Quotes About Memory

You have to be reminded of a basic fact: intelligence belongs to the watching consciousness; memory belongs to the mind. Memory is one thing - memory is not intelligence. But the whole of humanity has been deceived for centuries and told indirectly that the memory is intelligence. Your schools, your colleges, your universities are not trying to find your intelligence; they are trying to find out who is capable of memorizing more. And now we know perfectly well that memory is a mechanical thing. A computer can have memory, but a computer cannot have intelligence.

Memory is therefore, neither Perception nor Conception, but a state or affection of one of these, conditioned by lapse of time. As already observed, there is no such thing as memory of the present while present, for the present is object only of perception, and the future, of expectation, but the object of memory is the past. All memory, therefore, implies a time elapsed; consequently only those animals which perceive time remember, and the organ whereby they perceive time is also that whereby they remember.

Advent's intention is to awaken the most profound and basic emotional memory within us, namely, the memory of the God who became a child. This is a healing memory; it brings hope. The purpose of the Church's year is continually to rehearse her great history of memories, to awaken the heart's memory so that it can discern the star of hope.

One can say that the city itself is the collective memory of its people, and like memory it is associated with objects and places. The city is the locus of the collective memory.

Memory is the friend of wit, but the treacherous ally of invention; there are many books that owe their success to two things; good memory of those who write them, and the bad memory of those who read them

In the camp, this meant committing my verse-many thousands of lines-to memory. To help me with this I improvised decimal counting beads and, in transit prisons, broke up matchsticks and used the fragments as tallies. As I approached the end of my sentences I grew more confident of my powers of memory, and began writing down and memorizing prose-dialogue at first, but then, bit by bit, whole densely written passages. My memory found room for them! It worked. But more and more of my time-in the end as much as one week every month-went into the regular repetition of all I had memorized.

We only really remember things for five years. After that, what we remember, what's actually etched in our brain is our memory of the thing, not the thing itself. And five years after that, what's left is our memory of the memory.

When we have the same thought again, the line of the original thought is deepened, causing what's called a memory trace. With each repetition the trace goes deeper and deeper, forming and embedding a pattern of thought. When an emotion is tied to this thought pattern, the memory trace grows exponentially stronger.

Great music is that which penetrates the ear with facility and leaves the memory with difficulty. Magical music never leaves the memory.

If we lose our memory, we lose ourselves. Forgetting is one of the symptoms of death. Without memory we cease to be human beings.

Memory belongs to the imagination. Human memory is not like a computer which records things; it is part of the imaginative process, on the same terms as invention.

If there is any realm where distinction is especially difficult, it is the realm of childhood memories, the realm of beloved images harbored in memory since childhood. These memories which live by the image and in virtue of the image become, at certain times of our lives and particularly during the quiet age, the origin and matter of a complex reverie: the memory dreams, and reverie remembers.

I don't know what's my first real memory. When you're little, you're always looking forward to days that are special, like Christmas, birthdays, the Fourth of July, and family gatherings. But I can't pinpoint my earliest memory.

Memory is quite central for me. Part of it is that I like the actual texture of writing through memory.

It is strange how a memory will grow into a wax figure, how the cherub grows suspiciously prettier as its frame darkens with age-strange, strange are the mishaps of memory.

I think all writing is political. All writing shows a preoccupation with something, whatever that thing might be, and by putting pen to paper you are establishing a hierarchy of some sort - this emotion over that emotion, this memory over that memory, this thought over another. And isn't that process of establishing a hierarchy on the page a kind of political act?

I was once married to a woman who could eat anything and tell you what was in it: the most complicated recipes. Her memory of taste - now that's what I call memory!

It is not however, adulthood itself, but parenthood that forms the glass shroud of memory. For there is an interesting quirk in the memory of women. At 30, women see their adolescence quite clearly. At 30 a woman's adolescence remains a facet fitting into her current self.... At 40, however, memories of adolescence are blurred. Women of this age look much more to their earlier childhood for memories of themselves and of their mothers. This links up to her typical parenting phase.

I've met quite a number of people in my career, but I do have an extraordinary memory. And even though they may drift into the periphery of my memory, I can bring them right back when I need them.

I'd say my best memory was climbing Mt. Fuji, and the worst memory was... trying to fit my feet into the free giveaway slippers at Japanese schools.

I suppose identity depends on memory. And if my memory is blotted out, then I wonder if I exist - I mean, if I am the same person. Of course, I don't have to solve that problem. It's up to God, if any.

A person's memory is everything, really. Memory is identity. It's you.

