Quotes About Interested

A lot of artists are good cooks as I'm too, but coming from a culture that was very concerned with food, I was very interested in that from the start. If you're interested in food, you're interested in lots of different aspects of culture. And it's like being interested in the music from a certain area, or writing, or whatever-food is part of that, too.

A curiously interested observer sees a great deal, a scientifically interested observer is worthy of all honor, and anxiously interested observer sees what others do not see, but a crazy observer sees perhaps the most, his observation is more intense and more persistent, just as the senses of certain animals are sharper than those of man.

Why talk about what we want? That is childish. Absurd. Of course, you are interested in what you want. You are eternally interested in it. But no one else is. The rest of us are just like you: we are interested in what we want.

I am extremely interested in how people negotiate catastrophe, not because I'm morbidly interested in it but because I'm interested in the secret of resilience; that's what I'm always exploring in the stories and the novels.

I'm interested in reality but I'm not interested in realism at all. I'm interested in the ways that I think people want to relate.

What interested me in film was the image-making aspect of it. So, I went to school in cinematography. I was really convinced that image was what I wanted to do, and I think it came from the fact that I lived in a small town my whole life, but my mother was very interested in painting, so she would bring us to Paris for two weeks. So, we're going to the Louvre and to the museums and to see shows. In the evening we were seeing theater. Painting is basically what led me. I think the image was key.

I mopped the floor with my hairThe reason I’m so interested in taking my body to those extreme places is that that’s a place where I learn, where I feel most in my body. I’m really interested in the repetition, the discipline, and what happens to me psychologically when I put my body to that extreme place.

I usually have Kafka biography in my bathroom. It's a book I can open at random and feel interested in immediately. It's really funny. With this book, since I'm opening it at random and immediately interested, I don't feel the need to read more than I want to read, in that there's not, like, a plot that leads me along. So I can stop whenever.

Writers only think they are interested in politics, they are not really, it gives them a chance to talk and writers like to talk but really no real writer is really interested in politics.

I wasn't so interested in merchandising through CD or whatever form. I wasn't really so aggressive about promoting my own work. I had my recordings from the past, but I never thought someone was interested in releasing it.

Atticus had said it was the polite thing to talk to people about what they were interested in, not about what you were interested in.

If I'm interested in what I'm doing, other people will be interested in it.

My co-stars call me selfish. They say you are only interested in yourself and what you are only interested is yourself and what you are doing in front of the camera. I reply, I can't help it; it's what got me where I am.

I think I know what my bandmates like or are interested in or would be interested in doing. I take ideas and I develop them, get rid of some ideas, keep writing, and then new things come up.

I'm not interested in athletics, I'm only interested in achievement. Fix your goal and work for it.

I do want to write about social/cultural/historical context. I'm interested in relationships, in character, but within a specific social context. Which is kind of a political thing, I admit that. But it's what I'm interested in, and it's how I believe human behavior is legible.

If people will be interested in me, they will be interested in chess also.

I am less interested in your chain-smoking; I am more interested in your habit. Any habit that becomes a force, a dominating force over you, is a sin. One should live more in freedom. One should be able to do things not according to habits but according to the situations.

I wasn't really that interested in objects. I was interested in ideas.

I'm not interested in being a "lover." I'm interested in only being love.

I've always been interested, - if you look back at my work from the beginning, really - I've always been interested in the idea of the artificial landscape. Reforming the landscape. Architecture being a method of reforming the earth's surface. We reshape the earth's surface, from architecture to paving streets, to parking lots and buildings that are really reforming the surface of the earth. Reforming nature, taking over what we find. And we're mushing it around and remaking a new earth - or, what we used to call Terra Nova.

I had certain physical limitations that made me change the choreography for myself or made me more interested in choreography only rather than dancing. I have never been a person who wanted to just dance. I have always been interested in developing for other people.

I'm not really interested in courting controversy, but I am interested in exploring issues that other people would deem to be controversial.

I try to presume that no one is interested in me. And I think experience bears that out. No one's interested in the experiences of a stranger - let's put it that way. And then you have difficulty combined with presumptuousness, which is the most dire trouble with poetry.

I am not interested in dry economic socialism. We are fighting against misery, but we are also fighting against alienation. One of the fundamental objectives of Marxism is to remove interest, the factor of individual interest, and gain, from people's psychological motivations. Marx was preoccupied both with economic factors and with their repercussions on the spirit. If communism isn't interested in this too, it may be a method of distributing goods, but it will never be a revolutionary way of life.

