Quotes About Clubs

When I started in the clubs, I had to work places where didn't nobody else want to work. I had to do clubs where street gangs were, had to do motorcycle gangs, gay balls and things of that nature.

The thing that still exists is that if it's at all possible for me to step outside the club after the show, because I still haven't encountered any comedy clubs that - legally they can't have weed smoking and alcohol at the same facility, pretty much in all the states that have legalized, that's part of the deal. And, unfortunately, comedy clubs make all their money from the selling alcohol part of it. So, since there are no venues I can smoke with the fans in, I step outside and pretty much every show I do there are some people out there and we have a nice little session.

Even though I have fond feelings for comedy clubs, I enjoy the focus you get in a theater. Comedy clubs are a different animal. People are being served nachos and there's a blender going off in the background.

The thing is that racism is systematic, so of course it sometimes manifested itself within the clubs. But I have certainly experienced racism outside of the clubs as well.

I don't care about the clubs, I don't care about the radio, all I care about is getting my digital downloads.

You're younger, you might want to go to clubs and kick it, but as you get older, you start seeing that life has more meaning to it. The people that you love are the people you want to start trusting and start wanting them to trust you and start respecting them.

I've always stayed on the periphery of things. When I used to go to the punk clubs and things like that, I was never up front. I always wanted to be in the back, or on the side, because I wanted to get the whole view, rather than be staring up at someone's nostrils.

I didn't mind working in the clubs, but I resented it being a club where pimps hang out. Because the music that I create is of a higher intellect than that. It not only encompasses pimps, but whores, ballplayers, executives... everybody.

I didn't really get that good at cutting because I didn't have those three years of gestating and nurturing my skills in the bedroom. I was kind of, like, out and playing in clubs after three of four months, because I was pushy with promoters. But I would just listen to the radio - Stretch Armstrong and Red Alert - and then I would go hang out with Mayhem, who did the WNYU hip-hop show.

If you want me to rule out ever being Manchester United manager, I can't. Special clubs need special managers, so in theory it could work.

Stand-up is every man for himself; you learn from hanging out at these clubs and watching other guys, and then trying not to be like them.

I probably would have no capability of absorbing a 60-defeat season as a coach. It would be a foreign experience. My whole career, even as a player, has been on winning basketball clubs and it just seems to have been a part of the make-up of what’s been given me. That’s what I’ve been given and that’s what I’ve had to deal with. Some people can make fun of it or some people can have a good time with it, or some people can resent it. It’s just what it is.

Indeed, the maligned American pastime of baseball may be by-far the greatest and best sport by one criterion, when it comes to emulating and training for genuinely useful Neolithic skills! Think about it. The game consists of lots of patient waiting and watching (stalking), throwing with incredible accuracy and speed, sprinting, dodging... and hitting moving objects real hard with clubs! And arguing. Hey, what else could you possibly need? Now, tell me, how do soccer or basketball prepare you to survive in the wild, hm?

Since I was gay and loved disco music, it was kinda pre-programmed that my first experiences with house music and acid - which I first heard in the late 80s, mainly through Düsseldorf's ruling clubs, Relaxx and Ratinger Hof - completely mesmerized me.

I go to goth clubs dressed as a frat guy so I can stand around and look terribly uncomfortable. At frat parties I do the same thing, but the other way around.

The law don't like jazz clubs. No one wants anything to do with that kind of trouble.

On a practical level, I'm uncomfortable at comedy clubs because there are so many shitty dude comics who have made my life miserable. If I go to a comedy club and I look around, I don't know which of the dudes lining the wall told me that I was too fat to get raped. It makes me nauseous. But that was a couple years ago, and meanwhile, comedy has changed a lot.

The clubs are good fun-having a laugh, really having a good time.

Ever since I can remember I’ve had positive and negative fan reviews. And whether it was positive or negative it wasn’t always based in reality or what my perception of the music was. But judging from playing these new songs live and my feelings on the record [Scream] – and it’s a great record – there is definitely an audience for it. Also, I don’t really go to clubs so I don’t know what sounds are made there.

The other day I broke 70. That's a lot of clubs.

I was looking for inspiration. I found it in California. The weather was always great, and the majority of San Diego seemed to be youth-and if you weren't 21 and couldn't get into the clubs, you'd go to a coffeehouse and hang out.

What people don't realize is that the so-called Seattle grunge scene grew out of several close-knit gourmet supper clubs - we would only pick up guitars to pass the time while our dishes were simmering, baking, boiling, etc.

It happens to be a matter of record that I was first in print with the discovery that the tastelessness of the food offered in American clubs varies in direct proportion to the exclusiveness of the club.

