Quotes About Fantasy

I really wish that peoplewould just say, 'Yes, it's a comic. Yes, this is fantasy. Yes, this is Science Fiction,' and defend the genre instead of saying, 'Horror is a bit passe so this is Dark Fantasy,' and that' s playing someone else's game. So that's why I say I'm a fantasy writer and to hell with 'It doesn't read like what I think of as a fantasy'. In that case what you think of as a fantasy is not a fantasy. Or there is more to it than you think.

I can't say that fantasy instead of the 3D world is fine or good, but I know in my own life I have certain people I've kind of fixated upon to the point of pure fantasy. Then there's such a dilemma when here they are, and they're getting ever less and less like the way the fantasy has them.

Fantasy gets a mixed reception - a lot of fantasy is formulaic but most of the award-winning fantasy on the contrary tends to be the stuff at the edges of the genre, rather than swimming in the middle.

I don't really deal with the attention I receive to be honest. I build up a fantasy world around me that I inhabit. I cherry pick elements of literature, music, film, history and art, then weave them together to construct a fantasy reality to live in. It doesn't always work out though, I got evicted from my own fantasy once, which was quite embarrassing.

A precondition for being a science fiction writer other than an interest in the future is that, an interest - at least an understanding of science, not necessarily a science degree but you must have a feeling for the science and its possibilities and its impossibilities, otherwise you're writing fantasy. Now, fantasy is also fine, but there is a distinction, although no one's ever been able to say just where the dividing lines come.

I was in the fantasy. I was selling myself on the fantasy as I was doing it. It never occurred to me. I did take notes, but just because I am a writer. I've been a writer since I was five. You don't have any sort of outlandish, shocking, extraordinary, horrifying experience without writing it down, because I know and knew that you forget things. No matter how outrageous and amazing and extraordinary and seemingly unforgettable an experience is, it's kind of like a dream. It will erode inevitably, for me.

I play fantasy basketball and fantasy football, soccer.

I've always really loved big worlds and the kind of worldbuilding where you can open a portal into a new realm that feels full and complete. At the same time, I also really love history. So the combination of big worlds and history draws me directly into fantasy. Well, it should turn me towards historical fiction but I'm such a perfectionist about research that I'm not sure I could ever write a book in that genre properly. In fantasy, you have to have the same level of precision, but it's not as research-based. Plus, I get to write my little info sheets and draw my maps.

A restaurant is a fantasy-a kind of living fantasy in which diners are the most important members of the cast.

The colour blue - that is my colour - and the colour blue means you have left the drabness of day-to-day reality to be transported into - not a world of fantasy, it’s not a world of fantasy - but a world of freedom where you can say what you like and what you don’t like. This has been expressed forever by the colour blue, which is really sky blue.

Fantasy is silver and scarlet, indigo and azure, obsidian veined with gold and lapis lazuli. Reality is plywood and plastic, done up in mud brown and olive drab. Fantasy tastes of habaneros and honey, cinnamon and cloves, rare red meat and wines as sweet as summer. Reality is beans and tofu, and ashes at the end.

To be matter-of-fact about the world is to blunder into fantasy - and dull fantasy at that, as the real world is strange and wonderful.

Most of our difficulties, our hopes, and our worries are empty fantasies. Nothing has ever existed except this moment. That's all there is. That's all we are. Yet most human beings spend 50 to 90 percent or more of their time in their imagination, living in fantasy. We think about what has happened to us, what might have happened, how we feel about it, how we should be different, how others should be different, how it's all a shame, and on and on; it's all fantasy, all imagination. Memory is imagination. Every memory that we stick to devastates our life.

I do know what’s been useless to me is the online fantasy name generators. I’ve tried those a few times, and they say, ‘Just hit this button and we’ll generate 50 fantasy names,’ and they all turn out to be ‘Grisknuckle’.

Fantasy consists in a morbid fascination with unrealities, which secretly transforms itself into a desire to make them real. Imagination is a form of intellectual control, which presents us with the image of unrealities in order that we should understand and feel distanced from them. In imagination we dominate; in fantasy, we are dominated.

In fantasy, the expression of exploring another world, you get the universal truth of that excitement and fear, but there's an element of fantasy that you have to not forget so you can take people on that journey.

I'm not implying that fantasy is for kids. I'm saying that more and more people are finally realizing that there's more to fantasy stories than elves and wizards and goblin armies.

Teen problem novels? I can go through them like a box of chocolates. And there are fantasy books out now that need a lot more editing. Fantasy got to be so popular that people began to think 'We don't need to be as diligent with the razor blade,' but they do.

And by the way, I wanted to point out that Kindred is not science fiction. You'll note there's no science in it. It's a kind of grim fantasy.

When you are far away from reality, your fantasy won't work.

