Quotes About Creative

A fundamental element of human nature is the need for creative work, for creative inquiry, for free creation without the arbitrary limiting effects of coercive institutions. A decent society should maximize the possibilities for this fundamental human characteristic to be realized.

I think if you're a creative person, then you're always kinda looking to move things along - 'Where else can I go? Where can I take this?' From painters to photographers - anything creative in the arts - if you're a true artist, I think you'll always look to do something else. 'Where else can I go with it?' Do you know what I mean?

Ive taken Saturdays to be the day I pull back completely. I do things that are more creative, and Ive actually found that helps me when I get back into work to be more thoughtful, and I truly believe that feeding your creative soul is really important to being more analytical.

I feel like the personal me and the artistic me are separate, but connected. It's almost like a Jekyll and Hyde thing. As much as you try to keep them apart, they end up together. I'm very much aware that when I'm miserable on the creative side - if I can't make things work a certain way - it really detracts from being the father I want to be. So in order to ultimately be a good father and the man I want to be I know I need to keep my creative side in check, or at least a little bit happy. It's weird how it's intertwined that way.

Jazz stopped being creative in the early '80s. After your acoustic era, where you had the likes of the Miles Davis Quintet, when it gets to the '70s it started being jazz fusion where you had more electronic stuff happening, then in the '80s they started trying to bring back the acoustic stuff, like Branford Marsalis and the Wynton Marsalis & Eric Clapton sextet. It started dying down from there. Miles was still around in the '80s and he was still being creative; he was playing Michael Jackson songs and changing sounds, but a lot of people were still trying to regurgitate the old stuff.

To create power is like a magnet, this is true because this creative power operates like a magnet. Give it a strong clear picture of what you want and this creative power starts to work magnetizing conditions about you - attracting to you things, resources, opportunities, circumstances and even the people you need, to help bring to pass in your outer life what you have pictured.

I like to stay busy, I like to stay focused, and I like to stay creative. Without being creative I'd be dead.

Sex energy is the creative energy of all creative geniuses.

I'd be dong something creative - something I could express my personality through. I enjoyed working as a gardener before music consumed more of my time. I would probably be still working as a gardener, perhaps, and I wouldn't mind doing odd jobs on the side that were creative, but I'm not sure what they'd be.

What kind of people would be able to rationalize better than other people? Better storytellers, right? Creative people, right? Because if you're creative, you find more ways to cheat and still yourself a story about why this is okay.

When you're working on a creative thing, everyone has an idea, and they're pushing it. The first time you work with anybody, you have to get comfortable with the way another person pushes hard for what they want. Familiarity breeds contempt, people say. But I've found, for creative things, familiarity breeds peace of mind, because you realize you know someone better. You trust each other. You know not to take things a certain way, or a wrong way. You get to where you don't have to waste quite so much time with diplomacy. Things are a little more efficient.

Technology is a big destroyer of emotion and truth. Auto-tuning doesn’t do anything for creativity. Yeah, it makes it easier and you can get home sooner; but it doesn’t make you a more creative person. That’s the disease we have to fight in any creative field: ease of use.

Meaning and value depend on human mind space and the commitment of time and energy by very smart people to a creative enterprise. And the time, energy, and brain power of smart, creative people are not abundant. These are the things that are scare, and in some sense they become scarcer as the demand for these talents increases in proportion to the amount of abundant computing power available.

Always have clear lines of communication and be open to trying new ideas. Being open to new ideas is crucial to growing as an artist. If you always have the same creative habits, how will you ever excel to the next level? The answer is, you won't. Taking those creative risks reaps the most incredible rewards.

Mr. Russell is a great believer in versatility in all creative work. In any physical work he believes one can work many hours at a time, but in mental, creative work he believes one can do his best only for two hours at a time on any one subject, but he can work another two hours on another subject with equal freshness. He therefore sometimes works two hours a day on each of five different creations, and in that way can live five lives at a time.

I do not think of myself as unusually creative. I think we all come from the creator, each human being streaming with the glory. So each one of us is creative.

My dad said to me the other day, I really am an artistic person. I was shocked as I never saw him as a creative. I think me and my sisters are living out that side of him as my sister is another creative person, she's a songwriter.

Allow some warm-up time each day to stimulate your creative flow. A pianist does keyboard exercises. A gymnast stretches. An artist needs to loosen up, too. It takes a few minutes to shift from the real world into a creative mode.

You can be creative and not addictive, or addictive and not creative. Most addicted people do not produce anything of remarkable note.

I became really creative around the time I started understanding that people could be creative with music and that that was allowed. I stated taking piano lessons at age five, but I never did what my piano teacher told me to do. I would just do whatever I wanted.

I categorize nerds as creative-obsessive. A lot of nerds are creative people who obsess almost unnaturally over the minutiae of things.

