Quotes About Create

People create stories create people; or rather stories create people create stories.

Remember: ego can create misery, ego can create anguish, ego can create hate, ego can create jealousy. Ego can never become a vehicle for the divine, it can never become the passage for the beyond.

When we make films - even 2D films - you're always trying to create this illusion of 3D, anyway. You're trying to create a believable world with characters walking, in and out of the perspective, to create the illusion that there's a world. The desire and drive to create this illusion of three-dimensional space is something that is true about every kind of film because you want the audience to really be experiencing it, first hand. It's a natural extension of the storytelling and the process of filmmaking.

This is the whole secret of non-attachment: live in the world, but don't be of the world. Love people, but don't create attachments. Reflect people, reflect the beauties of the world - and there are so many. But don't cling. The clinging mind loses its mirrorhood. And mirrorhood is Buddhahood. To keep that quality of mirroring continuously fresh is to remain young, is to remain pure, is to remain innocent. Know, but don't create knowledge. Love, but don't create desire. Live, live beautifully, live utterly, abandon yourself in the moment. But don't look back. This is the art of non-attachment.

You don’t create your future. You create your daily habits, and they create your future.

Police and firefighters are great, but they don't create wealth. They protect it. That's crucial. Teaching is a wonderful profession. Teachers help educate people to become good citizens so that citizens can then go create wealth. But they don't create the wealth themselves.

...countries don't create economies. It is entrepreneurs and companies that create and revitalize economies. The role of the governments should be to create a nourishing environment for entrepreneurs and companies to flourish, not to get in the way of economic development.

Don’t fight for slavery! Fight for liberty! [...] You, the people, have the power, the power to create machines, the power to create happiness! You, the people, have the power to make this life free and beautiful, to make this life a wonderful adventure.

And somehow mother nature manages to create this incredible biosphere, to create this incredibly rich environment of animals and plants with this amazingly small amount of data.

If you envy successful people, you create a negative force field of attraction that repels you from ever doing the things that you need to do to be successful. If you admire successful people, you create a positive force field of attraction that draws you toward becoming more and more like the kinds of people that you want to be like.

I'm trying to create flesh architecture. I aim to get a sculptural feel for groups of bodies, as well as create performance art.

That is the brilliant thing about the millennials. They're not obsessing about, "Hey, there is not going to be a job for me" - they're trying to take advantage of how good a life they can have without having to create so much nominal income. Income is there to create quality of life, but you can share your car and get where you want to go, and you can travel the world by couch surfing. I think they're taking advantage of deflationary forces to improve their life while not maybe having to chase the nominal money that was needed to buy a whole car, a whole house, a whole couch.

Oh these foolish men! They could not create so much as a worm, but they create gods by the dozens.

I'm truly blessed to be doing what I've always wanted - CREATE. I have found a freedom that is hard to put into words. I always wondered about my projects - which artists are working on what, and which directions should I take? I don't even think of those things now. I passionately go into my studio and ask myself, what would I like to create today?

My purpose is to create a mirror for the reader to see themselves, to create a light for people to see themselves in the characters, pictures, and stories. So they resonate.

I'm trying to build a strong business. I want to create new stars, new shows and new products for my audience and create a legacy that outlives me. There are so many other ways I want to reach women besides doing a talk show.

You cannot create results. You can only create conditions in which something might happen.

If you’re going to create, create a lot. Creativity is not like playing the slot machines, where failure to win means you go home broke. With creativity, if you don’t win, you’re usually no worse off than if you hadn’t played.

I believe that I can create whatever I want to create. If I can put my head on it right, study it, learn the patterns, and - it's hard to put into words, it's real metaphysical, esoteric nonsense, but I feel very strongly that we are who we choose to be.

What type of new economical system can organize this system? There is another sector in our life, that we rely on every single day, that are absolutely essential: the social commons, the social economy. It is all the activity we engage in to create social capital. It doesn't create capital market. Social commons is growing faster than the market place. It is growing faster than the market place. The social commons include any activity that is deeply social and collaborative.

Let's say I am a chocoholic and I eat tons of chocolate a day. A hundred thousands of tons a day. I have this craving, but I can't afford it, so I get a printing press, and I start printing money, and I print billions and billions to buy chocolate. So I create this boom in the chocolate industry, so stores are running out of chocolate. So they have demand, so chocolate makers expand. Cocoa growers expand. You create this great boom. But now the feds arrest me and shut me down. And now there is a depression in the chocolate industry. That's what happens with the monetary policy.