I have never written a book that I wouldn't want to read. The trouble is, I love to read horror, sf, fantasy, mysteries, hero pulps - romantic fiction, in the original, traditional meaning of that term, as opposed to mimetic fiction. But most of all, I love thrillers.

Republicans and nerds have so much in common -- they both live in fantasy worlds and have no idea how to relate to women.

We have hopes that we can see rational American presidents; fair, obey the international law, deal with other countries according to mutual respect, parity, etc., but we all know that this is only wishful thinking and fantasy.

The photographer and the director are where reality and fantasy meet.

Not even I, in my original Spanish, am necessarily obliged to make exact quotations. I can do that or not, I can play with that opportunity or not. This is my right, or poetic license, as someone who is building an artefact of fantasy - this implicit pact with the reader is my starting point.

The idea that somebody is going to come in and make your debt go away and all be well for the future is really a fantasy.

I'm a science fiction and fantasy geek.

That's pretty much why I went into show business because I wanted to have a guitar and sing unaccompanied, that was like my fantasy of the perfect life.

Anybody who follows me on Twitter or Facebook knows that I'm super into fantasy sports. I like to make money on my sports knowledge basically.

A great city is the place to escape the true drama of provincial life, and find solace in fantasy.

Maybe every other American movie shouldn't be based on a comic book. Other countries will think Americans live in an infantile fantasy land where reality is whatever we say it is and every problem can be solved with violence.

That's proof right there that men and women are on different levels because men can watch two women together and that's a turn-on. It doesn't work the same way for us, does it, ladies? No, uh-uh - it doesn't work the same. You ask any woman in here her sexual fantasy, and I will bet you a million dollars that it's NOT to go home and catch your man bent over with some big, burly guy standing behind him.

...You believe that the kind of story you want to tell might be best received by the science fiction and fantasy audience. I hope you're right, because in many ways this is the best audience in the world to write for. They're open-minded and intelligent. They want to think as well as feel, understand as well as dream. Above all, they want to be led into places that no one has ever visited before. It's a privilege to tell stories to these readers, and an honour when they applaud the tale you tell.

I grew up a really nerdy kid. I read science fiction and fantasy voraciously, for the first 16 years of my life. I read a lot of classic Cold War science fiction, which is much of the best science fiction, so I speak the language well, which is a commodity that's not easy to come by in Hollywood.

I was someone who really loved fantasy novels and science fiction novels.

Fantasy and science fiction are where my brain lives.

Real world movies or shows that are about things that actually happen versus having superpowers, there's a little bit of a fantasy element to it.

I'm only lookin' for a fantasy, an interlude from reality.

I have an unconscious burglar living in my mind: If I read something, it's mine. I can read Middle English stories, Geoffrey Chaucer or Sir Thomas Malory, but once I start moving in the direction of contemporary fantasy, my mind begins to take over.

I think what I'm doing is quintessentially American because I'm not American - even though I am on the verge of getting my American passport next week - I have a fantasy of what is American. Big spaces, Marlon Brando, James Dean, easy living.

I've always liked sci-fi/fantasy films. I've never really followed any sci-fi television shows though. I wouldn't consider myself a fan. When asked, I think I say the Matrix is my favorite movie.

Documentary is a little like horror movies, putting a face on fear and transforming threat into fantasy, into imagery. One can handle imagery by leaving it behind. (It is them, not us.)

Light enhances but its shadow deletes, thus giving the picture its depth, its third dimension and its subtractive properties... I believe that commitment and technical skill can be achieved by means of one's own will and study , while fantasy and passion are more valuable because they are innate and inescapably peculiar assets.

Our easiest approach to a definition of any aspect of fiction is always by considering the sort of demand it makes on the reader. Curiosity for the story, human feelings and a sense of value for the characters, intelligence and memory for the plot. What does fantasy ask of us? It asks us to pay something extra.

Many white-collar workers are lucky enough to have creative-class jobs that are satisfying, which is great as long as you're still able to carve out true, work-free leisure at some point. But there's been a kind of sneaky reframing of work as play as the Silicon Valley model has been imported into other fields. Now you see adult offices that look like nursery schools, and staff paintball parties, work cultures that encourage the "We're a family here!" fantasy while preventing workers from going home at a reasonable hour to be with their actual families.

It was the first time I realized that absolute reality could be so much more fun than fantasy.

New things always have to experience difficulties and setbacks as they grow. It is sheer fantasy to imagine that the cause of socialism is all plain sailing and easy success, without difficulties and setbacks or the exertion of tremendous efforts.

I feel like I've finally got to this place that I really want to be. The place where, in my fantasy, the characters just get up and walk around - this interstitial place between humans and dolls. But I also feel like, where am I supposed to go from here? Because this feels like the place I've always wanted to be, for my whole life of shooting.