Quotes About Bar

Even when I ran my bar I followed the same policy. A lot of customers came to the bar. If one in ten enjoyed the place and said he'd come again, that was enough. If one out of ten was a repeat customer, then the business would survive. To put it another way, it didn't matter if nine out of ten didn't like my bar. This realization lifted a weight off my shoulders. Still, I had to make sure that the one person who did like the place.

A man walks into a bar, and he said OUCH, cause it was an iron bar.

We [with Les Charles] started talking about hotel stories, and we found that a lot of the action was happening in the hotel bar. We actually thought of that while we were in a bar: "Why would anyone ever leave here?"

The term "genocide" is often incorrectly assumed to mean extreme examples of mass murder associated with war, with the death of millions of individuals, as, for instance in Cambodia. Although clearly the Holocaust was the most extreme of all genocides, the bar set by the Nazis is not the bar required to be considered genocide. Most importantly, genocide does not have to be complete to be considered genocide.

The bar for being shocking doesn't even exist anymore. What am I going to do to shock people? Seriously, try to get The Fisting Musical off the ground? Its really at this point, there is no bar.

I worked at the original Coyote Ugly bar when I was a young, unpublished writer. Then later when I became a writer, I wrote an article about it for GQ. Disney read this article about this filthy, disgusting pit in the East Village [of New York City], where we used to set the bar on fire to get customers away from us, and said, "That's a great movie for kids!" They made the fantastic Coyote Ugly movie, now legendary.

If you put a Mars bar in one of Glenn Hughes’ hands and a bass in the other, he’ll choose the Mars bar.

We're bar room buddies and we're the best kind, nobody messes with that friend of mine. Chug-a-lug-a-lug-a-lugga, bar room buddy of mine.

When I began rapping, I only had one form at my disposal. All I had, all I needed was a rhyme verse; sixteen bar, thirty-two bar, whatever it was. If I had an idea it came out as a rhyme. When I challenged myself to think beyond that, my first thing other than a rhyme that I wrote was a play.

I feel like there's not this black-and-white division between concert hall music and music that bands play in a bar. I don't know if this was ever truly the case, but I don't feel that I need to decide between playing for a sit-down, totally silent audience and playing for a bunch of noisy, drunk people in a bar. What I do with the group is somewhere in between.

I played in front of every conceivable audience you could face: an all-black audience, all-white, firemen's fairs, policemen's balls, in front of supermarkets, bar mitzvahs, weddings, drive-in theaters. I'd seen it all before I ever walked into a recording studio.

I've never been one for sitting on beaches. Let me tell you who I am: I'm a girl from New Jersey who moved to New York and worked in a bar while trying to make a living at what I really wanted to do, which was act.

To hang out in a gay bar or put on a sequined halter top makes me feel like a total person.

I've always been fascinated by the Gold Coast. The homes themselves are spectacular, unlike anything you'll see other than in Newport, Bar Harbor or Palm Beach. It's a very special area that, because of local demographics, is not going to survive much longer.

I use the term bar-room to represent every means for the sale and traffic in liquor, and I earnestly appeal to the people to put an end to the traffic, no matter under what name or guise it may be carried on.

I'd like to be remembered. I'd like to think that someday two guys will be talking in a bar and one of them will say something like, 'Yeah, he's a good shortstop, but he's not as good as ole Ripken was.'

When somebody brings up a movie (of mine) that I haven't heard about in a long time, I feel like a 70-year-old pitcher at a bar somewhere, and somebody walks in and says, 'Oh, my God, I was in St. Louis and I saw you. You pitched a shutout.' It's real. I really did do that, because someone today remembers it.

I suppose the nearest equivalent to a bar mitzvah in terms of emotional build-up would probably not even be one's wedding day, but one's coronation.

The Dior heritage is so broad. It has a strong presence in the work. So, when people have to define it quickly, it's, like, the Bar jacket and the movement and the luxury and the Belle Époque and so much more.

The desire to be a politician should bar you for life from ever being one.

I don't want to rip away the security that people finally have; 18 million people now have healthcare; preexisting conditions are no longer a bar.

Europe is scooters. Europe is five young people on one bench sharing a chocolate bar. Their idea of entertainment and fun is so much different than ours, which is exactly why a movie about them would be funny.

If I played in New York, they'd name a candy bar after me.

I can't go into a bar anywhere without someone starting to play 'the Entertainer'.

My parents' convictions, when it came to discipline, were not very strong. For my bar mitzvah, I gave out a mix tape of '90s grunge - if you got it now, you would think it was the 'Singles' soundtrack.

All of my friends are really good dancers, which was initially why I never danced - we'd go out and they would kill it and I'd be like, "Yeah, I'm just gonna sit at the bar." I broke my foot, and I couldn't run for a year, but I realized I could kind of dance. It reminded me how amazing dance is; it's so in tune with music - it is music. It's a physical expression of whatever music is. On stage, you're interacting with things - physical things. So I've really started to like and notice the way people move with music.

