Quotes About Emotional

I think we need to reckon in a very serious way with the emotional content of news and the way that people perceive facts and their perception of their situation and to me I think the tabloid is like fundamentally an emotional form of journalism and that kind of emotional valence is what distinguishes it from the broad sheet.

[The] majority of the girls working there had major emotional problems. And not cries-too-much emotional problems; more like stabs-her-boyfriend-with-a-steak-knife-then-falls-into-a-corner-and-starts-whispering-to-herself emotional problems.

My theory is that poems are written because of a state of emotional irritation. It may be present for some time before the poet is conscious of what is tormenting him. The emotional irritation springs, probably, from subconscious combinations of partly forgotten thoughts and feelings. Coming together, like electrical currents in a thunder storm, they produce a poem. ... the poem is written to free the poet from an emotional burden.

I think in the coming decade we will see well-conducted research demonstrating that emotional skills and competencies predict positive outcomes at home with one's family, in school, and at work. The real challenge is to show that emotional intelligence matters over-and-above psychological constructs that have been measured for decades like personality and IQ. I believe that emotional intelligence holds this promise.

Action is a way of externalizing an emotional state. You might not be running, leaping, climbing and doing all that. But, the way you create that emotional state in a movie is by having the characters have physical jeopardy that they have to work against.

In America, it stands out, because it's raw, it's big, it's emotional. My face is raw, big and emotional. It didn't work for the longest time.

I think baseball is a great support to people who have emotional voids, gaps, emotional difficulties. That is to say: all of us. Those parts of us that don’t function well. Those parts of us that are sad or depressed—not every day. They can really use baseball. It isn't just the child in a wheelchair or the shut-in senior citizen listening to the radio that needs the game. There’s part of us, part of everybody who’s a baseball fan, who needs the game at that level.

A lot of readers ask me, "Do you ever get emotional while writing the book?" or "Did you cry when you killed this character?" And the truth is, no, I didn't. That's not really the way I approach it. I don't get emotional while writing, but then there are plenty of other authors who do.

My biggest emotional defeat and the greatest emotional pain I've had as an actor was when "Wild Wild West" opened up to $52 million. The movie wasn't good. And it hurt so bad to be the No. 1 movie - to open at $52 million - and to know the movie wasn't good.

Names generate meaning in a short amount of space — they provoke thoughts, questions. That's something I like doing. Of course, you have to be careful. Sometimes it can alienate the reader, it can be another level of mediation, to make a character carry the great burden of a metaphoric name. The character can be a device before he or she becomes a person, and that can be a bad thing for a writer who wants to offer up a kind of emotional proximity in the work. It's a constant struggle, the desire to be playful and the desire to communicate on some very stark emotional level.

Most people lose money because of lack of emotional discipline -the ability to keep their emotions removed from investment decisions. Dieting provides an apt analogy. Most people have the necessary knowledge to lose weight-that is they know that in order to lose weight you have to exercise and cut your intake of fats. However, despite this widespread knowledge, the vast majority of people who attempt to lose weight are unsuccessful. Why? Because they lack the emotional discipline.

When you walk to the end of a fiction, its procedure is 1) intuitive; and 2) emotional. Its intelligence is emotional, I think.

The guitar is a means of expressing music, When you get into the emotional side of it, then it's not the guitar that matters so much as the music itself. But the guitar is the vehicle I use. It's how I express myself. As for the emotional side, music takes up where language leaves off. To try and verbalize what music says, emotionally and spiritually, is futile. Let me put it this way, Louis Armstrong once said if you've got to ask, you'll never know.

Everything has a personality: everything sends an emotional signal. Even where this was not the intention of the designer, the people who view the website infer personalities and experience emotions. Bad websites have horrible personalities and instill horrid emotional states in their users, usually unwittingly. We need to design things-products, websites, services-to convey whatever personality and emotions are desired.

Yeah, you know, if I'm having an emotional scene I do like to go off and be by myself; not to say that I'm a method actor or anything like that, but for scenes like that that are more emotional, I do like to take that night off and not be so social.

You look at somebody's work as an actor and you can see their emotional life being fed into it and you can kind of feel them through it.

A literary work can only be received through symbols, through concepts - for that is what words are; but cinema, like music, allows for utterly direct, emotional, sensuous perception of the work.

If you're feeling emotional when you're creating something, it'll sound that way.

I don't like mushiness. I'm a very emotional person but I hate sentimentality. I don't like great demonstrations of emotion. But as I'm getting older, I'm getting much more open about all that.

I know that the emotional narrative will work in the end, and I just have to play each moment honestly even if the getting from A to B doesn't totally make sense initially.

At the end of the day, most people really only want a minivan for a certain part of their lives, when they're forced to have it because they have a lot of kids they've got to carry around or whatever, so I still think that the emotional connection with the car is very important.

There were times where I felt I was pressing a little bit too hard with the humor, and I had to pull back, because the overriding concern of the book was to create this disease that had no cure and make you pay attention to every emotional stage of what happens.

