Quotes About Comedy

I'd like to do more dramatic roles but I would never give up comedy to do it. I've seen a lot of actors that do a complete 180 degrees and say: "I'm done with comedy, I want to be taken seriously." I take my comedy very seriously and I want to be taken seriously because of my comedy. I think it's more fun for me. I enjoy laughing and attempting to make people laugh. So I'd like to do more drama but I'd never do the 180 thing.

I have always felt comedy and tragedy are roommates. If you look up comedy and tragedy, you will find a very old picture of two masks. One mask is tragedy. It looks like its crying. The other mask is comedy. It looks like its laughing. Nowadays, we would say, How tasteless and insensitive. A comedy mask is laughing at a tragedy mask.

In comedy, you have to do all of the same stuff you do in drama and then put the comedy on top of it. You, the actor, are aware of the comedy but the character is oblivious. And you have to have a sense of humor.

I'm writing a political comedy that takes place in Canada in Quebec. It's funny. Saying political comedy is a little redundant but it's a first. I've never done any comedy per se.

There's a lot of comedy in Intermission but it's got this depth. It's not comedy for comedy's sake - it's informed by something else. I like stuff like that

I mostly, for someone who makes a lot of their living in comedy - and even for someone who doesn't make their living in comedy - I don't watch a lot of comedy.

I think art is beautiful. It's decoration and adornment. But art is also a really important vessel for social change, and social change begins with thought. And so if you can find humor in something and take a moment to rethink it, you can take a step back and look at your values from a different angle. I think that's a really important way of carrying on with life. I think the best art for me is funny and the best comedy for me is art. Some of my favorite artists are comedians. Comedy is art, and art can be comedy, and the intersection is vital - at least for my own work.

Stand-up comedy and comedy in general is the ultimate form of free speech, because you get to poke holes in all the pretentious bubbles politicians and pundits and popes and pretenders try to float over our heads.

I think a lot of the instincts you have doing comedy are really the same for doing drama, in that it's essentially about listening. The way I approach comedy, is you have to commit to everything as if it's a dramatic role, meaning you play it straight.

My thing was always more character-driven comedies, not sketch comedy - not that there's not room for both or one isn't enjoyable, just my personal taste, I like movies that comedy comes from out of flaws of people, things that are uncomfortable, out of tragedy.

It's an unknown quantity. It's actually almost a cliché to say it, how hard comedy is. What's that famous quote? "Dying is easy, comedy's hard." I think the broader it gets, if you miss by a millimetre, you've missed completely. It's a very hard thing to do.

When you're doing a comedy and you want to somehow satirise people who are taking themselves seriously, I think the most serious genre is the thing you're going to get the most out of. If you're trying to satirise a comedy, it's hard to do that - it doesn't really work as well. But I love the war movie genre and I'm a fan of all those movies that are part of what this movie is.

Comedy always pushes some buttons, because it wouldn't be comedy if it didn't.

I am not a politician going around bragging about family values or putting myself on some ridiculous virtuous pedestal. I write comedy. And I am an actor. I am not going to solve the nation's problems. I don't actually spend my life in the way the tabloids like to think I do. I actually spend 95 percent of it writing comedy. Sober. Well, nearly sober anyway.

I'm Here All Weak might be the strangest comedy album I have ever heard. But I've listened twice, which is more than I listen to 90 percent of all comedy albums, so I think I love it?

Everybody says how hard comedy is, but, when it comes time to honor things, whether it's on a weekly critical basis or whether it's award time, at that time of the year, comedy is the poor, dumb child of dramatic work.

I don't personally feel comfortable performing in a comedy club, mainly because as an audience member, I've never enjoyed that experience. It feels a little bit theme-park-ish to me, in that it's a club whose product is comedy. I find that weird. It's like those specialty chocolate stores, where everything is chocolate. It's too specific. I like going somewhere that specializes in variety.

I can't imagine a successful comedy movie without a successful comedy performance at the heart of it.

Just by nature, I think in comedy. I think in sketches and what have you. In every drama or action movie I've been in, I have to make a concerted effort not to turn it into a comedy. Every shot, before action is called and after cut is called, I'm usually in some goofy head space. It feels natural to me.

Humor is not funny. Humor is something else. Funny is a joke, sometimes silly. Comedy is deep and connected to tragedy; comedy could be deeper than tragedy, in my view.

I'm a comedy geek so anything comedy related, whether that's standup shows, improv shows, I'm all over that. That's my favorite way to be entertained always.

