Quotes About Feel

When you are in deep meditation you don't feel meditation, you feel bliss. When you are deep in meditation, when you are deep in awareness, you don't feel awareness, you feel bliss. When you begin to feel bliss, that means now you have begun to be aware. Awareness creates the situation in which bliss is felt.

I'm ready. I feel like I can't be beat. You have to feel like that being a fighter. I just feel like this is a bigger type of energy. I feel like I've beaten so many odds. I feel kind of invincible. It's going to be a good fight.

Put down your cell phones, put everything away, and feel your blood pulsing in you, feel your creative impulse, feel your own spirit, your heart, your mind. Feel the joy of being alive and free.

I feel like I've got the skills to be at the top, I feel like I've got the mind-state, so basically what I'm saying is there's people all around me, there's artists all around me that are in my zone, but I still feel alone. I feel like I can't relate to them as much as I can related to maybe somebody that was a little bit higher up.

One of the most common words in the invalidating, self-blaming stories we believe about ourselves or our situations is the word "should." The psychologist Albert Ellis has coined the phrase "Stop shoulding on yourself." When you tell yourself that you should feel or be another way, you are likely to feel bad about yourself. As an alternative, try telling yourself that it is okay to feel or be the way you are, even though you have some idea that you should feel or be different.

I feel physically ill if I don't make work, I don't create. I don't feel very good. I don't feel right, I feel wrong.

No matter what as an artist that's always what you want to do, you want to connect to the audience, you want to be able to send whatever message it is that you're singing about, you want to be able to convey that - and not make them feel - you want them to feel it, you want them to feel what you feel.

I'm seventy-six now. I'm at a stage in my life where I feel a lot of affection and regard for women, and I felt the need to make this clear in some way. I don't know how they'll feel when they read it, but I feel okay about it.

No matter what the issue is, don't try to justify why you don't feel good. And don't try to justify why you should feel differently. Don't try to blame whatever it is you think the reason is that's keeping you from feeling good. All of that is wasted effort. Just try to feel better right now.

Do you ever feel like a plastic bag, drifting throught the wind, wanting to start again. Do you ever feel, feel so paper thin, like a house of cards, one blow from caving in.

I don't understand anything. Life is so strange. I feel like some one who's lived all his life by a duck-pond and suddenly is shown the sea. It makes me a little breathless, and yet it fills me with elation. I don't want to die, I want to live. I'm beginning to feel a new courage. I feel like one of those old sailors who set sail for undiscovered seas and I think my soul hankers for the unknown.

I personally feel that people feel very reassured by nature because it makes us feel small and that's a good thing for human beings and for society.

Sometimes it works. Sometimes I feel like playing 'Hospital'. Sometimes I feel like playing 'Pablo Picasso'. I've been playing a lot lately. I do it as long as I feel like it.

[People] feel Washington doesn't understand their lives anymore, and they feel that even though Donald Trump might make a mistake with what he says from time to time, they see that as authenticity and maybe somebody who will truly pay attention to them, because they feel ignored.

Social media itself is not protest. To tweet is not to protest physically. To do a Facebook post, and though it's critical and crucial, is not to show up and embody the anger you feel, to embody the righteous outrage you feel, to embody the concern you feel. This is about putting feet to pavement and to register in the consciousness of America that this is something that's problematic.

What I react against in other people's work, as a filmgoer, is when I see something in a movie that I feel is supposed to make me feel emotional, but I don't believe the filmmaker shares that emotion. They just think the audience will. And I think you can feel that separation. So any time I find myself writing something that I don't really respond to, but I'm telling myself, 'Oh yes, but the audience is going to like this,' then I know I'm on the wrong track and I just throw it out.

The fact that we all leave behind seemingly insignificant clues behind ourselves - emotional DNA or what I call Small Data - which are able to describe with an insane accuracy who we really are, our personalities and desires. But even more how we all represents out of balances - perhaps I feel too overweight, feel alone or feel I haven't achieved what I'd hoped for when hitting 40. These imbalances are surprisingly visible when visiting consumers' homes - and surprisingly invisible when relaying on Big Data.

