Quotes About Creative

I believe that the creative impulse is natural in all human beings, and that it is particularly powerful in children unless it is suppressed. Consequently, one is behaving normally and instinctively and healthily when one is creating - literature, art, music, or whatever. An excellent cook is also creative! I am disturbed that a natural human inclination [creative work] should, by some Freudian turn of phrase, be considered compulsive - perhaps even pathological. To me this is a complete misreading of the human enterprise. One should also enjoy one's work, and look forward to it daily.

I never divide photographers into creative and uncreative, I just call them photographers. Who is creative? How do you know who is creative or not?

To choose order over disorder, or disorder over order, is to accept a trip composed of both the creative and the destructive. But to choose the creative over the destructive is an all-creative trip composed of both order and disorder

A NASA astronaut and a Russian cosmonaut can't be creative. He has to follow a predetermined detailed checklist written by an engineer and if he gets a little creative he'll never fly again.

The really creative person is not interested in dominating anybody. He is so utterly rejoicing in life - he wants to create, he wants to participate with God. Creativity is prayer. And whenever you create something, in those moments you are with God, you walk with God, you live in God. The more creative you are the more divine you are. To me, creativity is religion. Art is just the entrance to the temple of religion.

I felt giving birth was the most creative act of all my creative acts - literally creation!

The design and creative side is not a problem, but learning how to run a company as a young creative has been challenging. There is so much more on the business side than I ever considered when I first started making jewelry in my kitchen. It has been a challenge keeping up with the company's success, and I have had to learn from my and others' mistakes as I go.

A person might be able to play without being creative, but he sure can't be creative without playing.

A creative act enhances the beauty of the world; it gives something to the world, it never takes anything from it. A creative person comes into the world, enhances the beauty of the world - a song here, a painting there. He makes the world dance better, enjoy better, love better, meditate better.

Unless a man learns how to create, he never becomes a part of existence, which is constantly creative. By being creative one becomes divine; creativity is the only prayer.

A critic is a man who creates nothing and thereby feels qualified to judge the work of creative men. There is logic in this; he is unbiased, he hates all creative people equally.

You need to imagine your gift, the thing you can bring to this world. There's so many creative ways to plug in, connect, engage and contribute. You can be really creative about it. In previous generations, it was so much more cookie-cutter. I don't think that's the case anymore. My career has been so not normal.

In any creative endeavor, you do have to sort of take your shots. Nobody is going to beg you to go into the creative arts. So, if you want to pursue a career in something like acting or writing, the motor and the drive have to come from you. And that does take courage because, A, a lot of people want to do it, and B, it's hard. So, you have to have the guts to put yourself out there and go for it in spite of the world saying, "You know, it would be so much easier, if you didn't pursue this." So, it does take guts.

I play piano and that's my love. I read and I paint and I compose music, so I've got a pretty full creative life. And it's not because, I'm obsessively creative.

To create power is like a magnet, this is true because this creative power operates like a magnet. Give it a strong clear picture of what you want and this creative power starts to work magnetizing conditions about you - attracting to you things, resources, opportunities, circumstances and even the people you need, to help bring to pass in your outer life what you have pictured.

The preliminaries were out of the way, the creative process was about to begin. The creative process, that mystic life force, that splurge out of which has come the Venus de Milo, the Mona Lisa, the Fantasie Impromptu, the Bayeux tapestries, Romeo and Juliet, the windows of Chartres Cathedral, Paradise Lost - and a pulp murder story by Dan Moody. The process is the same in all; if the results are a little uneven, that doesn't invalidate the basic similarity of origin.

Very few people are accepted as creative: A few painters, a few poets - one in a million. This is foolish! Every human being is a born creator. Watch children and you will see: all children are creative. By and by, we destroy their creativity.

I don't really believe in a creative-writing major as an undergraduate. It's a bad idea, terrible. I've met creative-writing majors from other places and they don't know a goddamn thing. They're the worst students. They just think they're good because they could pass.

In the early days I was incredibly creative and productive - I loved the research trips, I loved the creation and finding technical solutions to creative challenges. I didn't need alcohol and the pills for that. What changed was, I was afraid to say no - that little word, N.O. Because I thought it showed weakness. And with more and more success I would just say yes. And keep on taking more work on - which took its toll.

I was 3 years old and Mary Poppins [1964] made an impression on me that was seismic, apparently. I fell into some kind of total creative, imaginative rapture over that movie that propelled this industry of Mary Poppins drawings, plays, performances - just an obsessive, creative reaction to it.

Mr. Russell is a great believer in versatility in all creative work. In any physical work he believes one can work many hours at a time, but in mental, creative work he believes one can do his best only for two hours at a time on any one subject, but he can work another two hours on another subject with equal freshness. He therefore sometimes works two hours a day on each of five different creations, and in that way can live five lives at a time.

Don't be creative when you should be mechanical, and don't be mechanical when you should be creative.

