Quotes About Look

Look. This is your world! You can't not look. There is no other world. This is your world; it is your feast. You inherited this; you inherited these eyeballs; you inherited this world of color. Look at the greatness of the whole thing. Look! Don't hesitate - look! Open your eyes. Don't blink, and look, look - look further.

I think certain periods of history don't get dealt with because I think historians, and it's their job, but they look back and look for patterns. They look for sequences and they look for reasons, and certain periods of history don't fit with the general pattern of 1500 to the 20th century, during which there's the creation of the United States. At this time of 1814, two nations who would eventually become close allies were at war with each other, so it doesn't quite fit.

Photographs help people look at things they may not be able or may not want to look at. Until you can look at something, you can't change it. First you have to look at it, then you have a chance to understand it and can change it.

Look at the trees, look at the birds, look at the clouds, look at the stars-and if you have eyes you will be able to see that the whole existence is joyful.

If you don't look like an airbrushed model ... you have to look past it. You look how you look. What are you going to do?

Yes, you have cancer. Yes, your kids are on drugs. Yes, there is an elephant outside your tent. Now the question becomes, What are you going to do about it? Subsequent emotions may not be pleasant, but the hysteria stops. Hysteria accompanies an unwillingness to look at what is really going on; it promotes an unwillingness to look. We feel we are afraid to look, when actually it is not-looking that makes us afraid. The minute we look, we cease being afraid.

The way I look at life, and the way I look at the reality of Parkinson's, is that sometimes it's frustrating and sometimes it's funny. I need to look at it that way, and I think other people will look at it that way.

Women do it all the time to look younger and it would make perfect sense if one of them ever came out looking younger - but they don't. They just look the same; they all get plastic surgery face. No matter who they look like going in, they all come out looking like the girl from the band on 'The Muppet Show.

When you look at the New York Times, when you look at The Washington Post, when you look at CNN. I mean CNN is all Trump all the time. It's called the [Hillary] Clinton News Network. Every story is Trump. All day long no matter what it is.

Look with your heart and not with your eyes. The heart understands. The heart never lies. Believe what it feels, and trust what it shows. Look with your heart; the heart always knows. Love is not always beautiful, not at the start. But open your arms, and close your eyes tight. Look with your heart and when it finds love, your heart will be right.

Look up, now look down. Up is endless, down has an ending. Always look up.

If a man were to look over the fence on one side of his garden and observe that the neighbor on his left had laid his garden path round a central lawn; and were to look over the fence on the other side of his garden and observe that the neighbor on his right had laid his path down the middle of the lawn, and were then to lay his own garden path diagonally from one corner to the other, that man's soul would be lost. Originality is only to be praised when not prefaced by the look to right and left.

I don't at least for me I don't ever really look for trends. I'm looking for just what captures my attention at that time and rarely do I ever look back and try and put together trends or say this kind of trend is important. For me it's about the individual expression and if you go back and look through the archives you might find certain things become trends, but it's just not something that particularly interests me.

I notice fashion on other people, I always enjoy it when people try and look their best, I've always been taught to try and look my best and that's probably my main influence, I'm not looking to influence fashion anymore than the next guy, but I do try and look my best when I'm out and representing my movies.

Look, it's a monster. He's walking alone. Look, he's pulling something out of his pocket. He threw it on the ground. Let's go see what it is. It's a black box. You open it... ok... Look, it's sorrow, misery and pain. It's loneliness and longing. Boy, he'll be sorry he lost these.

Here's my rule: You always want to pay cash for your own books, because if they look at the name on the credit card and then they look at the name on the book jacket, then there's this look of such profound sympathy for you that you had to resort to this. It really is withering.

The dreamy look is all about hypnotizing beauty that stops men in their tracks. The connection between the scent and the look is that are both the key to attraction - your whole frequency changes when you wear this look. You radiate and captivate endlessly.

My method is the magpie's: I look for shiny things. That is, I look for concrete material details of daily life, and I look for vigorous prose, which is the only kind I can read for very long. That effectively bars a great deal of scholarly work, but I didn't feel its loss.

If you look at old pictures, Irene Casey is so pretty. Not just young, but pretty the way you look when your face goes smooth, the skin around your eyes and lips relaxed, the pretty you only look when you love the person taking the picture.

Amateurs look for challenges; professionals look for easy trades. Losers get high from the action; the pros look for the best odds.

If you've taken the job to be the stylist for a collection, then I think it's important for you to really listen to the designer and look at the board. Look at the wall, look at what the designer is interested in, and then move on to that. But the designer also must not lose sight of the reason for their point of view. Otherwise it won't come across.

I used to look back at pictures and cringe but actually I'm quite proud that I've had fun with fashion and don't always look perfect. The only regret I have is when I look at something I wore when I was very young and it obviously looks like it belonged to someone else.

