Quotes About Emotion

Fight sequence to me isn't just about the athleticism. It so often is about what the emotion that is behind it and how willing you are to really, really challenge that emotion or really take that emotion to that place so you're feeling a certain intensity for the whole time when you're shooting the actual physical scenes.

It's all emotion. But there's nothing wrong with emotion. When we are in love, we are not rational; we are emotional. When we are on vacation, we are not rational; we are emotional. When we are happy, we are not [rational]. In fact, in more cases than not, when we are rational, we're actually unhappy. Emotion is good; passion is good. Being into what we're into, provided that it's a healthy pursuit, it's a good thing.

Art is not emotion. Art is the medium in which emotion is expressed.

It's my feeling that any writer can get an emotion into a story without being sentimental as long as the emotion is dealt with honestly, with sufficient clarity, and detail.

What is immutable about Sherlock Holmes? He favors reason over emotion, but actually underneath that, there is a lot of emotion going on. You can't suddenly make him ordinary because he would hate that. He's not suddenly going to be somebody else.

Anytime you feel negative emotion, stop and say: 'Something is important here, otherwise I would not be feeling this negative emotion. What is it that I want?' And then simply turn your attention to what you DO want. In the moment that you turn your attention to what you want, the negative attraction will stop, and in the moment the negative attraction stops, the positive attraction will begin. And in that moment, your feelings will change from not feeling good to feeling good.

An image of the earth, its landscapes, directly affects people. The beauty of the earth creates enormous emotion, and through that emotion, you can transmit knowledge and raise consciousness

To separate journalism and poetry, therefore-history and poetry-to set them up at opposite ends of the world of discourse, is to separate seeing from the feel of seeing, emotion from the acting of emotion, knowledge from the realization of knowledge.

True religion extends alike to the intellect and the heart. Intellect is in vain if it lead not to emotion, and emotion is vain if not enlightened by intellect; and both are vain if not guided by truth and leading to duty.

I really put a lot of and emotion into my project in order to evoke emotion.

It's the emotion...each word has got a connotation and symbolism and the thing is finding what's behind the word-what meaning it has and what emotion. I'm really into vocal repetition as a definite art form.

The finest emotion of which we are capable is the mystic emotion.

The two important facts I should say, are emotion, and then words arising from emotion. I don't think you can write in an emotionless way. If you attempt it, the result is artificial. I don't like that kind of writing. I think that if a poem is really great, you should think of it as having written itself despite the author. It should flow.

Poetry is not a turning loose of emotion, but an escape from emotion; it is not the expression of personality, but an escape from personality. But, of course, only those who have personality and emotions know what it means to want to escape from these things.

There are a couple of writers I admired who were very good at giving the character's emotion without stating what that emotion was. Not saying "He was feeling tense," instead saying, "His hand squeezed harder on the chair arm," as if staying outside the guy. I wanted to try doing that. I wanted to have a really emotional story in which the characters' emotions are never straight - out told to you, but you get it.

I am incredibly passionate about my life, I am absolutely unable to hide any emotion. If I wrote a book, I'd have to call it 'P is for Passion'. I don't go in for anything halfway. My feelings about things are instant, on the spot. And my heart is always, always on my sleeve.

And if thought and emotion can persist in this way so long after the brain that sent them forth has crumpled into dust, how vitally important it must be to control their very birth in the heart, and guard them with the keenest possible restraint.

Emotion constantly finds expression in bodily position.

Emotional release by itself, no matter how "real," "honest," etc. the emotion may be, is never enough to create a character...such release has no artistic form.

Don't judge or analyze what you observe. Watch the thought, feel the emotion, observe the reaction. Don't make a personal problem out of them. You will then feel something more powerful than any of those things that you observe: the still, observing presence itself behind the content of your mind, the silent watcher.

I became obsessed with the true stuff, and that led to shaping 'The Way Back' screenplay somewhat toward a minimalist style, to avoid free-hanging moments, and to hold the music back, so it would never lead you to an emotion, and to try to make the emotions as real as I could.

I'm not an autobiographical writer, but I am a writer who deals with human emotion on all levels.

It's hard to keep the energy and the emotion of the scene when they're installing a massive green screen behind you.

Remember what Hannah Arendt said when she was talking about fascism and totalitarianism. She said thoughtlessness is the essence of totalitarianism. So all of a sudden emotion becomes more important than reason. Ignorance becomes more important than justice. Injustice is looked over as simply something that happens on television. The spectacle of violence takes over everything.

