Quotes About Hollywood

I'm not ready to pack my bags and leave the town and my business that I love and my kids that I love more than anything and pack them up and come to Hollywood. I love California. I love Hollywood. But I'm not ready to uproot what I believe in to come to Hollywood.

I've seen so many beautiful curvy women gain success in hollywood and then wither into bobble headed stick figures in some grotesque attempt to fit a revolting hollywood trend. I like real women, not the broomsticks that Hollywood has been selling lately.

I didn't go Hollywood on the outside with flashy cars, upstairs maids and mink covered bathroom fixtures. I went Hollywood on the inside and that's worst of all. I tried to avoid being natural. I lowered my voice. I copied the mannerisms of other stars. I struck poses. I received bad advice - from dramatic coaches, from agents, and from studio executives. I stopped being a human being. I blame myself and I blame Hollywood's star system.

If the Indian people want stories written about themselves, how they want them told, they are going to have to make them, they're going to have to finance them. If you let Hollywood do it, Hollywood is going to get it wrong most of the time.

I didn't come to Hollywood. Hollywood came to me. A lot of people wish they could say the things I say. Everyone out here is so phony, it's sickening.

... Variety and the Hollywood Reporter, two publications read more faithfully in Hollywood than the Koran is in Mecca.

I leave Hollywood, I go somewhere else and make some music, and then, when I have to go back to work, I try and take as much that I get from outside Hollywood back with me.

I just try to, in my own way, contribute to making a better Hollywood, to move Hollywood to be a leader in social justice, as it always has been, and not to have any holes in their own backyard while they continue to push for equality and all the things that they always stand up for.

Is Hollywood the cruelest city in the world? Well, it can be. New York can be that, too. You can be a Broadway star here one night, and something happens, and out--nobody knows you on the street. They forget you ever lived. It happens in Hollywood, too.

Hollywood is much more than America. Hollywood belongs to all of the planet.

I'm not a Hollywood basher because enough good movies come out of the Hollywood system every year to justify its existence, without any apologies.

It takes a pretty strong person, a rather unusual young person, to stand up to ridicule and refuse to give in to temptation. There are so many things today in modern music, on television, and in the movies that portray a life that is nowhere near the life the Lord would have us live. Consequently, we cannot afford to turn to the radio, television, or Hollywood to take our cues about what is right and what is wrong. It is scary to realize that the more we are exposed to Hollywood's version of life, the more we gradually begin to accept it.

To many Congressmen and Senators right now, there's a ceaseless antagonism toward Hollywood because politically, it is high-reward and low-risk. So when you can't do anything about poverty or the budget deficit, and you can't deal with Bosnia or the possibility of nuclear explosions in Russia, what do you do? You bash Hollywood and get on the front pages.

Back in the Bruce Lee era, and in my era, Kung-Fu stirred up a kind of frenzy, and many people were learning martial arts from us. But about a decade ago, Hollywood began bringing in a number of our action choreographers, including two from my own stunt crew, where they became martial arts directors. Now, a decade later, Hollywood has learned it all, so when you look at the action films they're making now, they all use our action, our martial arts, and then add to that their own technology which is ten times better than ours, and it has to leave us dumbfounded: how did they film that?

Hollywood has to appeal to the broadest audience, and when it comes to most social and economic issues, America is progressive. Because of that, the messages that are in Hollywood movies tend to be, for instance, pro-environment.

When I made Spartacus during the McCarthy Era, we were losing our freedom. It was an awful, awful way. McCarthy saw Communists everywhere, in every level of government and they concentrated on Hollywood and especially on Hollywood writers.

Television is a great job for a writer in the way that movies used to be, way before my time. Back when writers in Hollywood were on staff or under contract at any given studio and you'd write movie scripts and then the movies would get made within a few weeks, such that you could be a working writer in the movie business back in the '30s and '40s and '50s and have a hand in writing five or six movies a year that actually got produced. The only thing remotely like that in the 21st century here in Hollywood is working in the TV business.

Well, I don't think Hollywood's a dirty word at all, I love a lot of Hollywood films.

I always remind people why The Oscars got started in 1928: It was an effort by the studios to suppress the unions. They started the Academy because all the screenwriters and directors and actors were unionizing, and they thought, "We'll have something that resembles a union, but that's completely controlled by the moneyed interests in Hollywood." That's what it's been all these years. It's something that reinforces Hollywood's image of itself. The Best Picture one year was Gandhi. Nobody watched Gandhi, but that's the kind of picture that always wins.

At the end. First start off and do your youth thing In Hollywood and then go to New York later. But it wound up being later, later than I thought it was going to be.

Hollywood is the backdrop of my family, and I know that the movie business is incredibly cruel as you get older.

