Quotes About Authors

The trouble is when people read about authors, they don't feel compelled to read the authors' work.

Something we do know is that review coverage does go to male authors more than women authors. That's a fact. I think it's one of those examples of unconscious bias: If you hire a lot of male journalists, they're more likely to pick up the latest Ian McEwan novel than the latest A.S. Byatt novel.

I think the judging process is full of integrity, compared to some other prizes around the world. The fact that they change the panel of judges every year keeps it from becoming corrupt. I think it's very difficult if you've got judges for life; obviously relationships are cultivated between judges and authors, and publishing houses.

Of the female black authors, I really like Morrison's early books a lot. But she's really become so much a clone of Faulkner. He did it better.

A lot of attention has been paid in Latin America to the new generation of nonfiction writers, authors like Julio Villanueva Chang, Diego Osorno, Cristóbal Peña, Gabriela Wiener, Leila Guerriero, Cristian Alarcón, among others. These are writers doing important, groundbreaking work. So the talent is there, as is the habit of radio listenership, and what we propose to do is unite the two. We want to have these immensely gifted journalists - men and women who've already revitalized the long-form narrative - we want them to tell their stories in sound.

My sole inspiration is a telephone call from a director. ... (when asked who wrote 'Some Enchanted Evening') Rodgers and Hammerstein, if you can imagine it taking two men to write one song. ... Good authors, too, who once knew better words now use only four-letter words writing prose. ... Brush up your Shakespeare and they'll all kowtow.

Authors are partial to their wit, 'tis true, But are not critics to their judgment, too?

My own experience is that once a story has been written, one has to cross out the beginning and the end. It is there that we authors do most of our lying.

I would say that most of my books are contemporary realistic fiction... a couple, maybe three, fall into the 'historic fiction' category. Science fiction is not a favorite genre of mine, though I have greatly enjoyed some of the work of Ursula LeGuin. I haven't read much science fiction so I don't know other sci-fi authors.

That the system of morals propounded in the New Testament contained no maxim which had not been previously enunciated, and that some of the most beautiful passages in the apostolic writings are quotations from Pagan authors, is well known to every scholar... To assert that Christianity communicated to man moral truths previously unknown, argues on the part of the asserted either gross ignorance or wilful fraud.

For years, I'd say yes to almost everything, trying to be nice and generous. Feeling obliged to be of service to the world. Maybe also a fear of being forgotten if I don't. But I paid the ultimate price in doing that, because for all those years, I got almost no work done! Some famous authors have written about this: that if they said yes to every request, then they'd never have time to write another book again.

To be fair, much of the Bible is not systematically evil but just plain weird, as you would expect of a chaotically cobbled-together anthology of disjointed documents, composed, revised, translated, distorted and 'improved' by hundreds of anonymous authors, editors and copyists, unknown to us and mostly unknown to each other, spanning nine centuries

The little honesty that exists among authors is discernible in the unconscionable way they misquote from the writings of others.

I have preferred to teach my students not English literature but my love for certain authors, or, even better, certain pages, or even better than that, certain lines. One falls in love with a line, then with a page, then with an author. Well, why not? It is a beautiful process.

As other authors have realized, heat can have a strange effect on us, can cause odd chemical reactions in the brain. Heat can bring out secrets; it can change people's personalities.

There are, first of all, two kinds of authors: those who write for the subject's sake, and those who write for writing's sake. ... The truth is that when an author begins to write for the sake of covering paper, he is cheating the reader; because he writes under the pretext that he has something to say.

Books choose their authors; the act of creation is not entirely a rational and conscious one.

There are many great authors of the past who have survived centuries of oblivion and neglect, but it is still an open question whether they will be able to survive an entertaining version of what they have to say.

The Poor Man whom everyone speaks of, the Poor Man whom everyone pities, one of the repulsive Poor from whom charitable souls keep their distance, he has still said nothing. Or, rather, he has spoken through the voice of Victor Hugo, Zola, Richepin. At least, they said so. And these shameful impostures fed their authors. Cruel irony, the Poor Man tormented with hunger feeds those who plead his case.

I've noticed that most authors who are pastors or speakers write books whose message is derived from a sermon series they did at their church. I guess my process is similar except that instead of a sermon, the genesis of the idea is found in the form of a three-minute song. And many of my songs have been inspired by the true stories and testimonies of people who've written to me from all over the world.

I find it interesting that authors of fantasy and science fiction novels are rarely asked if their books are based on their personal experiences, because all writing is based on personal experience. I may not have gone on an epic quest through a haunted forest, but the feelings in my books are often based on feelings I've had. Real-life events, in fantasy and science fiction, can take on metaphorical significance that they can't in a so-called realistic novel.

The circumstance which gives authors an advantage above all these great masters, is this, that they can multiply their originals; or rather, can make copies of their works, to what number they please, which shall be as valuable as the originals themselves.

Musicians are at the bottom of the creative pyramid and authors are at the top, and many people think it's unacceptable for someone to attempt to jump from the bottom to the top of the pyramid.

