Quotes About Literature

I'm not sure I'm happy with words such as "task" or "role" when they are attached to literature. I prefer to talk about the gift of literature rather than its role or task. You know, gynecology has a role; sex is a gift. And literature is not about sending messages.

The amplification of our diverse literary voices is a political act of resistance. Our lives are important, too. Our lives should be represented in our literature. And that literature is vital, compelling, and accessible. That literature deserves to be disseminated and noticed and available. And with respect to the dissemination and promotion of diverse voices - librarians, educators, and editors of literary journals play such an important role. They deserve not only a hearty shout out, but also our thanks and support.

Literature usually begets literature.

We spend so much time, these days, on forms of literature that don't rise to be literature, and I'm speaking about Twitter posts and quick and hot takes on different websites. We sort of zoom from thing to thing like a hummingbird.

The director [Elfar Adalsteins] came to me through my agent and I had a read of the script [of the "Sailcloth]. I thought immediately this is someone who is writing for the cinema. Not having to go through the tedious business of taking something from literature and making that awful leap that is so difficult to make anyway, from literature to cinema. It's refreshing to be able to deal with a subject like that, to be written where the driving force is the image on screen and you don't need any words. The more that we can do that [in film], the better.

Literature gives us models of living human beings who may not agree with us and even be our enemies. D. H. Lawrence said that the purpose of literature was to expand our sympathies. To be a human being is to be in a state of tension between your appetites and your dreams, and the social realities around you and your obligations to your fellow man. And this conflict cannot be easily reconciled. The tension is always there as a kind of a pain in the human condition.

After reading Edgar Allan Poe. Something the critics have not noticed: a new literary world pointing to the literature of the 20th Century. Scientific miracles, fables on the pattern A+ B, a clear-sighted, sickly literature. No more poetry but analytic fantasy. Something monomaniacal. Things playing a more important part than people; love giving away to deductions and other forms of ideas, style, subject and interest. The basis of the novel transferred from the heart to the head, from the passion to the idea, from the drama to the denouement.

In journalism, if there's a hole in your story you figure out a way around it because you've got a 4 p.m. deadline. It's a neat skill to have but it's deadly for literature. In literature, you need to stare at that hole, not ignore it. You need to figure it out.

Literature for me… tries to heal the harm done by stories. (How much harm? Most of the atrocities of history have been created by stories, e.g., the Jews killed Jesus.) I follow Sartre that the freedom the author claims for herself must be shared with the reader. So that would mean that literature is stories that put themselves at the disposal of readers who want to heal themselves. Their healing power lies in their honesty, the freshness of their vision, the new and unexpected things they show, the increase in power and responsibility they give the reader.

I believe that prizes are useful things for the disciplines, whether we are talking about chemistry or we're talking... It motivates, it, you know, inspires, it encourages and it brings, in the case of literature, it brings literature, the arts out of the ghetto.

Literature often gets taught nowadays as a record of the sins and shortcomings of the past. I see literature and the arts very differently: as essential to being human and to human progress, individual and collective.

National literature does not mean much these days; now is the age of world literature, and every one must contribute to hasten thearrival of that age.

We write from life and call it literature, and literature lives because we are in it.

It does not follow because many books are written by persons born in America that there exists an American literature. Books which imitate or represent the thoughts and life of Europe do not constitute an American literature. Before such can exist, an original idea must animate this nation and fresh currents of life must call into life fresh thoughts along the shore.

Any literature, when it arrives at being good literature, transcends genre.

The struggle of literature is in fact a struggle to escape from the confines of language; it stretches out from the utmost limits of what can be said; what stirs literature is the call and attraction of what is not in the dictionary.

If nobody talks about books, if they are not discussed or somehow contended with, literature ceases to be a conversation, ceases to be dynamic. Most of all, it ceases to be intimate. It degenerates into a monologue or a mutter. An unreviewed book is a struck bell that gives no resonance. Without reviews, literature would be oddly mute in spite of all those words on all those pages of all those books. Reviewing makes of reading a participant sport, not a spectator sport.

I don't fear death. I'm not obsessed with it the way everybody else seems to be. It's wrong to say "everybody," but in literature I see it all the time - preoccupation with it, philosophical preoccupation, in fact. That's a principle element of literature and philosophy, often cited as the main element, the only real element. I say give it up.

There is first the literature of KNOWLEDGE, and secondly, the literature of POWER. The function of the first is -- to teach; the function of the second is -- to move.

The English tourist in American literature wants above all things something different from what he has at home. For this reason the one American writer whom the English whole-heartedly admire is Walt Whitman. There, you will hear them say, is the real American undisguised. In the whole of English literature there is no figure which resembles his - among all our poetry none in the least comparable to Leaves of Grass

And all over the world, the old literature, the popular literature, is the same. It consists of very dignified sorrow and very undignified fun. Its sad tales are of broken hearts; its happy tales are of broken heads.

