Quotes About Critics

There will be this mix of people like me who write for major national newspapers and amateur critics, practitioner critics, whose primary way of distributing what they talk about is through blogs and on the web. The line between professional and amateur criticism will become increasingly blurred. The problem here is that if you want to do this for a living, you have to be able to earn a living doing it.

Critics like Elvis Costello because critics are like Elvis Costello.

The Intelligentsia (scientists apart) are losing all touch with, and all influence over, nearly the whole human race. Our most esteemed poets and critics are read by our most esteemed critics and poets (who don't usually like them much) and nobody else takes any notice. An increasing number of highly literate people simply ignore what the 'Highbrows' are doing. It says nothing to them. The Highbrows in return ignore and insult them.

I’ve been thrashed by the critics. I love having critics for breakfast. I’ve been having them for 30 years in Mexico - just eating them like chicken and then throwing the bones away. They have not survived, I have!

I relied mainly on other artists, who I think are smarter than critics, any critics or curators or anybody like that. They really know.

As for critics, one mediocre writer is more valuable than ten good critics. They are like haughty, barren spinsters lodged in a maternity ward.

I think at one point, a whole new younger generation of critics come in and they're really aware of zeitgeist in their group, and the older artists tend to get forgotten as their critics retire and do other things or stop paying attention. So there's a factor of aging that I think is to be considered, too. As a middle-aged artist, you kind of get put on a shelf for the young ones.

The biggest critics of my books are the people who never read them.

If you accept all the praise, you have to accept all the critics.

Toni Morrison said, "The function of freedom is to free someone else," and if you are no longer wracked or in bondage to a person or a way of life, tell your story. Risk freeing someone else. Not everyone will be glad that you did. Members of your family and other critics may wish you had kept your secrets. Oh, well, what are you going to do?

What bothers most critics of my work is the goofiness. One reviewer said I need to make up my mind if want to be funny or serious. My response is that I will make up my mind when God does, because life is a commingling of the sacred and the profane, good and evil. To try and separate them is fallacy.

As the book writer for one big smash and one big smelly flop, I always wondered if anyone knows just what goes into making a great musical. When a show is a hit, the critics trip over themselves not knowing who to laud and applaud the loudest. It's that marvelous score, those urbane lyrics, that irreplaceable star. But only when a show is a flop, does anyone notice the book writer. And then it's always our fault.

I don't know what to say about literary critics. I think it's probably best to say nothing.

In a world that has gone global, we no longer have a choice. If we don't export freedom, we risk importing the viruses which have corrupted other nations. ... Some critics complained that President Bush was arrogant when he suggested America can and should export freedom to other countries. This implies the people of unfree countries may not wish to be free. Which is the greater arrogance?

Many critics see international trade as a form of cultural imperialism that must be strictly controlled.

Every time you start a project, you're hopeful that the critics receive it warmly.

Pedants make a great rout about criticism, as if it were a science of great depth, and required much pains and knowledge--criticism however is only the result of good sense, taste and judgment--three qualities that indeed seldom are found together, and extremely seldom in a pedant, which most critics are.

All critics should be assassinated.

You know what the critics are. If you tell the truth they only say you're cynical and it does an author no good to get a reputation for cynicism.

There are conversations going on about the Church constantly. Those conversations will continue whether or not we choose to participate in them. But we cannot stand on the sidelines while others, including our critics, attempt to define what our Church teaches... We are living in a world saturated with all kinds of voices. Perhaps now, more than ever, we have a major responsibility as Latter-day Saints to define ourselves, instead of letting others define us.

As I look back, I understand what [the record company] was getting at. They were trying to market a record and make it as commercially acceptable as possible. It hurt me and my credibility with critics.

Authors are partial to their wit, 'tis true, But are not critics to their judgment, too?

I know all the critics.

American critics of welfare statism are often surprised to learn that countries like West Germany, with a much more comprehensive welfare state and a statistically larger public sector, have fewer government employees per capita than the United States does.

I will prove by my life that my critics are liars.

We all get to choose where we set up the stage of our lives - before the Crowds, the Court, the Congregation, the Critics (inner or otherwise)-- or the Cross of Christ. All except One will assess your performance. Only One will accept you before your performance ... Only in Jesus is there 100% acceptance before even 1% performance.

I am really inspired by writers, and weirdly - respect music journalists, which I think makes me the exception amongst most musicians. I think it's a craft. I think it's been really neglected - sadly. I think about the days of the great legendary rock critics. Who's going to become that when magazines and newspapers don't pay anyone properly or don't seem to respect the history or research that is required?

