Quotes About Paris

Why Paris? Paris needs no reason. Paris is its own reason.

I didn't go to Paris until I was a grown-up in 1965. And when I went to Paris, it was the Paris I knew only from American movies.

I’m going to kill myself. I should go to Paris and jump off the Eiffel Tower. I’ll be dead. you know, in fact, if I get the Concorde, I could be dead three hours earlier, which would be perfect. Or wait a minute. It -- with the time change, I could be alive for six hours in New York but dead three hours in Paris. I could get things done, and I could also be dead.

If you are lucky enough to have lived in Paris as a young man, then wherever you go for the rest of your life it stays with you, for Paris is a moveable feast.

My teacher introduced me to this photographer Eugène Atget. He was a French photographer in the late 1800s up until 1927 in Paris. He didn't consider himself an artist, but he was probably one of the artists of the 20th century. This guy documented all of Paris during those years. It's unbelievable. The books are phenomenal. The Museum of Modern Art has all his stuff now and [American photographer] Berenice Abbott saved his work. Not very much is known about his life, but the work is unreal and it totally spoke to me. He was the only artist for a number of years that I cared about at all.

If the weather is too cold or rainy, I take shelter in the Regence Cafe, where I entertain myself by watching chess being played. Paris is the world center, and this cafe is the Paris centre for the finest skill at this game.

Well,’ I said, ‘Paris is old, is many centuries. You feel, in Paris, all the time gone by. That isn’t what you feel in New York — ’He was smiling. I stopped. ‘What do you feel in New York?’ he asked. ‘Perhaps you feel,’ I told him, ‘all the time to come. There’s such power there, everything is in such movement. You can’t help wondering—I can’t help wondering—what it will all be like— many years from now.

The brown toxic cloud strangling Los Angeles never lifts and grows thicker with every immigrant added. One can't help appreciate the streets of Paris will soon become the streets of LA. However, Paris' streets erupted while LA's shall sink into a Third World quagmire much like Bombay or Calcutta, India. When you import that much crime, illiteracy, multiple languages and disease-Americans pick up stakes and move away.

When I was going to Paris for Paris Fashion Week, I'd often walk down the street and go into all the different shops that we didn't necessarily have in the UK and Maje was definitely one of the ones that stood out for me.

[On Paris:] A city never entirely known, yet which gives you the feeling of intimacy, of possessing it intimately.

Ironically, even the fashion in New York or Paris or Milan or whatever, or music in Berlin, or art in, I don't know, Madrid - all these scenes come and go. Everything leads back to Hollywood.

I was born and raised in a suburb of Paris by a working-class family.

I always wish the hotels were like they are in movies and TV shows, where if you're in Paris, right outside your window is the Eiffel Tower. In Egypt, the pyramids are right there. In the movies, every hotel has a monument right outside your window. My hotel rooms overlook the garbage dumpster in the back alley.

I always love going to Paris, and now I feel like I know it really well.

Where [Albert Camus] is in exile isn't especially in Paris or elsewhere, but from the intellectual world, because of his origins.

But sometimes when I was starting a new story and I could not get it going, I would sit in front of the fire and squeeze the peel of the little oranges into the edge of the flame and watch the sputter of blue that they made. I would stand and look out over the roofs of Paris and think, 'Do not worry. You have always written before and you will write now. All you have to do is write one true sentence. Write the truest sentence that you know.' So finally I would write one true sentence, and then go on from there.

There's a place in Paris where I'd like to work one day. It's called the Slow Club.

Filmmaking is to me very similar to being in a café somewhere in Paris and looking at the people walking by.

Paris Hilton said something interesting to me once: she said, 'I just tell everyone what they want to hear, and I do what I want to do.'

Even before President [Barack] Obama announced actions aimed at tightening controls on gun purchases, sales were up, partly in reaction to terrorist attacks in Paris and San Bernardino. Gun dealers say the president's initiatives have spurred sales. At the same time, polling shows more than two thirds of Americans support the president's proposals, including a majority of gun owners.

There's something unnatural about a woman finding babies or, more specifically, conversation about babies, boring. They'll think she's bitter, jealous, lonely. But she's also bored of everybody telling her how lucky she is, what with all that sleep and all that freedom and spare time, the ability to go on dates or head off to Paris at a moments notice. It sounds like they're consoling her, and she resents this and feels patronized by it.

There's enough people that do unfunny music. I'll leave the serious stuff to Paris Hilton and Kevin Federline.