His musical inspiration operates in a world uncluttered by conventional bar lines, conventional chord changes, and conventional ways of blowing or fingering a saxophone. Such practical 'limitations' did not even have to be overcome in his music; they somehow never existed for him. Despite this - or more accurately, because of this - his playing has a deep inner logic. Not an obvious surface logic, it is based on subtleties of reaction, subtleties of timing and color that are, I think, quite new to jazz - at least they have never appeared in so pure and direct a form.

Hijras earn a living by egging, sex work, badhai or blessing. There are now transgenders in social work, the fashion industry, who have PhDs. I say, "Study, study, study." You need not wear a sari, and even our ancestors said you need not wear feminine attire to be part of the third gender. When I started bar dancing, nobody else was doing it. When I joined the social sector in 1999, there were no nonprofit organizations working for the rights of hijras in India. But I had to do it, I wanted my dignity.

I do like to start on time; I like to set the bar high for people.

If the history of the American sentence were a John Ford movie, its second act would conclude with the young Ernest Hemingway walking into a saloon, finding an etiolated Henry James slumped at the bar in a haze of indecision, and shooting him dead.

I closed my own jazz bar so I could be a man who can write novels as I like. I was pleased about that. This pleasure was connected to the pleasure of writing.

I put so much pressure on myself to raise the bar with each and every project. I treat it like every film is my last, and I make sure I pour everything I have into every film I make because if I'm not trying to improve, someone else will.

My father raised us like … we were not allowed to see people in any sort of colors, but also we were not allowed to call people fat. If ever we were to say, ‘Oh that fat person, or this person,’ he would make us put a bar of soap in our mouth and count to 10. We weren’t allowed to look at people like that.

For a degenerate like me, Vegas is like a walk down memory lane. Last time I went to Vegas, I went to my old coke dealer's kid's bar mitzvah.

I think it's sinful to give the audience material it knows already, whether the material is about race relations or the car culture or the depiction and placement of a candy bar.

Everyone said, ‘Brace yourself, Lupita! Keep a granola bar in that clutch of yours!’ I didn’t really understand what they meant, and it was only once it was past that I realized that my body had been holding on by a thread to get through this very intense experience. Nothing can prepare you for awards season. The red carpet feels like a war zone, except you cannot fly or fight; you just have to stand there and take it.

I think if you sing a song for the first time to your mom and dad, or your friends, and they go, 'That's pretty cool'-if you're playing at the local bar somewhere, or the coffee shop, singing songs, or if you have a gig somewhere and you're singing your own songs, I think that's some version of making it. ... It's not just about having commercial success; it's about having a great life.

The school-room sends men to the Legislature, to the bench, and the executive office. The bar-room sends them to the scaffold and hell.

I was raised Jewish and bar mitzvahed.

I'm an idiot, basically. I don't think that I'm a dumb guy, but I also realise that I have access to about 0.1 percent of the information that I need to have a truly informed opinion about half the stuff I talk about. I'm like that loud guy in the bar, who kind of makes sense for about ten minutes, and then you realise he flunked everything at high school so you just laugh at him.

My parents deeply and truly loved each other, and if my mother hadn't died they would have been together forever. They were together for as much of forever as was given to them. They really loved my brother and me and were very good to us. It gave the model of how to have a happy marriage and family, but it also set the bar very high.

Television for a child creates such a high bar of stimulus that nothing else competes. A beautiful day is absolute crap to a kid who watches tv.

Maybe you play a melody twice. You play it once like you like it, and some parts that you don't like you can just switch. An eight-bar motive - you can just take it and put it in the front or back or something like that. It can save you 50 or 60 or 70,000 dollars, a drum machine. That's why everybody uses it.

I was in Athens for a football match when 9/11 went down, and it was quite spectacular - we went into this bar and tried to find out what happened, and the bartender said "it's only the American and the Arabs. They're not big football nations." So the feeling was, what's it got to do with us? Why are football games being cancelled in Europe? The intelligentsia in the West feel like they have to figure out the significance of it all, whereas people have other pressing concerns, related to basic needs.

...as there is no screen or ceiling between our heads and the infinite heavens, so is there no bar or wall in the soul where man, the effect, ceases, and God, the cause, begins. The walls are taken away. We lie open on one side to the deeps of spiritual nature, to the attributes of God. Justice we see and know, Love, Freedom, Power. These natures no man ever got above, but they tower over us, and most in the moment when our interests tempt us to wound them.

Canada is like a nice family living over a biker bar . . . They keep telling the downstairs neighbors to keep down the noise, people are trying to sleep.

People go to casinos for the same reason they go on blind dates - hoping to hit the jackpot. But mostly, you just wind up broke or alone in a bar.

Tolerance does not...do anything, embrace anyone, champion any issue. It wipes the notes off the score of life and replaces them with one long bar of rest. It does not attack error, it does not champion truth, it does not hate evil, it does not love good.