Quotes About Writer

As every writer knows... there is something mysterious about the writer's ability, on any given day, to write. When the juices are flowing, or the writer is 'hot', an invisible wall seems to fall away, and the writer moves easily and surely from one kind of reality to another... Every writer has experienced at least moments of this strange, magical state. Reading student fiction one can spot at once where the power turns on and where it turns off, where the writer writes from 'inspiration' or deep, flowing vision, and where he had to struggle along on mere intellect.

If a writer of prose knows enough about what he is writing about he may omit things that he knows and the reader, if the writer is writing truly enough, will have a feeling of those things as strongly as though the writer had stated them. The dignity of movement of an iceberg is due to only one-eighth of it being above water. A writer who omits things because he does not know them only makes hollow places in his writing.

A serious writer is not to be confounded with a solemn writer. A serious writer may be a hawk or a buzzard or even a popinjay, but a solemn writer is always a bloody owl.

It's akin to style, what I'm talking about, but it isn't style alone. It is the writer's particular and unmistakable signature on everything he writes. It is his world and no other. This is one of the things that distinguishes one writer from another. Not talent. There's plenty of that around. But a writer who has some special way of looking at things and who gives artistic expression to that way of looking: that writer may be around for a time.

Sometimes I wonder why I'm a novelist right now. There is no definite career reason why I became a writer. Something happened, and I became a writer. And now I'm a successful writer.

I'm not an autobiographical writer, but I am a writer who deals with human emotion on all levels.

I think it's all to the good that a writer shouldn't be too famous. Because, in a country where a writer may be famous, he may be pandering to the mob, celebrity and so on.

Many people ask why a writer commits suicide. But I think that people who ask don't know the vanity and the nothingness of writing. I think it is very usual and natural for a writer to commit suicide, because in order to keep on writing he must be a very strong person.

People meet writers and are bowled over when the writer is friendly to them and invites them to his house for a glass of wine or to shoot up heroin or whatever they do, and they talk their heads off, and a year later it comes out in a book, and there follow years of bitter and fruitless litigation, and that is why you should always keep a writer at arm's length.

I couldnt be a writer without hope. I think I became a writer because Im pretty optimistic.

My literary criticism has become less specifically academic. I was really writing literary history in The New Poetic, but my general practice of writing literary criticism is pretty much what it always has been. And there has always been a strong connection between being a writer - I feel as though I know what it feels like inside and I can say I've experienced similar problems and solutions from the inside. And I think that's a great advantage as a critic, because you know what the writer is feeling.

If you tell an amateur that his story is not good, he always declares indignantly: 'Oh, but it really happened just like this!' The writer who doesn't understand that this is beside the point is not a writer at all.

What I'd like to be is a unique writer who's different from everybody else. I want to be a writer who tells stories unlike other writers'.

If you’re a writer, your first duty, a duty you owe to yourself and your readers, and to your writing itself, is to become wonderful. To become the best writer you can possibly be.

We need to give out portrayal of ourselves. Every non-Indian writer writes about 1860 to 1890 pretty much, and there is no non-Indian writer that can write movies about contemporary Indians. Only Indians can. Indians are usually romanticized. Non-Indians are totally irrepsonsible with the appropriation of Indians, because any time tou have an Indian in a movie, it's political. They're not used as people, they're used as points.

And then he says, "The writer must be true to truth." And that's a killer, because the only way you can describe a human being truly is by describing his imperfections. The perfect human being is uninteresting - the Buddha who leaves the world, you know. It is the imperfections of life that are lovable. And when the writer sends a dart of the true word, it hurts. But it goes with love. This is what Mann called "erotic irony," the love for that which you are killing with your cruel, analytical word.

Genuine bravery for a writer... It is about calmly speaking the truth when everyone else is silenced, when the truth cannot be expressed. It is about speaking out with a different voice, risking the wrath of the state and offending everyone, for the sake of the truth, and the writer's conscience.

A writer's life is a highly vulnerable, almost naked activity. We don't have to weep about that. The writer makes his choice and is stuck with it. But it is true to say that you are open to all the winds, some of them icy indeed. You are out on your own, out on a limb. You find no shelter, no protection - unless you lie - in which case of course you have constructed your own protection and, it could be argued, become a politician.

The whole relationship between a writer's spiritual/emotional condition and the kind of wordstuff and form-making that's going on in his work is an interesting one. When I was an undergraduate, there was a glib notion around that there was no reason to suppose a bad man could be a good writer.

When I think about why I would be a writer, why I should continue to be a writer, it seems to me one of the few things you can dowhere you're never bored.

[Eugene] O'Neill made a living, certainly, at least. But each of these forms have sort of died the death in turn, and it's a simple fact of that universe that talent then migrates away from these forms, and then the amateurs get in, like lunatics in the ruins, sort of pretending to be artists. If you're ambitious enough to want to be a writer to begin with, you want to be a writer in some circumstances where there are rewards, where there's notice, where you don't have to be a teacher, and where you're frankly not nuts for wasting your time.

