Quotes About French

My film is in French. It's not something folkloric. It's who we are. There's this tension about immigrants coming in. Will they learn French? Will they adapt? In this film, I'm on the reverse side because Monsieur Lazhar comes from a society where French is also the second language.

I think the French agonise more about being French, I don't think English think about being English that much. I think the Scottish think about being Scottish and the Welsh think about being Welsh, but the English don't really care. But the French think about it all the time, it's an absolute preoccupation.

I studied French forever, and when do I ever speak French? I clearly should have studied Spanish. I wish I had stuck with music, because that would still be great. I really wish I had learned to surf earlier in my life.

The Second World War had a precipitating effect in that it discredited the empires, as well as bankrupting them. Not only could you no longer, if you were a colonial subject of France in Africa, look to France as a model of power and influence and civility after what had happened in the war. Nor could the French any longer afford to run their empire. And nor could the British, although they were not discredited in the way that the French were.

We once discussed which were the cleanest troops in the trenches, taken by nationalities. We agreed on a descending-order like this: English and German Protestants; Northern Irish, Welsh and Canadians; Irish and German Catholics; Scots; Mohammedan Indians; Algerians; Portugese; Belgians; French. We put the Belgians and French there for spite; they could not have been dirtier than the Algerians and the Portugese.

American women often fall into the trap of, "Oh, these are my weekend clothes. These are my work clothes. This is what I wear at night." It's so old-fashioned. The French are not afraid of their luxury. Americans can be so puritanical and think, "That's my special-occasion bag." Whereas, for a French woman, it's her everyday bag.

I am attached to the French language. I will defend the ubiquitous use of French.

In France you cannot not have lunch. If you stopped the French from having lunch, you will have a second revolution, I can tell you this. Not going to work - it is part of the French privilege.

There is a song of Gainsbourg that Jane Birkin sang, and the words are beautiful in French. It says, "Le jeu et les moi." It's impossible to translate, because it has a very nice sound. It sounds so lovely in French. So I took that because it was the subject: I and myself and myself and I. Which is, in a way, boring, because it is a contradiction.

My film is actually very critical of the level of French we're using back home. To have an immigrant from an ancient French colony come and do that is a little critical of our education system back home. Balzac is definitely over their heads. It's meant to be funny also because it would be also probably too much for kids in France, but kids in France would know who Balzac is. But, back home at that age, I guarantee you they don't know who he is.

I've wanted to make a film about French youth since I went to Cannes with my first film 'Kids' in 1995 ... Scribe's screenplay is about French kids today, and the world today. Just like my films 'Kids' and 'Ken Park', this will be a movie like you have never seen before.

Weep not for little Leonie, abducted by a French Marquis. Though loss of honor was a wrench, just think how it's improved her French.

Surround yourself with people who are the ketchup to your french fries-they make you a better version of yourself. Yes french fries are amazing on their own, but combined with ketchup they are a force. Spend time with people who bring out your true flavors, but don't overpower you.

My dear citizens, fellow citizens, French people, this 6th of May, have just chosen change by bringing me the presidency of the French republic. I feel the honor, which has been given to me and the task, the important task faced beyond - in front of you to serve my country.

I cannot prevent the French from being French

There is no word in English for chic. Why should there be? Everything chic is by legend French. Perhaps everything chic is in reality French.

Imperialism has now reached a degree of almost scientific perfection. It uses White workers to conquer the non-white workers of The Colonies. Then, it hurls the non-white workers of one colony against those of another non-white colony. Finally, it relies on the Colored workers of the colonies to rule the White workers. Recently, White French soldiers near mutiny in the occupied Ruhr of Germany, were surrounded by French African soldiers, and colored native light-infantry were sent against White German strikers.

Race wasn't an issue. My family was French, but Yorkville was a melting pot of races and cultures.

Ever since I first visited New Orleans back in '89, I've been intrigued by the French Quarter. I always wanted to set something in the Quarter, whether it was historic or contemporary. Unfortunately, I was always tied up with previous commitments - earlier multiple contracts - and could not get a crack at it.

Words were written out for me phonetically. I learned to quack in French, Spanish, Portuguese, Japanese, Chinese and German.

Steven Soderbergh really likes Irréversible, that's about all I can tell you. About the making, well, it was a very particular situation, because those people all know each other, and they're all big stars. I felt like the little French guy, really. And I was very flattered to be called on that, of course, but I felt like if I didn't find something to be a little original, different, particular in the movie, I would just disappear.

The main problem in marriage is that, for a man, sex is a hunger-like eating. If the man is hungry and can't get to a fancy French restaurant, he'll go to a hot dog stand. For a woman, what's important is love and romance.

You can't have a novel without real, believable people, and once you get into either too theoretical a novel or too philosophical a novel, you get into the dangers that the French novel has discovered in the past 50 or 60 years. And you get into a sort of aridity. No, you have to have real, identifiable people to whom the reader reacts in a way as if they were real people.

After all, we are not French and never can be, and any attempt to be so is to deny our inheritance and to try to impose upon ourselves a character that can be nothing but a veneer upon the surface.

