Quotes About Entertainment

Interactivity is a big part of video games, which have been a big part of entertainment for 20 years. That's what we think of as a 'lean-forward' type of entertainment. It's much more intense. But TV is more of a 'lean-back' entertainment - so the big improvement there is on-demand, because it conforms to your schedule.

When you come into the theatre, you have to be willing to say, 'We're all here to undergo a communion, to find out what the hell is going on in this world.' If you're not willing to say that, what you get is entertainment instead of art, and poor entertainment at that.

I believe in broken, fractured, complicated narratives, but I believe in narratives as a vehicle for truth, not simply as a form of entertainment, though I love entertainment, but also a way of conveying what needs to be conveyed about the works that I care about.

I believe in entertainment. I love entertainment. But I love it with a purpose. I want people to come out thinking about what they saw, and perhaps reassessing what's happening in their own lives with their families.

I'm so excited and honored to be part of 'Entertainment Tonight!' 'E.T.' was the show that started all the entertainment news, so I couldn't be more thrilled.

I find it interesting, the different rules that apply to journalism and drama, even though journalism has become more and more about entertainment, and entertainment has become more and more about journalism.

I think it's pretty classic if you look at the way entertainment reflects the country's status. There was a reason in the '50s when communism was bubbling that there were a million zombie movies. Because that is the direct allocation. So for the last two years we've been hearing, "Make America great again." People go, "Well, America was never great." What do you mean? What you mean is that they want to look back in history. And so I think it's only natural for entertainment to reflect that.

The poet's role has changed over the centuries, the ages. The poets, the griots, used to be the keepers of the facts; they were the story tellers, and the stories were allegorically written truths: where we came from, how we migrated over this river, got with this tribe, became this nation, and tamed the mountains. It changed from that to being purely entertainment. And once it became purely entertainment, it lost something.

Everything is entertainment; criticism is now entertainment and it seems that the French directors have woken up one day and suddenly realised that they were not backed up any more.

I chose not to jump into the media frenzy and defend myself, though I was begged to be on every single TV show in existence. They want to blame entertainment? Isn't religion the first real entertainment? People dress up in costumes, sing songs and dedicate themselves in eternal fandom.

In California, of all places, entertainment is the key to a vibrant economy. If we do not develop young adults capable of entering that world, the financial base of this state is sure to suffer and impact all of us.

I do a film if it interests me, has a connect with the audience and some entertainment value. The rest doesn't matter.

There are very few things in life I find that are as magical in person as you imagine them to be. Cannes was one of those experiences that held up to that magical essence. It's the epitome of class and elegance for the entertainment industry.

When I'm through with the Lee Greenwood Theatre, I won't do anything else in entertainment. Maybe I'll become an ambassador for the United States maybe I'll get into television, some news anchoring or something in a major city. Certainly the visibility would interest me a little bit. But someplace that would allow me to sit still certainly.

You shouldn't speak until you know what you're talking about. That's why I get uncomfortable with interviews. Reporters ask me what I feel China should do about Tibet. Who cares what I think China should do? I'm a f***ing actor! They hand me a script. I act. I'm here for entertainment, basically, when you whittle everything away. I'm a grown man who puts on makeup.

I'm a chick, I love clothes, and I'm also in the entertainment industry, so I've done a lot of photo shoots, video shoots, red carpets. So I learned very quickly that fashion is going to be and will be a big part of what I do.

Michael Eisner let it be known last week that he had no intention of leaving the entertainment business once he steps down as CEO of Disney in October.

But libraries are about freedom. Freedom to read, freedom of ideas, freedom of communication. They are about education (which is not a process that finishes the day we leave school or university), about entertainment, about making safe spaces, and about access to information.

We are given in our newspapers and on TV and radio exactly what we, the public, insist on having, and this very frequently is mediocre information and mediocre entertainment.

Well, the experience for me making a film is the most profound one. I really don’t have any business watching the movie so much. Maybe I could watch it for entertainment purposes, but you have so little input and control of the final product once you’re done that I feel like I just would rather leave it alone. It kind of leaves me in a place where every film I do, I’m kind of having to reinvent and figure out how to start again fresh, and hopefully not repeat myself.

All I have is my performance, I try to feed in the best of everything that I could possibly do into those 90 minutes and to make a live entertainment show out of it.

Nobody with an IQ higher than emergency-room temperature could ever believe that 'death panels' would be appointed to nudge the elderly toward euthanasia. Yet for idle entertainment, it's hard to beat Sarah Palin's ignorant nattering on the subject.

One of the things that's attractive about cyberspace is that it can be construed as no threat. If you see it through the video game keyhole, the amusement keyhole, the entertainment keyhole, it is no threat. If you see it through the LSD keyhole, the consciousness-expanding keyhole, it's like electronic drugs: it is a threat.

