Quotes About Clubs

I enjoy playing clubs. I still enjoy the closeness of the nightclub venue. However, after a certain period of time and after playing around some of the clubs in New YorkI felt that jazz should be presented in a more prestigious atmosphere.

The managers are getting paid very well by their respective clubs to do a job for their clubs not the country they are working in.

The thing is that racism is systematic, so of course it sometimes manifested itself within the clubs. But I have certainly experienced racism outside of the clubs as well.

I'm no respecter of tradition and I have no time for the Manchester Uniteds and Arsenals of this world. There's nothing to admire in these clubs. They're just bullshit worlds full of bullshit people.

The clubs usually enforce no filming of performances pretty well. I want to know that what I'm doing is in the here and now and it's mine. I absolutely want control over my performances. And it is actually scary to see someone filming you without permission. Like Big Brother is watching. All these cameras don't make up for a life that isn't well-lived! I agree that people don't live in the moment, they instead live to make a name for themselves as "people who are living exciting lives and at great events".

I didn't really get that good at cutting because I didn't have those three years of gestating and nurturing my skills in the bedroom. I was kind of, like, out and playing in clubs after three of four months, because I was pushy with promoters. But I would just listen to the radio - Stretch Armstrong and Red Alert - and then I would go hang out with Mayhem, who did the WNYU hip-hop show.

I probably would have no capability of absorbing a 60-defeat season as a coach. It would be a foreign experience. My whole career, even as a player, has been on winning basketball clubs and it just seems to have been a part of the make-up of what’s been given me. That’s what I’ve been given and that’s what I’ve had to deal with. Some people can make fun of it or some people can have a good time with it, or some people can resent it. It’s just what it is.

I started working at clubs when I was sixteen, which is young. I would not want my kid doing that, but I did, and that's how it went.

I'm not really into clubbing, I like to go to parties after events, and those do end up at clubs or bars. But in my free time I go grocery shopping or to the gym, or I talk on the phone.

Yoga has moved from relative anonymity in the West to a well-recognized practice offered in thousands of studios, community centers, hospitals, gyms, and health clubs.

I consider myself gay because at the end of the night, that's who I want to cuddle with. But when I go out, I go to straight clubs.

The Edith Head Trio, I would say, would be even less of a musical career than playing the accordion, particularly because I played the accordion in The Edith Head Trio. I'm very impressed by your Googling. The Edith Head Trio and another band, Tzamboni, were two bands I was in after college that played at tiny clubs to little acclaim. Our Gypsy tango version of "When Doves Cry" was our biggest hit.But we were not destined for greatness.

Paris in the early morning has a cheerful, bustling aspect, a promise of delicious things to come, a positive smell of coffee and croissants, quite peculiar to itself. The people welcome a new day as if they were certain of liking it, the shopkeepers pull up their blinds serene in the expectation of good trade, the workers go happily to their work, the people who have sat up all night in night-clubs go happily to their rest, the orchestra of motor-car horns, of clanking trams, of whistling policemen tunes up for the daily symphony, and everywhere is joy.

I like musicians who look at the public. You have to bring the music to the largest number. Otherwise, we'll [the Jazz players] stay in the clubs. Jazz must be accessible to everyone.

Be healthy, don't eat meat, keep away from those Night-Clubs and MEDITATE.

When I was growing up, I fetishised New York City. It was the land of Lou Reed and the Velvet Underground, it was where Leonard Cohen wrote 'Chelsea Hotel', it was CBGBs and all the punk rock clubs. Artists and musicians lived there, and it was cheap and dangerous.

I've always been interested in the way males seem to need to start clubs, or cults, to keep girls out until they need them for sex. It comes from some weird immature tribal crap, I'm sure.

The electro scene is all over the clubs now: groups like Duck Sauce, Empire of the Sun, even MGMT. But I get inspiration from everywhere. I'll go to the gym and put on old albums - Guns N' Roses or old Jay-Z.

I was looking for inspiration. I found it in California. The weather was always great, and the majority of San Diego seemed to be youth-and if you weren't 21 and couldn't get into the clubs, you'd go to a coffeehouse and hang out.

I've come to view Jesus much the way I view Elvis. I love the guy but the fan clubs really freak me out.

Growing up in the Northwest, I did play in an all-girl band. I snuck into clubs. No one ever questioned or thought twice about it.

As with Cesc Fabregas, some players who go and play for foreign clubs improve on a cultural level. It makes them grow on many levels; intellectually, because you have to learn a new language and adapt to another culture, and on a footballing level too.

In the clubs, it's all out and you can say whatever as the character. TV has standards.

