Quotes About Language

We believe we can also show that words do not have exactly the same psychic "weight" depending on whether they belong to the language of reverie or to the language of daylight life-to rested language or language under surveillance-to the language of natural poetry or to the language hammered out by authoritarian prosodies.

One sacrifice has to be made: never use harsh or rude language. Foul language you can use; foul language doesn't hurt. Foul language is forgivable (though it is bad). But rude language cannot be forgiven.

Language both reflects and shapes society. Culture shapes language and then language shapes culture. Little wonder that the words we use to talk to each other, and about each other, are the most important words in our language: they tell us who I am, they tell us who you are, they tell us who 'they' are.

Expressing love in the right language. We tend to speak our own love language, to express love to others in a language that would make us feel loved. But if it is not his/her primary love language, it will not mean to them what it would mean to us.

We live in a world filled with language. Language imparts identity, meaning, and perspective to our human community. Writers are either polluters or part of the clean-up team. Just as the language of power and greed has the potential to destroy us, the language of reason and empathy has the power to save us. Writers can inspire a kinder, fairer, more beautiful world, or invite selfishness, stereotyping, and violence. Writers can unite people or divide them.

I don't know the rules of grammar... If you're trying to persuade people to do something, or buy something, it seems to me you should use their language, the language they use every day, the language in which they think. We try to write in the vernacular.

Quiet talk is the language of love. It is the language of peace. It is the language of God.

The language we share is at the core of our identity as citizens, and our ticket to full participation in American political life. We can speak any language we want at the dinner table, but English is the language of public discourse, or the marketplace and of the voting booth.

Language is the instrument in all cases and can language be trusted?If it were not for language, could we lie?

I try to write each piece in the language of the piece, so that I'm not using the same language from piece to piece. I may be using ten or twenty languages. That multiplicity of language and the use of words is African in tradition. And black writers have definitely taken that up and taken it in. It's like speaking in tongues. It may sound like gibberish to somebody, but you know it's a tongue of some kind. Black people have this. We have the ability as a race to speak in tongues, to dream in tongues, to love in tongues.

If I would want to have a huge audience, I would make American movies, not French movies, because there is a limit of course with French language. If I prefer to shoot in my own language, it is to play with my language, to play in my Paris, and I have complete freedom in France. It's so amazing. If American directors could imagine how free I am, they would have asked for political asylum immediately.

Everybody has a language or code that they use with their wife or their girlfriend or boyfriend or what have you. It's a language aside from the language they have with strangers.

I feel impelled to speak today in a language that in a sense is new-one which I, who have spent so much of my life in the military profession, would have preferred never to use. That new language is the language of atomic warfare.

XML is not a language in the sense of a programming language any more than sketches on a napkin are a language.

I sing only in Meronian - my own language - but there are also elements of English and Finnish languages in our songs. When we use the spiritual Meronian language, the word 'international' doesn't do justice to our band. This kind of psychic language's means of communication can reach galaxies beyond our planet, not to mention the other living and inanimate entities of our own planet.

There is no such thing as a language, not if a language is anything like what many philosophers and linguists have supposed. Thereis therefore no such thing to be learned, mastered, or born with. We must give up the idea of a clearly defined shared structure which language-users acquire and then apply to cases.

No one really understood music unless he was a scientist, her father had declared, and not just a scientist, either, oh, no, only the real ones, the theoreticians, whose language was mathematics. She had not understood mathematics until he had explained to her that it was the symbolic language of relationships. "And relationships," he had told her, "contained the essential meaning of life."

To the extent that language forces experiences into categories it is a screen between reality and the human being. In a word, we pay for its benefits... Therefore, while using language, as we must of necessity, we should be aware of its shortcomings.

Most screenplays, most motion pictures, owe much more to the screenplay. Ingmar Bergman has such an economy of language, so little language in his piece, it is so visual, his moods are introduced and buttressed by camera rather than by word or character. But again, that's unique.

Neither can embellishments of language be found without arrangement and expression of thoughts, nor can thoughts be made to shine without the light of language.

The top 10 verbs in the English language are all irregular, even though irregular verbs make up only 3 per cent of the language.

I do have one regret though. I wish Kathy Acker was still alive. I wish I could go swim with her again. My literary indebtedness to her is enormous. She's a more important mother to me than anyone can possibly imagine. In language I became a daughter worth a crap because of her. In language I redefined daughter, woman, I became a writer. Dora is an homage of sorts.

What came out of that was an intense obsession with status anxiety. So much of these portraits are about fashioning oneself into the image of perfection that ruled the day in the 18th and 19th centuries. It's an antiquated language, but I think we've inherited that language and have forwarded it to its most useful points in the 21st century.

