Quotes About Critical

Probably, indeed, the larger part of the labor of an author composing his work is critical labor; the labor of sifting, combining, constructing, expunging, correcting, testing. This frightful toil is as much critical as creative.

All efforts at self-transformation challenge us to engage in on-going, critical self-examination and reflection about feminist practice, and about how we live in the world. This individual commitment, when coupled with engagement in collective discussion, provides a space for critical feedback which strengthens our efforts to change and make ourselves anew.

Trust is the foundation of real teamwork. And so the first dysfunction is a failure on the part of team members to understand and open up to one another. And if that sounds touchy-feely, let me explain, because there is nothing soft about it. It is an absolutely critical part of building a team. In fact, it’s probably the most critical.

All of the common core standards stuff about critical reading and critical thinking and so on can only be positive.

Despite current ads and slogans, the world doesn't change one person at a time. It changes when networks of relationships form among people who share a common cause and vision of what's possible. This is good news for those of us intent on creating a positive future. Rather than worry about critical mass, our work is to foster critical connections. We don't need to convince large numbers of people to change; instead, we need to connect with kindred spirits. Through these relationships, we will develop the new knowledge, practices, courage and commitment that lead to broad-based change.

And one of the worst effects was that by suppressing critical thought, it also suppressed critical thought in the field of economics and hampered the development of economics - and the country would fall back further and further in the economic competition with the West.

My film is actually very critical of the level of French we're using back home. To have an immigrant from an ancient French colony come and do that is a little critical of our education system back home. Balzac is definitely over their heads. It's meant to be funny also because it would be also probably too much for kids in France, but kids in France would know who Balzac is. But, back home at that age, I guarantee you they don't know who he is.

I just mean it's very difficult for me to watch my work, in some ways, because I am critical of what I didn't get across or I thought I was making one point.

It is clear that the building of models is not a purely mechanical process but requires skill of a high order - not merely mathematical skill but a sensitivity to the relative importance of different factors and a critical, almost an artistic, faculty in the selection of behaviour equations which are reasonable, tentative hypotheses in explaining the behaviour of actual economies.

Islam doesn't have a monopoly on violence in Africa. And violence plays a particularly critical role in places where statehood is weak at best, such as the Maghreb.

Ignoring platforms that have gained critical mass is a great way to look slow and out-of-touch. Do not cling to nostalgia. Do not put your principles above the reality of the market. Do not be a snob.

I'm looking for films that can resonate and hopefully have some level of critical importance but also have commercial viability and can put butts in seats. At the end of the day, that is the name of the game. And if you can find that perfect balance, then that's the sweet spot.

I regret that some on the extreme right have been so critical of Justice Sandra Day O'Connor and have adamantly opposed the naming of a successor who shares her judicial philosophy and qualities. And their criticism actually reflects poorly upon them.

I think that if Americans put critical thought, which I think they will, into what they are reading in these newspapers and actually what is being accomplished by the Trump administration, they would realize that the press in many cases has not been doing their job in reporting the truth.

Writers are always critical of themselves and I'm no exception. I always feel that maybe I could have done better.

Without a rigorous, self-critical discourse, one risks lapsing into pious platitudes and unexamined generalizations.

You are a Christian only so long as you constantly pose critical questions to the society you live in, so long as you stay unsatisfied with the status quo, and keep saying that a new world is yet to come.

Dolphins may well be carrying information as well as functions critical to the regeneration of life upon our planet.

I am critical of myself.

Shared governance is often the critical element that is missing in Asian universities, no matter how talented the faculty may be. Either it is ministries of education that are trying to run things, or in private institutions - those who control the funds. Neither group knows much about teaching and research.

The cruelest lies are often told in silence. A man may have sat in a room for hours and not opened his teeth, and yet come out of that room a disloyal friend or a vile calumniator. And how many loves have perished because, from pride, or spite, or diffidence, or that unmanly shame which withholds a man from daring to betray emotion, a lover, at the critical point of the relation, has but hung his head and held his tongue?

The leverage Wall Street has to change the world is greater than technology. At a very young age, you're in the room with CEOs, making critical decisions. It should be exciting. It is exciting.

The critical reaction to 'Bloom' has been similar to 'Brick.' There are people on board with it and people who are not.

In every circumstance, though the nation has liberated already and we have worked for the nation, or we have not, providing the foundation for critical thinking to the people is still important.

The copy of an ad is merely a punning gag to distract the critical faculties while the image of the product goes to work on the hypnotized viewer. Those who have spent their lives protesting about 'false and misleading ad copy' are godsends to advertisers, as teetotalers are to brewers, and moral censors are to books and films. The protesters are the best acclaimers and accelerators. Since the advent of pictures, the job of the ad copy is as incidental and latent as the 'meaning' of a poem is to a poem, or the words of a song are to a song.

I'm not against gay people... I have a relative who is also gay. We can't help it if they were born that way. What I'm critical off are actions that violate the word of God.

