Quotes About Guys

The cool thing is, when we first did our joint Ring Of Honour-New Japanies Wrestlers, I think that definitely existed. I think the ROH guys were like, "we can't let these New Japan guys outshine us" the new japan guys were ready to make a statement as it was this really big event in America. But the cool thing about this relationship is we've literally become a family now. A lot of us are friends with each. We obviously respect each other.

The success I had as a player, or the career I had as a player, is often based on the guys you play beside, the guys you play with. Playing on the offensive line, you're only as good as your weakest guy up front. I was blessed to play with a lot of guys for a long time.

I can think of so many tough guys that by definition it's their job to be tough and they're all in chapel. That's such a misconception and it's kind of gone out the window. Guys feel more comfortable going to chapel. I remember when I first started, guys were nervous about it and it was kind of a secret. There was still that stigma that came with it, but it's definitely been removed and (the faith movement) is definitely growing.

When you look at men's fashion magazines, you see a lot of well-groomed guys in suits, but very rarely do you see a lot of guys in drop-crotch and hoods with high-tops. It's coming, though, because guys in suits and short hair are beginning to look like they're from another time.

I like to play bad guys, since good guys are always beaten up several times during the movie. Bad guys are beaten only once, in the end.

There's a long history of all kinds of cop films... But all these films are really about the same thing: the good guys triumphing over the bad guys.

It doesn't matter if it's 90 degrees in the summer and it's killer hot in Milan. The guys still put on their jackets to leave their office to go get lunch and bring it back to the office. You never see that in America. Guys barely can put on their shirts to go to the office or keep their tie done, so I think there is a romance that they're willing to and enjoy that formality that they've created there in Milan and all across Italy, but especially in Milan.

There many guys out there who are actually fishing for a woman whom they are planning on keeping. But there are guys out there who are just sports fishing - catching them and then throwing them back into the ocean.

By the way, you guys seriously screwed up just now. (Nero) We know. (They said in unison.) Yeah, well, what you don’t know is how grateful your girl is to you. I just thought you should know that you guys are a hero to her…and she thinks we’re all idiots. (Nero)

I moved to New York and was told, "Go back home. We don't need you. Go pump gas. You're from Vermont. We've got no use for you. You're not drawing guys in tights." So, I learned how to draw guys in tights, and I put them in as many crime situations as I could.

'Fast & Furious' is a well-oiled machine. Those guys really know what they're doing. The guys that work behind the scenes are just as important as the ones in front of the cameras. They are car enthusiasts. They live and breathe this world.

I learned from the guys before me - Bill Cosby, Eddie Murphy, Chris Rock, Richard Pryor, just to name a few. These are guys that let it all hang out. What they lived is what they took to the stage.

Superhero creators who engage in deconstruction fall into two categories: There are the guys who do it because it's easy, because it gets an audience reaction if you point out that superheroes must be a bunch of psychotic nuts. And there are the guys who do it because they're actually interested, and they're trying to get at what's going on underneath. They're interested in the process and the results.

There's no comparison between Division I and Division II. The reason they have Division II is for the guys who can't make it at Division I. That's fine. They need to have something to feel good about themselves. Those guys have to have something to do with their lives.

I brought in two genius guys from Korea. Guys who did my favorite movies like Oldboy and The Man from Nowhere. It was fun working with them. Even though they don't speak Japanese and I don't speak Korean, I knew from day one we were speaking the same language because they love my work and I love theirs. We instantly connected. There was zero frustration.

The voice-over world has changed radically in the time that I've been in it. It used to be this rather small, select group of people who did 90 percent of the work. Now it's kind of the reverse: 90 percent of the work is done by this very broad mix of people all over the country, and the guys who used to be the go-to guys are a much smaller percentage now. But there was this massive interest in voice-over as well as in the story, so I think that also added to the film's appeal.

When I was a kid, like 14 or 15, I played with the waiters from the hotel, 'cause that was the best game. And these guys, they'd let me play. And they were black guys.

I was the originator of smack. Some guys rattle with smack; with other guys it rolls right off their shoulders like nothing.

I'm very proud to be part of a cast that's gonna put Hot Shots on screen for the first time, Hot Shots are the first line of defense against wildland fire and these guys are so selfless, they are guys that do what they do without wanting any kind of attention for it.

Younger people are generally more adventurous - they're more open, more fun - have you met many guys my age? Guys my age are married or divorced or grumpy, fat and balding.

The genre of '80s action movies, I think, changed really when The Matrix came out and Keanu Reeves was able to perform kung fu. Then you had Matt Damon in the Bourne films, doing a great job. So it's different now, they can train actors to do their own fights convincingly on screen, so those guys aren't needed anymore. But I think everything goes around in circles; people still do want to see the guys that can do stuff for real, that's why The Expendables is so popular. I think it will come back again.

As a young actor, there's a very small group of kids, just a handful. As you get older, all of a sudden, there's a bunch of guys your age that work. It's a very different experience when you used to be on the short list because you were young and there's only so many kids that can do the work and then all of a sudden you're in your twenties and thirties and there's a whole bunch of guys that can do your work.

We used to rehearse and that's where the roots of Dream Theater formed. Y'know, we used to play cover songs and jam to [Iron] Maiden and stuff but we were writing songs and it was this metal, loud style and we'd constantly get knocks on our door, because the rehearsal rooms were right next door to each other, and these jazz guys would be like, "Can you guys turn it down a little?"

