Quotes About Twitter

I love Twitter. It doesn't keep me from writing and I think it's a really convenient scapegoat when the truth is that the real issue is self-control. I am totally fine admitting i have none. I'm not going to blame Twitter for affecting my writing. And also, Twitter doesn't affect my writing.

I actually love Twitter, but I don't ... I never know what to ... I get a lot of my news from Twitter. But, I never ... I sometimes just don't think ... I think Twitter is full of a lot of talkers and not many listeners, so I'm happy to be one of the listeners.

I think Twitter is such a cool thing because it really is a direct line to the fans and for fans back to you, and it's such a new thing. I think in the past there's been usually fan mail and that's really good, but Twitter, it gets an immediate response.

I use two million Twitter followers as a tool. The reason I have Twitter is so people can get to know me as a different person other than Dwight. I just realized all of the sudden like everything thinks I'm Dwight. They think that I'm Dwight from the office and that I'm this kind of annoying, difficult, nerdy, creepy guy and they don't know Rainn Wilson - although I'm a little bit nerdy, annoying and creepy. I'm not as much as Dwight Schrute.

The thing I really like about Twitter is the speed with which information reaches me. You find out things from Twitter long before they're on the news. That I think is valuable. In terms of actually tweeting myself, I have just lost enthusiasm for it. Maybe I'll do some of it this week to tell people about the PEN Festival and encourage them to show up.

I do like Twitter. Writing is a solitary pursuit, and it can get lonely. I like to go into Twitter for a short period of time, communicate with clever friends, and then switch it off. That's perfect for me.

I use social media every day. I don't have a Twitter account, but not because I'm a dinosaur about it. I have enough of a platform here. People in my position who do it tend to use it in a promotional way or in a hamstrung way. I look at Twitter all the time as a news tool or for cultural conversation. I've used it in my reporting. It's very useful.

I've used Twitter now and again to try to figure something out; it's an amazing resource. But I think you have to use it judiciously: it's a self-selected group, so it's important not to start thinking of it as the whole world.

You curate information that you want to receive. It's a lot different because I'm not asking you if it's okay, I'm just saying I'm following your updates. That's why I don't think of Twitter as a social network.

There are people who follow me on Twitter and tell me how much they don't like me, how much they don't want me on the show, and that they hope I die. And it's not just about the character. They tell me how they've never liked Scott Foley, and that he's a stupid, white, plain-bread looking fool.

I don't have a Twitter or a Facebook, but that doesn't mean I'm any more productive than the rest of the world.

We need to also act out, and anything that [Donald] Trump does, anything he's trying to do that we don't agree with or anything this country is doing in general that we don't agree with, we need to protest, we need to make our voices heard. And that has to go beyond Twitter - for me as well.

The only way to keep a show alive is to stay loyal to your fans and not betray them creatively or ignore them when it comes to extra content. I'm on Twitter because I'm trying to answer their questions.

I personally never got the gist of Facebook and Twitter.

I don't even have Facebook, Twitter or Instagram. Why would I ever want to be viral when I'm not even on the Internet?

My twitter fans are all pretty weird. A lot of them are kind of weirdly sexually aggressive. Some of them made me laugh and then I instantly tried to forget them, because I'd hate to find myself in a bar kind of drunk and accidentally use one.

I don't care how many friends you have on Facebook or how many followers you have on Twitter. Those are not actual friends or truly followers. I care about how many people will miss you if you're not back here again tomorrow.

Twitter's popularity and usefulness are mysteries to me.

Twitter? No, I'd rather use phone and texts.

Everyone is on Facebook and age is not a determinant of whether a reporter is using Twitter as part of their newsgathering and marketing. Some of the transition is about money at this point - hiring younger reporters is cheaper. Often these reporters are more digitally savvy. But there are plenty of 50-plus journalists employers can find now who are excited about technology, not threatened. It is no longer an either/or proposition.

I flood the Internet with what I think is quality content. That's why I did things like giving out a song every 100,000 Twitter followers because I am just looking for ways to get my fans to hear all this music without over saturating things.

Every successful business, even Google, Facebook, Twitter, started with a combination of manual improvements and friends of the founders using the site.

Did Donald Trump apologize for taking after somebody in a Twitter war and making fun of her weight? Did he apologize for saying African-Americans are living in Hell? Did he apologize for saying President Obama was not even a citizen of the United States? You will look in vain to see Donald Trump ever taking responsibility for anybody and apologizing.

As for being on Twitter, I enjoy it tremendously, and it is wonderfully overwhelming to see people not just digging it and liking it.