Being a woman writer, I would be deceiving myself if I said I write completely through the eye of a man. There's nothing bad in it, but that does not make me a feminist writer. I hate that name. The tag is from the Western world - like we are called the Third World.

By the time I get through writing a score, I know the book better than the book writer does, because I've examined every word, and questioned the book writer on every word.

I don't believe in writer's block or waiting for inspiration. If you're a writer, you sit down and write.

...if you are writing without zest, without gusto, without love, without fun, you are only half a writer. It means you are so busy keeping one eye on the commercial market, or one ear peeled for the avant-garde coterie, that you are not being yourself. You don't even know yourself. For the first thing a writer should be is-- excited. He should be a thing of fevers and enthusiasms.

The most durable thing in writing is style, and style is the most valuable investment a writer can make with his time. It pays off slowly, your agent will sneer at it, your publisher will misunderstand it, and it will take people you have never heard of to convince them by slow degrees that the writer who puts his individual mark on the way he writes will always pay off.

Don't be discouraged by writer's block. Writer's block just means you need to listen to other music.

All third world literature is about nation, that identity is the fundamental literary problem in the third world. The writer's identity is insecure because the nation's identity is not secure. The nation doesn't provide the third world writer with a secure identity, because the nation is colonized, it's oppressed, it's part of somebody else's empire.

A writer's voice is not character alone, it is not style alone; it is far more. A writer's voice line the stroke of an artist's brush- is the thumbprint of her whole person- her idea, wit, humor, passions, rhythms.

To finish is sadness to a writer — a little death. He puts the last word down and it is done. But it isn't really done. The story goes on and leaves the writer behind, for no story is ever done.

If you find yourself imitating another writer, that doesn't have to be a bad thing, especially if you are a young or a new writer. However, you should be conscious of exactly how you are imitating him - word choice, sentence structure, motifs? - and think about why you're doing it.

I don't even subscribe to writer's block being a truthful thing. I've had writer's laziness quite often. But I think it's all about sitting down and facing down the blank page and doing it, and I've always been ok at that.

Being an editor doesn't make you a better writer - or vice versa. The worst thing any editor can do is be in competition with his writer.

I'm a writer. I write not only for a living, I write because I'm a writer.

There's a certain grain of stupidity that the writer of fiction can hardly do without, and this is the quality of having to stare, of not getting the point at once. The longer you look at one object, the more of the world you see in it; and it's well to remember that the serious fiction writer always writes about the whole world.

If you are going to be a writer there is nothing I can say to stop you; if you're not going to be a writer nothing I can say will help you. What you really need at the beginning is somebody to let you know that the effort is real.

Marrying the right girl is even more imperative today than it was when I was 23 years old because it's so much harder to get on as an imaginative writer like me now. You need to have somebody who believes in what you're doing and who never is skeptical about what you're doing. My wife thought it was a great thing for me to be a writer because in practical terms it freed her to do what she wanted to do, which was work.

I believe the personal essay is underrated for both writer and reader. It affords the writer great freedom: to speak personally yet invoke others' ideas, to be rational and/or emotional, to be confident or admit doubt.

Writing sustains me. But wouldn’t it be better to say it sustains this kind of life? Which doesn't mean life is any better when I don’t write. On the contrary, it is far worse, wholly unbearable, and inevitably ends in madness. This is, of course, only on the assumption that I am a writer even when I don’t write - which is indeed the case; and a non-writing writer is, in fact, a monster courting insanity.

In lots of books I read, the writer seems to go haywire every time he reaches a high point. He’ll start leaving out punctuation and running his words together and babble about stars flashing and sinking into a deep dreamless sea. And you can’t figure out whether the hero’s laying his girl or a cornerstone. I guess that kind of crap is supposed to be pretty deep stuff—a lot of the book reviewers eat it up, I notice. But the way I see it is, the writer is just too goddam lazy to do his job. And I’m not lazy, whatever else I am. I’ll tell you everything.

It's OK just to be a writer, who writes about the society in which he lives and the issues that most important. Now how can that not be a writer, it always was. It's just recently that writers have been reduced to these playthings of the market.

A short story is a writer's way of thinking through experience... Journalism aims at accuracy, but fiction's aim is truth. The writer distorts reality in the interest of a larger truth.

As a writer myself, my job has very often been to also write on the job. So you get the script and a vague idea of how the scene might work, and you then add funny words or change the script. I'm not the world's best writer or the world's best actor, but I can do that thing where I can fix - or ruin - fix-slash-ruin, add quirk, add value.

I never thought about being a writer as I grew up. A writer wasn't something I wanted to be. An outfielder was something to be. Most of what I know about style I learned from Roberto Clemente.

The whole duty of a writer is to please and satisfy himself, and the true writer always plays to an audience of one.

Throughout my life, there's just periods when I write and periods when I don't. I don't feel like anything's really blocked. "Writer's block" sounds so dramatic and worrisome, and I don't worry about it. I know deep down that I'm a writer, and it's just a matter of time until it comes back, and when it does, it'll be good like it's always been.

In a writer there must always be two people - the writer and the critic.

If you need drugs to be a good writer, you are not a good writer.