The younger generation forms a country of its own. It has no geographical boundaries. I've talked with young Hungarians in Budapest, with young Italians in Rome, with young Frenchmen in Paris, and with young people all over. ... These young people are going to do things. They are going to change things.

To have come on all this new world of writing, with time to read in a city like Paris where there was a way of living well and working, no matter how poor you were, was like having a great treasure given to you.

Everything begins in Paris.

I don't like Paris so much, and it's only eight shows. I mean, don't tell them that, of course. But everyone always thinks they're so important. And I'm sure they are. But to me, my happiness is more important.

The best novelist of my generation is an Italian living in Paris, still working and improving - Italo Calvino.

I am on the road all the time. Whether I'm in Paris or in a small college town in Texas, I can't tell the difference, and that's good. You don't have to leave where you were born to be cool anymore.

"Naming Tokyo" kicked off at the Palais de Tokyo in Paris in June, and it's going to travel to various art institutions for years to come. Every time it is shown, I'm developing the research and involving more and more people in it. The final conclusion of the work would eventually be to put up street signs in Tokyo with my names on them.

because wherever I sat—on the deck of a ship or at a street café in Paris or Bangkok—I would be sitting under the same glass bell jar, stewing in my own sour air.

I was born in Paris in the mid-1960s, and by the time I was 12 I had started going to the movies by myself. Most of the movies of that period never appealed to me. I didn't like the 'naturalism,' the sad or the 'down-to-earth' characters. What I wanted from film was fantasy, dreams, funny situations, extravagant decor - and beautiful women.

But if you go over the line, you don't want to get stuck in a Nevada State court room. Honestly, because Nevada has been doing a good job of putting California criminals in jail. I mean, we couldn't put OJ in jail, but they did. We couldn't put Paris Hilton in jail, but they did.

It was very hard to make 'Funny Face' in Paris because making movies is difficult and making a movie in a city that was glorious, that was unique and surprising, to get it, to put it on film you have to make choices and reject a lot of things so you're always wondering: "am I doing it right?"

But I'm blessed to work with great people. I collaborate with brilliant stylists both here and in Paris. I work with a great design team. I really allow everyone to bring their ideas. I almost rely on them to inspire me.

I had actually, after the Paris attacks in this country, we all patted ourselves on the back and said, "Well, we have a much more assimilated Muslim population here than they do in Europe."

Paris is one of the largest, and certainly it is the pleasantest, of modern American cities.

I like spending time at home. In Paris, people drop by and have a bite to eat, or they drop by and watch Friends on TV. I take my dog to the office there, and I walk to work sometimes.

I've been intrigued by 'Le Monde' ever since work took me to Paris once, and I noted that on a day when there was some huge worldwide story, the paper led its front page on some cabinet changes in Turkey. It implied a magnificent disdain for the quotidian folderol of mere news.

"Parisienne" is about how you forge a life in a new place when you are 18. And it's about a Lebanese girl who discovers Paris and the French in the 90s, and through these encounters, discovers herself.

You come to Paris, you get true originality, and it's wonderful.

Paris: city of encounters, of furtive and painful discoveries. All isms converge there, including the anti-isms, all the revolutionaries too, including the counterrevolutionaries .

Restoration is to some extent part of the digital age. These days, if you re-issue a movie in theaters or on Blu-ray, it has to be in high-quality condition: You have to restore. We plan a Paris cinema theater dedicated totally to classics. If we think there's an audience, we will release classics in theaters. People will discover that it's worth going to the cinema to see great movies of the past in perfect condition. I believe a lot in that.

I think the people I talk about are generally so stupid that they don't even know I'm saying bad things about them. I've run into Paris Hilton and she's like, Oh, I love your show. And I'm like, You can't love my show if you can hear.

Oh, it was so hard to leave Paris, just about my favorite city in the world.

Custom, law bent my first years to the religion of the happy Muslims. I see it too clearly: the care taken of our childhood forms our feelings, our habits, our belief. By the Ganges I would have been a slave of the false gods, a Christian in Paris, a Muslim here.

People are often frightened of Parisians, but an American in Paris will find no harsher critic than another American.

New York is my home and I have a particular fondness for it. I think it's a place where you can generate any kind of story wonderfully. But I also would be very happy to make a film in Paris or Rome.

Maybe all spirits flew to Paris, not only French ones. Could you haunt a place you'd never been?