Quotes About French

When I arrived at Columbia, I gave up acting and became interested in all things French. French poetry, French history, French literature.

My film is in French. It's not something folkloric. It's who we are. There's this tension about immigrants coming in. Will they learn French? Will they adapt? In this film, I'm on the reverse side because Monsieur Lazhar comes from a society where French is also the second language.

The number of those who have to be assimilated to the majority is not too high. It remains small compared with the numbers of the majority. But there is one thing - and that is the main reason for this digression - that French and British have in common: to this day they have an immense pride in being French, in being British. The fact that in the meantime both have come down to earth a little has not yet affected their pride in their own nationality and the fact that, if I may express it that way, they are mutual admiration societies: how fine the British are, how fine the French are.

The key to the U.N.'s global warming study was man's use of aerosol spray. You have to know the French were involved in a study concluding that Arrid Extra Dry is destroying the Earth. In a world in which everyone smelled, the French would be at no disadvantage. Aerosol spray. How convenient.

According to the management expert Peter F. Drucker, the term "entrepreneur" (from the French, meaning "one who takes into hand") was introduced two centuries ago by the French economist Jean-Baptiste Say to characterize a special economic actor-not someone who simply opens a business, but someone who "shifts economic resources out of an area of lower and into an area of higher productivity and greater yield." The twentieth-century growth economist Joseph A. Schumpeter characterized the entrepreneur as the source of the "creative destruction" necessary for major economic advances.

I don't know French at all. I took some lessons when I was younger but all I know are the numbers. I've been told basically everyone in Monaco speaks English because of it being a huge vacation spot so I'm excited about that. I might not need to learn French after all.

Oh, I'm not English, I cannot talk on behalf of an English person. I'm French. I can say about French. They are quite emotional, though, and they talk about their emotions

I don't like people who speak French in public places. This includes the French.

French novels generally treat of the relations of women to the world and to lovers, after marriage; consequently there is a great deal in French novels about adultery, about improper relations between the sexes, about many things which the English public would not allow.

John Kerry speaks French fluently. Democrats are saying he's one in a million. A war hero who speaks French, isn't it more like one in a trillion?

I started work on my first French history book in 1969; on 'Socialism in Provence' in 1974; and on the essays in Marxism and the French Left in 1978. Conversely, my first non-academic publication, a review in the 'TLS', did not come until the late 1980s, and it was not until 1993 that I published my first piece in the 'New York Review.'

In the same period that the Americans have lived under one constitution our French friends notched up five. A Punch cartoon has a 19th century Englishman asking a librarian for a copy of the French constitution, only to be told: 'I am sorry Sir, we do not stock periodicals.'

She's French, so she's teaching them French, and their previous nanny was Spanish, so they're fluent in Spanish.

I do think they [French] view my writing itself as exotic - though that's probably not the best term for it - to a small extent, mainly because I say things that most French writers would probably hesitate to say for fear of offending someone or upsetting public sensibilities. I don't think that answers the question, but I'm not much good at figuring readers out or I would probably be writing bestsellers.

I think I get really into comfort music: '60s stuff, '50s stuff like Frankie Avalon. I love it - such simple songs, but so well written. That, and old French pop. I love that, because I don't speak French. It's all just pop music! But I love it because it just makes me focus on the melodies.

Many Europeans think that all Moroccans speak French, but no. I had to make an effort to learn it when I studied French literature at the university in Rabat.

Food can be utilized for economic reasons, like the grain embargo of Carter 40 years ago. You have a political decision, you are going to move the flow of food in a part of the world and not another part of the world. And certainly now, with the way the country is polarized and all that, you wouldn't want to have a French menu, with a French thing - you'd be crucified! Or anything like that. You have to be a real American and apple pie and this and that.

My mother likes what I cook, but doesn't think it's French. My wife is Puerto Rican and Cuban, so I eat rice and beans. We have a place in Mexico, but people think I'm the quintessential French chef.

I have tried to lift France out of the mud. But she will return to her errors and vomitings. I cannot prevent the French from being French.

Because I was born in Casablanca and my parents were from the south of Spain, I do not have a big central root in France. I feel French but in a few ways, not at all French.

There is no English equivalent for the French word flâneur. Cassell's dictionary defines flâneur as a stroller, saunterer, drifter but none of these terms seems quite accurate. There is no English equivalent for the term, just as there is no Anglo-Saxon counterpart of that essentially Gallic individual, the deliberately aimless pedestrian, unencumbered by any obligation or sense of urgency, who, being French and therefore frugal, wastes nothing, including his time which he spends with the leisurely discrimination of a gourmet, savoring the multiple flavors of his city.

The sea is calm tonight. The tide is full, the moon lies fair Upon the straits;- on the French coast the light Gleams and is gone; the cliffs of England stand, glimmering and vast, out in the tranquil bay.

The companies only developed if the state did not intervene in the French fashion. If on the contrary a certain degree of economic freedom was the rule, capitalism moved in firmly and adapted itself to all administrative quirks and difficulties

If you look at the Oscars and look at the Best Foreign Language series, you see that the films are coming from everywhere - from Quebec, Israel, Poland, and Belgium. It's not the usual French, German, etc. This category is opening up to socially engaged and political films. I think we're going to see a cross over to the main categories also. It's part of this global environment now and I'm grateful that the Academy is having this window on world cinema.