Digiphrenia - how technology lets us be in more than one place - and self - at the same time. Drone pilots suffer more burnout than real-world pilots, as they attempt to live in two worlds - home and battlefield - simultaneously. We all become overwhelmed until we learn to distinguish between data flows (like Twitter) that can only be dipped into, and data storage (like books and emails) that can be fully consumed.

Spreading the word on a zero budget is difficult. You find yourself spending all night on Twitter following people; using Facebook to leave messages on various club walls; commenting on YouTube clips and blog posts; giving interviews online and taking photos of bottles to send to websites in the hope that they feature you.

I was the first person Donald Trump threatened to sue on Twitter.

The fans [of Vampire diaries] that we have now are the people who will watch it any day of the week. So, my first instinct was a little bit of an ego tap, but the second I processed it, I was fine. The only weird thing will be maybe not having as many people live tweeting because they're actually out doing something more interesting on Friday night. I'm not going to sit at home, reading Twitter on Friday night.

Social media, where I'm head and shoulders above everybody else. I've read now 22 million people on Twitter, Facebook and Instagram. More than 22 million people. Nobody else is even close.

It's annoying when people tag my name in their conversation with someone else [on Twitter.]

I'm always surprised that certain actors have Twitter accounts. I guess they use it in a way that works for them. But I'd rather that people had less access to my personal life. If I could keep it that way, I'd be a happy lady.

I take all the best parts of YouTube, Twitter, and Facebook, and combine them into a whole new service called … YouTwit-face.

I travel 250 days a year. There are chef friends who I only see every couple of years. By conventional standards I'm a bad friend. I'm not there to remember your birthday or to offer you words of support through Twitter. I'm not up on what you're doing in New York because I'm not in New York. I'm not what people call in parenting circles "present."

Believe it or not, Twitter calms me down. I enjoy interacting with people.

Let's say Twitter existed during the Civil War. We would have a better understanding of people in the Confederacy who were against slavery, people in the North who actually felt we should just let the South be the South. Because the way it is now, it seems like we have this portrait where everybody in Georgia hated Yankees and everybody in the North was enlightened. That wouldn't seem as clear cut as it does now.

Twitter fascinates me because it's real. It feels kind of unreal, but it makes very real things happen.

I draw a distinction between freedom of the internet and freedom via the internet. In the first case, it's making sure cyberspace is not over regulated and people can say what they want without fear of repercussions. But that's different from this freedom via the internet notion, which is often touted by all sorts of conservatives and neoconservatives who want young people in the Middle East and elsewhere in the world to use Facebook and Twitter and then go oppose their governments.

I wonder if Karl Ove Knausgård would've written the same books today had been using Twitter. It wasn't around when he was writing those books. Those books were written during the age of the blog, with its big verbiage. The landscape has completely changed today.

I hate writing about personal stuff. I don't have a Facebook page. I don't use my Twitter account. I am familiar with both, but I don't use them.

'Digiphrenia' is really the experience of trying to exist in more than one incarnation of yourself at the same time. There's your Twitter profile, there's your Facebook profile, there's your email inbox. And all of these sort of multiple instances of you are operating simultaneously and in parallel.

I felt like it was something that didn't represent how I wanted to present myself. Now I'll see kids I come across on Twitter or Comic-Con, and they'll smile and I'll be like, "You have a crooked mouth like I have a crooked mouth!" We just sit there, and I talk about it with them and they feel better about themselves.

I don't think I'll ever get used to the pressures of fame. I have two-pointsomething million followers on Twitter, and if I say something, they all listen. It's crazy! I shouldn't be allowed that responsibility.

I hate Twitter. I think it's disgusting. It's ridiculous that you as a stranger can type something to me, and I see it. Technology has gone too far.

I've got my laptop, but it troubles me in many ways. I don't have Twitter or Facebook or anything like that. It ruins a romantic idea, which might just be an illusion, a sense of depth or continuity. I know there are lots of positives in the evolution of technology, but I also think it will be responsible for the end of a unique character, of a specific kind of geographical culture. The world is getting so small, and mass production is getting so big. Everything is in danger of becoming the same.

All the shows are immediately on the Internet, on Instagram, on Twitter, it's huge. Everything is live now, and for fashion, it's very important. It's not that it's good or bad, it's just like that and it's not going to change so we have to adapt to it.

The Internet kept the joke going. Abevigoda.com was devoted to updating the actor's status, as was @AbeVigodaUpdate, a Twitter account.

The only people I ever get irritated with are the ones who announce, using my Twitter handle, that they are no longer following me and why.

President Obama announced this week that he is going to start sending out his own messages personally on Twitter. And today Anthony Weiner said, “It’s a trap, don’t do it!” But President Obama’s tweets are a little different than Anthony Weiner’s. When Obama sends out pictures of something obscene, it’s the unemployment numbers.