Quotes About Collection

Historyis nothing other than a collection of the lives of people, some of them great, some of them ordinarynothing other than a collection of what people have done in challenging circumstances and how they have risen to those circumstances.

When I approach a collection, I never think too much about myself, because doing fashion and being a designer, you need to dream. Of course, there's always a part of myself. I'm always wearing what I'm doing. I'm not a party girl, but when I have the opportunity to go out and dance and be crazy for a night, that's the fall/winter collection.

I started out as a poet who primarily wanted to write about image and moment. Over the years I've been trying to teach myself how to do plot and scene. My first story collection had the most issues with the plotlessness, and when I was writing my second collection I was teaching myself how to make things happen.

I love to be in New York. And I think anybody who's a designer, who says they're doing an urban collection, thinks about the streets of New York. I cannot do an urban collection thinking of Bangkok. Or Mexico. To me, it's totally instant, totally connected with what attracts me these days. But this resurgence of a modern, cool way of being dressed is something that stimulates me and is totally right for me. Even now I don't like to show something that is some futuristic utopia.

I’m honored that PBteen has seen me as someone who can help a broader audience understand the need to use recycled, repurposed and organic materials. Global conservation is a focal point of the capsule collection and it falls right in line with the change and direction I’m working towards, on a professional and personal basis. In collaborating with PBteen, we are creating a subtle and natural feel with this collection - something that has an authentic appeal for teens and their parents alike.

Life is a beautiful collection of temporary experiences. Treasure your unique collection, and enjoy sharing it with others.

Music is very, very important in my movies. In some ways the most important stage, whether it ends up being in the movie or not, is just when I come up with the idea itself before I have actually sat down and started writing. I go into my record room... I have a big vinyl collection and I have a room kind of set up like a used record store and I just dive into my music, whether it be rock music, or lyric music, or my soundtrack collection. What I'm looking for is the spirit of the movie, the beat that the movie will play with.

What I like about organizing things that way is that each story gets nearly full reign over its own space, but all of them are hung on a single string - the loosely-reined voice mentioned above. Thus the collection jogs away from suzerainty and past federation toward, I guess, alliance. Or maybe call each story a separate house on a single street? Or it's all a line of dive bars on some wharf front? What the hell, let's call reading the collection a pub crawl, but with words.

Any time I put together a story collection, I don't know what it's going to look like overall - or even what the title story is going to be. Over time, I end up with a dozen or so stories, and I start to see a shape to them, how they fit together, and then I write stories that complement or extend that shape.

I felt like my bubble gum card collection had come to life.

A miserable collection of little secrets, that's all any of us is.

I have a collection of lucky pennies, and I like to carry some of them with me. So far, they seem to be working!

Religion isn't best understood primarily as a collection of beliefs held by backward people with fear and trembling for most of human history (religion as brainwash). It is rather, among other things, a scriptorium of beleaguered witness, a record of collated information, both fragmentary and sometimes systematic, with which we may feel compelled to reckon as it somehow, across history, reckons with us, an inheritance, if you like, of difficult wisdom.

We would get rid of assault weapons. There would not be an assault weapon in the United States, whether it's for a show or someone having it in a collection.

Looking for a cricket quote for inspiration? Or, maybe a cricket quote to make you laugh? Check out this collection of the best cricket quotations.

Im sick and tired of politicians beating up on the IRS. We have the best and fairest tax-collection system in the world.

After all manner of professors have done their best for us, the place we are to get knowledge is in books. The true university of these days is a collection of books.

I know I wasn't allowed to go to fashion school; I can't cut a dress like Galliano, right? But I had enough wherewithal to go to that studio on my first collection and bring Kim, [stylist] Christine Centenera, Ian Connor, Theophilus London, Virgil Abloh...they all came down to [Vetements/Balenciaga designer] Demna Gvasalia's studio that night and hung out.

I always wanted to create a collection inspired by sports. I never played sports, maybe that's why it intrigues me.

I do love the ceremony of putting on a record but I don't have space for a vinyl collection.

We had been everywhere. We had really seen nothing. And I catch myself thinking today that our long journey had only defiled with a sinuous trail of slime the lovely, trustful, dreamy, enormous country that by then, in retrospect, was no more to us than a collection of dog-eared maps, ruined tour books, old tires, and her sobs in the night — every night, every night — the moment I feigned sleep.

I am convinced that there is little force left in the Marxist stimulus to revolution. Its impetus is petering out as the practical failures of the doctrine become more obvious...What is left is a technique of subversion and a collection of catch-phrases. The former is still dangerous. Like terrorism, it is a menace that needs to be fought whenever it occurs.

I don't think I am that materialistic, actually. Obviously at home in the country the art collection is important, but we have one big room in the middle of the house where we do everything - the television, the kitchen, everything.

Tantric Buddhism is just a collection of things that work by doing them. And sometimes we add new things. We have electronic music; we did not have it in Tibet.