I've come to view Jesus much the way I view Elvis. I love the guy but the fan clubs really freak me out.

Within the next generation I believe that the world's leaders will discover that infant conditioning and narco-hypnosis are more efficient, as instruments of government, than clubs and prisons, and that the lust for power can be just as completely satisfied by suggesting people into loving their servitude as by flogging them and kicking them into obedience.

In international football you have 10 games a season, with players from different clubs. There's no time for proper coaching; they're just recovering from playing on the Saturday.

The crowds at West Ham haven't been rewarded by results, but they keep turning up because of the good football they see. Other clubs will suffer from the old bugbear that results count more than anything. This has been the ruination of English soccer.

At the end of the day, I'm a footballer who has played at some of the biggest football clubs in the world and played with some of the best players in the world.

I had no interest in sports so I didn't make friends in that traditional way where kids are in public school and they go and they join clubs, and play sports. So I kind of had to find my own way to make friends and get attention and so I just was the class clown.

Not all comedy clubs or situations are ideal, especially when you're first coming up and I think that's good for you. Eventually you get to express your real personality.

When I went to school, it was really just to immerse myself in listening to, studying, and making music. I came out like, "How is this going to be more than a hobby I'm always paying off debt for?" I could've sat at a desk and written pieces for orchestras that never would have been played, or I could've written music for me as a performer. I play electronics, and the places I was gonna be playing were bass clubs and house parties.

When I dropped out [from a law school], everybody was disappointed... But I found that disappointing people is a good thing, because disapproval is freedom. Before that, I never realized how much I sought other people's approval. Once I figured that out, I was free to move on and seek the approval of other people, in comedy clubs and showbiz meetings.

Within the context of the clubs, and perhaps the sex business as a whole, the issue of race becomes very complicated because you can't force someone to pay for something - or someone - that they don't want, whether their desire - or lack thereof - is motivated by racism or not.

I was in New York, miserable because I was working supper clubs but I wasn't expressing myself. I was really unhappy with my life. I saw Max Roach again and he told me I didn't have to do things like that. He made me an honest woman on the stage. I have been performing in that tradition since. I feel that I'm a serious performer now whereas then I wanted to be but I didn't know how.

The true reformer does not want time, nor money, nor coöperation, nor advice. What is time but the stuff delay is made of? And depend upon it, our virtue will not live on the interest of our money. He expects no income, but outgoes; so soon as we begin to count the cost, the cost begins. And as for advice, the information floating in the atmosphere of society is as evanescent and unserviceable to him as gossamer for clubs of Hercules.

Even though hip-hop started as a battle format, different artists appeared on each other's records or hung out in the same clubs, supporting each other. That was a profound influence. Also, hip-hop, to me, represents limitless possibility. Hip-hop is always evolving. People say, "Oh, it's a very commercial thing, it's too R&B." But in six months, a record is gonna come out that will completely change that.

Me and Jerry left because we felt we weren't getting anywhere playing our old songs in tiny clubs. The group was getting stale and staying behind the times.

I don't play well enough to be allowed to throw my clubs.

The police can't use clubs or gas or dogs. I suppose they will have to use poison ivy.

When I was growing up in comedy, there were maybe 10 comics in the whole country. Everyone had a day job. You worked free for years in little clubs, then you got your big break and became a star.

Everything I do comes from the clubs. If I lose that, I'm done.

When I got old enough to go to night clubs to hear that music at the age of 15.

If he's got golf clubs in his truck or a camper in his driveway, I don't hire him.

I'm a nightclub comic. That's what I do. I work in the clubs uncensored because my mind is uncensored, and those are the thoughts that I have. I do the kind of comedy that I would enjoy seeing.

I don't really go out to clubs, but if I did, I'd just want to go rock out with my mates or whatever.

To tell you the truth, man, we spend most of the time travelling in hotels, in festivals, in concert halls, clubs, airports. The most unenjoyable part is all the security at airports.

I love people-watching at the clubs in Los Angeles, where girls make fools of themselves and guys pay thousands of dollars for a couple of bottles of vodka just so they can get a table. It's quite a scene.

Like the Birth Of Venus, the song [Yello "oh, Yeah"] denotes the birth of the bro. The song just reminds me of bros looking out over lowered Ray-Bans. It birthed a negative sexual revolution. I was going to a lot of bondage clubs at the time and they did play this song. The song I associate more is that horrible Enigma song with the Gregorian chant. There's something good buried in that song and I might not hate it as much if I hadn't been a sex worker.