Quotes About Hollywood

I'm not ready to pack my bags and leave the town and my business that I love and my kids that I love more than anything and pack them up and come to Hollywood. I love California. I love Hollywood. But I'm not ready to uproot what I believe in to come to Hollywood.

I live in Hollywood, but you can't make me love Hollywood. I'll never love Hollywood.

When you have box-office results, Hollywood treats you different. Hollywood stands up. Once you get to the point where Hollywood sees that you create results, then the demand for you becomes higher.

In Hollywood a girl's virtue is much less important than her hairdo. You're judged by how you look, not by what you are. Hollywood's a place where they'll pay you a thousand dollars for kiss, and fifty cents for your soul. I know, because I turned down the first offer often enough and held out for the fifty.

I spoke to my agent and learned that a Hollywood scout had seen my proposal in one of the publishing houses, and had faxed it to Hollywood, where it was generating a lot of interest

England has been praised for turning out intelligent, adult pictures whereas Hollywood has been severely censured for turning out junk. I don't think criticism is a valid one because, in defense of Hollywood, we have censorship problems England doesn't have. I'm not speaking of the license to do sexy stuff. I'm speaking of the license to present adult ideas and viewpoints, which we lack and which means in turn that many of our pictures lack intelligent content.

I love doing movies, but right now, television is the way Hollywood was in the late '60s and early '70s. The dream era I would have loved to have been part of in Hollywood then is happening right now, but it's happening on television, with these big complicated story arcs and real character-driven shows and sheer ambiguity left and right.

In Hollywood, they put the knife in your front; in D.C., they put it in your back. I found far fewer duplicitous people in Hollywood.

The only way that Hollywood ever skews toward liberal is because part of what we make out of Hollywood involves writers, actors, directors, musicians, set designers, and photographers. In general, people like that are going to be more progressive, more open minded, a little more altruistic.

Hollywood has always been good to me. I've never blamed Hollywood for my problems.

THE DYING GAUL is a Hollywood satire. But Hollywood is not the real subject matter here. My play uses that world of high-rolling big money - that crazy-making business - to examine a whole range of subjects.

Once you got Hollywood doing these kinds of movies and having all the, how you say, the tools to do it, and also to keep on finding new ways of doing it becomes - Hollywood can be avant garde on what concerns action.

Love and friendship, two of life's abiding rewards, are endangered species in Hollywood. People crave both, mistaking alliance for friendship, lust for love, and ambition for both.

Last summer a second unit production crew went to France and shot scenes for several of this seasons episodes. They shot costumed actors in and around real castles and landmarks, we couldnt possibly have duplicated here in Hollywood.

I still giggle when someone asks for my address and I say, Hollywood, Los Angeles.

In Hollywood, you're never any better than your last picture.

You know how Hollywood is: They just follow suit.

You have to treat Hollywood like it's your boyfriend - he's there all the time.

The Hollywood atmosphere of crises and continuous anxiety is a kind of hysteria which prevents people from thinking, and is not too different from the way dictators use wars and continuous threats of war as an emotional basis for maintaining their power.

I've always said that the word 'genius,' especially in Hollywood, is way overused.

A lot of nudity in my early movies was out of necessity. When I came out to Hollywood, I didn't know anybody, I didn't have any connections. I did what a lot of people have to do in the real world, and just work up from the bottom.

Pretty much all comic-book people, like all Hollywood people, for the most part, are pretty liberal. I think especially UK writers. Alan Moore is probably the most radical guy you'll ever meet. I grew up loving those guys, so my heroes, as a kid, were radical cartoonists, essentially. I couldn't help but - I grew up in a left-wing household. But I do think it's fun, writing right-wing characters. I've found it interesting, just as a writer, to get inside their heads and make them likeable.

Being a conservative union member is almost like being an actor in Hollywood: You don't dare say it, or you might be injured on the job, or you might be laid off, or your family might have something happen to them.

Like one of those fake-smart, middlebrow TV shows, the speciousness of The Social Network is disguised by topicality. It's really a movie excusing Hollywood ruthlessness.