There are two generic and invariable features that characterize utopias. One is the content: the authors of utopias paint what they consider to be ideal societies; translating this into the language of mathematics, we might say that utopias bear a + sign. The other feature, organically growing out of the content, is to be found in the form: a utopia is always static; it is always descriptive and has no, of almost no, plot dynamics.

I researched fiction writing for months before I taught my first class, much of it looking for strong techniques from bestselling authors.

A lot of readers ask me, "Do you ever get emotional while writing the book?" or "Did you cry when you killed this character?" And the truth is, no, I didn't. That's not really the way I approach it. I don't get emotional while writing, but then there are plenty of other authors who do.

The only authors whom I acknowledge as American are the journalists. They, indeed, are not great writers, but they speak the language of their countrymen, and make themselves heard by them.

In societies that worship money and success, the losers become objects of scorn. Those who work the hardest for the least are called lazy. Those forced to live in substandard housing are thought to be the authors of substandard lives. Those who do not finish high school or cannot afford to go to college are considered deficient or inept.

I've probably read maybe by now fifteen, twenty books on Matthew. I'd say the authors I like best are an English fellow named Michael Goulder, who taught at the University of Birmingham in England, and he writes about the Jewish background in Matthew's gospel, which is part of what I was just talking about, which is just really thrilling to me.

Seine et Danube was launched in 2003 with the help of Romanian authorities who had finally realized the necessity of promoting literature and Romanian culture in general. Along with focusing on the literature of the countries the Danube traversed (with an emphasis on Romania), we printed work that interested us from the banks of the Seine: French and French-Romanian authors like Cioran and Fondane. We dedicated our last edition to surrealism and Esthetic Onirisme.

To the question: How do the authors of sketches, stories and novels get along in life, the following answer can or must be given: They are stragglers and they are down at heel.

I was simply writing out our family stories in my online journal, scratching out what I want to remember, what I was wrestling out with God. Unbeknownst to me, two readers of the posts, both published authors, contacted their agent, Bill Jensen, within 24 hours of each other, encouraging him to drop me a line. Which he did.

Beyond Words is an exceptionally useful and inspiring digest of Dzogchen (Great Perfection) teachings and the teachers associated with them. The ancient prediction that Dzogchen would benefit many during these degenerate times, makes this comprehensive introduction especially relevant. The authors have made these profound teachings accessible and Beyond Words will be useful to both inexperienced and seasoned readers.

Great authors, when they write about causes, adduce not only those they think are true but also those they do not believe in, provided they have some originality and beauty. They speak truly and usefully enough if they speak ingeniously.

I have heard that nothing gives an Author so great Pleasure, as to find his works respectfully quoted by other learned authors.

Surrogate fathers and other male figures stepped in to give guidance after my dad died. Businessmen taught me to honor my commitments; others gave me opportunities beyond my wildest imaginations. Authors and speakers set good, solid examples of high standards and lofty goals for me; mature, committed Christians nurtured and instructed me.

I have chosen to parody the writing styles of Carlos Castaneda, James Redfield, Richard Bach, Lynn Andrews, and several other best-selling new age authors.

Quotation mistakes, inadvertency, expedition, and human lapses, may make not only moles but warts in learned authors.

Originality is something that is easily exaggerated, especially by authors contemplating their own work.

We ought never to be afraid to repeat an ancient truth, when we feel that we can make it more striking by a neater turn, or bring it alongside of another truth, which may make it clearer, and thereby accumulate evidence. It belongs to the inventive faculty to see clearly the relative state of things, and to be able to place them in connection; but the discoveries of ages gone by belong less to their first authors than to those who make them practically useful to the world.

Liberals see the Constitution itself as 'living' and 'evolving' that is, gradually turning into something that would have been unrecognizable to its authors.

Authors have to write for their characters, for who they are, that's the strength of books. Don't worry about censors. Just write the story you need to tell and the rewards will come.

I started to read James Baldwin very early on in my life. At a time, as a young adult in the Sixties, when there were not that many authors in whom I could recognize myself, he was an important guide and mentor to me as he was to many others. He helped me understand who I was and decipher the world around me. He gave me the words to defend myself and the argumentative rhetoric to master discussions with others.

Obscurity is a far greater threat to authors and creative artists than piracy.

If it were a rainy day, a drunken vigil, a fit of the spleen, a course of physic, sleepy Sunday, an ill run at dice, a long tailor's bill, a beggar's purse, a factious head, a hot sun, costive diet, want of books, and a just contempt for learning - but for these. . .the number of authors and of writing would dwindle away to a degree most woeful to behold.

The phrase 'academic freedom' is often used carelessly: here is a work that will allow a more careful conversation about those many crucial issues facing the academy, in which a well-worked out understanding of conceptions of academic freedom is, as its authors show, an essential tool.

I hate to think of a day where a compelling book or a compelling authorial voice would be lost simply because that person doesn't have a Web site. But I think that, to use the Internet in a positive way, to turn people on to reading, is something that authors shouldn't really shy away from necessarily.

Authors always take rejection badly. They equate it with infanticide.