I know never to take a wine for granted. Drawing a cork is like attendance at a concert or at a play that one knows well, when there is all the uncertainty of no two performances ever being quite the same. That is why the French say, 'There are no good wines, only good bottles.'

You get the feeling that many of my guests feel that the French language gives them entry into a more cultivated, more intelligent world, more highly civilised too, with rules.

French is, in many ways, more difficult for an English-speaking person to sing. It is so full of complex and trying vowels. It requires the utmost subtlety.

The English did not come to America from a mere love of adventure, nor to truck with or convert the savages, nor to hold offices under the crown, as the French to a great extent did, but to live in earnest and with freedom.

So why, after prior successes, did Obama's race/class/gender attack finally sputter out like the French at Waterloo?

Very often with an American movie, the end is very happy and you just feel good when you go out. When you go to a French movie, it's kind of like, "oh!", and you can't go out; you're stuck in your chair. It goes so deeply inside of the heart.

The French want no-one to be their superior. The English want inferiors. The Frenchman constantly raises his eyes above him with anxiety. The Englishman lowers his beneath him with satisfaction.

They were nothing like the French people I had imagined. If anything, they were too kind, too generous and too knowledgable in the fields of plumbing and electricity.

Boys, welcome to the wonderful world of talking to women about their feelings. As a handy primer, here are a few things you should know: 1) Women have feelings. 2) You will spend the next seventy years or so trying to guess what they're feeling and why. 3) You will be wrong most of the time. 4) I like French Fries.

Saul Bellow says, funny enough, what French think of your work is tremendously important. And it is. It's more than what the Italians, the Spanish, and the Germans think. Somehow it's still got that cultural primacy. I feel that too: to get praised in France is better than to get praised anywhere else.

The religious conflicts of the Reformation era were never simply and only about religion, because religion during this era as in the Middle Ages that preceded it, informed and was meant to inform every domain of life. Violence involving religion and touching other areas of life took many forms: from the Protestant destruction of Catholic religious art and objects in iconoclasm, to Catholic executions of Protestants who refused to renounce their views, to major destructive conflicts such as the French Wars of Religion and the Thirty Years' War.

Do you realize that in the past sixty years, the only foreigners the French have been able to drive out are American tourists?

When I hear myself speak French, I look at myself differently. Certain aspects will feel closer to the way I feel or the way I am and others won't. I like that - to tour different sides of yourself. I often find when looking at people who are comfortable in many languages, they're more comfortable talking about emotional stuff in a certain language or political stuff in another and that's really interesting, how people relate to those languages.

There was another war-related casualty today. The French were injured when they tried to jump on our bandwagon.

French fries. I have been obsessed with them since I was born. I like big, big steak fries, curly fries, seasoned fries - any kind!

What would be the difference if we retreated and let the French and Germans make decisions for the world? We tried that twice in the last century. Isolationsim, refusing to accept our role in the world, and delaying our response to evildoers ultimately cost fifty-three million lives in World War 2 alone. The preemption policy of the Bush administration, taking the war to the enemy and exporting democracy and freedom, has liberated fifty million.

A certain type of critic doesn't really want French movies to be visual. They think movies started from books and they forgot this part of moviemaking, like Chaplin and Buster Keaton, which I didn't forget.

There were the events of 1968 when young people began to ask their parents, what did you do in the war? And since the middle- or late-'70s, the French have been absolutely obsessed with the Vichy regime. They have an institute of contemporary history that turns out first-rate scholarly work. Their textbooks are accurate. Whether the students actually read them is another matter.

What makes international cinema so interesting is that each territory has its own sensibility. When you look at an Indian or French film, there's a certain flavor. And even though the language is different, if the film is successful, it has something very common and understandable.

When I moved to Paris in the '70s, there wasn't very much going on in film in England. So when I started doing French films, there was a natural movement toward the kind of films I wanted to do. It wasn't the reason I came, but it so happened that I stepped into a time and place that actually corresponded to what I wanted. That sometimes happens in life. And it was rather beautiful.

I'm all self-taught. I never had a teacher. Even for English, and French, and German, I hardly went to school.

I'm French. I have not become an Englishman. I have the impression of living on an island called Arsenal. If you fancy a sightseeing tour of London, don't ask me. You would get lost.

I should warn you, I’m an expert on vampires. I’ve seen every episode made of Buffy, Angel, and Forever Knight, so don’t think a little fang-flashing is going to scare me.” – Nell to Adrian Oh, my God! You bit me on the leg! You drank my blood! I am not an appetizer!” You are much more then an appetizer. You are a twelve-course banquet. – Nell & Adrian I slid my tongue around the glossy enamel of his teeth, pausing to stroke down the length of an elongated canine tooth. Yeah. I know. How stupid is it to French kiss a vampire and not expect sharp teeth? – Nell

Everyone understood [Charlie Hebdo], as people had understood for hundreds of years, knowing that Rabelaisian tradition of French satire, they knew how to read it. And they understood the kind of release from piety that it represented every week.