Quotes About Anymore

I'd accepted a while ago that there were too many reasons for me to even think about him romantically anymore. Every once in a while, I slipped a little and kind of wished he would too. It'd have been nice to know that he still wanted me, that I still drove him crazy. Studying him now, I realized he might not ever slip because I didn't drive him crazy anymore. It was a depressing thought.

Now, granted, there are still as many heartbreaking things going on. There are so many things in the Obama administration to be sick over that certainly didn't change. And also our media, if it's possible, seems to be getting even worse. The alleged news media. And then there are the teabag racists adding insult to injury. But I don't have that same heartbreak anymore, because it's not fresh heartbreak anymore. It's like I'm used to it. I'm sure we all are just used to it.

I don't want to talk about today's market anymore because nobody can make sense of what the market is. It's all over the map. There's a bunch of lunatics out there throwing money away. I'm sick and tired of it. It's lunacy. Punch me in the head and tell me I'm stupid, but that's the way I feel. There's no sense to it anymore.

Ask anyone who makes a full-length movie that's shown in the art world if they'd rather have a career as a film director or as an artist. Invariably, they'd rather be known as a film director, because that's what they are. But there's not really a system of independent distribution anymore that allows for that, and so the art world has kind of become all-enveloping. It's absorbed all of these disciplines that don't have a home anymore.

Violence doesn't seem to bother people anymore - they're inured to it. And I think it has a lot to do with the violence in movies and video games - it doesn't bother people as much. I'm not so sure it evokes a reaction anymore.

People put barriers up in your path, and one of those barriers is age. They tell you, "You're too old. You don't photograph so well anymore." I know I don't photograph so well anymore, so what can I do? I can do something different, where it doesn't matter as much how I look.

Having children changes your behavior. Your personality doesn't change, but you're more cautious of what you say and how you say it to start with-so that already changes things. My mind is not completely mine anymore. I used to be able to concentrate and achieve things. Now I find it much harder to focus, because it just seems that half your brain doesn't belong to you anymore. My kids are still little. Maybe it will change more when they're older, but I doubt it.

After a while, you're growing up so quickly and you begin to not know your parents anymore. You're left with the memories you had as a kid, but you're not a kid anymore and your experiences are separate. We are now much closer and communicate almost every day. It's a lot of work, but what holds us together is the hope that we will one day be together again.

I wore one on the first episode of season one [of Fuller House], and then I saw it, and I went back to my hairstylist, and I was like, "We are never using this again!" I know it was a good throwback for that first season, but I am 40, I cannot pull off a scrunchie anymore. Nobody should be wearing a scrunchie anymore. I feel angry. That is my tipping point.

I'm still around artists. I don't have anymore wall space. And I don't have the money to collect anymore, the prices are outrageous.

I just don't think people get off on language anymore. Language used to be an elevated art. It used to be for people what music can be. But people don't learn to do that anymore, so eloquence is merely a matter of waste. Who needs a good vocabulary and proper English? Eloquence - it's dead and who needs it?

You don't need to suffer anymore. You've suffered enough to take you to this point where you hear the words, "You don't need to suffer anymore," and you understand them. You recognize their truth and you then see that you do have a choice ­ that you can surrender to the suchness of now, which means every moment to relinquish resistance and if it still arises, to recognize it.

Get Up is basically the book I wanted to have my first year of sobriety. I wish someone had given me this book a year before I even went to a meeting because I was already miserable. I didn't enjoy drinking anymore, I just couldn't stand the idea of not doing it. I was afraid if I got sober I wouldn't be able to write anymore. That was a really big fear of mine, which turned out not to be true.

I've sort of had an investigatory relationship with being a musician. I really wasn't sure what I wanted to do. I felt I had had my run - I had done Jane's and I wasn't particularly interested in music anymore.

People [in US] are starting to rethink this idea of empire, this idea of the United States being this superpower, the hegemon, is not working, and we can't afford it anymore.

There has been so much power concentrated. There is no leash on that power anymore and Americans face the situation that this power is getting momentum with each passing year with each presidency.

When you're younger, you go out and you're convivial because you have to be. But once you don't have to meet people anymore, what's your motivation in going out?

But, number one, I think traditional noir doesn't work in contemporary storytelling because we don't live in that world anymore

I'm glad I don't play anymore. I could never learn all those handshakes.

What Hamlet suffers from is a lack of zombies. Let us say Rosencrantz and Guildenstern show up—Ho-HO! Now you’ve got something that stirs the, um, something that stirs things that are stirrable. BOOM! A pack of ravenous flesh-eaters breaks open their heads and sucks out their eyeballs. No need for iambic pentameter because they are grunting, groaning annihilators of humanity with no time for meter. You’re not asleep in the back of English class anymore, are you? This is what I’m talking about. Zombies. Learn it, live it, love it.

It's disgusting that a Broadway show can't try out anymore, that no matter where they are in the world, there is this massive dialogue going on between people damning or praising it.