You can imagine a different world in which a number of species developed with different genetically determined linguistic systems. It hasn't happened in evolution. What has happened is that one species has developed, and the genetic structure of this species happens to involve a variety of intricate abstract principles of linguistic organization that, therefore, necessarily constrain every language, and, in fact, create the basis for learning language as a way of organizing experience rather than constituting something learned from experience.

Even if language is a living evolving organism, we don't have to embrace all the changes that occur during our lifetimes. If language is so alive, it can get sick.

No one gets angry at a mathematician or a physicist whom he or she doesn't understand, or at someone who speaks a foreign language, but rather at someone who tampers with your own language.

The language of art is a 'parabolic' language, with a special openness to the universal: the 'Way of Beauty' is a way capable of leading the mind and heart to the Lord, to elevate them to the heights of God.

It's not that Perl programmers are idiots, it's that the language rewards idiotic behavior in a way that no other language or tool has ever done.

When a scientist considers all high-tech mental machinery needed to arrange words into ordinary sentences, prescriptive rules are, at best, inconsequential little decorations. The very fact that they have to be drilled shows that they are alien to the natural workings of the language system. One can choose to obsess over prescriptive rules, but they have no more to do with language than the criteria for judging cats at a cat show have to do with mammalian biology.

I believe in fiction and the power of stories because that way we speak in tongues. We are not silenced. All of us, when in deep trauma, find we hesitate, we stammer; there are long pauses in our speech. The thing is stuck. We get our language back through the language of others. We can turn to the poem. We can open the book. Somebody has been there for us and deep-dived the words.

The primary needs can be filled without language. We can eat, sleep, make love, build a house, bear children, without language. But we cannot ask questions. We cannot ask, 'Who am I? Who are you? Why?

Language is a more recent technology. Your body language, your eyes, your energy will come through to your audience before you even start speaking.

The Language Poets are writing only about language itself. The Ashbery poets are writing only about poetry itself. That seems to me a kind of dead end.

A poem makes clear without making simple. Poetry's language carries what lives outside language. It's as if you were given a 5-gallon bucket with 10 gallons of water in it. Mysterious thirsts are answered. That alchemical bucket carries secrets also, even the ones we keep from ourselves.

Music is a plane of wisdom, because music is a universal language, it is a language of honor, it is a noble precept, a gift of the Airy Kingdom, music is air, a universal existence common to all the living.

The price a world language must be prepared to pay is submission to many different kinds of use. The African writer should aim to use English in a way that brings out his message best without altering the language to the extent that its value as a medium of international exchange will be lost. He should aim at fashioning out an English which is at once universal and able to carry his peculiar experience.

George Orwells 1984 frequently tops surveys of our greatest books: its not a celebration of poetic language. Its decidedly anti-literary, a masterpiece of personal and political narrative sequence. And its subject matter is crucial, because what 1984 shows is that language can be a dirty trick.

The language that nature speaks is the same language that we invented for mathematics. That's just an amazing piece of luck, which we don't understand.

Those who don't understand any language other than the language of force and violence don't respect human dignity. They seek violence because they will be irrelevant without it. We should not go their way.

Painting is a language which cannot be replaced by another language. I don't know what to say about what I paint, really.

Computing lets people express their creativity and unlock solutions, and code is computing's universal language. All young people, including girls, deserve to be fluent in the language of the future.

It's no big deal about how you get language to evolve. You cause language to evolve by saying new and intelligent things to each other.

If we have listening ears, God speaks to us in our own language, whatever that language be

I am a writer who is definitely working with a specific language and more than English, that language is American. And I work very much in idiom and am very interested in the play of different kinds of rhetoric, whether it is the more high-flown stuff that reeks of age. I love to juxtapose something like that with something more current or urgent. I am always interested not in America by itself, but America as an idea and how that idea has changed over time, in the eyes of the rest of the world and in the eyes of Americans.

The theater, which is in no thing, but makes use of everything - gestures, sounds, words, screams, light, darkness - rediscovers itself at precisely the point where the mind requires a language to express its manifestations.... To break through language in order to touch life is to create or recreate the theatre.

So much of language is unspoken. So much of language is compromised of looks and gestures and sounds that are not words. People are ignorant of the vast complexity of their own communication.

Poetry, for example, goes so deeply into the space between corporeal affect and deep emotion (even primal in some cases) that, as Emily Dickinson said, it can blow the top of your head off. Poetic language is sometimes misunderstood as "abstract" when in reality, it's precise - precisely the language of emotions and the body.

It was once argued that 'Starring Sylvester Stallone' were the three scariest words in the English language but until I saw Adam Sandler I'd always thought the three scariest words in the English language were 'starring Dan Aykroyd.'