The idea that guys should walk into a bar and confidently initiate contact and then seduce a woman based on a short term conversation is a toxic cultural myth that robs guys of self-confidence and that holds them up to an unrealistic standard that they have to become a super-extraverted narcissist in order to 'score with women'

Jesus does not divide the world into the moral "good guys" and the immoral "bad guys". He shows us that everyone is dedicated to a project of self-salvation, to using God and others in order to get power and control for themselves. We are just going about it in different ways. Even though both sons are wrong, however, the father cares for them and invites them both back into his love and feast.

In yesterday's post, I asked how many of you guys would have sex with a robot if it was indistinguishable from a hot human woman. About 95% of the hetero guys said they would. The other 5% expressed a strong preference for lying.

I like the hip writers: Fitzgerald, the guy who committed suicide, Hemingway, all those guys. Some of them were alcoholics and drug addicts but they had fun. They were real people. They formed the culture of American literature. Hemingway admired Tolstoy, Tolstoy admired Pushkin, and Mailer admired Hemingway. It all flows down. The greats are all connected. One day I'm gonna write a book myself. The first chapter will be about what a rough deal my momma got. She believed in you guys and your society.

I had PubLIZity, I had Oh, Hello, I had Bobby and Farley - all of these sketches that were really these duo sketches, but the relationship between them is really what catapulted them forward. A lot of that, I think, came from Wayne and Garth, these two similar guys - they're Midwestern metal guys - but in the end, they're quite different because there's an alpha and a beta. And I think that model became very present for me on Kroll Show.

I know how guys talk, so I'm not easily offended. Guys can fight and be best friends five minutes later. Women have to air it out, hold on to it, work on it.

I suppose it was later on that I realized that there was some reaction among the musicians themselves, some of whom resented the success of cool jazz in California, and that broke down into the white guys against the hard-blowing black guys in New York.

I've said this before, but going and playing with the guys that have been to the World Series, the elite players of the game, there's no harm in hanging around those guys at all.

The way I look at humanity, I don't think there's good guys or bad guys. We're all potentially bad and potentially good.

Some guys are afraid of "fashion" even those this isn't really fashion. It's more "style". A lot of guys don't want to look like they care too much. The idea of standing in a fiting room and trying things on and saying, "How does this look?" I think maybe that experience is a little bit intimidating.

Man, I don't wanna do what all the other guys do. I don't wanna end up in the booth after the games telling you what I think and talking smack about the guys on the floor when they are a lot better than that. I wanna be different. I don't wanna be known as Commentator Shaq. I wanna be a doctor or something good. I wanna be Dr. Shaq, Officer Shaq, Deputy Shaq.

Racing's very much like the world of acting. You have your front runners and you have guys that are there for the long race, and you have other guys that block for other people, that are called supporting and character actors. It's all the same kind of situation.

I like the communication and trust that comes from a long-term relationship. When you really know people as musicians and as people, you feel you can really count on them. That frees you to take more chances and ... it takes the music to a higher level. It translates into a better product for audiences. There are two levels to these relationships. The first level is being with guys for the first few years, you're getting used to guys - he's got this to offer, he's got that to offer, I don't like this, I do like this. You both praise them and are critical as you get to know one another.

Once you're out in a place where there's one sheriff for the county, people have to learn how to get along with each other and that means going to the dump illegally and dumping your garbage and hoping the guys don't call you on it and being terrified of this to your core until you realize after many years that the guys at the dump don't really care where your garbage is coming from.

U.S. wrestling is more of a scrambling style where guys take a lot of risks. You could watch a match in the states and see a score of 18-12. There is going to be a lot of action, transitions and guys going back and forth and trading points.

Big black guys fear air travel almost as much as old white women fear big black guys.

Some guys run their house. Some guys run around their house. I'm a guy who runs my house!

There's ten of us, we've been best friends for thirty years. Ten guys. And their wives, and their kids, are all family now. I'm not big on keeping up on the phone, none of us are. Some guys I won't talk to for two months and then you pick up the phone and hear, "So, anyway." There's no guilt or where have you been? or what's been going on? or why haven't we talked? There's an ease to it.

Some of you guys are sitting down, some of you guys are standing up. But if you really take a moment and you go inside your body, you can feel your weight against the earth, and you can recognize that you're the only person who's feeling your own weight against the earth right now.

If there are nine guys auditioning and they're all gorgeous, I have an advantage, because gorgeous guys are a dime a dozen. But if they need someone else - like a goofy guy with bad hair who is just okay - then that's me. And finally, the other 2 percent who audition are geniuses that I could never touch.

You Australian guys have your own way of speaking about music, you guys have your own way of enjoying music. You certainly have a very energised creative and cultural centre. Everyone I meet in Australia has a very unique soul... There's a lot of culture out there, and I meet a lot of nice people.

My friends ask me for advice about guys, because I have so many brothers and I see what guys go through.

I've watched a lot of guys through the years, and they hold their breath until they finally win The Big One, thinking then they can exhale and chill out. You have to breathe through life, man. Have fun

What we've said to the girls is: 'If you guys ever decide that you're going to get a tattoo, then mommy and me will get the exact same tattoo, in the same place.' And we'll go on YouTube and show it off as a family tattoo.

Winning is a lot of fun. I remember having a meeting a couple years ago and telling the guys: 'You're not enjoying yourselves.' O'Neill said to me afterwards, 'Skip, it's not fun unless you win.'