Quotes About Comedy

I naturally think in terms of comedy whenever I see anything because tragedy is so close to comedy, so I like to add the tragedy to the comedy or a little bit of comedy to the tragedy in order to make them both feel more real to me.

Comedy is lively, comedy is joy, and that's what keeps us [people] going, we've got to look forward to little, little happiness's. Little, little joys, and comedy is very, very important, it's a vital. We underestimate its value, but we should see more comedies. Comedy is life giving, it's invigorating. I really believe it.

Comedy doesn't come easy for me. I've only done 2 movies that are really comedy-style films and I have to work at them. And they're just as scary in a way. I hate labeling all these things; comedy, love stories, dark drama, whatever.

As a writer, I haven't delved into dramatic writing. As an actor, I could always, even more so than comedy, do drama. When you do your comedy and your drama, your acting style doesn't change. If it's a comedy, the situations and the characters might be a little funnier, but you're just trying to be honest.

People have a comic bent or an angularity to their thinking, and those are the people who make jokes. And it's usually people who were in an environment, when they were young, where jokes were at a premium, or at least considered important to a life. My parents always listened to the comedy radio shows, we went to the comedy movies, and my parents appreciated comedy. So kids listen and follow what their parents like.

Comedy has sort of been my life-long obsession. I literally obsessed over comedy. I really didn't play sports - for me it was just comedy, computers and chess club; those were my big things.

More than just romantic comedy, I like romances: drama romance, romance comedy, comedy romance. I also go to the movies to escape. There are times when you go to learn, when you go to be moved, you go to be transported, and there are really times when you go to escape. And I personally escape more happily into a romance than I do violent movies.

[on making the transition from the comedy "Mary Tyler Moore" (1970) to its dramatic spin-off series "Lou Grant" (1977)] We were really worried about changing over from a three-camera, half-hour comedy to a one-camera, full-hour drama. The audience wasn't ready for the switch - even CBS billed us in their promos as a comedy. In fact, the whole thing was impossible. But we didn't know that.

I love comedy. I suppose comedy is my first love, in a way. I did a lot of acting, funnily enough, unprofessionally, as a kid. From when I was 10 years old until I was about 19, I was always doing little sketches with my friends, and doing different accents and voices. Probably about 3/4 of those were comedic, in some way, and the other 1/4 was more serious stuff or more action or more dramatic little pieces that I would make. But, I tend to lean towards comedy.

There are a lot of great jokes you can sit down and write, but that's just a written joke, versus the comedy of the situation. Ideally, you're pulling as much comedy out of the situation as you can.

Comedy people are always present because they're always looking for the funniest version of whatever the line is. Sometimes theater people, where scripts are sacrosanct, aren't quite as present in scenes. That's a massive generalization, but in my experience, I find that comedy people are great to improvise with and to do scenes with because they're there.

If you make comedy, if you try and make comedy where no one gets upset or offended, you're going to fail.

I love doing comedy and I love watching comedy... Im more inclined to go watch a Seth Rogen film than a serious Oscar drama.

I think a lot of the instincts you have doing comedy are really the same for doing drama, in that it's essentially about listening. The way I approach comedy, is you have to commit to everything as if it's a dramatic role, meaning you play it straight.

My background is in musical comedy. I didn't know I was going to be an actor. But all my points of reference have to do with musical comedy and in being kind of a showoff.

In the U.K. I'm probably better known as a comedy writer - or certainly that's my background is in writing comedy.

'Funny People' is my favorite performance of myself to date. Even though it's a comedy and there are serious moments, I really felt like Leo felt like a real person. It didn't feel like I was playing myself. Whether it's a comedy or drama, I just try to make it as realistic as possible.

W. Kamau Bell is in the vanguard of a new era of American comedy for an unsettling, troubling, and strangely hopeful time. Firmly in the fearless tradition of Mort Sahl, Lenny Bruce, Richard Pryor, & Chris Rock. Comedy as common sense purged of the absurd hypocrisy that is Our America.

Nihilism in American comedy came along way before 'The Simpsons.' There was a fairly nihilistic point of view to 'Saturday Night Live,' for instance, back in the beginning, and a lot of really dark comedy had a really anti-sentimental take on life.

I like comedy but I guess I don't think [my art] is that funny, either. It's too dark and a bit weird in places to be genuinely, uniformly hilarious and function as comedy.

