Quotes About Space

For me space rock is something that takes you out of yourself and out of your normal realm. And if space happens to be that inner space or outer space it's a very personal thing. I think that mantra is space music. I think that Native American tribal drumming is space music. Anything that allows you to go inward to go outward and to move within a space that is not normal to your reality.

I like to be the right thing in the wrong space and the wrong thing in the right space. But usually being the right thing in the wrong space and the wrong thing in the right space is worth it, because something funny always happens.

I've completed half of my space training at Space City in Moscow. I love adventure, and I've been training in a centrifuge and MiG Fighter with a view to going into space and being a spokesman for space exploration!

We have aspects in our music that refer to space, like Kometenmelodie, but we also have some very earthly aspects that are very direct and not from outer space but from inner space like from the human being and the body, and very close to every day life.

The question to ask is whether the risk of traveling to space is worth the benefit. The answer is an unequivocal yes, but not only for the reasons that are usually touted by the space community: the need to explore, the scientific return, and the possibility of commercial profit. The most compelling reason, a very long-term one, is the necessity of using space to protect Earth and guarantee the survival of humanity.

I really love sharing with young Canadians the changes we're seeing in the space program right now with what we call "commercial space." We have commercial cargo delivery to the space station, and now we have what we call "commercial crew," where we're going to be delivering people to low orbit on new vehicles that are being designed by Boeing and SpaceX.

Healing happens between the notes. I had to allow the space and not be afraid, and to know that things happen in space. You have to let the space settle. If you let go, you transcend and experience the stillness, and that is the healing. One ingredient of health is rest. Activity comes from inactivity. The basis of sound is silence. Stillness is basic to health.

Over the years, in making art, I have constantly explored issues dealing with space, time, light, and society. I am particularly interested in how the light of a space determines how we see that space and similarly, in how light and color are actually phenomena within us, within our own eyes.

In the Ridley Scott film 'The Martian' you can do that [virtually driving car]. I have lifted off in the space craft from the surface of Mars, walked in space and looked down into deep space and got terrified, with the headphones and the goggles.

We have all kinds of limitations as human beings. I mean we can't see the whole electromagnetic spectrum, we can't see the very small, we can't see the very far. So we compensate for these short comings with technological scaffoldings. The microscope allows us to extend our vision into the microsphere. The telescope allows us to extend our vision into the macrosphere, the Hubble Space Telescope extends our optic nerve into space, and it allows us to mainline space and time through our optic nerve.

There are three reasons, . . . apart from scientific considerations, mankind needs to travel in space. The first . . . is garbage disposal; we need to transfer industrial processes into space so that the earth may remain a green and pleasant place for our grandchildren to live in. The second . . . to escape material impoverishment: the resources of this planet are finite, and we shall not forego forever the abundance of solar energy and minerals and living space that are spread out all around us. The third . . . our spiritual need for an open frontier.

I think there's a very fundamental urge to create a safe space, a home; most animals have that impulse, and humans certainly do - with some exceptions, like nomadic people who perhaps don't feel the need to settle in quite that way. But most of us do want to have space, somewhere we feel secure and where we repeatedly return. Somewhere we can sleep without fear. And there's nothing wrong with that desire. It's completely understandable. It only becomes ugly when that creation of a safe space involves making an enclosure from which other people are kept out.

The frontier in space, embodied in the space colony, is one in which the interactions between humans and their environment is so much more sensitive and interactive and less tolerant of irresponsibility than it is on the whole surface of the Earth. We are going to learn how to relate to the Earth and our own natural environment here by looking seriously at space colony ecologies.

Small objects, like the Walkman first and then the iPod, create bubbles of space around us that enable us to have a metaphysical space that is much bigger than our physical space.

So much of what we said sounded crazy, yet none of it was false... as if two theoretical physicists stood on stage to say that when we travel near lightspeed, we get younger than nontravellers; that a mile of space next to the sun is differnt than a mile of space next to the earth because the sun-mile space is curved more than the the earth-mile. Silly ideas, worth the admission price in smiles, but they're true. Is high-energy physics interesting because it's true or because it's crazy?