I'm not a city kind of guy. I'm happiest when I'm tromping through the woods. That's why I don't live in Los Angeles. Being physically away from Hollywood probably loses me a few jobs, but the best ones seek me out.

I dont know that I want to act 15 years from now. I mean, I love the process of acting, but not the masochism. No matter how successful you get in Hollywood, you cannot rest. Your new movie doesn't open well; they're looking for the next person to replace you; it's always something. You never have true peace.

I always felt that I was born in the wrong era. I wanted to be friends with John Garfield, for instance. He was one of the only actors that refused to testify in front of the House Un-American Activities Committee back when the Hollywood Ten blacklist was happening in the McCarthy period. I wish I could've been friends with Charlie Parker and played with him. That's my period. I feel real close to the '40s - and actually I was born in '37, so I was a kid singing on the radio in the '40s. But I always dreamed of going to big cities.

Many of us had this idea of doing independent film, of making personal, relevant films, as opposed to Hollywood fluff. I directed a few.

Hollywood Regency is a label some people put on me, but I consider myself a modernist in that I always try to make the work feel fresh.

The turning point in my career was Jaws. It was a turning point because I was a director-for-hire before Jaws and because it was such a big hit I could do any movie I wanted and Hollywood just wrote me a cheque.

No matter what you go through with the business side or the Hollywood side at the end of it all, when you are there on the set, it is your thing. So it is your own private world and that's great. That's where you have that bubble to create something in.

I just feel lucky to have grown up where I did because I think it gave me a nice base. Hollywood can really mess with your sense of self and I feel like coming from the South keeps me pretty grounded.

There are conservatives in Hollywood who make good movies. They just don't make conservative movies because that's not what gets funded.

Go to work and be a Hollywood stud, drive your four wheel drive right into the mud.

She goes to Frederick's of Hollywood at the mall and purchases an explicit lingerie outfit so sheer that you could read an appliance warranty through it in an unlit closet.

Hollywood, we decided, was a nice place to die, but we wouldn't want to live there.

Awards were made in Hollywood, in whatever the time it was created. They're to promote each other's movies. You give me an award, I give you an award and people will believe that we are great movies and they'll go to see them. It's still the same.

I'm not saying that it's wrong to make huge Hollywood films but it's just a different kind of feeling, a different sort of pleasure.

Growing up in the U.S., I was certainly deeply aware of the power of American media, specifically Hollywood and television, in terms of broadcasting a particular vision of what the American experience was like. As someone coming from a war that was a preoccupation of Americans in the 1980s, it did strike me that since we were a part of that war, we should have a chance to talk about ourselves.

Success is never bad in Hollywood. It is what you do with success that will dog you.

Here's how you get Hollywood in Positano: You need a nail salon and a yogurt place.

Look at me - I was the boo boy for years and years. Did I ever think I would end up in Hollywood or the FA Cup final? No, I didn't.

Like I said, I always believed in the spirit realm. Whether or not I understood it or witnessed it or was involved in it. There wasn't an incident that made be believe it was real, like I said I had an interest in it and as I grew older I realized that there are some people that are doing this for real. That's when I realized this isn't just a Hollywood thing.

In its heyday, Hollywood reflected, if it did not actually produce, the sexual climate of our land.

There are so many things I'd like to change in the industry. Everything from the reliance of style over substance to their reluctance to hire me for big budget blockbusters, but the thing I would love most would be if they understood people don't have to be Hollywood beautiful to be sexy or interesting.

Hitchcock was one of the few people in Hollywood who had a brand. Every movie he made was an Alfred Hitchcock movie, couldn't have been anyone else.

In Hollywood Westerns even in the Thirties and Forties, history was mythologized to accommodate some kind of moral code. And what really affects me deeply is when you see it taken to the extent where Native Americans become mythical people.

Do you know anything at all that nobody else knows or, for that matter, gives a damn about? If you do, then sit tight, because one of these days you're going to Hollywood as a technical supervisor on a million dollar movie.