Quotes About Hollywood

I still hate making pictures! And I don't like Hollywood any better. I detest the limelight and love simplicity, and in Hollywood the only thing that matters is the hullabaloo of fame. If Hollywood will let me alone to find my way without forcing me and rushing me into things, I probably will change my feelings about it. But at present Hollywood seems utterly horrible and interfering and consuming. Which is why I want to leave it as soon as I am able.

I've seen so many beautiful curvy women gain success in hollywood and then wither into bobble headed stick figures in some grotesque attempt to fit a revolting hollywood trend. I like real women, not the broomsticks that Hollywood has been selling lately.

I live in Hollywood, but you can't make me love Hollywood. I'll never love Hollywood.

What does it mean to be too black for Hollywood? It's self-explanatory. Hollywood has certain kinds of blacks that they like.

I never had a desire to leave mainstream Hollywood. And still don't think that I've left mainstream Hollywood.

Hollywood is a showman's paradise. But showmen make nothing; they exploit what someone else has made. The publisher and the play producer are showmen too; but they exploit what is already made. The showmen of Hollywood control the making - and thereby degrade it. For the basic art of motion pictures is the screenplay; it is fundamental, without it there is nothing. Everything derives from the screenplay, and most of that which derives is an applied skill which, however adept, is artistically not in the same class with the creation of a screenplay.

The 1930s Hollywood was capable of hurting me so much. The things about Hollywood that could hurt me (when I first came) can't touch me now. I suddenly decided that they shouldn't hurt me - that was all.

My basic mistake in 'The World's Greatest Lover' was that I made the leading character a neurotic kook and sent him to Hollywood. I should have made him a perfectly normal, sane, ordinary person, and sent him to Hollywood. The audience identifies with the lead character.

Being a Christian executive in Hollywood has contributed to me fulfilling my destiny. Hollywood respects the maverick, the person who's unique and has the confidence to defy the system and everyone who tells them they're wrong in order to follow their vision. It's been me embracing by Christianity that has made me different, unique, and of value in my industry. Maintaining who I am and who God wants me to be throughout my career is what keeps me on the path to having the career I desire. I know what I value, and I never deviate from that no matter what.

I don't think that Hollywood will have much to do with changing politics. Hollywood usually reflects things.

The actors I was most impressed with and who were influencing my taste were all movie actors, so I always wanted to do movies but I didnt want to go to Hollywood and become a waiter in the meantime. The chances are really slim that an actor will be discovered in Hollywood. ... Ive never had to compromise myself for a job, ever.

I am not going to do a film based on a bad scenario just to make a big Hollywood film or work with Hollywood stars.

Hollywood's racist. Hollywood is sorority racist. It's like - we like you, Rhonda, but you're not a Kappa.

I've sold 11 of my books to Hollywood. There are all kinds of my books on shelves in Hollywood because the scripts didn't capture the characters.

All over the world there are a lot of distributors that have the equipment for 3D but they don't have the movies really. The only source of 3D movies is Hollywood. Only Hollywood sends the 3D movies. So it was an option.

Working with David Cronenberg or Darren Aronofsky or even Steven Soderbergh isn't really like a typical Hollywood movie. These are true artists, and have a certain amount of freedom when they work, and they're more like independent filmmakers making their way through big studios. I still don't feel like I've been part of the stereotypical Hollywood system.

When I made Spartacus during the McCarthy Era, we were losing our freedom. It was an awful, awful way. McCarthy saw Communists everywhere, in every level of government and they concentrated on Hollywood and especially on Hollywood writers.

Hollywood is called Hollywood, but holly doesn't grow there. Right from the start it's based on a lie. But it's a very seductive lie, and we're still entranced by it.

Working in Hollywood, it's clear the more money you have, the more technology you can get. So you can build a whole Japanese set. Only in Hollywood!

Hollywood, that whole industry, is a lot like a really small town. You bump into the same people all the time. I think Six Degrees of Kevin Bacon can be played with anyone and everyone in Hollywood.

Love and friendship, two of life's abiding rewards, are endangered species in Hollywood. People crave both, mistaking alliance for friendship, lust for love, and ambition for both.