His scowl returned. "Why, if they're supposed to be Greek, are all of them speaking with an English accent?" She laughed. "Didn't you know that British is, like, the universal 'foreign' language in Hollywood? They use it in any movie where they want to have a foreign feel to it, regardless of where it's set

For whatever reason, that dream I had of going to Hollywood never went away. But when I got to LA at just 19 years of age, my faith was the foundation that gave me the confidence that I needed to believe that it would all work out and was a reason for the open and closed doors. Today, my faith is the center of my career.

For a woman to direct a movie in Hollywood, she has to go through so many layers of rejection by the powers that be - I suppose including myself - that it is harder to get to that point. So you can't just create something. And I think there is a whole unconscious mountain.

I'm tired of playing little girls. I'm a woman now. I can't run around forever being the Little Miss Fix It who bursts into song. I want to get out of Hollywood and get a fresh approach.

Having a partner who has nothing to do with Hollywood helps keep things in perspective.

Why westerns get segregated into a genre in Hollywood, I don't know... It's just good entertainment.

I never know what my next move will be in Hollywood. It's such an unpredictable town. People get jaded and lost and I've been able to stay a float. I think the next logical step in my career would be to start my own filmmaking empire like (Harvey Weinstein) and (Bob Weinstein) did so many years ago. I think if only the unions weren't so strict in Boston, I'd set up shop there and make films of a certain quality you don't see represented these days. I'm full of ideas and dreams.

After two years in Washington, I often long for the realism and sincerity of Hollywood.

I dont know that I want to act 15 years from now. I mean, I love the process of acting, but not the masochism. No matter how successful you get in Hollywood, you cannot rest. Your new movie doesn't open well; they're looking for the next person to replace you; it's always something. You never have true peace.

I think it is the responsibility of critics to rely less strenuously on, to use a Hollywood phrase, "what they can live with," and more on an examination of the works of art from an aesthetic and clinical point of view.

I don't like the vulgarity of Oscars weekend, but it's also sweet. It's prom weekend for anyone who didn't experience the real prom: the nerds, gay, arty outsiders. Hollywood is high school with money.

The problem with Hollywood is that nobody works. They have meals. They go to Pilates. But it's not enough. So they do drugs. If everybody had a pile of rocks in their backyard and spent every day moving them from one side of the yard to the other, it would be a much happier place.

As much as my parents are part of Hollywood, I have no recollection of them giving me advice about it.

People don't believe this, but Hollywood really is a meritocracy.

In Hollywood, there is another name for a woman's 40th birthday party, it's a retirement party.

I wanted people to see that I really am a real person. I'm not just some guy who was on a TV show, some guy engulfed in the Hollywood life. I'm just a normal guy when it comes down to it.

I've worked in almost every other place in Canada except Toronto, funny enough, where my husband's from. The first time I was here it was winter, and I got engaged. The second time I was here it was summer, and I was married. My family lives here, my stepson lives here, so it's a wonderful place. Everyone's very nice and hospitable, unlike Hollywood.

Every actor. every director, everybody needs an Oscar. You have to have that little statue in Hollywood or else you are nothing.

I was just excited by the whole prospect of working in a television series in Hollywood. I had never anticipated that as an actor I would ever end up here. It may be some sort of fantasy I'd thought about from time to time, but it was completely unrealistic.

Film buffs who don't live in Hollywood have a fantasy about what it's like to be a director. Movies and the people who make movies have such glamour associated with them. But the truth is, it's not like that. It's very different. It's hard work.

I would definitely like to continue my career in Hollywood, work hard and do my best.

Catherine Zeta-Jones started out like me. Her big break in Hollywood was in 'Zorro.'

I was as content Off-Broadway as I was in a big Hollywood movie, and, I just try to be content wherever I am, you know.

Hollywood overstates both the romance of marriage and the prevalence of divorce. Celebrities have divorce rates that are atypical and higher than most couples. I suspect that in celebrity marriages, there are huge egos on both sides and they do seem to encourage unrealistic expectations about falling in love. The problem with our romantic culture is that you can love someone you don't respect and the marriage can run out of gas with that formula. Respect is essential - not just respecting your partner but being sure your partner equally respects you.

D.C. is known as Hollywood for ugly people.

Once you capitulate to one dictator, does that mean that the next dictator or the next terrorist that says you're not going to make a comedy about - or a film at all about ISIS. All of us in public life have a responsibility right now to speak out and to say, 'No, Sony, you did the wrong thing' and to say to Hollywood, come behind - the other studios should come behind Sony and offer their support.

Awards were made in Hollywood, in whatever the time it was created. They're to promote each other's movies. You give me an award, I give you an award and people will believe that we are great movies and they'll go to see them. It's still the same.