My own journey in becoming a poet began with memory - with the need to record and hold on to what was being lost. One of my earliest poems, Give and Take, was about my Aunt Sugar, how I was losing her to her memory loss.

I started to realize, a lot of times if you go into your memory, your sense memory, you know more than you think you do, from having watched and listened.

Postmodern theatre seems unwilling to listen to talk about textual or theatrical heritage, which it treats as no more than memory in the technical sense of that word, as an immediately available and reusable memory bank.

It is all very well to copy what one sees, but it is far better to draw what one now only sees in one's memory. That is a transformation in which imagination collaborates with memory.

There are a hundred places where I fear To go, --so with his memory they brim! And entering with relief some quiet place Where never fell his foot or shone his face I say, 'There is no memory of him here!' And so stand stricken, so remembering him!

History is a people's memory, and without a memory, man is demoted to the lower animals.

An animal is not cruel; it lives wholly in the instant leap on its prey, in the present taste of marrow or blood. Cruelty begins with the memory, and the pleasures of the memory are impure; they draw their strength along levels where no sun has reached.

I started making work, and it's like, yes you are calling out all of these things that are part of your memory, your body's memory, things that have gone through your pores, what you've seen, what you've experienced, and you spill them out without thinking. I don't think so much about, "Okay, I'm going to make work, and it's going to be about this." It's just going to come out.

User experience is really the whole totality. Opening the package good example. It's the total experience that matters. And that starts from when you first hear about a product experience is more based upon memory than reality. If your memory of the product is wonderful, you will excuse all sorts of incidental things.

I love that the idea of examining memory, and the way memory is edited was made more interesting because it was being filtered through a writer.

Over the years Woodstock got glorified and romanticised and became the event that symbolised Utopia. It's the last page of our collective memory of the age of innocence. Then things turned ugly and would never be the same again.

Memory offers up its gifts only when jogged by something in the present. It isn't a storehouse of fixed images and words, but a dynamic associative network in the brain that is never quiet and is subject to revision each time we retrieve an old picture or old words.

Like an old photograph, time can make a feeling fade, but the memory of a first love never fades away.

Ironically, when I was playing in my first band, I would deliberately not write down any lyrics. I have a really good memory and I would just keep them in my head.

Prophet may you be! If I be false, or swerve a hair from truth, when time is old and hath forgot itself, when waterdrops have worn the stones of Troy, and blind oblivion swallowed cities up, and mighty states characterless are grated to dusty nothing, yet let memory, from false to false, among false maids in love, upbraid my falsehood!

And he wants you to keep that at the front of your mind? He wants you to stay focused on the darkest seasons of your life? How could that possibly do any good?' . . . He wants you to remember who delivered you from that time. That's the point of holding on to memory: delivery, not darkness.

Fading, with the Night, the memory of a dead love, and the withered leaves of a blighted hope, and the sickly repinings and moody regrets that numb the best energies of the soul: and rising, broadening, rolling upward like a living flood, the manly resolve, and the dauntless will, and the heavenward gaze of faith-the substance of things hoped for, the evidence of things not seen!

The most important, the longest lasting, the strongest emotional, and the most practiced memories are the ones that are embedded the deepest in the brain, and because we have retrieved them so many times previously, they are the most able to be retrieved. We all hear about people who can remember their youth, their phone number, or street address from 70 years ago, but they cannot recall what they had for breakfast. The memory of this morning's breakfast wasn't rehearsed, and wasn't very important, so it fades away quickly.

Memory is a great deceiver: it embroiders until naught is left but the glory and the pleasure.

I would be mute, beautiful, changless as the earth for you. I would be your memory, without age, always innocent, always waiting in the King's white house. I would do that for you and no other man inthe relm. But it would be a lie and I will do anything but lie to you - I swear that.

Many a man fails as an original thinker simply because his memory it too good.

Books are not only the arbitrary sum of our dreams, and our memory. They also give us the model of self-transcende nce.

Subjectivity is my middle name, a trick memory is my pack mule, and self-contradiction is my trusty old jackknife.

Our generation, like the one before us, must choose. Without the threat of the Cold War, without the pain of economic ruin, without the fresh memory of World War II's slaughter, it is tempting to pursue our private agendas -- to simply sit back and let history unfold. We must resist the temptation.

In the enlightenment cycle, attention is paid to bringing back the awareness field from other lives. This does not simply mean memory, but rather the internal power and intelligence that you have amassed in other lifetimes.

For me, all of the data that is contained in your cell memory, and in your energetic field, is able to be picked up.