Spending $1 for a brand new house would feel very, very good. Spending $1,000 for a ham sandwich would feel very, very bad. Spending $19,000 for a small family car would feel, well, more or less right. But as with physical pain, fiscal pain can depend on the individual, and everyone has a different threshold.

I don't really identify with America, I don't really feel like an American or part of the American experience, and I don't really feel like a member of the human race, to tell you the truth. I know I am, but I really don't. All the definitions are there, but I don't really feel a part of it. I think I have found a detached point of view, an ideal emotional detachment from the American experience and culture and the human experience and culture and human choices.

When I read a novel that I really like, I feel as if I am in direct, personal communication with the author. I feel as if the author and I are on the same wavelength mentally, that we have a lot in common with each other, and that we could have an interesting conversation, or even a friendship, if the circumstances permitted it. When the novel comes to an end, I feel a certain letdown, a loss of contact. It is natural to want to recapture that feeling by reading other works by the same author, or by corresponding with him/her directly.

Because if I let myself feel the pain and the anger, I think it might kill me. Or I might kill someone else. I know it's wrong to feel that way about God and I know its's wrong to not feel anything. I hate it. I don't hate God. I hate not loving Him.

In general, I feel, or I have come to feel, that the richest writing comes not from the people who dedicate themselves to writing alone. I know this is contradicted again and again but I continue to feel it. They don't, of course, write as much, or as fast, but I think it is riper and more satisfying when it does come. One of the difficulties of writing or doing any kind of creative work in America seems to me to be that we put such stress on production and material results. We put a time pressure and a mass pressure on creative work which are meaningless and infantile in that field.

Feel the energy of your inner body. Immediately mental noise slows down or ceases. Feel it in your hands, your feet, your abdomen, your chest. Feel the life that you are, the life that animates the body. The body then becomes a doorway, so to speak, into a deeper sense of aliveness underneath the fluctuating emotions and underneath your thinking.

For the first time driving that day I could feel the motion of the Earth. The Earth rushing through the emptiness of space. Spinning on its axis but they say you don't feel it, you can't experience it. But to feel it is to be scared and happy at once and to know that nothing matters but that you do what you want to do and what you do you are. And I knew I was moving into the future. There is not PAST anybody can get to, to alter things or ever to know what those things were but there is definitely a future, we are already in it.

I have enough of a fan-base that I don't feel it is going to evaporate. I don't feel like I have a fleeting fan-base. I don't feel like it is coming from some trend-driven thing where I'm no longer going to be hip. I've come and gone through all that.

Whenever we feel lost, or insane, or afraid, all we have to do is ask for His help. The help might not come in the form we expected, or even thought we desired, but it will come, and we will recognize it by how we feel. In spite of everything, we will feel at peace.

If pressed, I would say I feel British. It's where I grew up and where I choose to live, the culture that I love, but I feel perfectly at home in America, I don't feel like a tourist or anything.

I think it's important to relate to one another about issues that you're having, because the second you open up and someone else says, 'Oh, me too. I feel the same way,' then all of a sudden, you feel more at peace with yourself and you can feel more confident with who you are.

I don't feel any 'white guilt,' because I had nothing to do with (slavery) whatsoever. I feel shame for my country that it happened and that's why I feel we need to deal with it.

Fashion is very much emotional. When you see it, or when you wear the right clothing, or you wear whatever, it's supposed to make you feel something. You're supposed to feel some type of emotion, and I feel like I try to do that when I'm on a red carpet.

I just realized quite early on that I'm not going to be the type who can write a novel every two years. I think you need to feel an urgency about the act. Otherwise, when you read it, you feel no urgency, either. So I don't write unless I really feel I need to, and that's a luxury.

I look very foolish. To a lot of people I look foolish in what I'm doing and I understand that. The only thing that matters is how I feel and if I let how they feel affect me it'll change how I feel.