Do not be critics, you people, I beg you. I was a critic and I wish I could take it all back because it came from a smelly and ignorant place in me, and spoke with a voice that was all rage and envy. Do not dismiss a book until you have written one, and do not dismiss a movie until you have made one, and do not dismiss a person until you have met them. It is a f@*$%load of work to be open-minded and generous and understanding and forgiving and accepting, but Christ, that is what matters. What matters is saying yes.

Critics of consumer capitalism like to think that consumers are manipulated and controlled by those who seek to sell them things, but for the most part it's the other way around: companies must make what consumers want and deliver it at the lowest possible price.

America is a nation of believers, dreamers and strivers that is being led by a group of censors, critics, and cynics.

There are good and bad critics like good or bad artists. A good critic says why they didn't like it. A bad critic gives it away that they don't like you as a person. I quite like that as well, because it means that I've won.

It is a melancholy experience for a professional mathematician to find himself writing about mathematics. The function of a mathematician is to do something, to prove new theorems, to add to mathematics, and not to talk about what he or other mathematicians have done. Statesmen despise publicists, painters despise art-critics, and physiologists, physicists, or mathematicians have usually similar feelings: there is no scorn more profound, or on the whole more justifiable, than that of the men who make for the men who explain. Exposition, criticism, appreciation, is work for second-rate minds.

How a big majority of book critics and authors have come to believe and to teach that no book is true to life unless it is true to the worst in life, God knows.

The final outcome cannot be known, either to the originator of a new theory, or to his colleagues and critics, who are bent on falsifying it. Thus, the scientific innovator may feel all the more lonely and uncertain.

I think it is important to do what you believe in and ignore the critics.

Some day I'll make a film that critics will like. When I have money to waste.

I don't mind critics. I mean, I wrote for Rolling Stone for a hot minute. I like criticism. I enjoy criticism. The thing I don't like is cruelty for cruelty's sake. You don't have to be a jerk to say something negative. You can say something in the negative sense and have class.

The elimination of horrible disease, the increase of the quality of lives (for humans and for animals) achieved through research using animals is so incalculably great that the argument of these critics, systematically pursued, establishes not their conclusion but its reverse: to refrain from using animals in biomedical research is, on utilitarian grounds, morally wrong.

As the great naturalist Charles Darwin saw clearly, individual and collective interests often coincide, as in the invisible hand narrative. But he also saw that in many other cases, interests at the two levels are squarely in conflict, and that in those cases, individual interests generally trump. That simple observation suggests that market failure is often the result not of insufficient competition (the traditional charge from social critics on the Left), but of the very logic of competition itself.

When, in the year 1913, in my desperate attempt to free art from the ballast of objectivity, I took refuge in the square form and exhibited a picture which consisted of nothing more than a black square on a white field, the critics and, along with them, the public sighed: 'Everything which we loved is lost. We are in a desert .... Before us is nothing but a black square on a white background!'

The galleries are full of critics. They play no ball, they fight no fights. They make no mistakes because they attempt nothing. Down in the arena are the doers. They make mistakes because they try many things. The man who makes no mistakes lacks boldness and the spirit of adventure. He is the one who never tries anything. His is the brake on the wheel of progress. And yet it cannot be truly said he makes no mistakes, because his biggest mistake is the very fact that he tries nothing, does nothing, except criticize those who do things.

Critics of NAFTA and CAFTA warned at the time that the agreements were actually a move toward ... an eventual merging of North America into a border-free area. Proponents of these agreements dismissed this as preposterous and conspiratorial. Now we see that the criticisms appear to be justified.

Critics have always questioned whether players like Pele from the 50s could play today. Lionel Messi could play in the 1950s and the present day, as could Di Stefano, Pele, Maradona, Cruyff because they are all great players. Lionel Messi without question fits into that category.

Decadence is a difficult word to use since it has become little more than a term of abuse applied by critics to anything they do not yet understand or which seems to differ from their moral concepts.

A lot of critics object to what I do, but I got into comedy to make people laugh, and I've always worked hard.

Obviously all writers, all artists, have their own internal critics; as they write they are being self-critical.

I was given permission to serve myself Communion, with wine and a wafer, on the surface on the Moon. But I was advised not to say anything about it at the time. Someone had strongly objected to the Apollo 8 crew reading from the Bible. We didn't want to get into any further trouble with the religious critics.

[Sacrifice of Isaac] is a major theme of the so-called Elohist [one authorial strand in the Pentateuch]. It is marked by all of his linguistic characteristics, and so on. We cannot determine what is historical and what isn't. As literary critics, we would understand the importance of this for understanding life, destiny. But the historical question must be left with a question mark.