That's something you can't get off the wires in New York is people providing intelligent coverage of what your theater company in Podunk is up to. Many of the people who write what we call amateur criticism are professionals in anything other than name and receiving a paycheck. Very often, they know more than the professional critic who might be writing for their local newspaper. So, really, I'm all for it. It's changing the playing field, it's shaking things up, it's going to make the critical environment a healthier environment.

I am intelligent enough to be critical towards the West and take what I need and reject what is bad for me.

I believe the advantage music has is the capacity to multiply itself, the capacity to keep itself in space and access itself at different times and in different processes and to make profound analyses, analyses that through musicality would be able to connect with people who don't necessarily have the energy or wish in any exact moment to connect to well-read or critical analysis.

We must always refill and ensure there is a critical mass of leaders and activists committed to nonviolence and racial and economic justice who will keep seeding and building transforming movements.

Writers who get written about become self-conscious. They develop a regrettable habit of looking at themselves through the eyes of other people. They are no longer alone, they have an investment in critical praise, and they think they must protect it. This leads to a diffusion of effort. The writer watches himself as he works. He grows more subtle and he pays for it by loss of organic dash.

I really like when critics reveal their subjectivity and their humanity. I prefer it when people say nice things, but if they say not-nice things or things that are critical, I'm open to it and I accept it. I mean, I have to live with it. But I do think there's a dishonesty in not acknowledging that you're a person with an opinion. I think it's almost like a power grab.

I'm more critical of my songwriting than anybody, but I've worked really hard in the last five to 10 years to improve. I didn't take it all that seriously when I started. It was a little bit of a stigma to being a songwriter or a folkie back then. I did a lot of send-ups of sensitive singer-songwriter stuff when I was starting out, which limited my development as a songwriter in a way. I wasn't really fully given license to explore that until the mid-90s. I'm still working on it; I'm a little bit of a late bloomer.

I did think Justice [Antony] Kennedy's opinion on Lawrence was critical to that because it really, what Lawrence in one sense was, of course, about consensual sex being something that the government can't regulate. But really in a more fundamental sense, what it was saying, "Look. Gay people are normal people, and they get to live normal lives. They're not criminals by virtue of the fact of being gay."

People who thought that she was busy going around trying to stir up difficulty where there was none or less than she imagined, were quite critical of her. She was, we must never forget, a public figure. And in democracies, public figures tend to attract criticism as well as praise. The most dangerous thing would be if anybody were regarded as above criticism. And Eleanor Roosevelt is, in recent years, getting there.

Every good historian is almost by definition a revisionist. He looks at the accepted view of a particular historic episode or period with a very critical eye.

I started out in nuclear physics. But after I became more sensitized to the environmental and health implications of the nuclear system - I was being trained to be the first women in the fast-breeder reactor in India (and was in it when it first went critical) - I didn't feel comfortable with it. So I went into theoretical physics.

It's important for me to try to find new ways to express myself, but at the same time, have integrity, and still be me, and not lose myself in the midst of this crazy Rap that I'm in. It's important, it's critical, to just try things out. I think, mainly, it's just me being fearless, and not being afraid to conquer anything that comes in my path, I guess.

What really gets me is this - it's very ironic that those who are most critical of extra tax are those who are most vociferous in demanding extra expenditure. What gets me even more is that having demanded that extra expenditure they are not prepared to face the consequences of their own action and stand by the necessity to get the tax to pay for it. I wish some of them had a bit more guts and courage than they have.

Luckily I was not born in Eastern Europe, because I might have been born into the communist establishment and I'm glad I was not. But in Israel, communists were dissidents. So you grow up in an environment which is very critical of Israeli policies.

It's cool to have critical success because it's always nice for your peers to say, 'Good job.' But who cares about them?

There are 86,400 seconds in a day. Those seconds are critical.

Learning is most often considered. a process of getting rather than giving. This is most evident in conceptions of student/teacher roles: Teachers give and students get. Yet, in adult learning both giving and getting are critical.

My job as a reporter, my job as a senior White House correspondent for CNN, is to report the news, but also to highlight and put a microscope on episodes of presidential hypocrisy. And you know, if Donald Trump was going to come after us out on the campaign trail, and as president of the United States through his tweets, I think we are well within our rights to defend ourselves, and also provide that kind of critical coverage to the American people.

The art of the novel, however, has fallen into such a state of stagnation - a lassitude acknowledged and discussed by the whole of critical opinion - that it is hard to imagine such an art can survive for long without some radical change. To many, the solution seems simple enough: such a change being impossible, the art of the novel is dying.

For better or worse, I seem to gravitate toward writing about something or someone else, then have my own self shove its way into that story. It seems insanely narcissistic. But I also think there's a particular effect that comes from using my autobiography in service to another story, as opposed to being the subject. I'm much more comfortable working in that mode. And I do think I have a persona or mood that I keep coming back to: self-conscious, self-critical, unsure. I write a lot about bodies, particularly male ones, usually as a point of emphasis for my insecurities about my own.

To Latter-day Saints there can be no objection to the careful and critical study of the scriptures, ancient or modern, provided only that it be an honest study - a search for truth.

Post-modernism has cut off the present from all futures. The daily media add to this by cutting off the past. Which means that critical opinion is often orphaned in the present.