Hollywood large is so different than real-life large.

Last summer a second unit production crew went to France and shot scenes for several of this seasons episodes. They shot costumed actors in and around real castles and landmarks, we couldnt possibly have duplicated here in Hollywood.

A big, sweeping, and rapturous Hollywood love story that could turn out to be the most revolutionary movie of the year! A film in which love feels almost as if it were being invented. It is also a rare crowd-pleaser with the potential to change hearts and minds.

I am so stereotyped into being this Hollywood girl.

Hollywood has known this for quite a while: Cable is the place to go because they truly have a supportive network and they want to do things that cannot be seen on broadcast. That stimulates the writer-producer. Cable is king.

I dont think theres a back lot here in Hollywood anymore that has those streets, like a French Quarter.

I have a silicone bust, and half of Hollywood - artificial person.

I don't know how Hollywood sees me.

It's somehow symbolic of Hollywood that Tara was just a facade, with no rooms inside.

There is a voice inside of my head that is trying to convince me that I'm not good enough and that I don't deserve to be here in Hollywood. So courage is required. The courage to decide that I have a voice and need to do what I love. To believe that this opportunity is not wasted on me. To own the fact that I am worthy.

There's more to life than being an actor in a Hollywood movie. I'm not going to adapt my life after that existence, where a lot of people do. And they get the publicist, and they get all that stuff, and it becomes them. I think it's a stupid way to live your life. A really dumb way to live your life.

The films of The Caine Mutiny and Marjorie Morningstar always seemed to me mere thin skims of the story lines, and I never did see a meager Hollywood caper called Youngblood Hawke, vaguely based on my 800-page novel. So it was that I opted for television, with its much broader time limits, for The Winds of War.

We are increasingly offered a diet [by Hollywood] in which sensation, not story, is king.

I've chosen not to live in Hollywood, and instead I live in Brooklyn, New York. It's how I like to live. I'd rather hang out with my kids and family when I'm not working. Going to premieres is not my idea of a fun night out.

I treat Hollywood as my high school.

Hollywood parties not only confuse me, but they often disillusion me. The disillusion comes when I meet a movie star I’ve been admiring since childhood. I always thought that movie stars were exciting and talented people full of special personality. Meeting one of them at a party I discover usually that he (or she) is colorless and even frightened. I’ve often stood silent at a party for hours listening to my movie idols turn into dull and little people.

Calvin: Trick or treat! Adult: Where's your costume? What are you supposed to be? Calvin: I'm yet another resource-consuming kid in an overpopulated planet, raised to an alarming extent by Madison Avenue and Hollywood, poised with my cynical and alienated peers to take over the world when you're old and weak... Am I scary, or what?

Everyone has to pay their child support, and no matter if you're a Hollywood actor or anyone else, it's always a little bit more than you want to pay.

I think the form, the Hollywood movie, I think the quality is obviously always going to be there and I think that the question of taste, there's always a question of taste.

Everyone applauds each other's success in Hollywood because they know how tough it is, but it really comes down fundamentally to the process.

In Hollywood you kind of fail upwards

It was a pity that movies and live TV left New York for Hollywood. London theater, movies, television - until (Britain's) money ran out - were always better than ours since the city was the political capital of the country, as well as the artistic and literary one. In L.A. we've always been slightly sealed off from real life. It's no accident that two of our most interesting directors, Woody Allen and Bob Altman, are more or less settled in the real world.

Hollywood Regency is a label some people put on me, but I consider myself a modernist in that I always try to make the work feel fresh.

I was told once that I didn't play the Hollywood game, and that's why I wasn't a big star. What they meant when was that I don't go to parties, and when I go to an audition and I don't like the script, they know it

I don't think the Hollywood community is interested in what I can do. That's all right. I've never looked for a job in my life, and I'm not going to start now. I have plenty to keep me busy.

Because someone stole Gregory Peck's star on Hollywood Blvd., I have hired a Brink's guard to protect my star!

I love hats, I'm such a fan of hats. You don't wear a fascinator everywhere you go, but there are ways to incorporate old Hollywood nuances into your looks today but also edge it up.