Brad Bird is fond of saying that music is the easiest thing that can derail a film because if it slightly goes a degree off track it will take the viewer in the wrong emotional direction. To work with people who actually care about that is a good thing.

'Hoop Dreams' brought us back to our roots in veríté filmmaking. What we saw in the powerful emotional scenes within it - at nearly three hours long and with no star power - was an outreach to a different and more important audiences. There were the similarly involved folks who saw it that were part of the struggle, but there was also a new audience that weren't empathetic or sympathetic to the people we were portraying. They would never watch a film about inner city families, but they watched 'Hoop Dreams.'

Obviously, despite hard work and heroic efforts, many dreams don't come true. But if we don't dare to dream and then throw muscle, heart, and soul into making the dream come true, then WoW Projects-and all of the emotional, intellectual, spiritual, and financial riches that they bring will surely NOT be our lot in life!

Every time I work with Dr. Luke I learn something new. He's kind of like the Andy Warhol of pop music, where he mass produces his art but it always still has heart and always still has an emotional thread to it. I think he's really a genius and I'm so lucky to have gotten to work with him.

Till your mental soil with determination. Fertilize your emotional soil with positive words. And plant the seed of your heart's desire with your disciplined efforts.

An adventure is never an adventure when it happens. An adventure is simply physical and emotional discomfort recollected in tranquility.

At the root of creativity is an impulse to understand, to make sense of random and often unrelated details. For me, photography provides an intersection of time, space, light, and emotional stance. One needs to be still enough, observant enough, and aware enough to recognize the life of the materials, to be able to 'hear through the eyes'.

I am a very emotional person.

Confronting the intolerable should be challenging and upsetting. Who could read the testimonies of Primo Levi and not feel intellectually and emotionally exhausted? Or Martin Luther King Jr.'s words, not to mention those of Malcolm X? It is the conditions that produce violence that should upset us ethically and prompt us to act responsibly, rather than to capitulate to a privatized emotional response that substitutes a therapeutic language for a political and worldly one.

What you need to do is build the house you will live in. You build that house by laying a solid foundation: by building physical, emotional, mental, and spiritual health.

Art is the process of evoking pity and terror, which is not abstract at all but very human. What the self-styled modern artists are doing is a sort of unemotional pseudointellectual masturbation . . . whereas creative art is more like intercourse, in which the artist must seduce -- render emotional -- his audience, each time.

I am interested in intense, unbreakable emotional connections and oftentimes, such connections can be found between siblings.

We need others for our physical, emotional, and spiritual well-being. Without others we are nothing. Our sense that we are an island, an independent, self-sufficient individual, bears no relation to reality. It is closer to the truth to picture ourself as a cell in the vast body of life, distinct yet intimately bound up with all living beings. We cannot exist without others, and they in turn are affected by everything we do. The idea that it is possible to secure our own welfare while neglecting the welfare of others, or even at the expense of others, is completely unrealistic.

Romance is something people make fun of others for caring about, and yet it’s something that’s very natural to care about—it’s a loving connection between people, like family and friendships: it’s a significant emotional choice people make.

It was just like Howlin' Wolf. Once you arrive at the point that you understand it, the emotional factor is darker than some of the saddest blues stuff.

I stay out of the sun, and if I'm in the sun, I'm wearing SPF. I protect my skin as much as I can; I learned that a long time ago. I also exercise every day and I get the endorphins going. It's important not only for my physical self but also for my mental self and my emotional self. I'm healthy, I eat well most of the time, I take care of myself and I drink a lot of water. But I also enjoy myself. Taking care of yourself doesn't have to be painful, it's about finding the right balance, I think.

I believe that laughter is the best emotional Band-Aid in the world. It's like nature's Neosporin.

I grew up in a family of strong women and I owe any capacity I have to understand women to my mother and big sister. They taught me to respect women in a way where I've always felt a strong emotional connection to women, which has also helped me in the way I approach my work as an actor.

Going back to Ireland involves at least six to seven emotional breakdowns for me per day.

I have emotional needs that I didn't know I had, and I have physical needs that I didn't know weren't really needs.

My kids say if there's any family dinner that doesn't result in somebody crying, it's not a good dinner. They cry because it helps relieve them of a guilt or some onerous emotional burden. It's like a family tradition.

Every act of perception has an emotional coloring.

Look, any guy who tells you that he didn't have some fears is lying. Of course, it's scary becoming a dad for a variety of reasons. That's not to say it isn't thrilling. It was. It was very exciting and in some ways was the greatest thing that's happened in my life. But it's also completely terrifying and you're saying goodbye to a portion of your life and that's just an emotional experience.

I'm an emotional creature. I make music to express that.

The true critic is he who bears within himself the dreams and ideas and feelings of myriad generations, and to whom no form of thought is alien, no emotional impulse obscure.

My own feelings about the direction in which jazz should go are that there should be much less stress on technical exhibitionism and much more on emotional content, on what might be termed humanity in music and the freedom to say all that you want.