Quotes About Television

Modern politics today requires a mastery of television. I've never really warmed up to television and, in fairness to television, it's never warmed up to me.

I abhor television. Notice how i said ‘television’ and not ‘TV’ because TV is a nickname and nicknames are for friends and television is no friend of mine.

It's just amazing how television permeates the entire world from people who are just listeners and viewers to people of considerable importance who find relaxation watching television. Somebody called it a talking lamp. Television, that is.

This whole thing about reality television to me is really indicative of America saying we're not satisfied just watching television, we want to star in our own TV shows. We want you to discover us and put us in your own TV show, and we want television to be about us, finally.

The 1990 'Goodwill Games' can be another indication that the television world is not divided between commercial and cable. If the viewer thinks highly of our efforts... they will have a higher opinion of cable television and TBS.

When I first started acting, I had all these ideals about the kinds of roles I wanted to play, but the reality is that when you do television - and I do a lot of television - you get cast for qualities that you have as a person. So I look for qualities that I like to portray.

Everybody should have a television show. Let's all get television shows!

Unless you're a directing producer of a television show, for the most part, the director comes in one week to direct and episode, and then leaves. I'd much rather produce television and occasionally direct an episode of a show I'm producing, then just come in as an outside director.

I certainly don't feel there's a distinction to be made between a television and a film actor. I think there's a distinction between great actors and not so great actors. But I really think if you watch a person working in television give a wonderful performance, that person is f - ing great, because there is no time.

What I want to do is create great content on television and movies. It is not my role to program only for Latinos, and you can't really assume that Hispanics only want Hispanic content. But I do think that we are severely underrepresented in television and film. And instead of complaining about not seeing ourselves, we should become film producers, directors, and writers, and tell our story.

My son has been known to throw a book at the television set when he called for me to come play and I was obviously busy in the box. But I'm told that children of television performers grow up thinking that all mommies or daddies work on TV and that it's no big deal.

I have to admit, I never watch television; once in a while I'll see things, but I grew up without it. I had a father who said, 'I hate television'; it came into being when he was a kid, and he didn't have it, so he didn't think I needed it.

I think for television generally, the question that often arises is, "Does television lead, or does it follow?" You know, does it lead the conversation, or culture, or does it follow what's going on? And I think it does both.

Television is in a different time because of reality television, so it's not as exciting.

Actors always direct themselves. A good actor shows up onset ready, especially in television, and you've done your homework and you know your character. The director may have some variation on what you're thinking or they may have a different interpretation of the scene. So you come prepared to shoot and you've given yourself notes. In television, it may be the first time you're meeting this director and you've been living in this character's skin for a couple of years. It's always great to have fresh perspective and fresh insight, but no one knows your character better than you do.

I'm an actor and I am looking for roles where I can continue to evolve, and things that are challenging. I gravitate to the roles, not necessarily television or film. It's just the fact that, for me, the most interesting roles have been in television.

There's a little bit more of a freedom when you're doing radio play-by-play as opposed to television. I prefer the television side of it.

[It] is not that television is entertaining but that it has made entertainment itself the natural format for the representation of all experience. […] The problem is not that television presents us with entertaining subject matter but that all subject matter is presented as entertaining. (87)

Rather than lose the public because television is here, wouldn't it be smart to adopt television as our instrument?

Television has changed. The very nature of it is not even television anymore.

I wrote my own first book about the defense of television as an art form in 1992. It was harder to make the argument then. Now it seems absolutely a given. You can argue about when the Platinum Age Of Television begins, but I don't think that anybody can argue that it's not here.

I'd say working on television is much, much tougher than films. But television has a great connect with a live audience, which is a refreshing change for us actors.

Every film is a remake of a previous film, or a remake of a television series that everyone loved in the 1960s, or a remake of a television series that everyone hated in the 1960s. Or it's a theme park ride; it will soon come to breakfast cereal mascots.

When people in my generation started to write, we did not actually have much of a movie industry, much of a theater scene, much of a television industry or other creative outlets. But we had a lot of aspiring writers. All that has changed. We now have a movie industry, television industry and lots of theater. But we have retained a large contingent of writers and a dedicated readership. The larger number of people in society who value writing, the larger number of good writers will be produced. That's my belief. It raises the bar.