Don't underestimate the importance of having enough room to work. Grilling is much more relaxing when you are not trying to juggle a whole collection of plates and bowls as you do it. If your grill doesn't have enough workspace - and they almost never do - set up a table right next to your grill.

Folklore is a collection of ridiculous notions held by other people, but not by you and me.

That is the key of this collection, being yourself. Don't be into trends. Don't make fashion own you, but you decide what you are, what you want to express by the way you dress and the way to live.

The theme of the collection this time is MONSTER. It's not about the typical Monster you find in sci-fi and video games. The expression of the Monsters I have made has a much deeper meaning. The craziness of humanity, the fear we all have, the feeling of going beyond common sense, the absence of ordinariness, expressed by something extremely big, by something that could be ugly or beautiful. In other words, I wanted to question the established standards of beauty.

I collect art on a very modest scale. Most of what I have is photography because I just love it and it makes me happy and it looks good in my home. I also have a pretty big collection of art books mainly, again, on photography. A lot of photography monographs, which is great because with photography, the art itself can be reproduced quite well in book form.

But the universe, as a collection of finite things, presents itself as a kind of island situated in a pure vacuity to which time, regarded as a series of mutually exclusive moments, is nothing and does nothing.

You know, albums are a funny thing. They're not like an intellectual decision. It's a collection of your kind of musings.

Although all spiritual teachings originate from the same Source, once they become verbalized and written down they are obviously no more than a collection of words-and a word is nothing more than a signpost.

The dictionary has been in the making for several decades, and the result is well worth the wait. MacLean and those who worked with her have consulted with Iñupiaq speakers from across Alaska's North Slope to compile a comprehensive collection of word stems, along with postbases, grammatical endings, and an array of other valuable material. . . . This dictionary will prove fascinating for anyone interested in the Iñupiat and their language.

With this blistering salvo of poetic gutshots Lawson has proven himself Bizarro’s true bard, its mad laureate. Switching from dark whimsy to retina-blast shock to political outrage without missing a beat, The Troublesome Amputee is a powerful collection of pitch-black verse.

He deserves ten out of ten for doing what he does. He is a sensation, but still he can improve. He must know when to move the ball on quickly and when to try the impossible mission. When he learns this, he won't win a single Golden Ball, but an entire collection.

The Bible is a collection of writings by lots of different people written over maybe a thousand years, from a number of centuries before Jesus to a century after Jesus. I often like to refer to it as "the Scriptures" to make that point about it being lots of writings that were originally separate. What these writings have in common is that "the Old Testament" is writings that grabbed the Jewish people; writings that convinced them that they were God's word to them. And "the New Testament" is writings that grabbed people who believed in Jesus in the same way.

In societies where modern conditions of productions prevail, all of life presents itself as an immense accumulation of spectacles. Everything that was directly lived has moved away into representation. The images detached from every aspect of life fuse in a common stream in which the unity of this life can no longer be re-established. Reality considered partially unfolds, in its own general unity as a pseudo-world apart, an object of mere contemplation . . . The spectacle is not a collection of images, but a social relation among people, mediated by images.

He would be laughed at, that should go about to make a fine dancer out of a country hedger, at past fifty. And he will not have much better success, who shall endeavour, at that age, to make a man reason well, or speak handsomely, who has never been used to it, though you should lay before him a collection of all the best precepts of logic or oratory.

I think I had kind of an advantage. When I was growing up, my dad had just got out of jail and he had a great record collection. He had - it was all - these were the songs. So I heard a lot of these songs, like, my whole life, so for me it was easy. I already knew what I was going to sing.

I make 98% of my collection in New York City and am generating jobs, so fashion isn't just frivolous for me. I understand levity about it. I also understand the depth of it.

I once owned a collection of 77 novels that won the Pulitzer. The only good novel of the bunch was The Grapes of Wrath.

As I look around on Sunday morning at the people populating the pews, I see the risk that God has assumed. For whatever reason, God now reveals himself in the world not through a pillar of smoke and fire, not even through the physical body of his Son in Galilee, but through the mongrel collection that comprises my local church and every other such gathering in God’s name. (p. 68, Church: Why Bother?)

I design for a woman who is on the go. Women are busier than ever, and I wanted to design a collection that can go from day to night and be fashionable. Sometimes I wear three outfits in one day.

Security can be found in renunciation of ownership over people, money, and real assets; to gain, keep or protect that which others need for periods of legitimate access. A lending library enables people to help themselves to information; a locked-up book collection is useful only to the person who owns it.

To the free man, the country is the collection of individuals who compose it, not something over and above them.

The users are not going to be in the position of accepting what's been collected; they're going to be in the position of being able to demand collection.

When I create a collection, I approach it with a cinematic point of view-I am not designing clothes, I'm creating a world.

I'm so in awe of what visual artists do and I do understand the differences of what visual artists do. I have a small art collection I hope to expand.