There's a certain rhythm to comedy that is almost like you're dancing and you just go on autopilot, so to speak. There's something just beautifully enjoyable about comedy in that respect. It's a joy to be able to do that. Drama, you get to go to depths that you haven't gone to before.

I felt audiences are happier to take comedy people who play darker people because there's a link between the psychosis of comedy and the psychosis of being a twisted character.

I cant imagine getting bored with comedy or thinking comedy is beneath us suddenly.

I did skit comedy online for many years, beginning around 2001. Around 2006 I started watching a lot of food television and got re-interested in food. I come from a very food-obsessed family. But I also wanted to do my own thing, which was the comedy.

I think that you take the path of least resistance. And for a lot of people comedy is that path. I mean, even against mainstream, it's easier to sell a comedy than a drama.

I'll probably stick to comedy for the time being. I mean, a great piece of work is a great piece of work, and I'm up for good work anytime. But I do love comedy!

I think that comedy is a good defense for a child. Because you know childhood is a nightmare as it is. And so why not use comedy and being funny as a defense to get through your life as opposed to drugs, alcohol and good looks? Because those things are dangerous when your young.

Almost every comedy you see is about people making all wrong choices and making all the errors of judgement possible. Good comedy is when it works on this scale. Because it is psychologically very real.

I really love writing comedy. Writing romantic comedy is even nicer because you get to write about how insane we all act when we're falling in love.

The work I'm doing on the screen differs from that of anyone else. My comedy is of a peculiar nature...no writers have been developed along the lines of my type of comedy and this is why I sometimes have differences with writers, supervisors and directors alike.

I like comedy, not violence, but violence is making a lot of money. But comedy is what I like.

I wanted to come to Chicago. I also wanted to do "Saturday Night Live." And then I got to a place where I didn't want to do those things anymore.For the sketch comedy thing, I got cast on "MADtv," and that will kill any man's desire to do comedy.

I don't think so much about verbal comedy. I always think about visual comedy. I was raised watching silents, and I'm always thinking about how to make cinema, not good talking - although I want good talking. I'm much more interested in framing, composition, and orchestration of bodies in space, and so forth. My goal is always what Chuck Jones wanted his Warner Brothers cartoons to be, which was if you turn down the sound, you could still tell what's going on. I think if you watch most of my films with the sound off, you could still tell what's going on.

There are a couple of things I want to impart to ladies who want to be in comedy: One, you don’t have to be weird or be quirky to get your job done. And two, comedy skill is not sexually transmittable. You do not have to sleep with a comedian to learn what you’re doing. Male comedians will not like that advice, but it is the truth.

If you ask me right now, you've seen the last of Mind of Mencia. I don't want to be a one-trick pony. I would rather walk away and do more movies, comedy and even some dramatic roles.

I don't want to sit and cry for an hour in a movie. I'd rather have an action or a comedy.

Michael Jackson wanted to be in Men in Black II. He told me he had seen the first Men in Black in Paris and had stayed behind and sat there and wept. I had to explain to him that it was a comedy.

My comedy comes from pain. I can't stand to see someone hurting.

In my life, I didn't get into comedy to be - I had no business model. All I wanted to do was, basically, finish becoming myself. And you stand in front of people and be seen and heard in this format. I thought it was the most practical format for me to express whatever it was I was going through. Whatever my ideas were in my evolving philosophy about life. I obviously don't sell out theaters. I'm not a household name. I'm not incredibly consistent in terms of doing the same act over and over again, and I'm definitely working out a lot of my existential issues onstage.

When it comes to comedy, they always say, "Jackée, whatever comes to your mind." But heaven forbid I can't think of something. It's never happened yet, thank God. I may knock on wood.

Comedy is king. It has to be.

I'm trying my hand at writing. I'm writing a couple of projects for HBO, a half hour comedy and a miniseries.

I'm at least getting my foot in the door as far as doing straight dramatic parts, which no one would have ever considered me for in the '80s. I never objected to that because I love doing comedy, and I'm not the kind of actor that insists that unless you're doing a serious dramatic role, you're not acting.

Most people go on living their everyday life: half-frightened, half indifferent, they behold the ghostly tragic-comedy that is being performed on the international stage before the eyes and ears of the world.

I've always said that I myself am not the best audience for my own work, because I'm just not that receptive to comedy.

You learn to laugh at yourself and you also lean on comedy as a crutch to kind of take the edge off because comedians often are self-deprecating and they cross lines that they shouldn't. Stuff like that brings a smile to my face every once in a while when needed.

As long as there's Big Momma, we're going to bring you comedy.