I just want to say, I'm not interest in politics. Politics is my husband, and since he's not interested in politics anymore, then I'm not interested in politics. I wish good luck to Mr and Mrs Trump, I wish good luck to Mr and Mrs Macron, and I don't care, do you understand?

I know as a child, I was really interested in becoming a manga artist, to create my own stories and illustrate them and present something that people would be interested in reading and looking at as well.

We should protect life but I'm not interested in anything that restricts birth control. And I'm not interested in anything that restricts in vitro fertilization because I think parents who are struggling to create life, to have a child, that is a wonderful thing.

You can draw a line between what I'm interested in and what I'm not interested in. On one side you can name Dylan and Lennon, who observe the world and have feelings, and write songs directly from those feelings. On the vapid side you have pop groups who need material and write songs to fill the hole, rather than getting somebody else.

When I went to college, I wasn't interested in fashion anymore - I was interested in art.

Of course I can have a simple reaction of sympathy and sorrow to destruction. But you also know that you can't have new things if you don't occasionally destroy the old. That's something you're really not allowed to say because things are often destroyed according to particular power relations so it means taking a stand in those cases, which I am not really interested in doing either. I think I am simply interested in looking.

I think the entrepreneurial activities that make art visible and attractive are what lure people into the amusement park that SoHo has become or that Bushwick or Williamsburg has become. It's not that outsiders come to an area because they hear artists are living there. A lot of people came who were not that interested in living with artists, but they were interested in living like artists and socializing the way that they thought artists socialized.

I never planned to be rich, frankly speaking. I was more interested in being free, and doing things. And money helps. But otherwise I was never that interested in it.

The mass media in the days of newspapers and television it's hard to be able to find a story that's about just what you're interested in at the time you're interested in it.

In all the music I've done, what I'm really interested in above all else, and I'm not sure it's what one should be interested in, is the kind of - you know, people talk about work progressions, which doesn't really make sense with pop music because there is no progression, because there is no tonic, because there is no more tonality.

Most people take who they are, naturally, as a given, and they're interested in the sexual other, but not in being the sexual other. Most men are interested in women - whether sexually or not is not the question - but they don't necessarily want to be a woman.

You'll never see me in any of the tabloids because I've made a conscious effort to stay out of that. I'm not interested in fame. I'm interested in hard work and letting my work speak for what I do. I've been in high-profile shows but you don't see stories on me because I don't go out and court them.

To be interested in the public good we must be disinterested, that is, not interested in goods in which our personal selves are wrapped up.

When I was a kid, I loved Sherlock Holmes. I'm not interested in crimes. I'm interested in the mind of the detective and his process, which to me is a lot like the artist.

People, not just reporters, are more interested in politics than in government, so the actual issues wouldn't be something that interested them.

I'm not interested in the ego trip of creating or not creating. I'm interested in selling a magazine. Rock-bottom, I sell magazines. I'm a thorough professional who does his job.

I like to just follow what I find compelling. In order for me to be compelling, I have to be compelled. I don't try to think about what people are interested in seeing, I have to be interested. For me, that works the best.

A trouble with poetry is the presence of presumptuousness in poetry, the sense you get in a poem that the poet takes for granted an interest on the reader's part in the poet's autobiographical life, in the poet's memories, problems, difficulties and even minor perceptions. I try to presume that no one is interested in me. And I think experience bears that out. No one's interested in the experiences of a stranger - let's put it that way. And then you have difficulty combined with presumptuousness, which is the most dire trouble with poetry.

I was interested in [Hunter S. Thompson novels]. The rebel in me fell in love with it, and the artist in me was confused by it, and interested and turned on. Ever since, his work has meant different things to me, at different times, and I still get new meaning out of it and appreciate it, in a different way. His work is very visceral, and you can take from it what you want, in various moments of your life.

The person who is motivated by necessity is interested in what's known and what's secure. The person who is motivated by possibility is equally interested in what's not known. He wants to know what can evolve, what opportunities might develop.

I am not interested in shooting new things - I am interested to see things new.

We're all more or less interested in the 'swinging sixties', of course, but that's not what I mean. I'm interested in the particular naive glamour that clings to the post-war and pre-Hendrix era.

People that are interested in me, I like to be interested in them.