The more you learn about the real vastness of space and the real challenges of space travel, the more completely you appreciate the necessity of taking very good care of this world and being good stewards of it.

Human beings make a strange fauna and flora. From a distance they appear negligible; close up they are apt to appear ugly and malicious. More than anything they need to be surrounded with sufficient space―space even more than time.

It was cold. Space, the air we breathed, the yellow rocks, were deadly cold. There was something ultimate, passionless, and eternal in this cold. It came to us as a single constant note from the depths of space. We stood on the very boundary of life and death.

A favorite film of mine is 'Office Space' and I love 'The Hangover.' That is a really good comedy from character in that film, and that is true of 'Office Space' too.

There is a beautiful expression of this in the Chandogya Upanishad: 'There is this City of Brahman, (that is the body), and in this city there is a shrine, and in that shrine there is a small lotus, and in that lotus there is a small space, (akasa). Now what exists within that small space, that is to be sought, that is to be understood.' This is the great discovery of the Upanishads, this inner shrine, this guha, or cave of the heart, where the inner meaning of life, of all human existence, is to be found.

What's beautiful about art is that it circumscribes a space, a physical and mental space. If you try to put the entire world into every page, you turn out chaos.

What I love about L.A. and Washington, D.C. is that they're almost the opposite of each other. L.A. is a very creative space while D.C. is a very cerebral space. So, they're the ying and the yang in my world. I like them both for their own reasons.

I'm not sure if I could tell the difference—between just staring into space and thinking. We're usually thinking all the time, aren't we? Not that we live in order to think, but the opposite isn't true either—that we think in order to live. I believe, contrary to Descartes, that we sometimes think in order not to be. Staring into space might unintentionally have the opposite effect.

Richard Branson is probably the most visible of the private commercial space guys, and what is venture, Virgin Galactic is about is sub orbital flight. That is, you'll see a spacecraft that looks more or less like an airplane and it will fly into space, but only spend about 15 minutes. It'll go up in a parabolic arc and then fall back down, and so the customers on that flight will only get about five minutes of weightlessness. They'll get to glimpse the horizon of the Earth, take a look at it before just before they start coming back down into the atmosphere.

NEEMO missions are a challenging and exciting aspect of astronaut training. The research we conduct during those missions allows us to test new technologies and exploration concepts in conditions similar to the ones we'll experience in space. They are a great opportunity to help me expand my knowledge and develop new tools for future space exploration.

The seemingly insuperable difficulties of deep-space travel suggest an intention to keep us fixed at home in our own solar system, and the physical nature of our part of the Universe, as well as the basic rules of physics and chemistry, have a warning look about them, like barriers designed to isolate intelligent life. This means that for us, unlike the situation for humble microorganisms, deep-space travel is probably a stark impossibility.

One of the most memorable moments was when I first saw earth because I had seen many pictures, many videos of earth from space, and being able to see that with my own eyes had a completely different effect, and sort of almost sensing life emanating from our planet in the dark background of the space, it was a really memorable experience.

At bed-time I went into my room and put out the light. I didn't get undressed. I lay on my bed and looked out of the window at the stars. I read in a book that the stars can take you anywhere. I've never wanted to be an astronaut because of the helmets. If I were up there on the moon, or by the Milky Way, I'd want to feel the stars round my head. I'd want them in my hair the way they are in paintings of the gods. I'd want my whole body to feel the space, the empty space and points of light. That's how dancers must feel, dancers and acrobats, just for a second, that freedom.

America has always been greatest when we dared to be great. We can reach for greatness again. We can follow our dreams to distant stars, living and working in space for peaceful, economic, and scientific gain. Tonight, I am directing NASA to develop a permanently manned space station, and to do it within a decade.

In the past, it was only in science fiction novels that you could read about ordinary people being able to go to space... But you laid the foundation for space tourism.

As many have noted, the peril for authors is that our work space is too easily our play space.

In regards to live shows, space is very important to me. Space and context should complement the music in some way; you gain so much from it. It enhances the dialogue between audience and performer. I'm very much aware of this when choosing venues. I say no to 90% of booking offers. Somehow I feel the venue needs to make sense.

