Quotes About Feels

You think to yourself, “If one drink feels really good and two feels really, really good, a hundred ought to feel fantastic.” As sane people know, it doesn't work that way. A hundred drinks feels terrible. Bad things happen. But the addict keeps at it, thinking at some point it's going to get good again The point is to not feel what you're feeling. The problem is, you become someone you never thought you would become, and you have no idea how you got there.

It feels good, you know. It feels like you're out there, you know, doin' your own thing, know what I'm sayin'? It's like, people can't really compare it to anything, and that kinda feels good. It opens me up to a lot of different arenas, a lot of different type of situations, you know like Tony Hawk will call. You know what I'm sayin'? I can just image if my songs was about shootin' up, and like sellin' cocaine, I doubt Tony Hawk would be callin' you know?

One of God's central qualities is compassion, a word that in Hebrew is related to the word for "womb." Not only is compassion a female image suggesting source of life and nourishment but it also has a feeling dimension: God as compassionate Spirit feels for us as a mother feels for the children of her womb. Spirit feels the suffering of the world and participates in it. . . .

What feeling feels like over time. An attempt to screw up what feeling feels like over time. Heartbreak and a high C.... The often welcome melodic lie.... The soul's undersong. The orchestration of randomness, a flirtation with the boundaries of silence and space.... a reminder that the self wants to disappear, be taken away from itself and returned.

In our culture of constant access and nonstop media, nothing feels more like a curse from God than time in the wilderness. To be obscure, to be off the beaten path, to be in the wilderness feels like abandonment. It seems more like exile than a vacation. To be so far off of everyone’s radar that the world might forget about us for a while? That’s almost akin to death…[But] far from being punishment, judgment, or a curse, the wilderness is a gift. It’s where we can experience the primal delight of being fully known and delighted in by God.

There is a lovable quality about the actual tools. One feels so kindly to the thing that enables the hand to obey the brain. Moreover, one feels a good deal of respect for it; without it the brain and the hand would be helpless.

When something feels really big, too big to handle, just go very small. Just go real small, just look at the person next to you and look in their eyes and meet the person next to you, find out their name, change one person's life and make one call, write one letter, give one dollar. Whatever small thing feels like what you can do - it changes the course of the ship and that is all it is.

My therapist told me I need to learn to love myself. It sounds easy enough, but really, how do you just wake up one day and learn that? It feels like something you should just do involuntarily, like swallowing or blinking, but now I have to work on it. It feels so forced. I mean, I know I went to a good school, and people tell me I'm smart and creative, but I don't KNOW that. I don't know how to make myself feel that.

I think that people are built the way that they’re built. There’s that Kate Moss quote that’s like ‘Nothing tastes as good as skinny feels’ and I can name a lot of things that taste better than skinny feels: bread, potatoes … a Philly cheesesteak and fries.

It's something you can actually control. With writing, it feels like it's given to you, and when the good stuff hits, it feels like it's coming from some other planet.And you're just channeling it.

I love watching audiences scream. I imagine it's the same joy that a director feels who has made a comedy when he or she is sitting at the back of a theater listening to the audience laugh. That sound of laughter is so sweet to a comedy director and that's exactly how a horror film feels when you hear the audience scream.

Your soul either feels lifted by something that you read, or it feels squashed by it.

There's lots of bands where somebody will write lyrics and somebody else will sing them. It works for a lot of people, but that feels weird to me. I don't mean this in a bad way at all but it just feels fake.. I guess in my heart of hearts, whether the person has a good voice or not I want [the songs] to come from them. I don't know why.

She [me muse] feels most at home in autumn, nonetheless, she is glad of the other seasons and loves them all. Without the others she would be unable to feel most at home in autumn, besides which, she almost feels most at home in all of them.

The man who feels like he's a woman trapped in a man's body, when he goes into the ladies room, it's the other women whose privacy it seems to me as being violated by having this man walk in... regardless of how he feels.

It's more like the inner workings of John Bender. He feels like he's been given a short shrift, he's not been provided the opportunities that maybe these other kids have. So he feels like he begins in a hole. And instead of trying to raise himself up, he wants to bring all of them down. That's a dynamic that's pretty universal. And so that was the real foothold on that. It wasn't like, "Oh, my high school experience is like John Bender's [in St. Elmo's Fire]."

I guess the way I describe it is when basketball players talk about being in the zone and they feel like they can't miss. That's the way a running back feels when the game is in slow-motion. It feels like every cut is right, every run is going to be at least 10 yards. You see what the defense is doing. You know what they're trying to do to you. It's awesome.

The idea of some kind of objectively constant, universal literary value is seductive. It feels real. It feels like a stone cold fact that In Search of Lost Time, by Marcel Proust, is better than A Shore Thing, by Snooki. And it may be; Snooki definitely has more one-star reviews on Amazon. But if literary value is real, no one seems to be able to locate it or define it very well. We're increasingly adrift in a grey void of aesthetic relativism.