To create is, first and foremost, to create time.

A good designer can create a design that accommodates all the constraints and still delivers an elegant, satisfying experience to the user. A great designer can go beyond this and create a design that demonstrates that some of those constraints weren’t really there to begin with.

With stand-up, there's a little bit of an exaggerated reality because things have to be manipulated to create comedy, to create jokes.

The world is for newness, not for oldness. New, new things we have to create. Then only the world will progress. If not, we will come to feel that there is nothing new under the sun. We have to create new things to keep our joy. If there is no newness, how can we have enthusiasm? And if there is no enthusiasm, do we make any progress?

We try to reward people according to the value they create, value they create in society and for the company.

Because I could take this as an opportunity to create something that I pretty much guarantee nobody else was going to create in film.

I wanted to make mini features. And there was a wonderful creative freedom; not necessarily copying the lyrics, but just trying to create emotion. Like the songs, you know? Just like how the song creates an emotion, I wanted the video to create an emotion.

Unions don't create jobs. People create jobs.

We now know that whatever you vibrate, you create and attract to yourself. So, you work on healing yourself in order to create peace around you. You become peace. If there is conflict living within you, you cannot live in a world of peace. The world mirrors back to you perfectly the condition of your love and of your intent. And if the world you re living in is not a world that is at peace and at joy and at grace, then you have to find peace, joy, and grace within you.

Usually you talk about directors in terms of the way they choose camera lenses or a kind of light to create a certain effect. But to me the most valuable commodity for a movie to create is a feeling of life, and that's what A Hard Day's Night has in spades.

I think that when you create something or at least try to create something, you slither between excitement and pleasure and you understand this huge emotional frustration. You did one feat, then you go back one.

We're not in the physical world. The physical world is in us. We create the physical world when we perceive it, when we observe it. And also we create this experience in our imagination. And when I say "we," I don't mean the physical body or the brain, but a deeper domain of consciousness which conceives, governs, constructs and actually becomes everything that we call physical reality.

The image of myself which I try to create in my own mind in order that I may love myself is very different from the image which I try to create in the minds of others in order that they may love me.

When I say I love Eastland, it sounds preposterous a man who brutalizes people. But you love him or you wouldn't be here. You're going to Mississippi to create social change and you love Eastland in your desire to create conditions which will redeem his children. Loving your enemy is manifest in putting your arms not around the man but around the social situation, to take power from those who misuse it at which point they can become human too.

Every man now is responsible to create a buddhafield around himself, an energy field that goes on becoming bigger and bigger. Create as many vibrations of laughter, joy, celebration, as possible; dance, sing, let the whole of humanity by and by catch the fire of Zen and the wind of Zen.

As a kid, I wanted to be an inventor and realizing that being an artist is like being an inventor because you create problems for yourself and you solve them and you create things that weren't there before. That's awfully simplified, but that's how it is.

It is good to remember that the goal of Buddhism is to create Buddhas, not Buddhists, as the goal of Christianity is to create Christs, not Christians. In the same vein, my teachings are not meant to acquire followers or imitators, but to awaken beings to eternal truth and thus to awakened life and living.

Rene Char wrote somewhere, apropos poetry, that there are those who create and those who discover; they are too completely different worlds. Photograph also has two sides to it and thank goodness, I am only intersted in those who discover; I feel a certain solidarity with those who set out in a spirit of discovery; I think there is much more risk invovled in this than in trying to create images; and in the end, reality is more important.

When you innovate, you create new industries that then boost your economy. And when you create new industries and that becomes part of your culture, your jobs can't go overseas because no one else has figured out how to do it yet.

That is the paradox of the epidemic: that in order to create one contagious movement, you often have to create many small movements first.

You take a poor black child. Give him a good education, tell him he's somebody, that God didn't create junk when he created him, and that black child will create his own affirmative action.

You are a creator; you create with your every thought. You often create by default, for you are getting what you are giving your attention to wanted or unwanted but you know by how it feels if what you are getting (creating) is what you are wanting or if it is not what you are wanting. (Where is your attention focused?)

Don't create for the masses. Create for the people who are your kind of weird.

You can't pretend that everybody likes Versace. It would be boring. It's better to create a reaction than to create no reaction. That's dangerous.

We need the private sector to create jobs. If the government could create jobs Communism would have worked, but it didn't.

Marshall Rosenberg talks about how we can create peace in the communities we work with. He's been traveling to warring nations to create peace within those countries.

If you want to create, you'll create.