And anyway, the truth isn't all that great. I mean, what's the truth? Planes falling out of the sky. Buses blowing up and ripping little kids into millions of pieces. Twelve-year-olds raping people and then shooting them in the head so they can't tell. I can't watch the news anymore or look at the papers. It's like whoever sits up there in Heaven has this big bag of really crappy stuff, and once or twice a day she or he reaches in and sprinkles a little bit of it over the world and makes everything crazy, like fairy dust that's past its expiration date.

When you spent so much time being terrified that you're going to get something, and then you have it, you don't have to be terrified anymore.

I don't really use still photography very much anymore except to document my work.

It wasn't until The Sixth Sense that people started saying, wow, man, you're an actor. People didn't think of me as the guy in a band anymore.

I just don't do anything fun anymore. But, that's dying, isn't it? I mean, you die in stages, right? You let things go in pieces.

My own experience as a reader and writer has been that the more I read, and the more I live, the more different "types" of poetry I grow to love. I might not even believe anymore that there are "types" of poetry at all. I've come to love things I once would snootily have dismissed. Of course I still have my likes and dislikes, and there are things I think are just plain old bullshit, but more and more I am far more trusting of my loves than my dislikes.

If you're very serious about writing it's helpful to find an agent. It's becoming more and more competitive to have your manuscript even looked at by an editor. Many companies don't accept unsolicited manuscripts anymore, so they'll pay more attention to something that comes in through an agent.

I have a suspicion that the definition of "crazy" in show business is a woman who keeps talking even after no one wants to f*** [sleep with her] anymore.

The first season of 'Community' stumbled a bit because the plotlines too often veered into realism, but that is not a problem anymore. Not when prize episodes concern a campuswide blanket fort, or a secret garden with a magic trampoline.

If you let hope inside, it takes you over. It feeds on your insides and uses your bones to climb and grow. Eventually it becomes the thing that is your bones, that holds you together. Holds you up until you don't know how to live without it anymore. To pull it out of you would kill you entirely.

In today's society, looking good and feeling good often trumps doing good and being good. And some people don't know the difference anymore.

I don't love you anymore ... It comes down to that, I think.

I recently turned fifty, which is young for a tree, mid-life for an elephant, and ancient for a quarter-miler, whose son now says, "Dad, I just can't run the quarter with you anymore, unless I bring something to read."

I do it because I love animals and I saw the reality. And I just couldn't ignore it anymore. I'm healthier for it, I'm happier for it. I can't imagine that if you're putting something in your body that is filled with fear or anxiety or pain, that that isn't somehow going to be inside of you.

It's not my story anymore: whenever I speak about the past now, I feel as if I were talking about something that has nothing to do with me. All that remains in the present are the voice, the presence, and the importance of fulfilling my mission. I don't regret difficulties I experienced; I think they helped me to become the person I am today, I feel the way a warrior must feel after years of training; he doesn't remember the details of everything he learned, but he knows how to strike when the time is right.

The past is part of the present, is part of the future, it's all part of being an artist. You cannot be something that you're not when you're not that thing anymore, and if you do that then you're a liar.

Many Americans don't mourn in public anymore - we don't wear black, we don't beat our chests and wail.

Devotion is when your involvement with life is so absolute that you yourself do not matter anymore.

I went to Hollywood. I put the action in Hollywood. I watched a lot of movies, maybe 100 or something close to that. I have tons of DVDs now at home. I don't know what to do with them because they're not useful anymore. My kids never watched them. I read a lot of autobiographies, listened to a lot of music by classical era composers like Franz Waxman, Max Steiner, Bernard Herrmann, Alfred Newman and Leonard Bernstein. I listened to only that kind of music the entire time I was writing, even at home.

Jack believed in something—he believed in white witches and sleighs pulled by wolves, and in the world the trees obscured. He believed that there were better things in the woods. He believed in palaces of ice and hearts to match. Hazel had, too. Hazel had believed in woodsmen and magic shoes and swanskins and the easy magic of a compass. She had believed that because someone needing saving they were savable. She had believed in these things, but not anymore. And this is why she had to rescue Jack, even though he might not hear what she had to tell him.

I like playing with fashion and bending the "rules," or what was "rules" - there are no rules anymore, you know? Fashion is way bigger than that and it's about wearing what you want and wearing what makes you feel comfortable and what makes you feel confident.

I write on a laptop, so it's impossible to count drafts anymore.

When you understand, that what you're telling is just a story. It isn't happening anymore. When you realize the story you're telling is just words, when you can just crumble up and throw your past in the trashcan, then we'll figure out who you're going to be.

In the middle of a conversation, she'll frequently say something like, "Young people are heartless, they don't have any respect anymore." I nod agreement in hopes that she'll stop right there, but secretly I'm convinced that the heart is the same as it's always been; there's simply less hypocrisy, that's all. Young people aren't naturally selfish, any more than old folks are naturally wise. Your age doesn't have anything to do with whether you're sensitive or shallow; it's a question of the path your life takes.

You hear people sing songs about when they really can't stand anyone anymore or you hear people sing songs about when they really love someone and they really love them.

True believers just don't see things the way they are, because if they did, they wouldn't be true believers anymore.

Nobody gets irony anymore, as we are now living in the post-ironic age. Once George Bush gets a library, our irony is dead.