People tell me I look mournful. They say, "Cheer up, Dan, it's not that bad!" Sometimes, I just look into space, which freaks people out. If I was ever required to do anything other than look haunted, I could. I'm a happy person.

As I experience it, appreciation of beauty is access to the soul. With beauty in our lives, we walk and carry ourselves more lightly and with a different look in our eyes. To look into the eyes of someone beholding beauty is to look through the windows of the soul. Anytime we catch a glimpse of soul, beauty is there; anytime we catch our breath and feel "How beautiful!," the soul is present.

The costumes in museums are often not exhibited well. They look dead. It is much better to look at a painting by Bronzino than to go look at a Renaissance costume.

If she replaces her eyebrows with a Machiavellian triangle, paints her fingernails blue, and dyes her hair some color you'd see in a comic book it's not too attractive to me-because it's too familiar. Extremes aren't necessary. Even 'high fashion' frightens most men. When I have to wait in the dentist's office, I sometimes look at fashion magazines. To me, most of the models look like they have rickets or scoliosis of the spine. They look less like woman than caricatures.

I think online is a better platform. If you look at the metrics, if you look at the delivery system, if you look at social - all of the things that online can do - TV can't compete.

When you go to a nice restaurant, you want to be relaxed and have a drink and everything, you want to look at people who look well. You don't want to look at some slob with an open shirt and a hairy chest. At least I don't.

My generation, we're more accepting of narcissism. But we're looking at images that are dead, that are on your phone. My friends have apps to make you look skinny, to make your skin look perfect. And we look at these images and we're like, "That's beauty. That's perfect." But when you see a real person, you're like, "Wait, that's not perfect."

Well I think that, if you want to look at polarizing people right now, I wouldn't look at Palin, I'd look at Barack Obama.

One [reality] is that I am responsible for my attitude. I can be in prison, and I happen to get a chance to go outside. I can look at the mud, or I can look at the stars. I am the one who decides which way to look. That is true for every one of us.

I've been lucky-my looks haven't put me into one category. I don't look like a blue blood. I don't look like a criminal. I don't look like anything.

There are novels that end well, but in between there are human beings acting like human beings. And human beings are not perfect. All of the motives a human being may have, which are mixed, that's the novelists' materials. That's where they have to go. And a lot of that just isn't pretty. We like to think of ourselves as really, really good people. But look in the mirror. Really look. Look at your own mixed motives. And then multiply that.

When I'm shooting a film, I don't look at playback. I don't go and do a scene and then hurry up and watch what I just did. I never look at it so I haven't seen any of it.

I try to anticipate exactly where my teammates are going to be. Sometimes I look good. Sometimes I look bad.

Here, the certain temple rule, this seems to me to have a certain responsibility to look after the well-being of society and look after Buddhism and culture. I consider these part of the practice of spirituality. There is no competition between spiritual practice and party politics. That is outdated. We already, since 2001, have elected political position. My position is semi-retired. I am looking forward to complete retirement.

I look at younger girls and I think, 'Doesn't she look great? Isn't she pretty?' And while I know I'll never be there again, I'm past the age of feeling jealous. Maybe in my 30s I would have been, but that part of my life has gone.

If you get the characters right you've done sometimes nearly half the work. I sometimes find I get the characters right then the characters will often help me write the book - not what they look like that's not very important - what people look like is not about their character. You have to describe the shape they leave in the world, how they react to things, what effect they have on people and you do that by telling their story.

What you look at hard seems to look at you.

To look ahead one must learn to look back.

There's a power that movies and music has, that can move you and motivate you to look at your neighbor in a slightly more respectful way, and look at cultures in a more inclusive way.

What I notice is that every adult or child I give a new set of Crayolas to goes a little funny. The kids smile, get a glazed look on their faces, pour the crayons out, and just look at them for a while....The adults always get the most wonderful kind of sheepish smile on their faces--a mixture of delight and nostalgia and silliness. And they immediately start telling you about all their experiences with Crayolas.

I can get up in the morning and look myself in the mirror and my family can look at me too and that's all that matters.

Part of my becoming a vegetarian was that I would look at my burger, then look at my dogs, and I wasn't able to see a difference.

I think when you look at religion, you look at where Christianity came from. You know, my mom delved deeper into that. And she felt a deep connection.

Sometimes you had to take a look at yourself and then look away.

God doesn't do the work for you; he does the work through you. It's not enough to look up; you must also look within.

If you look at the curricula of most universities and schools in this country [USA], considering our long encounter with the Islamic world, there is very little there that you can get hold of that is really informative about Islam. If you look at the popular media, you'll see that the stereotype that begins with Rudolph Valentino in The Sheik has really remained and developed into the transnational villain of television and film and culture in general.