Quotes About Kid

You can't answer a kid's question. A kid never accepts any answer. A kid never says, 'Oh, thanks. I get it.'... They just keep coming with more questions - why, why, why? - until you don't even know who the fk you are anymore at the end of the conversation. It's an insane deconstruction.

The idea of social performance, that we're always performing identities, is something I got fairly obsessed with. I think it's probably because I am a person who went to 15 different elementary and middle schools. I moved all the time, often having to run out in the middle of the night because my mom couldn't pay the bills. There were schools where I'd be the poor loser kid. There were schools where I'd suddenly be the smart kid or the cool kid, although that was very seldom.

"Let's say we discover the gene that says the kid's gonna be gay. How many parents, if they knew before the kid was gonna be born, [that he] was gonna be gay, they would take the pregnancy to term? Well, you don't know but let's say half of them said, "Oh, no, I don't wanna do that to a kid." [Then the] gay community finds out about this. The gay community would do the fastest 180 and become pro-life faster than anybody you've ever seen. ... They'd be so against abortion if it was discovered that you could abort what you knew were gonna be gay babies."

And that really captures the difference for the bullied straight kid versus the bullied gay kid, is that the bullied straight kid goes home to a shoulder to cry on and support and can talk freely about his experience at school and why he's being bullied. [...] And I couldn't go home and open up to my parents.

Never stop being a kid, Richard. Never stop feeling and seeing and being excited with great things like air and engines and sounds of sunlight within you. Wear your little mask if you must to protect you from the world but if you let that kid disappear you are grown up and you are dead.

First time I ever took acid and got really high, as I was walking around I thought "Gee. The world looked like this when I was a little kid." I remember seeing the sparkling reality and three-dimensionality of things. Sort of like a renewal, every time you do it is a renewal, it is a renewal. It keeps your head young. It lets you keep that being able to accept the new thing just as easily as a kid would. Most people get all this stuff in their head like an old library, no room for the new volume to go on the shelves.

I was a kid in the third grade ... saw a dummy in the toy store. In the '60s and '70s there were a lot of those vinyl ventriloquism dummies - just about every toy store had one. Everyone close to my age that I've talked to, especially guys for some reason, tell me that they had one too, but they said they never could do it. So many people come up to me and say that. It was just something that I thought was cool. I started doing book reports with it - I developed the skill. I easily got A's on all my reports. It was just something that a little kid grasped on to - so I stuck with it.

Normal people have an incredible lack of empathy. They have good emotional empathy, but they don't have much empathy for the autistic kid who is screaming at the baseball game because he can't stand the sensory overload. Or the autistic kid having a meltdown in the school cafeteria because there's too much stimulation.

When I started out playing chess as a kid I thought I should be world champion. As a kid you have no idea what that means and you only sort of picture it. It is hard to imagine that I waited all those years and it happened in a late stage of my career.

Every kid coming out of Harvard, every kid coming out of school now thinks he can be the next Mark Zuckerberg, and with these new technologies like cloud computing, he actually has a shot.

Ever since I was a little kid, I've felt comfortable in a suit. It all started when my mom bought me a three-piece Pierre Cardin suit. I wore that thing everywhere. Eventually I realized I was going to be the kid who got beat up in school, but I kept wearing it.

My mom was always like, "If you love it, do it. If she's actually having fun, and I know that my kid is having fun, she's gonna do whatever she wants. Whether that's gymnastics, learning the car, acting or just being a normal kid, she's gonna do what makes her happy." That's how I've always lived my life.

This sounds corny, but I once told a kid when I was in a the library conference, the best - not the best, what I really hope for is that someday 20, 30 years from now, some kid, 12-year-old, 15-year-old, in Des Moines will be going through the stacks, if they have stacks anymore - they probably won't - and find a book of mine and get something from it.

People always tell me I need to have a kid, and I say, No, I don't. Because I wouldn't have just one kid; I'd have six. I need a huge family. So I just kind of fill my house with tons of rejects and misfits so it feels like I have a bunch of children.

Back when I was on my first assignment as a seeker, I was way out in Arizona. Brought in this kid named Clarisse.” “Clarisse?” “Sibling of yours,” Hedge said. “Ares kid. Violent. Rude. Lots of potential.

And when I was a kid being an actor was not cool. I'm thirty now and when I was a kid in the 80s that wasn't a cool thing to be.

As a kid, I was fortunate that we grew up near a children's theater, with all different classes and things; so as a kid I took classes there and as I got into high school I did all the community theater stuff. Then I came to college here in New York, going to Marymount Manhattan, and studied acting there. But most of the training I got was from working. Working with really great people.

I was a super shy, shy kid, so that was kind of my way of expressing myself - to mimic what I saw on TV. I was a bit of a weird kid, but luckily my parents encouraged it.

Before the whole Disney realm had undergone this huge revamping, as a kid, I always saw myself doing these dramatic indie parts. And then I fell in love with doing comedy and doing kid shows and really working for kids.