As a theatrical troupe, the Muppets haven't exactly been AWOL these past dozen years; the gang rocked YouTube in 2009 with their kick-ass rendition of Queen's 'Bohemian Rhapsody.' But they've certainly been lying low while our twitchy, tweet-y times have favored snarkier, more air-quote-driven entertainment, even from puppets. And in a way, that showbiz hiatus has worked in favor of The Muppets. For adults, the movie's gentle, clever, unironic humor feels freshly, trendily retro now, enhanced by laughs provided in cameos from a very up-to-date roster of stars.

I'm not crazy impressed with New York. I mean, I don't buy into that whole thing: Everyone in New York is all sophisticated, and they're into art and sophisticated things, and everyone in L.A. is just shallow entertainment people. I think people are just shallow across the board.

When the back-to-the-cities trend started taking root, albeit very unevenly, cities were so glad to finally land deals that they routinely overpaid, not having a solid grasp of the demographic and market forces they should have been channeling instead of subsidizing. It’s especially true for retail and entertainment projects, which generate very poor-quality jobs. I have yet to find a city that has figured out how to ‘take the foot off the pedal’ and stop over-subsidizing, even when gentrification becomes a problem.

If you look at the big entertainment industry and their pursuit of the bottom line profits in exchange for producing content and distributing that content and marketing that content to inappropriate audiences, that's a problem for me.

Outside of the mindless sitcoms that the networks thrive on, people able to think generally consider most entertainment is escape in one form or another.

Medicine really matured me as a person because, as a physician, you're obviously dealing with life and death issues, issues much more serious than what we're talking about in entertainment. You can't get more serious than life and death. And if you can handle that, you can handle anything.

I would call an intellectual one whose instrument of work - his mind - is also his major source of pleasure; a man whose entertainment is his intelligence.

It's certainly anyone's prerogative to say, 'I liked something more when it was this' or blah blah. But there's a kind of laziness as a consumer of entertainment, I think, to wish that something was repeating itself and doing the same thing. But to each their own, and I do it all the time. I've dropped television shows as a viewer.

I will tell you something about stories . . . They aren't just entertainment. Don't be fooled. They are all we have, you see, all we have to fight off illness and death.

On stage it's just a wild setting - we have a big screen - hecklers, I'm fighting. It's entertainment, but I want to pierce [the audience's] souls and have them think about what I have to say.

Hip-hop culture itself has completely consumed everything involved in entertainment. When you think about basketball like the way those guys dress; I don't know if you notice but people care about how you dress these days.

Journalism is the entertainment business.

KISS is Las Vegas entertainment. A musician doesn't need the mask.

I've said it before, and I'll say it again: Politics Is the Entertainment Branch of Industry. C-SPAN's coverage of governmental proceedings is wonderful. Caution! Buffoons on the Hill! Wallowing in blabber and spew, regiments of ex-lawyers and used-car salesmen attempt to distract us from the naughty little surprises served up by deregulated corporate America.

Let's stop playing with ourselves and get on with the entertainment, shall we?

We now know that human transformation does not happen through didacticism or through excessive certitude, but through the playful entertainment of another scripting of reality that may subvert the old given text and its interpretation and lead to the embrace of an alternative text and its redescription of reality.

In so many areas, when you think about it, you never really see an actor cross over to music. It always music to acting and it's receivable because when music gives a form of entertainment of art to where it's very personable, it's a passion, it's an intimate type of art to when you hear it, it's them.

Today, music is great for entertainment, but it is lacking soul; it's lacking substance, and it's difficult to find good stuff. There are too many corporate interests. It's not about the actual music because it's about the corporation, and music just becomes part of a package.

Pain I keep to myself; my music is for entertainment purposes and I always have that in mind.

You have to look also to the media, where you have a vast majority of the loudest and most influential political voices in America media from people who came from the entertainment world.

We have to be very careful about what we say out there to the masses in the entertainment industry because people are listening to every word, and they take it to heart.

The show is not a history lesson or intellectual exploration. It is entertainment based on tension, irony and storytelling that is closely related to today’s life.

Producing and distributing premium TV entertainment content is more 'global' now than at any point in the history of the business. World Screen does an excellent job in following the news, trends and key players. It's a must-read for those in the business of global TV and brings us that much closer to prospective buyers and distributors of our premium content.

Looking back at Batman from a distance - after all the hype has dried up and the franchise has at least temporarily been abandoned - it's easy to see the movie for what it is: a moderately diverting motion picture that should have been shorter and better paced. There are a lot of things wrong with Batman, but it still makes for decent entertainment in the fine tradition of the typical low-intelligence summer movie. The best thing that can be said about Batman is that it led to Batman Returns, which was a far superior effort.

(in the film "That's Entertainment!" - 1974) Thank God for film, it can capture a moment and hold it there forever. If anyone ever asks you: "Who were they?" or "What made them so good?" I think a reel of film answers that question.