I've been to many gay and straight clubs and I have fun in every one of them. It's always great to hear my music played and to be there with everyone.

Strip clubs are great places to meet interesting people you only wanna know for about 40 minutes.

I approached work very seriously. I never went out. I couldn't fathom people who could go out to clubs... But I definitely went through a time where I was just terrified and exhausted and I didn't really understand. Hollywood... It just got to be too much for me.

I mean, what do you do in Las Vegas? You gamble - and you go to strip clubs.

I don't remember reading much at all during the writing of Eileen. I go through several years-long dry spells and I don't feel like reading at all. I was working part-time for a guy in Venice, California while I drafted Eileen. He wanted help in writing his memoir. The research had a lot to do with the 60s, so that must have informed my sense of the place and time in my novel, and perhaps even the memoir point-of-view. He was also from New England. It was a fun job. I learned a lot about motorcycle clubs, Charles Manson, hopping freight trains.

Always throw your clubs ahead of you. That way you don't have to waste energy going back to pick them up.

A tenor player named Bud Revels there at the time. A lot of really nice associations amongst the students. Garry Dial was a returning student. He actually got me on Red Rodney's band subbing a little bit. I gigged some with Red when I was 21 in 1988. So I had a lot of nice associations that came from [ Laguardia School of Arts]. But a lot of my education was going on in the clubs. Hearing music and sitting in.

My father did not bother that I play not a classical music. He always congratulated me for my development in music, I mean in any music but, he hang on to continue training at the Academy of Music... however, I never mentioned to my teachers that I trained myself at weekends in clubs.

It's because of libraries that books like mine get recommended to book clubs and avid readers, who in turn pass them onto others looking to be whisked away from the world for a little while...and perhaps to learn a bit about themselves in the process.

The big gay clubs like Heaven started having mixed nights in the late '80s.

The Jews celebrate Passover by eating unpalatable food to remind them what will happen to their people if they ever leave New York City. The traditional meal often includes gefilte fish. For those of you who don't know what gefilte fish is, it strongly resembles a ball of tuna fish that has been passed nasally. It's not good. During Passover, the angel of death passed over the Jews - an event that, up until the late 1950s, was re-enacted every year by Ivy League colleges and suburban country clubs.

I said, "OK, Ammon [Hennacy], I will try that." He said, "You came into the world armed to the teeth. With an arsenal of weapons, weapons of privilege, economic privilege, sexual privilege, racial privilege. You want to be a pacifist, you're not just going to have to give up guns, knives, clubs, hard, angry words, you are going to have lay down the weapons of privilege and go into the world completely disarmed."

It's just these moments in hip-hop where you feel invincible. It felt good hearing the music on the radio and in cars, skating rinks, and clubs.

I've been wearing Wrangler jeans for more than a decade now, all the way back to when I first started playing clubs in my teens in Georgia.

I like shitty strip clubs. They look like what they are. I know what to expect. Unlike Congress, at least we know everybody is for sale.

I came here knowing nobody. I worked clubs as a singer and even the doors a few times before I landed some TV roles.

When I was 18 years old, there was no internet and no gay teen nights. Instead, you went to the clubs and talked to grown men and did grown-up things.

I'm kind of a dork. I don't have much game. I'm not particularly comfortable in bars or clubs. I much prefer being home playing Scrabble, having dinner with a couple friends, going to see a movie, or losing a whole weekend to Season 14 of Law and Order or The Simpsons.

When I got old enough to go to night clubs to hear that music at the age of 15.

I used to see Jim [Carrey] in comedy clubs and tell him 'This isn't going to get you anywhere. What you're good at is that nice Jimmy Stewart stuff.' Thank God he never listened.

Nobody's cooler than my two girls. They just seem to take whatever comes with, you know - happiness and - steadiness. And they're loving school. They're making friends... and - they've already joined some clubs. And Sasha, you know - I think maybe to endear - myself to her, she - she decided she wanted to join a basketball team. So - what more could I want?

I don't go to clubs and stuff like that, so I don't have to put up with it in there. And normally, because obviously I could hurt somebody, and if I look at it that way, I have to back off.

I did do a little research. I went to a couple really fantastic strip clubs with really talented dancers, just in terms of their physical prowess. For the scene, there was a whole dance routine that I had to do, so I worked with a pole dance instructor who helped me choreograph a number for that scene. We broke down the principles of pole dancing, for three days, for an hour a day.

Night clubs scare me. They're dark and they stink and they're dangerous and everybody's drunk.

I'm aware that at the big, big clubs stuff can change quickly, as can opinions and people in charge. Not everyone is going to like you, not everyone is going to want to play you and that's the business side of it, which I've grown into and I'm certainly not going to take personally.