Comedy is like a very cokey, druggy sugar. You get hits of comedy, and it's very, "More, give me more of that stuff," because serotonin is being released in the brain. So it's basically, everyone becomes serotonin junkies, and we are serotonin dealers. And that's what being a comedian is about.

The arts community still has a long lasting cynicism of the importance, or the artistic value, of comedy. Comedy is just farting about for money.

In my experience, it's not just that serious books get a hearing on comedy shows. But serious books get a serious hearing, as well as a funny one, on comedy shows.

We all know what tragedy is. "Yes, I'd rather not have any more tragedy, please. I'll have comedy, please." Comedy, in the Greek sense, only means that it has a happy ending.

Let's do some comedy. I always like to add some comedy to my show. Those who've seen me before might know that.

I think that's part of being a comedy writer. You have to be confident. If you're sitting around worrying about, like, oh my God, what are people going to think, then you're not writing comedy. You have to write what makes you laugh, and then the world hopefully laughs as well.

With comedy, I like to not rehearse and just have fun with it, because I think being spontaneous is the best thing for a comedy, in my opinion.

I like comedy. I would love to do comedy for a long time.

Comedians have varying levels of training. It can range from classically trained actors (like Robin Williams) to people who took comedy classes to folks who just started doing it. That's the beauty of comedy: it's close to a pure meritocracy.

The girls that I grew up with, and my friends and I, we just never had interests in common. I loved comedy. I loved Saturday Night Live, Gilda Radner, Lucille Ball, and Goldie Hawn movies. I just wanted to laugh. I liked women in comedy, and I liked male comics as I got a little older. My interests just never matched up with other girls'.

The human comedy is always tragic, but since its ingredients are always the same - dupe, fox, straight, like burlesque skits - the repetition through the ages is comedy.

Comedy's my first love. I love that so much. You play comedy in drama, too. The difference between genres doesn't really change the method of acting.

I love good comedy. I don't like bad comedy.

I think that you take the path of least resistance. And for a lot of people comedy is that path. I mean, even against mainstream, it's easier to sell a comedy than a drama.

After college, I knew I wanted to work in comedy, so the first thing I did was go to where the comedy was. I moved from Charlottesville to Chicago, because that's where The Second City and Improv Olympics are. You have to go wherever you need to go to study what interests you.

The first time I came to the Comedy Festival some nutcase shot a bunch of people in Tasmania. I thought, 'Oh, that's just Tasmania.' The second time I came, some nut shot up Columbine High School. Now I'm here again, and another nut just shot up a high school in Minnesota. If you can't see the connection between me playing the Comedy Festival and mass murder, you're no good at conspiracy theories.

I don't want to make a style. Not tragedy, not comedy. Life is a mixing of all kind of things: comedy and tragedy going together.

I think that comedy is a good defense for a child. Because you know childhood is a nightmare as it is. And so why not use comedy and being funny as a defense to get through your life as opposed to drugs, alcohol and good looks? Because those things are dangerous when your young.

The only difference between comedy and drama is that, in comedy, I'm going to utilize the tool of creating laughter to deflect discomfort and, in drama, I won't use a tool, but we're going to actually deal with the discomfort and see what comes out of it.

With a horror movie, you want to know where the engine of the fear is coming from. Like in comedy, you want to know what the engine that's going to make the comedy - where that's coming from.

I'd love to do a comedy. I'm terrified of comedy. I don't think I'm funny, but I guess that's why it's so thrilling.

I'd love to do comedy. I'd probably have to get my laughing fits in check, because generally if I've done comedy, I'm usually the straight character that plays against the very obviously funny character, so that's really hard when the person is really hilarious.

[Robert Smigel] is one of the greatest comedy writers in the last 50 years. "TV Funhouse" and Triumph and all those sketches.He's really unique, and he has an amazing comedy mind.

There's so much comedy on television. Does that cause comedy in the streets?

I think the world of comedy is a relatively small community, and especially for women in comedy, there just aren't that many people involved.

Music and comedy are so linked. The rhythm of comedy is con­nected to the rhythm of music. They’re both about creating tension and knowing when to let it go. I’m always surprised when somebody funny is not musical.

Eugene Mirman is the Andy Warhol of comedy. People look to him for what's next in comedy, and he emails these people back promptly. The Will to Whatevs put me in a great mood because I was laughing out loud. Alone. That's hard to do.

All the parts I get offered are character and comedy parts, and I probably wouldn't get them if I had a different face. So I'm glad I have a comedy face.