When you write a novel or paint a picture, you have the opportunity to approach it and back off, tear up pages, write, rewrite, paint over, and come back to it. In film, once you start shooting, you can't restart the clock, and you keep moving forward, and you don't look back, and you don't go back. And that is, of course, antithetical to the creative process. It's really hard to generate a comfortable creative flow under that kind of pressure.

I'm really thriving and enjoying being a part of a really vibrant creative team and doing creative work.

Allow some warm-up time each day to stimulate your creative flow. A pianist does keyboard exercises. A gymnast stretches. An artist needs to loosen up, too. It takes a few minutes to shift from the real world into a creative mode.

You may be perfect in playing the piano, and not be creative; you may play the piano most brilliantly, and not be a musician. You may be able to handle color, to put paint on canvas most cleverly, and not be a creative painter. You may create a face, an image out of a stone, because you have learned the technique, and not be a master creator. Creation comes first, not technique.

The creative act is not hanging on, but yielding to a new creative movement. Awe is what moves us forward.

To be creative, a person has to internalize the entire system that makes creativity possible. Creative individuals are remarkable for their ability to adapt to almost any situation and to make do with whatever is at hand to reach their goals.

Creative power has to filter through our beliefs, attitudes, emotions, and habits. The more negative and constricted our beliefs and patterns are, the more they block the creative energy. Most people hope that by ignoring negativity, it will go away, but the reverse is actually true. Through recognizing, acknowledging, and experiencing it, the blocked energy can be released. You are then free to replace it with positive beliefs and attitudes.

Every creative act draws on the past whether it pretends to or not. It draws on what it knows. There's no such thing, really, as a creative act in a vacuum.

The Creative knows the great beginnings. The Receptive completes the finished things. The Creative is decided and therefore shows to men the easy. The Receptive is yielding and therefore shows to men the simple. Learning is movement from moment to moment.

I worked at a bunch of salons, and at one, a girl was going out to do a photo shoot for a women's magazine and brought me along to assist her. I remember going on that shoot and thinking, "God, this is great. It's creative, and you get to work with all of these other creative people." At that point I decided that hair would be my in to fashion and all the things I thought I would enjoy - and did enjoy.

I do seem to work in a lot of different mediums, which means it keeps things fresh and sparks interest in me. Fame and fortune is fairly irrelevant to me. It's nice because it gives creative freedom. But just wanting to be famous is ridiculous because it's so vacuous. So, I get offered lots of different things and if they spark my interest, I'll try and do them because they form part of a wider creative circle.

What you discover when you look at creativity from the perspective of the brain is that it is universal. We're all creative all of the time, we can't help but be creative.

Physical love must end up as a creative love. And creative love must end up as a divine love. And divine love must end up as a unison love. And unison love must become God Itself. These are the known stages of love.

So if you are seeking something else in the name of creativity, then drop the idea of being creative. At least consciously, deliberately, do whatsoever you want to do. Never hide behind masks. If you really want to be creative, then there is no question of money, success, prestige, respectability. Then you enjoy your activity; then each act has an intrinsic value. You dance because you like dancing; you dance because you delight in it.

And then, once you've written, you meet producers and directors and actors. You get to meet interesting, talented, creative, artistic people, and it also staves off a bit of creative stagnation when you can't act, which is the reality of the industry. So often, you can't act because there are just too many cars and not enough car parks. But, I love writing and I'll never stop doing that.

No creative writer knows what is commercial and what isn't. You just write from your heart, you write from the deepest, creative urges in you, and you write from your soul, and you just either get lucky or not.

When the doors to television were opened to me, that was quite a surprise. It's been such a gift that there was so much TV and independent film happening in New York that I could be a part of. There was something to satiate my desire to be artistic and creative, especially when it wasn't in the way I originally thought it was going to be.

When a man gets to despair he knows that all his thinking will never get him out. He will only get out by the sheer creative effort of God. Consequently he is in the right attitude to receive from God that which he cannot gain for himself.

The different variables involved in anything creative, really, are massive. When it comes together, it just clicks, I suppose.

At the deepest level, the creative process and the healing process arise from a single source. When you are an artist, you are a healer; a wordless trust of the same mystery is the foundation of your work and its integrity.

We simulated the predator with livestock and the perennial grassland returned. Just put the whole back, and there it was. You'll find the scientific method never discovers anything. Observant, creative people make discoveries. But the scientific method protects us from cranks like me.

As an immigrant, I chose to live in America because it is one of the freest and most vibrant nations in the world. And as an immigrant, I feel an obligation to speak up for immigration policies that will keep America the most economically robust, creative and freedom-loving nation in the world.

I think maybe the most important thing that I or anybody at my company and any of my colleagues can do is establish a trusting, productive, collaborative relationship with creative people.

Since age seven, I've been composing and have never stopped composing, yet, the creative process is as elusive to me as it has ever been.

I feel responsible; I feel I've got to do something that will leave the kids a place where they can live healthy, safe, productive, creative and prosperous lives.

A huge amount of our everyday thinking - powerful, creative, and resonant stuff - is done socially: talking to other people, arguing with them, relying on them to recall information for us.