When ambition enters, creativity disappears - because an ambitious man cannot be creative, because an ambitious man cannot love any activity for its own sake. While he is painting he is looking ahead; he is thinking, 'When am I going to get a Nobel Prize?' When he is writing a novel, he is looking ahead. He is always in the future - and a creative person is always in the present.

Music is a lot more like solving an intricate puzzle with moments of pure, random creative bliss... whereas painting is much more purely random creative bliss with moments of problem solving.

The trouble with much of the advice business is getting today about the need to be more vigorously creative is, essentially, that its advocates have generally failed to distinguish between the relatively easy process of being creative in the abstract and the infinitely more difficult process of being innovationist in the concrete.

As any mom knows, having a baby is an extremely creative act and to love and create a baby, it's on par with any other creative act that we could come up with.

There are two principles for creative success - one general and one definitive. The general principle is that everyone has the ability to be creative and make a big difference in this world. The definitive principle is that almost everyone has volunteered to be exempt from the general principle.

I set out to show that there exists single creative activity,which is displayed alike in the arts and in the sciences.It is wrong to think of science as a mechanical record of facts, and it is wrong to think of the arts as remote and private fancies. What makes each human, what makes them universal, is the stamp of the creative mind.

The word 'creative' refers simply to the use of literary craft in presenting nonfiction—that is, factually accurate prose about real people and events—in a compelling, vivid manner. To put it another way, creative nonfiction writers do not make things up; they make ideas and information that already exist more interesting and, often, more accessible.

Our appreciation of folk art will strengthen our identities, our pride in belonging to a community. People trained in the creative use of their hands soon acquire skills, excellent craftsmanship which will be the most important measure of how well we can industrialize.

If you want to know why all writers are a little crazy read 'The Midnight Disease' by Alice W. Flaherty. She talks about the drive to write, writer's block, and the creative brain. I know what's wrong with me!

The Creative Power within us makes us into the image of that to which we give our attention.

Mixtapes are extremely important, especially for New York or North East artists. They allow you to be creative, to get feedback and criticism, but most of all, it gets your name out there. I would say about 90-100% of my success was down to the mixtapes.

Writers are entirely egocentric. To them, few things in their lives have meaning or importance unless they give promise of serving some creative purpose.

The capacity to still feel wonder is essential to the creative process.

One of the things I've learned is there's no lesson to be learned. You have to resign yourself to the fact that mistakes are going to be made at any time in the creative process.

Take a brilliant, creative social scientist, without any respect for conventional wisdom and you get Ellen Langer. She is a fantastic storyteller, and Counterclockwise is a fascinating story about the unexpected ways in which our minds and bodies are connected.

Mind is infinitely creative. And when it's not stuck, that's where the joy comes from. Something happens, and the way we think about it, understand it, see it, is actually hilarious, whereas before it used to depress us.

When I applied to Stanford, I applied for graduate work in the PhD program, not to the creative writing program, mostly because though I had some vague ambition of becoming a writer and I was trying to write poems and essays and stories, I didn't feel like I was far enough along to submit work to some place and have it judged.

I enjoy creating new ideas, working on new creative projects.

...As an artist, you need the naysayers and the nonbelievers to add fuel to your creative fire.

It hinders the creative work of the mind if the intellect examines too closely the ideas as they pour in.

Before, I was really passive, all I cared about was being in love with my boyfriend. I didn't have any creative power, nothing. I don't know that person any more.

... woman is frequently praised as the more "creative" sex. She does not need to make poems, it is argued; she has no drive to make poems, because she is privileged to make babies. A pregnancy is as fulfilling as, say, Yeats' Sailing to Byzantium.... To call a child a poem may be a pretty metaphor, but it is a slur on the labor of art.

Thrift is the really romantic thing; economy is more romantic than extravagance... thrift is poetic because it is creative; waste is unpoetic because it is waste... if a man could undertake to make use of all the things in his dustbin, he would be a broader genius than Shakespeare.

The biggest problem is getting beyond the "you can't" syndrome. The moment you figure that out, you're on your way to flying. Anyone who cannot see problems around him or herself is utterly blind. All the problems sitting there are an invitation for you to be creative, make use of your skills and resources and find a solution.

There are many aspects to success; material wealth is only one component. ...But success also includes good health, energy and enthusiasm for life, fulfilling relationships, creative freedom, emotional and psychological stability, a sense of well-being, and peace of mind.

Regarding social order, [Francis] Fukuyama writes, "The systematic study of how order, and thus social capital, can emerge in spontaneous and decentralized fashion is one of the most important intellectual developments of the late twentieth century." He correctly attributes the modern origins of this argument to F. A. Hayek, whose pioneering contributions to cognitive science, the study of cultural evolution, and the dynamics of social change put him in the forefront of the most creative scholars of the 20th century.

You've got to think about how to do things for the right price. You have to shoot in different places to be creative and get tax rebates.