I feel more comfortable in my own skin now than I ever have...I think there's something about loving Kai [her son] so much, in a way that I've never loved anyone, including myself. Also, I used to spend a lot of time alone, but he's this incredibly social kind of guy, so all of a sudden I'm always having people in and out of my house. It's changed the way I feel as a citizen of the world. And it's really important to me to feel good about what I'm working on, to justify the number of hours I'd have to be away from him.

What made you feel that stomach-churning agony for one person and not another? If Bridget were God, she would have made it against the law for you to feel that way about someone without them having to feel it for you right back.

I don't want to recover from writing this book [The Onion]. I feel very poised. I feel like I'm with my mother for the first time ever. I feel like I've confronted her, and the confrontation goes on.

You know when you're hungry and excited and you feel humble about it? I like that. In the past, when things were not clear, I think I wasn't ... I didn't have my feet on the ground as much, maybe, 10 years ago. So I just feel like this is a good place to be now, to feel that you want to tell stories from this place and that you're excited to tell stories from this place because you know what you love. I know what I love right now.

At that time, I feel sad, and I feel no one knows how hard I work and how many tears. They only know the score. At that time, I feel very lonely because no one understands since they haven't been world No. 1 before.

Before this war is over,' [Walter] said - or something said through his lips - 'every man and woman and child in Canada will feel it - you, Mary, will feel it - feel it to your heart's core. You will weep tears of blood over it. The Piper has come - and he will pipe until every corner of the world has heard his awful and irresistible music. It will be years before the dance of death is over - years, Mary. And in those years millions of hearts will break.

I want to see that our older people still feel useful, and our younger people feel engaged in our wider society, and I want to feel that we can bond people from disparate backgrounds, ages and communities together in a greater project, which they get engaged in for the sake of others. Volunteering, in all sorts of ways, seems to me likely to be able to achieve some of that

A good collaboration I think it's really, truly a vibe thing. The people who are most excited about collaborations are people in the business, people who are thinking, "This is going to be great press," or, "This is going to expose you to all these people you haven't reached before." I prefer not to think like that. I'm more, if you meet the person, you like the person, you've talked to them, you feel connected, you feel like there's a creative exchange, then it kind of happens by itself. I'm open to it, but it has to feel right. If it feels forced, then I'm fearful of doing it.

I don't believe that life is supposed to make you feel good, or to make you feel miserable either. Life is just supposed to make you feel.

"It is a sensation not experienced by many mortals," said he, "to be looking into a churchyard on a wild windy night, and to feel that I no more hold a place among the living than these dead do, and even to know that I lie buried somewhere else, as they lie buried here. Nothing uses me to it. A spirit that was once a man could hardly feel stranger or lonelier, going unrecognized among mankind, than I feel."

Unless I am what I am and feel what I feel - as hard as I can and as honestly and truly as I can - then I am nothing. Let me feel guilty ... don't try to educate me ... don't protect me.

A lot of people say, "Oh, I get this high from working out." I've never felt that, maybe because I've worked out for so long it's just a norm for me to push super, super hard. I don't feel the euphoria. But at the end, when it's all done, I feel euphoric. I'm like, "Yes, the work is done." You just feel like a glowing feeling inside.

I think "artistic" simply means there's more of the creator in the thing. Whether it's painting or song or movie or game, the creator puts more of themselves into the piece, so when the audience see it, they feel something real, they feel something human, they feel something that's like a person.

It is amazing that we hesitate to talk about the wrath of God, for fear of making sinners feel fearful. The fear they feel this side of the grave will be nothing compared to the fear they feel when they stand before Almighty God.

What we feel at prayer is God's business, not ours, and we must strive to be totally abandoned to the presence of 'consolation' or of boredom when we pray. A clear understanding that the value of our prayer does not depend upon how we feel is extremely important if we are to persevere in prayer. So many people feel that if their prayer is distracted it cannot be pleasing to God, and are therefore led to abandon their efforts precisely when fidelity is of the most importance.

Over the last few hours I've allowed myself to feel defeated, and just like she said if you allow yourself to feel the way you really feel, maybe you won't be afraid of that feeling anymore.