I think in space or music or art or literature of any kind there has to be some kind of void where the viewer or the spectator or the listener or the reader can insert themselves into it, and there is a certain kind of architectural space which is totalitarian, which does not allow you to do that.

Let me end with an explanation of why I believe the move into space to be a human imperative. It seems to me obvious in too many ways to need listing that we cannot much longer depend upon our planet's relatively fragile ecosystem to handle the realities of the human tomorrow. Unless we turn human growth and energy toward the challenges and promises of space, our only other choice may be the awful risk, currently demonstrable, of stumbling into a cycle of fratricide and regression which could end all chances of our evolving further or of even surviving.

I was a risk-taker as a young man, and I don't regret it. I'm not adventurous in quite the same way now, but I still love the challenge of testing myself to the limits, flying around the world, or seeing if I can be the first to fly a balloon across the Atlantic, or trying to take people into space at an affordable price in an environmentally friendly way. I'll be going into space with three generations of my family!

Sci-fi uses the images that sf - starting with H.G. Wells - made familiar: space travel, aliens, galactic wars and federations, time machines, et cetera, taking them literally, not caring if they are possible or even plausible. It has no interest in or relation to real science or technology. It's fantasy in space suits. Spectacle. Wizards with lasers. Kids with ray guns. I've written both, but I have to say I respect science fiction enough that I wince when people call it sci-fi.

I mean, in the campaign of '24 and in '28 and '32, you know, Eleanor Roosevelt insists that women have equal floor space. And this is a great victory over time. Then she wants women represented in equal numbers as men. And she wants the women to name the delegates. And the men want to name the delegates. Well, Eleanor is absolutely furious. And because they don't want her to walk away in 1924, she wins. And this is a great political victory. She has floor space equal to the men, and she has the right to name the women.

Change life! Change Society! These ideas lose completely their meaning without producing an appropriate space. A lesson to be learned from soviet constructivists from the 1920s and 30s, and of their failure, is that new social relations demand a new space, and vice-versa.

Look, spaghetti arms. This is my dance space. This is your dance space. I don't go into yours, you don't go into mine. You gotta hold the frame.

My secret to having a happy relationship is having a sense of humour and giving one another space: your own space.

But space travel can't ease the pressure on a planet grown too crowded not even with today's ships and probably not with any future ships-because stupid people won't leave the slopes of their home volcano even when it starts to smoke and rumble. What space travel does do is drain off the best brains: those smart enough to see a catastrophe before it happens, and with the guts to pay the price-abandon home, wealth, friends, relatives, everything-and go. That's a tiny fraction of one percent. But that's enough.

I regard any behavior we indulge in as a game. The soul is beyond not only three-dimensional space but beyond the illusion of linear time. Any method we use to move through three- or four- dimensional space is a game. It doesn't matter how serious we take it, or how serious its consequences are.

The first gesture of an architect is to draw a perimeter; in other words, to separate the microclimate from the macro space outside. This in itself is a sacred act. Architecture in itself conveys this idea of limiting space. It's a limit between the finite and the infinite. From this point of view, all architecture is sacred.

I think the most important thing that a company can do, not just in the customer space but the employee space, is to be completely open and completely honest. Don't pretend that you're doing something that you can not do. There's an old saying in Silicon Valley, "It's not a bug. It's a feature."

All photographs are about light. The great majority of photographs record light as a way of describing objects in space. A few photographs are less about objects and more about the space that contains them. Still fewer photographs are about light itself.

My father was always very interested in space. I watch Star Trek and all those things, but I always had a different picture in my mind... maybe closer to Alien. I don't see it in space as much as I do see it in different planets, with each having its own strange characters.

It won't be an issue. The area we're modifying will have more breakout space, but I don't think it exceeds 1,000 feet. It's space we already have in the building, the public lobby area, which, in reality, we use now for breakouts and breakfast.

In 1980, during my sophomore year at MIT, I realized that the school didn't have a student space organization. I made posters for a group I called Students for the Exploration and Development of Space and put them up all over campus. Thirty-five people showed up. It was the first thing I ever organized, and it took off!