On a flight of emotion there's wonder and bliss, but beware of a landing that may go amiss.

Artists say that paintings are never done. I sort of feel the same way about music. I would never say something is perfect. There are performances that can generate a lot of emotion in me when I hear them, but I can't say if anything is perfect.

That's my answer to the question what is your strongest emotion, if you ever want to ask me: Curiosity, old bean. Curiosity every time.

No matter what you're going through, as long as you have some specific emotion, whether it's positive or negative, it is all stuff that you can use on stage.

I can only speak from my personal journey and my personal struggles which are completely different from other individuals but if I can slightly help someone else understand themselves, then that's perfect. Because I only make music, there's so much emotion in the music itself that I hope people can tap into and feel the same way I feel when I listen to it.

Most of the time, it just sat there in my body, until the weekend. After five or six takes of crying, your body does not want to cry anybody. Your body is like, "I'm over this, can we start laughing, or something?," but you have to keep the emotion. It's a really weird process and it definitely just stays with you.

Instead of resisting any emotion, the best way to dispel it is to enter it fully, embrace it and see through your resistance.

At certain periods of life, we live years of emotion in a few weeks, and look back on those times as on great gaps between the old life and the new.

But there was nothing I could do with the emotion really. It just went away after a while.

No emotion is the final one.

In fiction you can make up everything to create the feeling. You can manufacture a story with whatever tools you want. With nonfiction you have to rely on what actually happened to describe what you're feeling. That's hard. You have to know what will feed into the emotion you're trying to convey. And that's hard because you don't necessarily know what causes your emotions.

What a host of little incidents, all deep-buried in the past -- problems that had once been urgent, arguments that had once been keen, anecdotes that were funny only because one remembered the fun. Did any emotion really matter when the last trace of it had vanished from human memory; and if that were so, what a crowd of emotions clung to him as to their last home before annihilation? He must be kind to them, must treasure them in his mind before their long sleep.

You know, Vik, you’re amazingly human at times. (Alix) I know. But I wonder if the feelings I have are real or just electrical stimulations in my cortex that simulate human emotion. I wish I knew if they were real or imagined. (Vik) And that makes you completely human, sweetie. We all have those doubts. (Alix)

You easily close yourself off to certain things because you want to seem like you know it all, or you're not weak - emotion is often confused as weakness - so when emotions are undeniably physically affecting you, I think it's a gift.

You didn't realize emotion could be a weapon? Have you not read the poetry of Jewel?

This is what Zen means by being detached—not being without emotion or feeling, but being one in whom feeling is not sticky or blocked, and through whom the experiences of the world pass like the reflections of birds flying over water.

The closer a man approaches tragedy the more intense is his concentration of emotion upon the fixed point of his commitment, which is to say the closer he approaches what in life we call fanaticism.

Spending some time getting quiet can really be the best remedy for tangled situations. Taking a step back from all the emotion, frustration, and exhaustion to sit quietly with Jesus will do more to untangle a mess than anything else I've ever found.

Don't bother Me with promises. Vows are cheaply manufactured, come with no guarantees. Don't bother to say you love me. The word is indefinable. Joy to some, heartbreak to others, depending on circumstance. There is evidence that the emotion can make a person live longer, evidence it can kill you early. I think it's akin to a deadly disease. Or at least some exotic fever. Catch it, and you'd better, quick, swallow some medication to use as a weapon against the fire ravaging body and soul.

A being who, as I grew older, lost imagination, emotion, a type of intelligence, a way of feeling things - all that which, while it made me sorry, did not horrify me. But what am I experiencing when I read myself as if I were someone else? On which bank am I standing if I see myself in the depths?

I can give you honesty, monogamy, and more passion than you can stand, but not love. That emotion died in me long ago, as I suspect you already know.

I don't think we have all the words in a single vocabulary to explain what we are or why we are. I don't think we have the range of emotion to fully feel what someone else is feeling. I don't think any of us can sit in judgment of another human being. We're incomplete creatures, barely scraping by. Is it possible--from the perspective of this quickly spinning Earth and our speedy journey from crib to coffin--to know the difference between right, wrong, good, and evil? I don't know if it's even useful to try.

If you make a great film full of emotion, of pathos, people want to continue to know more, to work harder.

He disliked emotion, not because he felt lightly, but because he felt deeply.