My own standards that I'll hold myself to is if the product that I'm making feels honest and it feels like I didn't compromise and it just came from an honest, correct place.

I think you first have to get into Kim Jong-un's head, you know, which is he's in a state of paranoia. He's incredibly concerned about anything and everything around him. I think these nuclear tests were a message to South Korea after the election. So what we're going to do is continue to tighten the screws. He feels it. He absolutely feels it. And we're going to continue, whether it's sanctions, whether it's press statements, anything that we have to do.

Everybody feels like a freak in some way at some time in their life. Or feels on the outside. And everybody is worthy of love.

When I'm writing solitude feels very good. But when I'm not writing it feels lonely... Having a big family solves that problem.

One of the great things about the film being so unusual and provocative is the filmmaker to me doesn't seem to have a definite opinion on the rights or wrongs or the immorality of behaviors and systems, he just presents a set of very unusual circumstances and asked the audience to partake in the judging of what feels right or wrong or what feels natural and unnatural.

Take two kids in competition for their parents' love and attention. Add to that the envy that one child feels for the accomplishments of the other; the resentment that each child feels for the privileges of the other; the personal frustrations that they don't dare let out on anyone else but a brother or sister, and it's not hard to understand why in families across the land, the sibling relationship contains enough emotional dynamite to set off rounds of daily explosions.

If Pakistan feels Indian positions are pre-conditions, then there will be no talks.

When the heart no longer feels the truth of hell, the gospel passes from good news to simply news

My theory of composition? Simple: do not release the shutter until everything in the viewfinder feels just right.

God promises the Holy Spirit to us who believe in Christ, and the Spirit guides us in understanding. But within this life our understanding is limited, and contaminated by sin. Just because a person feels Spirit-led does not mean that he is. Pride remains, and our hearts easily deceive us.

My publisher feels that my readers are loyal to the voice of my stories, the characters I'm creating.

My house feels like a proper home. It's very relaxed with a hippyish vibe.

[The huge success of Curse of the Black Pearl] made perfect sense to me on the one hand, and at the same time, it made no sense at all, which I kind of enjoyed. Even now, with the dolls and the cereal boxes and snacks and fruit juices, it all just feels fun to me, in a Warholian way. It's absurd. It doesn't get more absurd.

It always feels too soon to leap. But you have to. Because that's the moment between you and remarkable.

This is where the strength of the physician lies, be he a quack, a homeopath or an allopath. He supplies the perennial demand for comfort, the craving for sympathy that every human sufferer feels.

I don't have perfect teeth, I'm not stick thin. I want to be the person who feels great in her body and can say she loves it and doesn't want to change anything.

For a long time we have thought we were better than the living world, and now some of us tend to think we are worse, that everything we touch turns to soot. But neither perspective is healthy. We have to remember how it feels to have equal standing in the world, to be "between the mountain and the ant . . . part and parcel of creations," as the Iroquois traditionalist Oren Lyons says.

As an actor going into screenwriting, I was able to understand what type of dialogue feels natural. A lot of the time, as an actor, you don't have the freedom to change what your lines are, and they can often be very unnatural or difficult to portray in a real light.

In my own life as a reader I experience real moments of alienation when a writer feels too perfect, or like even the flaws they are admitting are somehow noble, or dysfunctional in an overly edgy, aesthetically pleasing way.

You can't shut down, you can't say, 'What can I do to make this go away?'. You have to let it be painful and get through it. Every day gets better. Because when you're in love, you kind of give everything and make that person your life. So every day you get more and more of yourself back, and it feels better.

The most mediocre of males feels himself a demigod as compared with women.

From the time that I was in high school, my life really revolved around live theater, so it almost feels genetic.

There are so many Al Anon fans and friends who have shown me wonderful love, prayers, thoughts! I thank everyone for this. It feels great to have wonderful people behind you, pushing and praying for you. Mostly, I don't want to let myself down, but they encourage me not to let them down.

I'm always nervous about it. You know, somehow, without even knowing it, I try and recreate the idea of what it feels like to go in front of an audience every night when I'm making a film. And that similar type of pressure and excitement before a scene, or preparing for a movie, so...

...Help me let go of my need to stay immersed in negativity. I can change the energy in myself and my environment from nega­tive to positive. I will affirm the good until it sinks in and feels real. I will also strive to find one quality that I like about someone else who's important to me, and I will take the risk of telling him or her that.

I can spend two hours grubbing about in my garden, dazed with pleasure and intent, and it feels like five minutes.

People like to say that Plutarch's is a really "personal" voice, but in truth Plutarch tells us very little about his life. His voice is personable but never personal. It feels intimate because he's addressing the world as we experience it, at this level, a human level, rather than way up here where very few of us live.

An artist feels vulnerable to begin with; and yet the only answer is to recklessly discard more armour.

It is still important that every project I do I do something real, that feels true to me.

A Jazz man should be saying what he feels: humor, sadness, joy... all the things that humans have.