There's still a bit of a problem, in that so many leading English roles are taken by American or French actresses.

Very often with an American movie, the end is very happy and you just feel good when you go out. When you go to a French movie, it's kind of like, "oh!", and you can't go out; you're stuck in your chair. It goes so deeply inside of the heart.

Just speak very loudly and quickly, and state your position with utter conviction, as the French do, and you'll have a marvelous time!

I committed myself totally, fully, but I didn't succeed in convincing a majority of French... I didn't succeed in making the values we share win.

I've always wondered why there isn't a great French novel about the German occupation. The nouveau roman authors weren't interested in telling that sort of thing.

The French were always masters at mid-range. And I like the attitude.

I am definitely pro-European, even pro-global, and house music and electronic music has developed a network all over the world, between record shops in Berlin, Tokyo, London, Chicago, Minneapolis and L.A. That's really what I feel part of, rather than being French.

Most of the Ten Commandments are negative. The purpose of law is not to mandate good behavior. That concept comes from the French Revolution.

The first of these phases is that of grammar, invented by the Greeks and carried on unchanged by the French. It never had any philosophical view of a language as such.

There were the events of 1968 when young people began to ask their parents, what did you do in the war? And since the middle- or late-'70s, the French have been absolutely obsessed with the Vichy regime. They have an institute of contemporary history that turns out first-rate scholarly work. Their textbooks are accurate. Whether the students actually read them is another matter.

I was with Brian De Palma at the time, and he said he wrote the role specifically for me. I don't know what that says about the way he saw me, since the role was of a castrating killer. Brian came one morning to the house, said "Here's your Christmas present." He wrote the character to have a Swedish accent, but since I couldn't pull that off, he switched it to French-Canadian. It was such a romantic time in my life. Everyone was young and passionate and convinced they were going to change film forever.

French intellectual life has, in my opinion, been turned into something cheap and meretricious by the 'star' system. It is like Hollywood. Thus we go from one absurdity to another - Stalinism, existentialism. Lacan, Derrida - some of them obscene ( Stalinism), some simply infantile and ridiculous ( Lacan, Derrida). What is striking, however, is the pomposity and self-importance, at each stage.

One difference between French appeasement and American appeasement is that France pays ransom in cash and gets its hostages back while the United States pays ransom in arms and gets additional hostages taken.

So we know she's safe and taken care of?" Daniel asked, and she nodded. "Good. Then why don't we do something that you want to do?" "Like what?" "I don't know. What do you like to do?" "Um...." Her stomach rumbled, since crying always made her hungry. "I like eating breakfast." "That's so weird." Daniel grinned. "Because I like making French toast." "That works out, doesn't it?

The story of my grandmother is that of a French woman from the provinces who through her perseverance and thirst for knowledge worked her way up to become the head of a school. She belonged to a generation that didn't travel much. But she believed in Europe and she wanted Europe. And she read a lot - she knew mythology, literature and the classics very well. She passed that on to me, along with the conviction that you can earn your own position in society.

Did they find something wanting in you, Gemma, at the party? You didn’t speak too freely or behave…strangely?” I grew claws and bayed at the moon. I confessed that I eat the hearts of small children. I told them I like the French.

I'm French. I have not become an Englishman. I have the impression of living on an island called Arsenal. If you fancy a sightseeing tour of London, don't ask me. You would get lost.

Everyone understood [Charlie Hebdo], as people had understood for hundreds of years, knowing that Rabelaisian tradition of French satire, they knew how to read it. And they understood the kind of release from piety that it represented every week.

There was a discordant hum of human voices! There was a loud blast as of many trumpets! There was a harsh grating as of a thousand thunders! The fiery walls rushed back! An outstretched arm caught my own as I fell, fainting, into the abyss. It was that of General Lasalle. The French army had entered Toledo. The Inquisition was in the hands of its enemies.

[on going to Sunday school:] It looks like rain, and I hope it will rain cats and dogs and hammers and pitchforks and silver sugar spoons and hay ricks and paper-covered novels and picture frames and rag carpets and toothpicks and skating rinks and birds of paradise and roof gardens and burdocks and French grammars before Sunday school time.

Renzo Piano and Richard Rogers's Centre Georges Pompidou of 1971-1977 - the true prototype of the modern museum as popular architectural spectacle - wound up costing so much more than planned that the French government solved the shortfall by cutting support for several regional museums.

I guess both Nabokov and Popper had, in different ways, immunized me against the fashion for French-influenced literary theory in the '70s, '80s, and '90s - "immunized" in the sense that they made me no longer susceptible to this epidemic cultural virus. I looked into Derrida and found that he rarely seemed to be interested in truth; he was more interested in making a splash.

Politically, [Albert Camus] was in favour of a federation, and effectively he considered that like South Africa today (or as they are trying to do), there should be a mixed population with equal rights, the same rights for the Arab and the French populations, as well as all the other races living there.

The thing that's wrong with the French is that they don't have a word for entrepreneur