A moment I've been dreading. George brought his ne're-do-well son around this morning and asked me to find the kid a job. Not the political one who lives in Florida. The one who hangs around here all the time looking shiftless. This so-called kid is already almost 40 and has never had a real job. Maybe I'll call Kinsley over at The New Republic and see if they'll hire him as a contributing editor or something. That looks like easy work.

I played soccer all my life and I used to think growing up that they put the fat kid in goal or they put the kid that wasn't good with the ball at their feet in goal and I never wanted to do goalkeeper, I was always the goal scorer.

A shame really, because putting the right book in the right kid’s hands is kind of like giving that kid superpowers.

I took a year and a half off, when my kid was born, because I didn't want to be one of those dads where the kid doesn't know who his dad is.

With the first kid, you micromanage it, making sure there's no hair out of place when it goes off to school. But by the third kid, it's more like, "Oh, you want to wear a splatter-painted, Hard Rock Café T-shirt for seven days in a row and not brush your hair? Go for it. Be who you want to be."

I don't know if I was a funny kid. I would say I was a loud and weird kid.

You know there's always that kid in your class — and every class has one — the kid who draws all the time and is really good? That was not me. I was a lousy draftsman. But as soon as I figured out that I could make things come alive, like using the corners of my math book to make flipbooks, I was hooked.

What I'm asking people to do is to look at their lives, wherever they may be. I mean, you may be a housewife or a mother in Gauteng and you're driving your kid to school, you know, and you've got one kid in the back and you're driving 30 kilometres to school and 30 kilometres back, so 60 kilometres in a day, to take one child to school. Is there a possibility that you can put a few more kids, some friends' kids in the car, and start saving on those types of things?

As a kid, I was searching for my tribe of other people who saw through the matrix. Even as a kid I could never buy into the status quo. I just thought it was a joke; I couldn't believe other people weren't laughing at it.

I was alone a lot as a kid, because my parents were divorced.

I'm getting fed up of living away from home so much. They look after you very well but it doesn't matter how well you're looked after, how nice the hotel is, if you're away from home constantly, the bloody dog savages you, thinks you're a stranger, the kid cries and the wife's stuck to your face!

I think writers have to be able to enjoy solitude rather than just endure it. I've always enjoyed being left alone with my imagination, ever since I was a kid.

It was during this [as a kid] time that I came out of my shell vocally and performance wise, I learned how to really and truly sing in a different way.... my way. It was an amazing experience because I also realized my lifelong dream - to sing my own songs...I have something to say and it was a great release for me to share that part of myself with others.

When I was a kid, I used to escape from my family with my imagination, and I kept this spirit into my adult life. This doesn't always happen. All children have imagination, but for some it doesn't carry over.

Pretty much all comic-book people, like all Hollywood people, for the most part, are pretty liberal. I think especially UK writers. Alan Moore is probably the most radical guy you'll ever meet. I grew up loving those guys, so my heroes, as a kid, were radical cartoonists, essentially. I couldn't help but - I grew up in a left-wing household. But I do think it's fun, writing right-wing characters. I've found it interesting, just as a writer, to get inside their heads and make them likeable.

I'd always wanted to write books ever since I was a kid.

When I first came to New York, I knew some painters older than myself. I was kind of the kid who was allowed to hang out with them. That is more the way people talked in those days, it was perfectly normal to question a work's fundamental premises and its fundamental visual manifestations. It was perfectly okay to say, "Oh, that should have been red" or something like that. In a funny way, the way artists talk about art is to de-privilege it.

The question is, 'how bad at sports were you as a kid?' I grew up near where they film Jersey Shore. If you weren't tan, muscular, and book-averse, you were a dork and a nerd and a geek and stuff. I remember being into Gary Larsen, Stephen Wright, Peter Sellers.

My daughter is very strong-willed and is a great kid. She doesn't drink. She doesn't smoke. She doesn't fold to peer pressure. I think how affectionate my wife and I have been with her over the years all plays into that. She realizes the more people she is exposed to that kids who have both parents around grow up to be much better people.

I was sort of a sissy as a little kid.

When I was a kid, I wanted to be a scientist or an actress. My daughter really wants to be a scientist. I really want her to be a scientist, not an actress!

When you have a kid, it changes your life. It reminds you, this is my life now: I'm responsible for this tiny person. It's so surreal.

I had bags of energy as a kid.

I didn't grow up a theatre kid, going to theatre camps. I played sports, and that was my main direction. But luckily, I never had to choose between sports and theatre.

I personally was driven to be an actor for the love of telling a story. It was very closely linked to being a reader as a kid and being transported by literature and art. It had nothing - zero - to do with anything resembling fame.

I did always dream of being a professional player. I think every kid does dream of being a pro, but to last the journey you have to love tennis as a sport and if you are lucky enough to make it in the pros, it is really a bonus.

When someone shows you a picture of their kids what they don't want to hear is Oh, yeah, I got pictures of your kid too.

To come into camp and have my defensive coordinator say you won't be touched, I feel like a kid all over again.

When I was a young kid I loved Don Rickles, Buddy Hackett and Jackie Vernon.