Literature incarnates its meanings as concretely as possible. The knowledge that literature gives of a subject is the kind of knowledge that is obtained by (vicariously) living through an experience.

Instead of educating the I.Q., we need to educate the H.Q., the heart quotient, the matters of truth, love, justice, and compassion. There are two ways to do this. One is through the read life experiences and the other is through literature. Literature has the power to take us outside ourselves and returns to ourselves a changed self.

As I grew up, I was interested in other areas, too, especially literature. It became a major love of mine. Later, it became a difficult choice for me as to whether to major in music or literature. It wasn't until my 30s that I began a profession in music.

Painting is literature in colors. Literature is painting in language.

The poor Geordies are in the process of being rebuffed by every sentient human being whose ambition in life is more than simply to pocket six million quid for having been a failure and run for the hills. They want beautiful, flowing football and tangible success, at St James' Park. Fine. I, meanwhile, want Jessica Alba and the Nobel prize for literature. I make my prospects slightly more realistic.

Children’s literature must build a bridge between the colorful dream world full of fantasy and illusion, and a tougher real world full of twists and turns. The child armed with the torch of knowledge, awareness and guidance must cross this bridge and set foot to the intense harshness of the bigger world.

The culture of France is unique because it's a culture that has a high priority on the arts, more than any other place in the world in our time since Greece. So as a practicing artist, if you will, this is home ground. They love us, so music, literature, art continues to be the center.

America is the only nation in the world that is founded on creed. That creed is set forth with dogmatic and even theological lucidity in the Declaration of Independence; perhaps the only piece of practical politics that is also theoretical politics and also great literature.

There are works of literature whose influence is strong but indirect because it is mediated through the whole of the culture rather than immediately through imitation. Wordsworth is the case that comes to mind.

In life there are two things which are dependable. The pleasures of the flesh and the pleasures of literature.

Kids' literature now is dystopian, you know.

An enormous amount of art and literature is erotic in the sense that it stimulates vague sexual emotions, but it has no pornographic intention or effect because "it leaves everything to the imagination." The consumer has to invent his own images, and it is felt, I do not know with what justification, that there is no harm in this.

In literature imitations do not imitate.

[Mark] Twain is pointing at you. You, the reader of the book one hundred and thirty years ago and today. That is what has made it a great American novel and the most widely read book in American Literature around the world today.

In great literature, I become a thousand different men but still remain myself.

Isn't connecting people to distant lands and culture one of the strengths of good literature?

What is wonderful about great literature is that it transforms the man who reads it towards the condition of the man who wrote.

I think my books give people a language to have a conversation about God that's not religious. There isn't enough new literature that brings the conversation of God into a modern context. I love the Bible, but in the West we've analyzed it until it fits into a structure of control. We need more new stories. We need different ways of looking at things, and I think it's coming.

I do not actually see how art, literature can be anything other that being in that domain of trying to tell us, trying to get us to see what is important in our lives.

There isn't a lot of poverty literature in the young-adult world. And I don't know why that is, but I think certainly I felt a gap.

Listen closely. There’s a remote possibility that you might learn something: First, I don’t give a damn if my work is commercial or not…I’m the writer. If what I write is good, then people will read it. That’s why literature exists. An author puts his heart and guts on the page. For your information, a good novel can change the world. Keep that in mind before you attempt to sit down at a typewriter. Never waste time on something you don’t believe in yourself.

I was trained in the '50s as a New Critic. I remember what literature was like before the New Critics, when people stood up and talked about Shelley's soul and such things

I'm kind of hooked to the game of art and literature; my heroes are artists and writers.

One would naturally expect that the Lord Jesus Christ would be sufficiently important to receive ample notice in the literature of his time, and that extensive biographical material would be available. He was observed by multitudes of people, and his own followers numbered into the hundreds (1 Cor. 15:6), whose witness was still living in the middle of the first century. As a matter of fact, the amount of information concerning him is comparatively meager. Aside from the four Gospels, and a few scattered allusions in the epistles, contemporary history is almost silent concerning him.

Leisure, itself the creation of wealth, is incessantly engaged in transmuting wealth into beauty by secreting the surplus energy which flowers in great architecture, great painting and great literature. Only in the atmosphere thus engendered floats that impalpable dust of ideas which is the real culture. A colony of ants or bees will never create a Parthenon.

Plot involves fragmentary reality, and it might involve composite reality. Fragmentary reality is the view of the individual. Composite reality is the community or state view. Fragmentary reality is always set against composite reality. Virginia Woolf did this by creating fragmentary monologues and for a while this was all the rage in literature. She was a genius. In the hands of the merely talented it came off like gibberish.

I've been missing Japanese literature so much of late.