So there was a constant flow and a thin line there between reality and television and yes, much of what I was experiencing in my real life was also what was going on in the television show to the extent that I had to take writers advice and from the counselors around.

Coming back into television, I was very, very wary about committing to anything that could potentially take a long time. I don't mind movies, but I was nervous of television.

My favorite television show of all time is 'Hill Street Blues.' I think it's the show that is to television what Pele was to football or Muhammad Ali was to boxing.

The reality of television production now is that all the development money and pilot money now goes to the Internet so they can try to get pilots cheaper, than if they were producing them for television. I understand, it's a business, but what's great about doing it on the web, and one thing that attracted me is the amount of creative freedom that you do get with the web. That's the only advantage of there not being a lot of money involved, is that you're really able to write and do what you want... because there's not a lot of money involved and not money at risk.

We have currently a built-in allergy to unpleasant or disturbing information. Our mass media reflect this. But unless we get up off our fat surpluses and recognize that television in the main is being used to distract, delude, amuse, and insulate us, then television and those who finance it, those who look at it, and those who work at it, may see a totally different picture too late.

I was interested in opera and it seemed to me that the only possible theatre for contemporary opera would be television. So I started working towards a kind of television kind of opera.

Television is a media of crisis, which means that television is a media of accidents.

What little reality television I've seen seems to be about economic desperation. Like the marathon dancing of the Great Depression, which should give us pause. People willing to eat flies and worms for a sum that is less than the weekly paycheck of the show's producer. I haven't seen "reality television" that is other than this kind of painful, sadistic exploitation of fit young people looking for agents.

I've always felt that improv looks and feels more clever when you're there to experience it live than when you have the degree of separation that television creates. Television raises expectations.

As the age of television progresses the Reagans will be the rule, not the exception. To be perfect for television is all a President has to be these days.

The arrival of television established a mass-media order that dominated the last 50 years. This is a personal media revolution. The distinction between the old order and the new order is very important. Television delivered the world to our living room. In the old media, all we could do was press our noses against the glass and watch.

Having a hearing is educational. Having a hearing with television cameras is useful. Having a hearing with two rows of television cameras is Heaven.

What the British seem to like are television historians and naturalists, not public intellectuals. You can't help feeling that's because one supplies narrative and the other supplies facts, and the British are traditionally empiricists so they/we have a resistance to theory and to theoreticians playing too prominent a role in public life.

Because when you watch US television, all the presenters and reporters, they're all out of central casting.

I've never left music behind, but I've had success in television.

The charm of television entertainment is its ability to bridge the chasm between dinner and bedtime without mental distraction.

I have no regrets about not having children. I still wait for the pang of guilt, but I have none. I tune into the television show Nanny 911 occasionally which reminds me how much patience and love it take to be a good parent.

We read the world - television, movies, songs, books - and the people in it through the lens of our own lives.

There was a time when the FCC tried to require a certain amount of television and media to be educational, a certain amount to be newsworthy and a certain amount of it to be public access.

Television and radio do a wonderful job in focusing attention on the problems of our society.

I love to perform and I love to perform characters, and sometimes when I'm doing television and film, I just feel like I'm making a living. I'm good at it, but I'm not really being artistically challenged.

I think we have got to start again and go right back to first principles. The argument I shall advance, surprising as it may seem coming from the author of the earlier chapters, is that, for an understanding of the evolution of modern man, we must begin by throwing out the gene as the sole basis of our ideas on evolution. If there is only one Creator who made the tiger and the lamb, the cheetah and the gazelle, what is He playing at? Is he a sadist who enjoys spectator blood sports? ... Is he manuvering to maximize David Attenborough's television ratings?

The fact that we don't' talk about it, that we don't have a politics in which this question of war and peace can even get onto the table, so that we can open up our Orwell, our 1984, or Animal Farm, or whatever, and read the political text that's being spotted to us on the television right off of the page; the fact that we don't have a politics robust enough to actually debate whether or not we want to be a country permanently at war. That's what keeps me from sleeping at night.

I think there's a lot of really good programming on television. What I've noticed, through the years of being a professional writer, is the watering down process of story. You have to market to the masses and not offend anybody.