Meter's greatest hits collection of slogans is the catchiest ever retelling of American history. It's like the greatest minds of Madison Avenue sat down to write a history book. They don't make sound bites like they used to!

I am more used to seeing my work like a big collection, and only part of it is being shown.

Jews and Gypsies were well-nigh the only Diasporas in 19th century Europe. Now go to London, it is a collection of Diasporas.

The best sculptor is the one who can most accurately reproduce in marble the image that he sees before him. The good cook follows the recipe. The pharmacist can utilize the many years of training of the most famous doctors from the best medical schools, if he just knows how to follow a prescription. Someone has said that science is just a collection of successful formulas.

... one of the main functions of an analogy or model is to suggest extensions of the theory by considering extensions of the analogy, since more is known about the analogy than is known about the subject matter of the theory itself ... A collection of observable concepts in a purely formal hypothesis suggesting no analogy with anything would consequently not suggest either any directions for its own development.

But life cannot maintain itself alone. The Creator of life has entrusted us with the responsibility of preserving, developing, and perfecting it. In order that we may accomplish this, He has provided us with a collection of marvelous faculties. And He has put us in the midst of a variety of natural resources. By the application of our faculties to these natural resources we convert them into products, and use them. The process is necessary in order that life may run its appointed course.

Now, you'll hear people call here on my show claiming they used to be lib and they've changed their minds. That happens, but it happens naturally. It's not because I've focused on trying to persuade people. I think while it's a noble objective to try to help people to see things the right way, this is a different psychological collection of human beings, and they are walled off from anything that's not them.

New York establishment isn't really a literary establishment. It's just a collection of broken down old newspaper hacks who pass judgment on books that they have not even read, with assuredness of Jehova.

So now I have a collection of poetry by Aaron Neville and I give it to people I want to share it with. I'd like to publish it someday.

I have very rarely written autobiographical stuff. "Greasy Lake" and some other works have some autobiographical elements, as does "Birnam Wood," the one I chose to end [this collection] with. I lived in that house and some of my feelings are expressed in it, but it's not autobiography. It was not me and that didn't happen exactly that way.

Concentrated attention is the collection of units of power on a chosen point of intention.

When I create a collection, I approach it with a cinematic point of view-I am not designing clothes, I'm creating a world.

We are always dying, all the time. That's what living is; living is dying, little by little. It is a sequenced collection of individualized deaths.

I thought I was the only one who still enjoyed his record collection, but after reading 'How Records Got Their Groove Back,' I happily discovered I was wrong. There is something familiar about my old vinyl. Call it nostalgia, but I don't care for the 'purity' of CDs. They have no personality! The crackle and pop of the stylus on a record player as you wait for the music to begin creates an anticipation that CDs simply can't provide.

You're only as good as your last collection, which is an enormous pressure.

My dad went to medical school, and when he studied he listened to music so he has a ridiculous CD collection. That was always something we had growing up from him; there was always good music playing at the house.

I get sent Bibles. I have a collection of about 20 in my room. People think I need to be guided.

I wouldn't include a piece in my collection that I wouldn't wear personally.

Here at great expense,' [Colonel Groves] moaned to Oppenheimer, 'the government has assembled the world's largest collection of crackpots.